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題名 電視監視器新聞的真實再現與釋義
The representation and interpretation of CCTV news.
作者 張詠晴
Chang, Yuan Ching
貢獻者 蘇蘅
Su, Herng
張詠晴
Chang, Yuan Ching
關鍵詞 電視新聞
監視器
影像監視
感官主義
再現
TV News
CCTV
Video Surveillance
Sensationalism
Representation
日期 2008
上傳時間 11-Sep-2009 16:20:12 (UTC+8)
摘要 本研究透過監視器在電視新聞發展歷程中的特殊性和新聞價值，以及監視器新聞的緣起和發展，結合電視新聞的相關理論和實證研究了解監視器影像和電視新聞媒體媒合以後，電視監視器新聞的敘事方式和其所再現的社會景觀以及社會文化意涵。
      透過內容分析法，本研究發現，多數監視器新聞以目擊事件現場為「賣點」，呈現對犯罪事件和特殊奇觀的現場感，然而也有不少新聞在監視器鏡頭外，用特殊的剪輯和運鏡技巧或是帶有情緒性的口語配音進行後製，加深觀眾的「共感氛圍」。在「求真」之外，也追求在視聽訊息上的感官化，並透過選擇新聞題材以及後製加工帶給觀眾強大的視覺衝擊力和感染力。
     監視器新聞主題中以暴力和犯罪為主，其次則為奇觀新聞。以感官化的手法呈現與社會安全相關的主題，以犯罪暴力為主題的監視器新聞人物，大多為社會上的邊緣團體，且多發生在都市區；奇觀新聞則以一般民眾為主，背景大多為非都市區；監視器新聞以一般市井小民為主要報導對象，公眾人物在監視器新聞裡十分罕見。監視器新聞再現的時空，突破新聞記者採訪佈線「時空」的限制。
      監視器新聞的畫面來源和主要受訪者皆為警方，且多為採用「單面報導」的方式，也就是說，警方掌握監視器畫面以及享有對監視器畫面的主要詮釋權，顯示了公共攝影的社會控制和詮釋的不對等關係。在監視器新聞主題中也看到了符合社會奇觀的主題，「記錄不容錯過的精彩生活片段」似乎成了監視器在社會中扮演的另類角色。
      當監視器與電視新聞媒合以後，電視新聞觀眾面對的是更多重、更奪目的真實形式。這些影像以「軟性化」或「衝突性」題材為主，而不是以訴諸理性或是傳達資訊的方式。監視器新聞帶出了公共危險的社會意象，對於邊緣團體化約、淺碟化的敘述，可能加深觀眾對於邊緣團體的刻板印象。整體而言，監視器新聞是一種去脈絡化的敘事形式，透過後製的音效和影像編輯，呈現緊張、懸疑和驚聳的氣氛，因此，監視器新聞所再現的都市空間形象是危險的、充滿不確定性的，為一種高社會犯罪率的隱喻。
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描述 碩士
國立政治大學
新聞研究所
95451029
97
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0095451029
資料類型 thesis
dc.contributor.advisor 蘇蘅zh_TW
dc.contributor.advisor Su, Herngen_US
dc.contributor.author (Authors) 張詠晴zh_TW
dc.contributor.author (Authors) Chang, Yuan Chingen_US
dc.creator (作者) 張詠晴zh_TW
dc.creator (作者) Chang, Yuan Chingen_US
dc.date (日期) 2008en_US
dc.date.accessioned 11-Sep-2009 16:20:12 (UTC+8)-
dc.date.available 11-Sep-2009 16:20:12 (UTC+8)-
dc.date.issued (上傳時間) 11-Sep-2009 16:20:12 (UTC+8)-
dc.identifier (Other Identifiers) G0095451029en_US
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/29800-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 新聞研究所zh_TW
dc.description (描述) 95451029zh_TW
dc.description (描述) 97zh_TW
dc.description.abstract (摘要) 本研究透過監視器在電視新聞發展歷程中的特殊性和新聞價值，以及監視器新聞的緣起和發展，結合電視新聞的相關理論和實證研究了解監視器影像和電視新聞媒體媒合以後，電視監視器新聞的敘事方式和其所再現的社會景觀以及社會文化意涵。
      透過內容分析法，本研究發現，多數監視器新聞以目擊事件現場為「賣點」，呈現對犯罪事件和特殊奇觀的現場感，然而也有不少新聞在監視器鏡頭外，用特殊的剪輯和運鏡技巧或是帶有情緒性的口語配音進行後製，加深觀眾的「共感氛圍」。在「求真」之外，也追求在視聽訊息上的感官化，並透過選擇新聞題材以及後製加工帶給觀眾強大的視覺衝擊力和感染力。
     監視器新聞主題中以暴力和犯罪為主，其次則為奇觀新聞。以感官化的手法呈現與社會安全相關的主題，以犯罪暴力為主題的監視器新聞人物，大多為社會上的邊緣團體，且多發生在都市區；奇觀新聞則以一般民眾為主，背景大多為非都市區；監視器新聞以一般市井小民為主要報導對象，公眾人物在監視器新聞裡十分罕見。監視器新聞再現的時空，突破新聞記者採訪佈線「時空」的限制。
      監視器新聞的畫面來源和主要受訪者皆為警方，且多為採用「單面報導」的方式，也就是說，警方掌握監視器畫面以及享有對監視器畫面的主要詮釋權，顯示了公共攝影的社會控制和詮釋的不對等關係。在監視器新聞主題中也看到了符合社會奇觀的主題，「記錄不容錯過的精彩生活片段」似乎成了監視器在社會中扮演的另類角色。
      當監視器與電視新聞媒合以後，電視新聞觀眾面對的是更多重、更奪目的真實形式。這些影像以「軟性化」或「衝突性」題材為主，而不是以訴諸理性或是傳達資訊的方式。監視器新聞帶出了公共危險的社會意象，對於邊緣團體化約、淺碟化的敘述，可能加深觀眾對於邊緣團體的刻板印象。整體而言，監視器新聞是一種去脈絡化的敘事形式，透過後製的音效和影像編輯，呈現緊張、懸疑和驚聳的氣氛，因此，監視器新聞所再現的都市空間形象是危險的、充滿不確定性的，為一種高社會犯罪率的隱喻。		zh_TW
dc.description.tableofcontents 第一章 緒論...............................................1
     第一節 研究背景............................................1
     第二節 臺灣電視新聞如何運用監視器新聞.........................6
     第三節 研究目的...........................................10
     第二章 文獻探討............................................11
     第一節 監視器新聞的社會意涵.................................11
     第二節 監視器新聞的緣起和發展...............................20
     第三節 監視器新聞的特色與真實再現............................29
     第四節 研究問題............................................47
     第三章 研究方法............................................49
     第一節 電視新聞的內容分析...................................49
     第二節 類目建構............................................52
     第三節 編碼前測與信度檢驗...................................61
     第四節 資料分析方法........................................64
     第四章 研究結果............................................65
     第一節 五台電視監視器新聞基本資料............................65
     第二節 各電視台監視器新聞的差異..............................81
     第三節 監視器新聞之內涵與意義...............................89
     第五章 結論與討論..........................................95
     第一節 重要研究發現........................................95
     第二節 討論與建議.........................................101
     第三節 研究限制與建議.....................................104
     參考書目..................................................107
     
