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題名 Nationalism in 21st Century Chinese Blockbusters
作者 荻羅拉
Tylova, Klara
貢獻者 朱立
Chu, Leonard
荻羅拉
Tylova, Klara
關鍵詞 國族主義
電影
中國
主題分析
Nationalism
Movies
China
thematic analysis
日期 2008
上傳時間 9-Apr-2010 14:21:36 (UTC+8)
摘要 This study is thematic analysis that sought to identify nationalistic themes in mainland China`s box-office hits in the 21st century. Box-office hits as the study material were picked because of their potential to spread the message they carry. Altogether, 14 movies were analyzed through a deconstruction, identifying scenes and dialogues that contained nationalistic appeals of both political and cultural nationalism as defined by Greenfeld (1992). During the coding process, 22 nationalistic themes were labeled, defined and described. Additionally, the study examined nationalistic structures of the movies taking Gries` (2004) nationalistic narratives and Smith`s (1995) ethnic myths as a basis. Movies` background, and historical context adressing China`s movie industry and Chinese nationalism are included for clarification purposes.
The movies were found to exhibit manifestations of both cultural and political nationalism. It was found that movies financed and backed by government tend to show political nationalism while commercial movies exhibit cultural nationalism. For the movies` thematic structures, the shift from positive ones showing China`s achievements towards negative ones expressing China`s suffering was discovered.
This study is thematic analysis that sought to identify nationalistic themes in mainland China`s box-office hits in the 21st century. Box-office hits as the study material were picked because of their potential to spread the message they carry. Altogether, 14 movies were analyzed through a deconstruction, identifying scenes and dialogues that contained nationalistic appeals of both political and cultural nationalism as defined by Greenfeld (1992). During the coding process, 22 nationalistic themes were labeled, defined and described. Additionally, the study examined nationalistic structures of the movies taking Gries` (2004) nationalistic narratives and Smith`s (1995) ethnic myths as a basis. Movies` background, and historical context adressing China`s movie industry and Chinese nationalism are included for clarification purposes.
The movies were found to exhibit manifestations of both cultural and political nationalism. It was found that movies financed and backed by government tend to show political nationalism while commercial movies exhibit cultural nationalism. For the movies` thematic structures, the shift from positive ones showing China`s achievements towards negative ones expressing China`s suffering was discovered.
參考文獻 Books
Anderson, B. (1983). Imagined Communities: Reflections on the Origins and Spread of Nationalism. London: Verso.
Berry, Ch. (1994). “A Nation Two: Chinese Cinemas and Nationhoods“, in W. Dissanayake, Colonialism, 42-64. Bloomington: Indiana University Press.
Billig, M. (1995). Banal Nationalism. London: Sage.
Blandford, S. (1999). Film, Drama and the Break-Up of Britain. Bristol: Intellect Books.
Boyatzis, R. E. (1998). Transforming Qualitative Information: Thematic Analysis and Code Development. Thousand Oaks: Sage Publications.
Brubaker, R. (1996). Nationalism Reframed: Nationhood and the National Question in the New Europe. Cambridge: Cambridge University Press.
Chang, P. (2000). „Nationalities, Nationalism, and Globalization: The Case of China“ in Nationalism and Globalization: East and West. Singapore: Institute of Southeast Asia Studies, 258 – 294.
Chu, Y. (2003). Hong Kong Cinema: Colonizer, Motherland and Self. London: Routledge Curzon.
Cornelius, S. (2002). New Chinese Cinema: Challenging Representations. London: Wallflower.
Darby, W. (1997). John Ford`s Westerns: A Thematic Analysis, With a Filmography. Jefferson, NC: McFarland & Co.
Devin, J. M. (1999). Vietnam at 24 Frames a Second: A Critical and Thematic Analysis of Over 400 Films about the Vietnam War. Austin: University of Texas Press.

Flick, U., E. Vvon Kardorff, et al. (2004). A Companion to Qualitative Research. London: Sage.
Furhammar, L., Isaksson, F. (1971). Politics and Film. New York: Praeger Publishers.
Giglio, E. (2000). Here`s Looking at You: Hollywood, Film and Politics. New York: Peter Lang Publishing.
Gries, P. H. (2004). China`s New Nationalism. Berkeley: University of California Press.
Greenfeld, R. (1992). Nationalism: Five Roads to Modernity. Cambridge, MA: Harvard University Press.
