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題名 台灣紀實攝影與《人間》雜誌
作者 陳庭舜
Ting-Shung Chen
貢獻者 國立政治大學廣播電視學系
關鍵詞 人間;紀實攝影;報導攝影
Renjian, Documentary Photography, Photojournalism
日期 2007-07
上傳時間 18-Jun-2010 10:01:15 (UTC+8)
摘要 台灣紀實攝影自日據時期萌芽,後歷經國府時期的壓抑,直至八0年代社會改革開放後始綻放光芒,同時間,也是台灣最具代表性的紀實攝影刊物《人間》雜誌的創刊。本文從台灣報導攝影的歷時性分析,界定《人間》創刊在台灣報導攝影界的定位價值,繼探討《人間》內容所呈現的左翼思想和陳映真作為《人間》發行人,對《人間》及其建制攝影家的影響,並從結構面探索《人間》內部的組織與作業方式與雜誌產製過程,並解構《人間》攝影師與圖片編輯的組成特色,再者反思《人間》內容文本與紀實攝影間的相互關係。最終探討人間雜誌消失的成因,和《人間》的消失對台灣紀實攝影發展的打擊。
This research concerns the documentary photography in Taiwan before and after abolished martial law in 1980s’, and the publication of “Renjian Magazine” impacted the development of documentary photography at that time. Chapter One focuses on the development of documentary photography in Taiwan.
     
     In Chapter Two, the researcher discusses as following subjects:
     1. the value and left wing thinking of “Renjian”.
     2. the consequence of Renjian’s leader Chen Ying-zhen and how he affected the photographers in this Magazine.
     3. the organization and the making process in “Renjian”.
     4. the constituent characteristic of photographers in “Renjian”.
     5. the relation between Renjian’s texts and the documentary photography.
     
     Chapter Three inquires into why “Renjian” stopped the publication and the impact to the development of documentary photography in Taiwan.
關聯 第五屆「世界華文傳媒與華夏文明傳播國際學術研討會」,2007.07.14-2007.07.15
描述 國立政治大學廣播與電視研究所碩士生
資料類型 conference
dc.contributor 國立政治大學廣播電視學系en_US
dc.creator (作者) 陳庭舜zh_TW
dc.creator (作者) Ting-Shung Chenen_US
dc.date (日期) 2007-07en_US
dc.date.accessioned 18-Jun-2010 10:01:15 (UTC+8)-
dc.date.available 18-Jun-2010 10:01:15 (UTC+8)-
dc.date.issued (上傳時間) 18-Jun-2010 10:01:15 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/41503-
dc.description (描述) 國立政治大學廣播與電視研究所碩士生zh-TW
dc.description.abstract (摘要) 台灣紀實攝影自日據時期萌芽,後歷經國府時期的壓抑,直至八0年代社會改革開放後始綻放光芒,同時間,也是台灣最具代表性的紀實攝影刊物《人間》雜誌的創刊。本文從台灣報導攝影的歷時性分析,界定《人間》創刊在台灣報導攝影界的定位價值,繼探討《人間》內容所呈現的左翼思想和陳映真作為《人間》發行人,對《人間》及其建制攝影家的影響,並從結構面探索《人間》內部的組織與作業方式與雜誌產製過程,並解構《人間》攝影師與圖片編輯的組成特色,再者反思《人間》內容文本與紀實攝影間的相互關係。最終探討人間雜誌消失的成因,和《人間》的消失對台灣紀實攝影發展的打擊。en_US
dc.description.abstract (摘要) This research concerns the documentary photography in Taiwan before and after abolished martial law in 1980s’, and the publication of “Renjian Magazine” impacted the development of documentary photography at that time. Chapter One focuses on the development of documentary photography in Taiwan.
     
     In Chapter Two, the researcher discusses as following subjects:
     1. the value and left wing thinking of “Renjian”.
     2. the consequence of Renjian’s leader Chen Ying-zhen and how he affected the photographers in this Magazine.
     3. the organization and the making process in “Renjian”.
     4. the constituent characteristic of photographers in “Renjian”.
     5. the relation between Renjian’s texts and the documentary photography.
     
     Chapter Three inquires into why “Renjian” stopped the publication and the impact to the development of documentary photography in Taiwan.
en_US
dc.description.note 國立政治大學廣播與電視研究所碩士生en_US
dc.language zh-Twen_US
dc.language.iso en_US-
dc.relation (關聯) 第五屆「世界華文傳媒與華夏文明傳播國際學術研討會」,2007.07.14-2007.07.15en_US
dc.subject (關鍵詞) 人間;紀實攝影;報導攝影en_US
dc.subject (關鍵詞) Renjian, Documentary Photography, Photojournalismen_US
dc.title (題名) 台灣紀實攝影與《人間》雜誌zh_TW
dc.type (資料類型) conferenceen