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| Title | 論安潔拉‧卡特短篇故事裡的狼人與狼女形象 Werewolves and Wolf-Girls in Angela Carter`s short stories |
| Creator | 江宗翰 Jiang, Tzong Han |
| Contributor | 羅狼仁 Brian David Phillips 江宗翰 Jiang, Tzong Han |
| Key Words | 安潔拉‧卡特 狼人小說 生態女性主義 童話故事 德勒茲 動物 |
| Date | 2010 |
| Date Issued | 9-Dec-2010 12:07:48 (UTC+8) |
| Summary | 在一九七零年代，恐怖文本的盛行曾帶動了狼人小說在大眾文學市場的熱潮。在這股風潮裡，英國女性主義作家安潔拉‧卡特(Angela Carter)的狼人故事可說是同類型作品中的異數。卡特解構以及改寫童話故事，剖析其中關於道德與社會控制的隱喻，同時將狼人故事的元素與童話故事的意識型態結合，創作了四篇批判性強烈的短篇小說「狼人」、「與狼為伴」、「狼女愛麗斯」以及「彼得與狼」。 當時，隨著女性意識的抬頭，以及「狼」的妖魔化形象漸漸淡化，甚至被生態女性主義者(eco-feminist)與野獸女性主義者(beast-feminist)所推崇的情形下，狼人故事的主題也發生了變化。越來越多作品開始描寫女狼人如何奔向自由的懷抱，或是女狼人利用自身的能力對男性展開反擊。「女狼人」滿足了女性對於自然的渴望，也代表了力量。但是卡特卻反其道而行，她不但拒絕書寫女性狼人的主題，反而聚焦在被狼扶養的「狼孩」這種似人非人的議題上。她甚至在作品中暗示了，對女性來說，成為狼人是危險的一件事。 由於過去從未有人同時針對四部作品同時研究，本論文將嘗試以綜觀的角度，剖析為何卡特拒絕女性「成狼」，同時探究卡特筆下的狼人以及狼女的形象，究竟隱含什麼樣的意義。 本論文分為五個章節。第一章介紹卡特的作品風格，以及她為何選用「狼人」作為她解構童話故事的其中一個主題。第二章從卡特的作品著手，探討社會在型塑「狼人」時，大自然的意象是如何被扭曲，重組，變成安裝在異己上面的符號。這篇論文將會使用自創的名詞「象徵性狼體」來說明這個概念，同時瞭解卡特如何呈現這種困境。第三章將會轉而討論當代的女狼人小說以及生態女性主義是如何看待「狼」，而「象徵性狼體」又如何在此種文本裡死灰復燃。另外，本論文將會在第四章探討「狼女」的形象，同時借用德勒茲的「變向」(becoming)觀念，說明為何「狼女」是卡特心目中最理想的女性象徵。最後，第五章將會為前述論點做出總結，指出卡特拒絕女性「成狼」的可能理由。 The fashion of horror genre in the 1970s has led a corresponding popularity of werewolf stories. During that time, the feminist writer Angela Carter’s werewolf stories gained attention. Carter’s werewolf stories rewrite traditional fairy tales and folklore. She deconstructs the fairy tale pattern, and the heroines have different roles, sometimes they are victims of werewolves, and sometimes they defeat werewolves bravely. However, the female werewolf is rare in her stories. Although in the 70s, modern female werewolf stories, beast-feminism and eco-feminism revalue the werewolf or wolf with positive meanings, Carter refuses to use female lycanthropy to represent the connection between women and Nature. The aim of this thesis is to find out the possible reasons for Carter’s rejection of female lycanthropy. Chapter one introduces Carter’s writing style, and the reason she chooses werewolves in her rewriting fairy tales. Chapter two examines the images of werewolf in Carter’s stories, and argues that the mechanism of ‘symbolic wolf body’ categories and twists nature, and how the society uses it to expel the outsiders. In chapter three, I would explain why the return of ‘symbolic wolf body’ makes modern female werewolf and eco-feminist narratives problematic. Then, by using Deleuze and Guattari’s ideas of “becoming-animal,” I would argue why the wolf-girl (human girls raised by wolves) in Carter’s story is the most ideal figure of femininity in the connection with nature. Finally, my thesis concludes that the exploitation of nature, the misuse of “symbolic animal body,” and eco-feminists’ unjustified perceptions with nature are possible reasons for Carter’s rejection of female werewolves. |
| 參考文獻 | Antonio, Diane. “Of Wolves and Women.” Animals and Women: Feminist Theoretical Explorations. Ed. Carol J Adams and Josephine Donovan. Durham: Duke UP, 2006. 213-30. Print. Atwood, Margaret. “Running With the Tigers.” Flesh and the Mirror: Essays on the Art of Angela Carter. Ed. Lorna Sage. London: Virago, 2007. Print. Baker, Steve. Picturing the Beast. Illinois: U of Illinois P, 2001. Print. Birke, Lynda. Feminism, Animals and Science. Buckingham: Open UP, 1994. Print. Blecourt, Willem de. “I Would Have Eaten You Too: Werewolf Legends in the Flemish, Dutch and the German Area,” Folklore 118(2007): 23-43. Print. Brusseau, James. Isolated Experiences: Gilles Deleuze and the Solitudes of Reversed Platonism. New York: State U of New York P, 1998. Print. Carter, Angela. Burning Your Boats: The Collected Short Stories. New York: Penguin, 1995. Print. ---. The Fairy Tales of Charles Perrault. New York: Penguin, 1977. Print. ---. “Notes from the Front Line.” Critical Essays on Angela Carter. Ed. Lindsey Tucker. New York: Hall, 1998. 