Hall, S. (2004). “Cultural Identity and Cinematic Representation“ in Film Theory 1.: Critical Concepts and Cultural Studies, 386 – 398. London: Routledge.
Kedourie, E. (1993). Nationalism. Oxford: Blackwell.
Kellas, J. (1991). The Politics of Nationalism and Ethicity. New York: St. Martin`s Press.
Lee, C. C. ed. (1994). China`s Media, Media`s China. Boulder: Westview Press.
Liu, A. (1971). Communications and National Integration in Communist China. Los Angeles: University of California Press.
Lynch, D. (1999). After the Propaganda State. Stanford: Stanford University Press.
Lu, S. (1997). Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press.
Lu, S. (2005). Chinese-Language Film. Honolulu: University of Hawaii Press.
Lull, J. (1991). China Turned On: Television, Reform, and Resistance. London: Routledge.
Martin-Jones, D. (2006). Deleuze, Cinema and National Identity. Edinburgh: Edinburgh University Press.
Miles, M. and Huberman, A. (1994). Qualitative Data Analysis : An Expanded Sourcebook . Thousand Oaks: Sage.
Ozkirimli, U. (2000). Theories of Nationalism: A Critical Introduction. New York: St. Martin Press.
Said, E. (1978). Orientalism. London: Routledge and Kegan Paul.
Smith, A. D. (1995). National Identity. Reno: University of Nevada Press.
Smith, A. D. (1999). Myth and Memories of the Nation. Oxford: Oxford University Press.
Taylor, S., & Bogdan, R. (1984). Introduction to Qualitative Research Methods: The search for meanings (2nd-ed.). New York: John Wiley & Sons.
Turner, G. (1994). Making it National: Nationalism and Australian Popular Culture. St. Leonards: Ellen & Unwin.
Viroli, M. (1995). For Love of Country. Oxford: Clarendon Press.
Wang, G. (2003). Bind Us in Time: Nation and Civilisation in Asia. Singapore: Eastern University Press.
Wright, W. (1975). Six Guns and Society: A Structural Study of the Western. Berkeley: University of California Press.
Xu, X. (2006). Modernizing China in the Olympic Spotlight: China`s National Identity and the 2008 Beijing Olympiad. The Editorial Board of Sociological Review. Oxford: Blackwell Publishing.
Yin, H. (1998). Shiji zhuanzhe shiqi de Zhongguo yingshi wenhua (China Film and Television Culture in the Transition Period of the Century).Beijing: Beijing chubashe.
Zha, J. (1995). China Pop. New York: The New Press.
Zhang, Y. (2004). Chinese National Cinema. New York: Routledge
Zhang, Y. (2002). Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema. Ann Arbor: University of Michigan, Center for Chinese Studies Publications.
Zhao, S. (2004). A Nation-state by Construction: Dynamics of Modern Chinese Nationalism. Stanford: Stanford University Press.
Zhao, Y. (1998). Media, Market, and Democracy in China. Chicago: University of Illinois Press.
Zhu, Y. (2003). Chinese Cinema during the Era of Reform. West Port: Praeger Publishers.
Journals
“2000 Movie Industry in China“ (2001). Dianying Yishu, Vol. 278, No. 3, 4 – 24.
“2001 Movie Industry in China“ (2002). Dianying Yishu, Vol. 284, No. 3, 12 – 35.
“2002 Movie Industry in China“ (2003). Dianying Yishu, Vol. 290, No. 3, 4 – 29.
“2003 Movie Industry in China“ (2004). Dianying Yishu, Vol. 296, No. 3, 16 – 39.
“2004 Movie Industry in China“ (2005). Dianying Yishu, Vol. 302, No. 3, 4 – 24.
“2005 Movie Industry in China“ (2006). Dianying Yishu, Vol. 307, No. 2, 8 – 36.
“2006 Movie Industry in China“ (2007). Dianying Yishu, Vol. 313, No. 2, 5 – 15.
“2007 Movie Industry in China“ (2008). Dianying Yishu, Vol. 319, No. 2, 13 – 21.
Balibar, E. (1990). “The Nation Form: History and Ideology.“ New Left Review, Vol. 13, No. 3, 329 - 61.
Christensen T. (1996). “Chinese Realpolitik.“ Foreign Affairs, Vol. 75, no. 5, 35 - 72.
Chan, K. (2004). “The Global Return of Wu Xia Pian: Ang Lee`s Crouching Tiger, Hidden Dragon.“ Cinema Journal, Vol. 43, No. 4, 3 -17.
