dc.contributor | 政大廣告系 | en |
dc.creator (作者) | Chen, Ru-Shou Robert | en |
dc.creator (作者) | 陳儒修 | zh_TW |
dc.date (日期) | 2010-03 | - |
dc.date.accessioned | 13-Mar-2013 10:34:10 (UTC+8) | - |
dc.date.available | 13-Mar-2013 10:34:10 (UTC+8) | - |
dc.date.issued (上傳時間) | 13-Mar-2013 10:34:10 (UTC+8) | - |
dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/57136 | - |
dc.description.abstract (摘要) | The year 2008 marks the 90th birth anniversary of Andr Bazin, and the 50th anniversary of his death. This essay examines retrospectively how the legacy of Bazin`s realist film theory has affected Chinese-language cinemas, in terms of theoretical exploration and evolution of film language and aesthetics, as exemplified by works by Hou Hsiao-Hsien, Tsai Ming-Liang, Chen Kaige, and Zhang Yimou. I conclude by reflecting on the reasons why we still need Bazin today, especially for the Chinese-language films, in order to understand reality through the lens of cinema. | en |
dc.format.extent | 2954931 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.language | zh_TW | en |
dc.language.iso | en_US | - |
dc.relation (關聯) | Journal of Chinese Cinemas,4(1),57-64 | en |
dc.subject (關鍵詞) | Andr Bazin; Realism; Hou Hsiao-Hsien; Tsai Ming-Liang; Chen Kaige; Zhang Yimou | en |
dc.title (題名) | Bazin at work: the concept of realism in Chinese-language films | en |
dc.type (資料類型) | article | en |
dc.identifier.doi (DOI) | 10.1386/jcc.4.1.57/7 | en_US |
dc.doi.uri (DOI) | http://dx.doi.org/10.1386/jcc.4.1.57/7 | en_US |