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題名 《文心雕龍》的「物感」生成圖式及其心物辯證觀 其他題名 The Original Pattern of Wu-gan and Its Dialectics of Mind and Matter in Wen Xin Diao Long 作者 黃偉倫
Huang, Wei-Lun貢獻者 政大中文系 關鍵詞 物感;感應;心物交感;劉勰;文心雕龍
Wu-gan;induction;mind-matter interaction;Liu-xie;Wen Xin Diao Long日期 2010-12 上傳時間 27-Mar-2013 09:58:17 (UTC+8) 摘要 所謂「物感」，其問題意識主要是立足於發生論的視角，對文學創作及審美體驗的產生所做的一個追問，而在古代的文論中，則將對此問題的思索，作了一種心理性根源的追溯，認為創作的發生乃導源於審美主／客（心／物）體間的感應關係。因此，本文之作即以「物感」論域為關注焦點，用以考察《文心雕龍》在此議題上的詮說及其所展示的理論觀點，在敘述程序上，先對「物感」做為一個探討文藝發生的理論範疇所具有的內在蘊涵、結構及其理論定位做一梳理與界定；其次，則以此來檢視《文心雕龍》對「物感」論題的回應，認為劉勰不僅具體描繪了一幅「稟情／應物／興感／吟志」的生成圖式，用以說解創作發生的內在脈絡，並由此涉及了「物感」的構成元素問題，更在主／客的互動關係上，提出了「隨物宛轉、與心徘徊」的辯證觀點，闡釋了文學創作過程中的心／物作用方式，同時亦對「物」的表現性與「情」的對應性問題，表達了「物以貌求，心以理應」的獨特見解。凡此，有關「物感」活動的組成元素、結構關係、創生過程及心／物的作用方式和對應性等問題，皆以理論言說的形式投予了高度的關注，從一歷史意義來說，可謂在「物感」論史上標誌著承先啓後的重要地位，而就理論意義來說，也揭示了一個具有開創性意義的理論範式，為後世的「物感」言說奠定了一定的規模和基礎。
The awareness of Wu-gan is basically based on the perspective of genetic theory. It is primarily an exploration and description in ancient literary theories to discover the psychological origins of the being of literature and the aesthetic experience. It is believed in Wu-gan that the occurrence of creation is originally the result of the relationship of induction between subject and object. Therefore, to prove this belief, the study will firstly define `Wu-gan` in terms of its theoretical content of aesthetics, inner structure and the positioning of its theory. Secondly, the study focuses on Wen Xin Diao Long, a masterpiece integrating all experience of literature creation before the Qi and Liang Dynasties. As for the issues of creation, it is believed that the philosopher, Liu Xie, has not only illustrated the original pattern of `Bing-Qing, Ying-Wu, Xing-Gan, Yin-Zhi` and proposed his viewpoints of dialectics, namely `Sui Wu Wan Zhuan, Yu Xin Pai Huai` to interpret the interaction between subject and object, but discovered the expression of `matter` and the issue corresponding to `emotion` in the relationship of induction. Consequently, regarding the element, structure and process of `emotion, matter, feeling` in the activity of `Wu-gan` along with the interactive model between mind and matter, it is likely to devote attention to a certain degree in the way of theory. Wen Xin Diao Long has not only provided interpretations marking the history of `Wu-gan,` but established an innovative theoretical pattern concerning the types of content.關聯 東華漢學, 12, 43-78 資料類型 article dc.contributor 政大中文系 en_US dc.creator (作者) 黃偉倫 zh_TW dc.creator (作者) Huang, Wei-Lun en_US dc.date (日期) 2010-12 en_US dc.date.accessioned 27-Mar-2013 09:58:17 (UTC+8) - dc.date.available 27-Mar-2013 09:58:17 (UTC+8) - dc.date.issued (上傳時間) 27-Mar-2013 09:58:17 (UTC+8) - dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/57335 - dc.description.abstract (摘要) 所謂「物感」，其問題意識主要是立足於發生論的視角，對文學創作及審美體驗的產生所做的一個追問，而在古代的文論中，則將對此問題的思索，作了一種心理性根源的追溯，認為創作的發生乃導源於審美主／客（心／物）體間的感應關係。因此，本文之作即以「物感」論域為關注焦點，用以考察《文心雕龍》在此議題上的詮說及其所展示的理論觀點，在敘述程序上，先對「物感」做為一個探討文藝發生的理論範疇所具有的內在蘊涵、結構及其理論定位做一梳理與界定；其次，則以此來檢視《文心雕龍》對「物感」論題的回應，認為劉勰不僅具體描繪了一幅「稟情／應物／興感／吟志」的生成圖式，用以說解創作發生的內在脈絡，並由此涉及了「物感」的構成元素問題，更在主／客的互動關係上，提出了「隨物宛轉、與心徘徊」的辯證觀點，闡釋了文學創作過程中的心／物作用方式，同時亦對「物」的表現性與「情」的對應性問題，表達了「物以貌求，心以理應」的獨特見解。凡此，有關「物感」活動的組成元素、結構關係、創生過程及心／物的作用方式和對應性等問題，皆以理論言說的形式投予了高度的關注，從一歷史意義來說，可謂在「物感」論史上標誌著承先啓後的重要地位，而就理論意義來說，也揭示了一個具有開創性意義的理論範式，為後世的「物感」言說奠定了一定的規模和基礎。 en_US dc.description.abstract (摘要) The awareness of Wu-gan is basically based on the perspective of genetic theory. It is primarily an exploration and description in ancient literary theories to discover the psychological origins of the being of literature and the aesthetic experience. It is believed in Wu-gan that the occurrence of creation is originally the result of the relationship of induction between subject and object. Therefore, to prove this belief, the study will firstly define `Wu-gan` in terms of its theoretical content of aesthetics, inner structure and the positioning of its theory. Secondly, the study focuses on Wen Xin Diao Long, a masterpiece integrating all experience of literature creation before the Qi and Liang Dynasties. As for the issues of creation, it is believed that the philosopher, Liu Xie, has not only illustrated the original pattern of `Bing-Qing, Ying-Wu, Xing-Gan, Yin-Zhi` and proposed his viewpoints of dialectics, namely `Sui Wu Wan Zhuan, Yu Xin Pai Huai` to interpret the interaction between subject and object, but discovered the expression of `matter` and the issue corresponding to `emotion` in the relationship of induction. Consequently, regarding the element, structure and process of `emotion, matter, feeling` in the activity of `Wu-gan` along with the interactive model between mind and matter, it is likely to devote attention to a certain degree in the way of theory. Wen Xin Diao Long has not only provided interpretations marking the history of `Wu-gan,` but established an innovative theoretical pattern concerning the types of content. en_US dc.language.iso en_US - dc.relation (關聯) 東華漢學, 12, 43-78 en_US dc.subject (關鍵詞) 物感;感應;心物交感;劉勰;文心雕龍 en_US dc.subject (關鍵詞) Wu-gan;induction;mind-matter interaction;Liu-xie;Wen Xin Diao Long en_US dc.title (題名) 《文心雕龍》的「物感」生成圖式及其心物辯證觀 zh_TW dc.title.alternative (其他題名) The Original Pattern of Wu-gan and Its Dialectics of Mind and Matter in Wen Xin Diao Long en_US dc.type (資料類型) article en