Sautman, B. (1997). “Racial Nationalism and China`s External Behavior.“ World Affairs, Vol. 160, No.2, 78 – 95.
Zhu, Y. (2005). „Yongzheng Dynasty and Chinese Primetime Television Drama.“ Cinema Journal, Vol. 44, no. 4, 3 – 17.
Dissertations
Anderson, E. S. (1996). Pirating Feminisms: Film and the Production of Post-War Canadian National Identity. Ann Arbor: UMI Dissertation Services.
Dodds, C. L. (2006). Will this Picture Help Win the War? The Textual Thematic
Analysis of Recruiting Themes in Guadalcanal Diary. Online version. Retrieved from: http://soar.wichita.edu/dspace/items-by-subject?subject=Guadalcanal+Diary+(Motion+picture)
Li, J. (2006). Discursive Construction of Nationalist Ideologies in Times of Crisis: a Comparative Analysis of the News Media in the United States and China. Dissertation Abstracts International, Volume: 67-07, Section: A, p. 2561.
Articles
Asiaweek, ed. 1994. “Box-Office Boom: Asia Films and Themes Light Up the World`s Movie Screens.“ Asiaweek (Feb. 16): 27.
Newsweek, ed. 2007. “Redefining The Epic; China`s Latest Big-budget Drama Has Plenty of Grit, Gore and Action but not a Flying Swordsman in Sight.“ Newsweek, Vol. 150, No. 26, 24 - 25.
Reynaud, B. (2003). “Modern Times.“ Film Comment, Vol. 39, No. 4., 55 – 65.
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Yang, M. (1993). “Of Gender, State Censorship, and Overseas Capital: An Interview with Chinese Director Zhang Yimou.“ Public Culture 5, 297 – 313.
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Online sources
“A Battle of Wits“ (2007). Available at Variety magazine website:
http://www.variety.com/review/VE1117932396.html?categoryid=31&cs=1
“Assembly: Answer to Saving Private Ryan“ (2007). Available at Xinhua news agency website:
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“China Bids“(2007). Available at Chinese Olympic Committee website:
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“Tokyo Trial Enjoys Big Success“ (2006). Available at People`s Daily website:
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Databases
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http://www.imdb.com
描述 碩士
國立政治大學
國際傳播英語碩士學程(IMICS)
95461018
97
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0095461018
資料類型 thesis
dc.contributor.advisor 朱立zh_TW
dc.contributor.advisor Chu, Leonarden_US
dc.contributor.author (Authors) 荻羅拉zh_TW
dc.contributor.author (Authors) Tylova, Klaraen_US
dc.creator (作者) 荻羅拉zh_TW
dc.creator (作者) Tylova, Klaraen_US
dc.date (日期) 2008en_US
dc.date.accessioned 9-Apr-2010 14:21:36 (UTC+8)-
dc.date.available 9-Apr-2010 14:21:36 (UTC+8)-
dc.date.issued (上傳時間) 9-Apr-2010 14:21:36 (UTC+8)-
dc.identifier (Other Identifiers) G0095461018en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/38333-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 國際傳播英語碩士學程(IMICS)zh_TW
dc.description (描述) 95461018zh_TW
dc.description (描述) 97zh_TW
dc.description.abstract (摘要) This study is thematic analysis that sought to identify nationalistic themes in mainland China`s box-office hits in the 21st century. Box-office hits as the study material were picked because of their potential to spread the message they carry. Altogether, 14 movies were analyzed through a deconstruction, identifying scenes and dialogues that contained nationalistic appeals of both political and cultural nationalism as defined by Greenfeld (1992). During the coding process, 22 nationalistic themes were labeled, defined and described. Additionally, the study examined nationalistic structures of the movies taking Gries` (2004) nationalistic narratives and Smith`s (1995) ethnic myths as a basis. Movies` background, and historical context adressing China`s movie industry and Chinese nationalism are included for clarification purposes.
The movies were found to exhibit manifestations of both cultural and political nationalism. It was found that movies financed and backed by government tend to show political nationalism while commercial movies exhibit cultural nationalism. For the movies` thematic structures, the shift from positive ones showing China`s achievements towards negative ones expressing China`s suffering was discovered.		zh_TW
dc.description.abstract (摘要) This study is thematic analysis that sought to identify nationalistic themes in mainland China`s box-office hits in the 21st century. Box-office hits as the study material were picked because of their potential to spread the message they carry. Altogether, 14 movies were analyzed through a deconstruction, identifying scenes and dialogues that contained nationalistic appeals of both political and cultural nationalism as defined by Greenfeld (1992). During the coding process, 22 nationalistic themes were labeled, defined and described. Additionally, the study examined nationalistic structures of the movies taking Gries` (2004) nationalistic narratives and Smith`s (1995) ethnic myths as a basis. Movies` background, and historical context adressing China`s movie industry and Chinese nationalism are included for clarification purposes.