24-30. Print. ---. Shaking a Leg: Collective Writings. New York: Penguin, 1998. Print. Coudray, Chantal Bourgault Du. The Curse of Werewolf: Fantasy, Horror and the Beast Within. London: Tauris, 2006. Print. Crofts, Charlotte. Anagrams of Desire. Manchester: Manchester UP, 2003. Print. Day, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester UP, 1998. Print. Derrida, Jacques. The Beast and the Sovereign. Chicago: U of Chicago P, 2008. Print. Deleuze, Gilles., and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: Minnesota UP, 1987. Print. Deleuze, Gilles., and Paul Patton. Difference and Repetition. New York: Continum, 2004. Print. Dunayer, Joan. “Sexist Words, Speciesist Roots.” Animals and Women: Feminist Theoretical Explorations. Ed. Carol J Adams and Josephine Donovan. Durham: Duke UP, 2006. 11-31. Print. Dunker, Patricia. “Re-imaging the Fairy Tale: Angela Carter’s Bloody Chambers.” Literature and History 10(1984): 3-14.Print. Estes, Clarissa Pinkola. Women Who Run With the Wolves. New York: Ballantine, 1992. Print. Francione, Gary.L. Animals as Persons: Essays on the Abolition of Animal Exploitation. New York: Columbia UP, 2008. Print. Frost, Brian J. The Essential Guide to Werewolf Literature. Wisconsin: Wisconsin UP, 2003. Print. Gatens, Moria. “Through a Spinoziat Lens: Ethology, Difference, Power.” Deleuze: A Critical Reader. Ed. Paul Patton. Cambridge: Blackwell, 1996. 162-87. Print. Goffman, Erving. Behavior in Public Places: Notes on the Social Organization of Gatherings. New York: Free Press, 1966. Print. Grosz, Elizabeth. Space, Time and Perversion. New York: Routledge, 1995. Print. Haffebden, John. Novelists in Interview. New York: Routledge, 1985. Print. Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham NC: Duke UP, 1995. Print. Huet, Marie Helene. “Introduction to Monstrous Imagination”, The Horror Reader. Ed. Ken Gelder. New York: Routledge, 2000. 84-9. Print. Jardine, Alice. “Woman in Limbo: Deleuze and his br(others)”, Deleuze and Guattari: Critical Assessments of Leading Philosophers Vol.3. London: Routledge, 2001. 1397-413. Print. Keenan, Sally. “Angela Carter’s The Sadeian Woman: Feminism as Treason.” Angela Carter. Ed. Alison Easton. New York: St.Martin, 2000. 37-57. Print. Kittredge, George Lyman. Witchcraft in Old and New England. New York: Russell and Russell, 1956. Print. Lee, Alison. Angela Carter. New York: Twayne, 1997. Print. Majinen, Merja. “Angela Carter’s The Bloody Chamber and the Decolonization of Feminine Sexuality.” Angela Carter. Ed. Alison Easton. New York: St.Martin, 2000. 20-36. Print. Malabou, Catherine. “Who’s Afraid of Hegelian Wolves?” Deleuze: A Critical Reader. Ed. Paul Patton. Cambridge: Blackwell, 1996. 116-38. Print. Martin, Bruce. “Mimetic Moments: Adorno and Ecofeminism.” Feminist Interpretations of Theodor Adorno. Ed. Renee Heberle. University Park: Pennsylvania State UP, 2006. 141-71. Print. Moss, Betty. “Desire and Female Grotesque in Angela Carter’s Peter and the Wolf.” Angela Caretr and the Fairy Tale. Ed. Danielle M.Roemer and Christina Bacchilega. Detroit: Wayne State UP, 2001. 197-203. Print. Norwood, Vera. Made from this Earth. Chapel Hill: U of North Carolina P, 1993. Print. Oliver, Kelly. Animal Lessons: How They Teach Us to Be Human. New York: Colombia UP, 2009. Print. Patten, Paul. Introduction. Deleuze: A Critical Reader. Ed. Paul Patton. Cambridge: Blackwell, 1996. 1-17. Print. Perry, Kathryn. “Talking Animals and Reader Pleasures.” Renaissance Beasts: Of Animals, Humans, and other Wonderful Creatures. Ed. Erica Fudge. Urbana: U of Illinois P, 2004. 