| dc.contributor.advisor | 孫善豪 | zh_TW |
| dc.contributor.author (Authors) | 王建評 | zh_TW |
| dc.contributor.author (Authors) | WANG, JIAN-PING | en_US |
| dc.creator (作者) | 王建評 | zh_TW |
| dc.creator (作者) | WANG, JIAN-PING | en_US |
| dc.date (日期) | 2006 | en_US |
| dc.date.accessioned | 14-Sep-2009 13:49:08 (UTC+8) | - |
| dc.date.available | 14-Sep-2009 13:49:08 (UTC+8) | - |
| dc.date.issued (上傳時間) | 14-Sep-2009 13:49:08 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0922610092 | en_US |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/32388 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 中山人文社會科學研究所 | zh_TW |
| dc.description (描述) | 92261009 | zh_TW |
| dc.description (描述) | 95 | zh_TW |
| dc.description.abstract (摘要) | 本文是對人類自由心靈的探究，藝術作品則是做為探索的中介；藝術作品中的審美感性作用本是「私己的」，然而，由於藝術作品來自於社會的集體生產，使得藝術作品在私人審美之前，早已沾染「他人」的價值判斷─私密的審美其實是社會性的。審美價值的傾注及接收皆在不知不覺中進行著，審美之人在接受、認同審美價值的過程中，總是帶有拜物教的形式意味；而拜物教又與人類的宗教崇拜心境直接關聯著，因此，本來看似「自由」的審美體驗，其實與象徵「束縛」的權威互為條件，事實上，走在自由的路上就是走在服從權威的路上。「詮釋」則被視為是審美價值傳遞的必要媒介，亦是使得拜物教形式得以可能的必然現象。 | zh_TW |
| dc.description.abstract (摘要) | This article is an inquiry about freedom of human’s mind, the artwork is presented as intermediary of it. Aesthetic function is originally private, but actually is embedded with “fait social” by dint of artwork’s social-production character , which makes every man’s aesthetic values is utterly infiltrated by ”Others” before they make their own judgment : aesthetic judgment which appears private is in fact social-collected. The impregnation and absorption of aesthetic values always processes in state of unconsciousness. When people intake and approve the values given by others, they worship in form of fetishism ; Fetishism is associated with the worship of religion, therefore aesthetic experience containing human’s free choice is correlated with authority symbolizing constraint. In fact, when we quest for freedom, we’re at the same time in quest of conformity. Explanation is regarded as necessary intermediary communicating aesthetic judgment as well as indispensable phenomenon conditioning the worship of fetishism. | en_US |
| dc.description.tableofcontents | 壹、 導論：追尋自由還是追尋權威？………………………1 貳、 藝術作品的當代體驗。…………………………………14 1、 藝術體驗：兩難。雙重性。………………………………14 2、 體驗：永不歇息的創作。…………………………………21 3、 藝術作品的雙重性：做為社會底「物」與作為實項(reell)底「物」………………………………………………………29 4、 「回到自己」：體驗藝術的真諦。………………………42 參、 審美槓桿：「他人」的把持。…………………………53 1、 「常人」：審美無意識。…………………………………53 2、 集體性：「我」在藝術體驗中與「他人」的關係。……64 3、 拜物教：對他人權威的崇拜樣式。………………………78 肆、 意義：藝術做為一種語言。……………………………90 1、 「意義」與「價值」：意向體驗的本質。…………………90 2、 詮釋：藝術體驗在社會中的傳遞。………………………101 a) 自體詮釋：「疊高塔」的遊戲。…………………………………………101 b) 「理解」與「解釋」的必然性：對舒斯特曼的反駁。…………………112 3、 「關係」：意義在社會中的翻轉。........................................124 伍、 拜物教徵候：幻象的真理性。…………………………147 1、 拜物教的神秘起源：感性與神性的交會。………………147 a) 崇拜的本質：論費爾巴哈的宗教概念。……………………………..…147 b) 感性契機：阿多諾論藝術的「幻象」的必然性。………………………160 2、 拜物教：理論的考察。……………………………………169 a ) 詞的當代定義：從宗教到崇拜。…………………………………………169 b ) 商品拜物教：馬克思的三項遺產。………………………………………174 c ) 「布希亞拜物教」：從價值到符號。……………………………………184 陸、 結論：權威─藝術體驗的必然性。……………………194 參考書目……………………………………………………198 | zh_TW |
| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0922610092 | en_US |
| dc.subject (關鍵詞) | 體驗 | zh_TW |
| dc.subject (關鍵詞) | 他人 | zh_TW |
| dc.subject (關鍵詞) | 意義 | zh_TW |
| dc.subject (關鍵詞) | 關係 | zh_TW |
| dc.subject (關鍵詞) | 拜物教 | zh_TW |
| dc.subject (關鍵詞) | 崇拜 | zh_TW |
| dc.subject (關鍵詞) | experience | en_US |
| dc.subject (關鍵詞) | Others | en_US |
| dc.subject (關鍵詞) | meaning | en_US |
| dc.subject (關鍵詞) | relation | en_US |
| dc.subject (關鍵詞) | fetishism | en_US |
| dc.subject (關鍵詞) | worship | en_US |
| dc.title (題名) | 審美體驗的社會性─論藝術作品中的他人、語言、拜物教 | zh_TW |
| dc.title (題名) | Social character immanent in aesthetic experience : A study on Others, language, and fetishism of artwork | en_US |
| dc.type (資料類型) | thesis | en |
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| dc.relation.reference (參考文獻) | Husserl, Ideen I = Husserl , Edmund. Ideen zu einer reinen Phänomenologie und phänomenologischen Philosophie. Erstes Buch : Allgemeine Einführung in die reine Phänomenologie. The Hague , Netherlands : Martinus Nijhoff , 1976. | zh_TW |
| dc.relation.reference (參考文獻) | Husserl, Krisis = Husserl , Edmund. Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie. Texte aus dem Nachlass 1934-1937. Dordrecht , Netherlands ; Boston, Mass. : Kluwer Academic , 1993. | zh_TW |
| dc.relation.reference (參考文獻) | Kant, KdrV = Kant , Immanuel. Kritik der reinen Vernunft. Hamburg : Felix Meiner Verlag , 1998. | zh_TW |
