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題名 台灣社會認同意識對於中國媒體在台觀感之影響
The Influence of Taiwanese Social Identity on Attitudes Toward Mainland Chinese Media作者 韋齊修
Nicholas Vaky貢獻者 施琮仁
T. J. Shih
韋齊修
Nicholas Vaky關鍵詞 媒體
認同
台灣
中國
Media
Social Identity
Taiwan
China日期 2012 上傳時間 1-Apr-2013 14:39:46 (UTC+8) 摘要 中國大陸和台灣雖然在文化上一脈相承,但是兩地在社會認同上並沒有達成共識。本論文以Tajfel的「社會認同理論」為骨幹,試著去了解台灣人對於來自中國大陸的媒體與跟自己本土產出的媒體有什麼不一樣的看法或觀感。利用設計電影海報來測試台灣民眾對於電影的興趣與注目焦點所在,研究結果發現, 台灣人在運動類型的電影,對於本土產出的作品有明顯的偏好,也就是較為認同自己本地的社會族群。但是在羅浪漫愛情類型的電影就沒有相對強烈的本土偏好,但還是會積極去蒐集該類型電影的相關資訊。所以本研究藉由證明同一個族群偏好自身的媒體產物,也強化了社會認同理論的概念。
Taiwan and China, countries whose citizens share a common ancestry, do not share a commonsocial-identity. Using “social identity theory” (Tajfel, 1978) as a basis, this study seeks tounderstand how Taiwanese citizens view media from Mainland China in contrast to media fromtheir native country. Asking questions about viewing intention and focusing on film’s in theromance and sports genres, this study found that sports film’s posters caused Taiwaneseparticipant’s to record a significant viewing preference for films from their own social group ofTaiwan. Findings from the romance genre found no viewing intention preferences but a strongerwillingness to engage in information seeking behaviors when films were from Taiwan. Thesefindings help strengthen social identity theory’s link to media research through showing that ingroupsprefer their own media to the media of out-groups.參考文獻 Abrams, J. R., and Giles, H. (2007). 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Devising a Practical Model for Predicting Theatrical MovieSuccess: Focusing on the Experience Good Property. Journal Of Media Economics,18(4), 247-269. doi:10.1207/s15327736me1804_2Chang, C-F. (2012, May 1). The audience is back! Taiwan films enjoy a renaissance. TaiwanPanorama. Retrieved January 12, 2013 from http://www.taiwan-panorama.com/en/China may up missiles aimed at Taiwan to 1,900: defense Minister. (2010, July 22). The ChinaPost. Retrieved November 8th, 2010 from http://www.chinapost.com.tw/Chinese Film Archive Search. 电影组合查询 (2012) Mtime. Retrieved July 23, 2012 fromhttp://movie.mtime.com/movie/search/section/#nation=138&sortType=8&viewType=0Choon-Yin, S. (2010). The Balance of Power in the Taiwan Strait: AnAssessment. International Journal of Asia-Pacific Studies, 6(2), 71-95. Retrieved fromEBSCOhost.Chou Ying-lung (2011). Data Collection Methodology. Important Political Attitude TrendDistribution. Election Study Center: National Chengchi University. 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國立政治大學
國際傳播英語碩士學位學程(IMICS)
99461016
101資料來源 http://thesis.lib.nccu.edu.tw/record/#G0099461016 資料類型 thesis dc.contributor.advisor 施琮仁 zh_TW dc.contributor.advisor T. J. Shih en_US dc.contributor.author (Authors) 韋齊修 zh_TW dc.contributor.author (Authors) Nicholas Vaky en_US dc.creator (作者) 韋齊修 zh_TW dc.creator (作者) Nicholas Vaky en_US dc.date (日期) 2012 en_US dc.date.accessioned 1-Apr-2013 14:39:46 (UTC+8) - dc.date.available 1-Apr-2013 14:39:46 (UTC+8) - dc.date.issued (上傳時間) 1-Apr-2013 14:39:46 (UTC+8) - dc.identifier (Other Identifiers) G0099461016 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/57586 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 國際傳播英語碩士學位學程(IMICS) zh_TW dc.description (描述) 99461016 zh_TW dc.description (描述) 101 zh_TW dc.description.abstract (摘要) 中國大陸和台灣雖然在文化上一脈相承,但是兩地在社會認同上並沒有達成共識。