19-36. Print. Pollock, Mary S. “Angela Carter’s Animal Tales: Constructing the Non-Human.” LIT 11(2000): 35-57. Print. Rowland, Beryl. Animals with Human Faces. Knoxville, U of Tennessee P, 1973. Print. Sage, Lorna. “The Savage Sideshow.” New Review 4.39/40 July.1977: 51-7. Print. Simon, Julia. Rewriting the Body: Desire, Gender and Power in Selected Novels by Angela Carter. New York: Peter Lang, 2004. Print. Steiger, Brad. The Werewolf Book: The Encyclopedia of Shape-Shifting Beings. Detroit: Visible Ink, 1999. Print. Summers, Montague. The Werewolf in Lore and Legend. New York: Dover, 2003. Print. Twitchell, James B. Dreadful Pleasures: An Anatomy of Modern Horror. Oxford: Oxford UP, 1985. Print. Tucker, Lindsey. Introduction. Critical Essays on Angela Carter. Ed. Lindsey Tucker. New York: Hall, 1998. 1-23. Print. Warner, Marina. From the Beast to the Blonde. London: Vintage, 1995. Print. Wells, Paul. The Animated Bestiary: Animals, Cartoons and Culture. New Jersey: Rutgers UP, 2009. Print. Wiseman, S.J. “Hairy on the Inside: Metamorphosis and Civility in English Werewolf Texts.” Renaissance Beasts: Of Animals, Humans, and other Wonderful Creatures. Ed. Erica Fudge. Urbana: U of Illinois P, 2004. 50-69. Print. Wyatt, Jean. “The Violence of Gendering: Castration Images in Angela Carter’s The Magic Toyshop, The Passion of New Eve, and Peter and the Wolf.” Critical Essays on Angela Carter. Ed. Lindsey Tucker. New York: G.K.Hall, 1998. Print. Zipes, Jack. Fairy Tales and the Art of Subversion. London: Routledge, 2006. Print. ---. The Trials and Tribulations of Little Red Riding Hood. London: Routledge, 1993. Print. ---. Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. London: Routledge, 1986. Print. |
| Description | 碩士 國立政治大學 英國語文學研究所 95551013 99 |
| 資料來源 | http://thesis.lib.nccu.edu.tw/record/#G0955510131 |
| Type | thesis |
| dc.contributor.advisor | 羅狼仁 | zh_TW |
| dc.contributor.advisor | Brian David Phillips | en_US |
| dc.contributor.author (Authors) | 江宗翰 | zh_TW |
| dc.contributor.author (Authors) | Jiang, Tzong Han | en_US |
| dc.creator (作者) | 江宗翰 | zh_TW |
| dc.creator (作者) | Jiang, Tzong Han | en_US |
| dc.date (日期) | 2010 | en_US |
| dc.date.accessioned | 9-Dec-2010 12:07:48 (UTC+8) | - |
| dc.date.available | 9-Dec-2010 12:07:48 (UTC+8) | - |
| dc.date.issued (上傳時間) | 9-Dec-2010 12:07:48 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0955510131 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/49889 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 英國語文學研究所 | zh_TW |
| dc.description (描述) | 95551013 | zh_TW |
| dc.description (描述) | 99 | zh_TW |
| dc.description.abstract (摘要) | 在一九七零年代，恐怖文本的盛行曾帶動了狼人小說在大眾文學市場的熱潮。在這股風潮裡，英國女性主義作家安潔拉‧卡特(Angela Carter)的狼人故事可說是同類型作品中的異數。卡特解構以及改寫童話故事，剖析其中關於道德與社會控制的隱喻，同時將狼人故事的元素與童話故事的意識型態結合，創作了四篇批判性強烈的短篇小說「狼人」、「與狼為伴」、「狼女愛麗斯」以及「彼得與狼」。 當時，隨著女性意識的抬頭，以及「狼」的妖魔化形象漸漸淡化，甚至被生態女性主義者(eco-feminist)與野獸女性主義者(beast-feminist)所推崇的情形下，狼人故事的主題也發生了變化。越來越多作品開始描寫女狼人如何奔向自由的懷抱，或是女狼人利用自身的能力對男性展開反擊。「女狼人」滿足了女性對於自然的渴望，也代表了力量。但是卡特卻反其道而行，她不但拒絕書寫女性狼人的主題，反而聚焦在被狼扶養的「狼孩」這種似人非人的議題上。她甚至在作品中暗示了，對女性來說，成為狼人是危險的一件事。 由於過去從未有人同時針對四部作品同時研究，本論文將嘗試以綜觀的角度，剖析為何卡特拒絕女性「成狼」，同時探究卡特筆下的狼人以及狼女的形象，究竟隱含什麼樣的意義。 本論文分為五個章節。第一章介紹卡特的作品風格，以及她為何選用「狼人」作為她解構童話故事的其中一個主題。第二章從卡特的作品著手，探討社會在型塑「狼人」時，大自然的意象是如何被扭曲，重組，變成安裝在異己上面的符號。這篇論文將會使用自創的名詞「象徵性狼體」來說明這個概念，同時瞭解卡特如何呈現這種困境。第三章將會轉而討論當代的女狼人小說以及生態女性主義是如何看待「狼」，而「象徵性狼體」又如何在此種文本裡死灰復燃。另外，本論文將會在第四章探討「狼女」的形象，同時借用德勒茲的「變向」(becoming)觀念，說明為何「狼女」是卡特心目中最理想的女性象徵。最後，第五章將會為前述論點做出總結，指出卡特拒絕女性「成狼」的可能理由。 | zh_TW |