The movies were found to exhibit manifestations of both cultural and political nationalism. It was found that movies financed and backed by government tend to show political nationalism while commercial movies exhibit cultural nationalism. For the movies` thematic structures, the shift from positive ones showing China`s achievements towards negative ones expressing China`s suffering was discovered.		en_US
dc.description.tableofcontents Abstract
Acknowledgements
1. Introduction
2. Cinema of Post-reform China
2.1 Critical Realist and Art Cinema
2.2 Entertainment Wave
2.3 Chinese Communist Party and Media Control
2.4 The case of Zhang Yimou
2.5 Greater China Co-productions
3. Nationalism
3.1 Defining Nationalism
3.2 Nationalism in China
3.3 Film Theories and Nationalism
4. Method of Data Collection and Analysis
5. Findings: Themes and Structures in the Blockbusters
5.1 Thematic Analysis
5.2 Themes and Structures among the 14 Movies
5.3 Superstructures among the 14 Movies
6. Conclusion and Discussion
References
Appendices		zh_TW
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dc.language.iso en_US-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0095461018en_US
dc.subject (關鍵詞) 國族主義zh_TW
dc.subject (關鍵詞) 電影zh_TW
dc.subject (關鍵詞) 中國zh_TW
dc.subject (關鍵詞) 主題分析zh_TW
dc.subject (關鍵詞) Nationalismen_US
dc.subject (關鍵詞) Moviesen_US
dc.subject (關鍵詞) Chinaen_US
dc.subject (關鍵詞) thematic analysisen_US
dc.title (題名) Nationalism in 21st Century Chinese Blockbustersen_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Bookszh_TW
dc.relation.reference (參考文獻) Anderson, B. (1983). Imagined Communities: Reflections on the Origins and Spread of Nationalism. London: Verso.zh_TW
dc.relation.reference (參考文獻) Berry, Ch. (1994). “A Nation Two: Chinese Cinemas and Nationhoods“, in W. Dissanayake, Colonialism, 42-64. Bloomington: Indiana University Press.zh_TW
dc.relation.reference (參考文獻) Billig, M. (1995). Banal Nationalism. London: Sage.zh_TW
dc.relation.reference (參考文獻) Blandford, S. (1999). Film, Drama and the Break-Up of Britain. Bristol: Intellect Books.zh_TW
dc.relation.reference (參考文獻) Boyatzis, R. E. (1998). Transforming Qualitative Information: Thematic Analysis and Code Development. Thousand Oaks: Sage Publications.zh_TW
dc.relation.reference (參考文獻) Brubaker, R. (1996). Nationalism Reframed: Nationhood and the National Question in the New Europe. Cambridge: Cambridge University Press.zh_TW
dc.relation.reference (參考文獻) Chang, P. (2000). „Nationalities, Nationalism, and Globalization: The Case of China“ in Nationalism and Globalization: East and West. Singapore: Institute of Southeast Asia Studies, 258 – 294.zh_TW
dc.relation.reference (參考文獻) Chu, Y. (2003). Hong Kong Cinema: Colonizer, Motherland and Self. London: Routledge Curzon.zh_TW
dc.relation.reference (參考文獻) Cornelius, S. (2002). New Chinese Cinema: Challenging Representations. London: Wallflower.zh_TW
dc.relation.reference (參考文獻) Darby, W. (1997). John Ford`s Westerns: A Thematic Analysis, With a Filmography. Jefferson, NC: McFarland & Co.zh_TW
dc.relation.reference (參考文獻) Devin, J. M. (1999). Vietnam at 24 Frames a Second: A Critical and Thematic Analysis of Over 400 Films about the Vietnam War. Austin: University of Texas Press.zh_TW
dc.relation.reference (參考文獻) zh_TW
dc.relation.reference (參考文獻) Flick, U., E. Vvon Kardorff, et al. (2004). A Companion to Qualitative Research. London: Sage.zh_TW
dc.relation.reference (參考文獻) Furhammar, L., Isaksson, F. (1971). Politics and Film. New York: Praeger Publishers.zh_TW
