| dc.contributor | 台文所 | - |
| dc.creator (作者) | 范銘如 | - |
| dc.creator (作者) | Fan, Ming-ju | - |
| dc.date (日期) | 2026-01 | - |
| dc.date.accessioned | 19-Aug-2026 13:36:50 (UTC+8) | - |
| dc.date.available | 19-Aug-2026 13:36:50 (UTC+8) | - |
| dc.date.issued (上傳時間) | 19-Aug-2026 13:36:50 (UTC+8) | - |
| dc.identifier.isbn (ISBN) | 9781032968186 | - |
| dc.identifier.uri (URI) | https://ah.lib.nccu.edu.tw/item?item_id=184539 | - |
| dc.description.abstract (摘要) | Sinophone women writers in Singapore emerged as a significant force in the literary landscape beginning in the 1970s, making a period of vibrant activity reach its zenith during the 1980s. The era witnessed the ascendance of female writers, establishing them as a pivotal group. Two distinct themes emerged in Singaporean Sinophone women’s literature: the portrayal of women’s issues common in women’s literature globally and the discussion of unique local language policies. While seemingly disparate, these themes are intricately interweaved, contributing to the rise and eventual decline of women’s literature. This chapter aims to explore the nuances of Sinophone literature of women writers in Singapore, particularly focusing on Zhang Xina, during the 1980s and the 1990s. It intends to examine the interplay between women’s writing, literary production, and language policy, using this unique case in literary history as the focus. | - |
| dc.format.extent | 153 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | The Southern Discourse in Sinophone Literature, Routledge, pp.43-55 | - |
| dc.title (題名) | Progress and Regress: Sinophone Women Writers of Singapore | - |
| dc.type (資料類型) | book/chapter | - |
| dc.identifier.doi (DOI) | 10.4324/9781003594116-5 | - |
| dc.doi.uri (DOI) | https://doi.org/10.4324/9781003594116-5 | - |