| dc.description.abstract (摘要) | The fashion of horror genre in the 1970s has led a corresponding popularity of werewolf stories. During that time, the feminist writer Angela Carter’s werewolf stories gained attention. Carter’s werewolf stories rewrite traditional fairy tales and folklore. She deconstructs the fairy tale pattern, and the heroines have different roles, sometimes they are victims of werewolves, and sometimes they defeat werewolves bravely. However, the female werewolf is rare in her stories. Although in the 70s, modern female werewolf stories, beast-feminism and eco-feminism revalue the werewolf or wolf with positive meanings, Carter refuses to use female lycanthropy to represent the connection between women and Nature. The aim of this thesis is to find out the possible reasons for Carter’s rejection of female lycanthropy. Chapter one introduces Carter’s writing style, and the reason she chooses werewolves in her rewriting fairy tales. Chapter two examines the images of werewolf in Carter’s stories, and argues that the mechanism of ‘symbolic wolf body’ categories and twists nature, and how the society uses it to expel the outsiders. In chapter three, I would explain why the return of ‘symbolic wolf body’ makes modern female werewolf and eco-feminist narratives problematic. Then, by using Deleuze and Guattari’s ideas of “becoming-animal,” I would argue why the wolf-girl (human girls raised by wolves) in Carter’s story is the most ideal figure of femininity in the connection with nature. Finally, my thesis concludes that the exploitation of nature, the misuse of “symbolic animal body,” and eco-feminists’ unjustified perceptions with nature are possible reasons for Carter’s rejection of female werewolves. | en_US |
| dc.description.tableofcontents | Acknowledgements...........iv Chinese Abstract...........vi English Abstract...........viii Chapter One Introduction: Angela Carter and Her Wolf Tales......1 Chapter Two The "Symbolic Wolf Body" and Carter`s Wolf Stories..12 Chapter Three On Ecofeminism and Female Werewolf Stories..........27 Chapter Four The Wolf-girl.......................................43 Chapter Five Conclusion..........................................52 Works Cited.........................................57 | zh_TW |
| dc.format.extent | 600918 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0955510131 | en_US |
| dc.subject (關鍵詞) | 安潔拉‧卡特 | zh_TW |
| dc.subject (關鍵詞) | 狼人小說 | zh_TW |
| dc.subject (關鍵詞) | 生態女性主義 | zh_TW |
| dc.subject (關鍵詞) | 童話故事 | zh_TW |
| dc.subject (關鍵詞) | 德勒茲 | zh_TW |
| dc.subject (關鍵詞) | 動物 | zh_TW |
| dc.title (題名) | 論安潔拉‧卡特短篇故事裡的狼人與狼女形象 | zh_TW |
| dc.title (題名) | Werewolves and Wolf-Girls in Angela Carter`s short stories | en_US |
| dc.type (資料類型) | thesis | en |
| dc.relation.reference (參考文獻) | Antonio, Diane. “Of Wolves and Women.” Animals and Women: Feminist Theoretical Explorations. Ed. Carol J Adams and Josephine Donovan. Durham: Duke UP, 2006. 213-30. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Atwood, Margaret. “Running With the Tigers.” Flesh and the Mirror: Essays on the Art of Angela Carter. Ed. Lorna Sage. London: Virago, 2007. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Baker, Steve. Picturing the Beast. Illinois: U of Illinois P, 2001. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Birke, Lynda. Feminism, Animals and Science. Buckingham: Open UP, 1994. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Blecourt, Willem de. “I Would Have Eaten You Too: Werewolf Legends in the Flemish, Dutch and the German Area,” Folklore 118(2007): 23-43. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Brusseau, James. Isolated Experiences: Gilles Deleuze and the Solitudes of Reversed Platonism. New York: State U of New York P, 1998. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Carter, Angela. Burning Your Boats: The Collected Short Stories. New York: Penguin, 1995. Print. | zh_TW |
| dc.relation.reference (參考文獻) | ---. The Fairy Tales of Charles Perrault. New York: Penguin, 1977. Print. | zh_TW |