     表目錄
     表3-1：研究時間抽樣結果.....................................51
     表3-2：監視器新聞類目之相互同意度............................63
     表4-1-1：新聞樣本變項分佈...................................65
     表4-1-2：監視器畫面佔監視器新聞比例分析.......................66
     表4-1-3：五台電視監視器新聞類型分佈..........................66
     表4-1-4：電視監視器新聞播出時段分析..........................67
     表4-1-5：電視監視器新聞包裹形式..............................67
     表4-1-6：五台電視監視器新聞主題分析..........................68
     表4-1-7：監視器新聞時間框架.................................69
     表4-1-8：電視監視器新聞發生地................................70
     表4-1-9：電視監視器新聞發佈區域和室內、室外情況................71
     表4-1-10：電視監視器新聞之新聞區域分佈........................71
     表4-1-11：電視監視器新聞畫面再現之主要人物....................73
     表4-1-12：電視監視器新聞畫面所呈現主要人物之臉孔清晰程度........74
     表4-1-13：監視器畫面為彩色或黑白.............................74
     表4-1-14：電視新聞監視器畫面影像來源.........................75
     表4-1-15：電視監視器新聞受訪者分佈...........................76
     表4-1-16：監視器新聞事件背景呈現情形.........................76
     表4-1-17：新聞台對於監視器新聞報導事件後續發展呈現情...........77
     表4-1-18：電視監視器新聞主題分析.............................77
     表4-1-19：電視監視器新聞記者敘事方式.........................78
     表4-1-20：電視監視器新聞報導方式與報導語調....................78
     表4-1-21：電視監視器新聞感官化手法分析........................79
     表4-1-22：電視監視器新聞窺探手法分析.........................80
     表4-2-1：五台監視器畫面佔總新聞長度之比例.....................81
     表4-2-2：四家電視監視器新聞主題框架之差異.....................82
     表4-2-3：四台監視器新聞與新聞時段之差異.......................82
     表4-2-4：四台呈現監視器主要人物之差異.........................83
     表4-2-5：四家新聞台呈現犯罪者比例之差異.......................83
     表4-2-6：四家電視台以警方為受訪者之差異.......................84
     表4-2-7：四家電視監視器以「強調奇異性」為新聞角度之差異.........85
     表4-2-8：四家電視監視器新聞以「守望社會」為新聞角度之差異.......85
     表4-2-9：四家電視監視器新聞以「道德教化」為新聞角度之差異.......85
     表4-2-10：四家電視監視器新聞感官化表現之差異..................87
     表4-2-11：四家電視監視器新聞窺探敘事之差異....................88
     表4-3-1：電視監視器新聞角度分析..............................89
     表4-3-2：電視監視器新聞再現真實分析..........................90
     表4-3-3：新聞空間與特殊奇觀新聞主題卡方檢定...................91
     表4-3-4：一般民眾與監視器新聞主題的關係.......................92
     表4-3-5：新聞角度和電視新聞感官化的關係.......................93
     表4-3-6：監視器新聞再現和電視新聞感官化的關係..................94
     
     圖目錄
     
     圖1-1：大眾真實電視分類圖...................................21
     
     附錄
     
     附錄一 五家電視台簡介.....................................116
     附錄二 電視監視器新聞編碼表................................120
     附錄三 電視監視器新聞內容分析編碼說明.......................131		zh_TW
dc.language.iso en_US-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0095451029en_US
dc.subject (關鍵詞) 電視新聞zh_TW
dc.subject (關鍵詞) 監視器zh_TW
dc.subject (關鍵詞) 影像監視zh_TW
dc.subject (關鍵詞) 感官主義zh_TW
dc.subject (關鍵詞) 再現zh_TW
dc.subject (關鍵詞) TV Newsen_US
dc.subject (關鍵詞) CCTVen_US
dc.subject (關鍵詞) Video Surveillanceen_US
dc.subject (關鍵詞) Sensationalismen_US
dc.subject (關鍵詞) Representationen_US
dc.title (題名) 電視監視器新聞的真實再現與釋義zh_TW
dc.title (題名) The representation and interpretation of CCTV news.en_US
dc.type (資料類型) thesisen
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