dc.relation.reference (參考文獻) Giglio, E. (2000). Here`s Looking at You: Hollywood, Film and Politics. New York: Peter Lang Publishing.zh_TW
dc.relation.reference (參考文獻) Gries, P. H. (2004). China`s New Nationalism. Berkeley: University of California Press.zh_TW
dc.relation.reference (參考文獻) Greenfeld, R. (1992). Nationalism: Five Roads to Modernity. Cambridge, MA: Harvard University Press.zh_TW
dc.relation.reference (參考文獻) Hall, S. (2004). “Cultural Identity and Cinematic Representation“ in Film Theory 1.: Critical Concepts and Cultural Studies, 386 – 398. London: Routledge.zh_TW
dc.relation.reference (參考文獻) Kedourie, E. (1993). Nationalism. Oxford: Blackwell.zh_TW
dc.relation.reference (參考文獻) Kellas, J. (1991). The Politics of Nationalism and Ethicity. New York: St. Martin`s Press.zh_TW
dc.relation.reference (參考文獻) Lee, C. C. ed. (1994). China`s Media, Media`s China. Boulder: Westview Press.zh_TW
dc.relation.reference (參考文獻) Liu, A. (1971). Communications and National Integration in Communist China. Los Angeles: University of California Press.zh_TW
dc.relation.reference (參考文獻) Lynch, D. (1999). After the Propaganda State. Stanford: Stanford University Press.zh_TW
dc.relation.reference (參考文獻) Lu, S. (1997). Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press.zh_TW
dc.relation.reference (參考文獻) Lu, S. (2005). Chinese-Language Film. Honolulu: University of Hawaii Press.zh_TW
dc.relation.reference (參考文獻) Lull, J. (1991). China Turned On: Television, Reform, and Resistance. London: Routledge.zh_TW
dc.relation.reference (參考文獻) Martin-Jones, D. (2006). Deleuze, Cinema and National Identity. Edinburgh: Edinburgh University Press.zh_TW
dc.relation.reference (參考文獻) Miles, M. and Huberman, A. (1994). Qualitative Data Analysis : An Expanded Sourcebook . Thousand Oaks: Sage.zh_TW
dc.relation.reference (參考文獻) Ozkirimli, U. (2000). Theories of Nationalism: A Critical Introduction. New York: St. Martin Press.zh_TW
dc.relation.reference (參考文獻) Said, E. (1978). Orientalism. London: Routledge and Kegan Paul.zh_TW
dc.relation.reference (參考文獻) Smith, A. D. (1995). National Identity. Reno: University of Nevada Press.zh_TW
dc.relation.reference (參考文獻) Smith, A. D. (1999). Myth and Memories of the Nation. Oxford: Oxford University Press.zh_TW
dc.relation.reference (參考文獻) Taylor, S., & Bogdan, R. (1984). Introduction to Qualitative Research Methods: The search for meanings (2nd-ed.). New York: John Wiley & Sons.zh_TW
dc.relation.reference (參考文獻) Turner, G. (1994). Making it National: Nationalism and Australian Popular Culture. St. Leonards: Ellen & Unwin.zh_TW
dc.relation.reference (參考文獻) Viroli, M. (1995). For Love of Country. Oxford: Clarendon Press.zh_TW
dc.relation.reference (參考文獻) Wang, G. (2003). Bind Us in Time: Nation and Civilisation in Asia. Singapore: Eastern University Press.zh_TW
dc.relation.reference (參考文獻) Wright, W. (1975). Six Guns and Society: A Structural Study of the Western. Berkeley: University of California Press.zh_TW
dc.relation.reference (參考文獻) Xu, X. (2006). Modernizing China in the Olympic Spotlight: China`s National Identity and the 2008 Beijing Olympiad. The Editorial Board of Sociological Review. Oxford: Blackwell Publishing.zh_TW
dc.relation.reference (參考文獻) Yin, H. (1998). Shiji zhuanzhe shiqi de Zhongguo yingshi wenhua (China Film and Television Culture in the Transition Period of the Century).Beijing: Beijing chubashe.zh_TW
dc.relation.reference (參考文獻) Zha, J. (1995). China Pop. New York: The New Press.zh_TW
dc.relation.reference (參考文獻) Zhang, Y. (2004). Chinese National Cinema. New York: Routledgezh_TW
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