| dc.relation.reference (參考文獻) | ---. “Notes from the Front Line.” Critical Essays on Angela Carter. Ed. Lindsey Tucker. New York: Hall, 1998. 24-30. Print. | zh_TW |
| dc.relation.reference (參考文獻) | ---. Shaking a Leg: Collective Writings. New York: Penguin, 1998. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Coudray, Chantal Bourgault Du. The Curse of Werewolf: Fantasy, Horror and the Beast Within. London: Tauris, 2006. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Crofts, Charlotte. Anagrams of Desire. Manchester: Manchester UP, 2003. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Day, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester UP, 1998. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Derrida, Jacques. The Beast and the Sovereign. Chicago: U of Chicago P, 2008. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Deleuze, Gilles., and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: Minnesota UP, 1987. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Deleuze, Gilles., and Paul Patton. Difference and Repetition. New York: Continum, 2004. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Dunayer, Joan. “Sexist Words, Speciesist Roots.” Animals and Women: Feminist Theoretical Explorations. Ed. Carol J Adams and Josephine Donovan. Durham: Duke UP, 2006. 11-31. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Dunker, Patricia. “Re-imaging the Fairy Tale: Angela Carter’s Bloody Chambers.” Literature and History 10(1984): 3-14.Print. | zh_TW |
| dc.relation.reference (參考文獻) | Estes, Clarissa Pinkola. Women Who Run With the Wolves. New York: Ballantine, 1992. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Francione, Gary.L. Animals as Persons: Essays on the Abolition of Animal Exploitation. New York: Columbia UP, 2008. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Frost, Brian J. The Essential Guide to Werewolf Literature. Wisconsin: Wisconsin UP, 2003. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Gatens, Moria. “Through a Spinoziat Lens: Ethology, Difference, Power.” Deleuze: A Critical Reader. Ed. Paul Patton. Cambridge: Blackwell, 1996. 162-87. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Goffman, Erving. Behavior in Public Places: Notes on the Social Organization of Gatherings. New York: Free Press, 1966. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Grosz, Elizabeth. Space, Time and Perversion. New York: Routledge, 1995. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Haffebden, John. Novelists in Interview. New York: Routledge, 1985. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham NC: Duke UP, 1995. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Huet, Marie Helene. “Introduction to Monstrous Imagination”, The Horror Reader. Ed. Ken Gelder. New York: Routledge, 2000. 84-9. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Jardine, Alice. “Woman in Limbo: Deleuze and his br(others)”, Deleuze and Guattari: Critical Assessments of Leading Philosophers Vol.3. London: Routledge, 2001. 1397-413. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Keenan, Sally. “Angela Carter’s The Sadeian Woman: Feminism as Treason.” Angela Carter. Ed. Alison Easton. New York: St.Martin, 2000. 37-57. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Kittredge, George Lyman. Witchcraft in Old and New England. New York: Russell and Russell, 1956. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Lee, Alison. Angela Carter. New York: Twayne, 1997. Print. | zh_TW |
| dc.relation.reference (參考文獻) | Majinen, Merja. “Angela Carter’s The Bloody Chamber and the Decolonization of Feminine Sexuality.” Angela Carter. Ed. Alison Easton. New York: St.Martin, 2000. 20-36. Print. | zh_TW |
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