本論文以Tajfel的「社會認同理論」為骨幹,試著去了解台灣人對於來自中國大陸的媒體與跟自己本土產出的媒體有什麼不一樣的看法或觀感。利用設計電影海報來測試台灣民眾對於電影的興趣與注目焦點所在,研究結果發現, 台灣人在運動類型的電影,對於本土產出的作品有明顯的偏好,也就是較為認同自己本地的社會族群。但是在羅浪漫愛情類型的電影就沒有相對強烈的本土偏好,但還是會積極去蒐集該類型電影的相關資訊。所以本研究藉由證明同一個族群偏好自身的媒體產物,也強化了社會認同理論的概念。 zh_TW dc.description.abstract (摘要) Taiwan and China, countries whose citizens share a common ancestry, do not share a commonsocial-identity. Using “social identity theory” (Tajfel, 1978) as a basis, this study seeks tounderstand how Taiwanese citizens view media from Mainland China in contrast to media fromtheir native country. Asking questions about viewing intention and focusing on film’s in theromance and sports genres, this study found that sports film’s posters caused Taiwaneseparticipant’s to record a significant viewing preference for films from their own social group ofTaiwan. Findings from the romance genre found no viewing intention preferences but a strongerwillingness to engage in information seeking behaviors when films were from Taiwan. Thesefindings help strengthen social identity theory’s link to media research through showing that ingroupsprefer their own media to the media of out-groups. en_US dc.description.tableofcontents Table of ContentsI. Introduction………………………………………………………………6II. Literature Review……………………………………………………………101. Self-Categorization, Social Identity Theory, and Taiwan …………………102. Media Use …………………………………………………………………133. Other Measures of a Social Identity Media Bias ……………174. Priming Self-Identification …………………………………………195. Self-Identification Variance …………………………………206. Controlling for Audience’s Movie Going Preferences …………………22III. General Methodology ………………………………………………281. Procedure ……………………………………………………………………282. Materials……………………………………………………………………293. Manipulation Check……………………………………………………314. Measurements………………………………………………………315. Priming..……………………………………………………………………346. Control for Genre Interest ……………………………………………357. Translation ………………………………………………358. Experiment One and Two …………………………………………35IV. Experiment One: Sports Film…………………………………………371. Methodology ……………………………………………………………372. Results ……………………………………………………………………373. Discussion …………………………………………………………43V. Experiment Two: Romance film …………………………………………481. Methodology ……………………………………………………………482. Results ……………………………………………………………483. Discussion …………………………………………………………52VI. Discussion and Conclusion ……………………………………………561. Summary ……………………………………………………………………562. Genre Differences …………………………………………………………563. Priming Effects ……………………………………………………574. Information Seeking Behavior Significance ………………585. Industry and Marketing Implications …………………………586. Theoretical Implications ……………………………………………607. Limitations ……………………………………………………62VII. References ……………………………………………………………65VIII. Appendix A – Taiwanese Sport Film Poster ………………………………71IX. Appendix B - Chinese Sports Film Poster ………………………72X. Appendix C - Taiwanese Romance Film Poster ………………73XI. Appendix D - Chinese Romance Film Poster…………………74XII. Appendix E - Questionnaire Translated in Both English and Chinese………73 zh_TW dc.language.iso en_US - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0099461016 en_US dc.subject (關鍵詞) 媒體 zh_TW dc.subject (關鍵詞) 認同 zh_TW dc.subject (關鍵詞) 台灣 zh_TW dc.subject (關鍵詞) 中國 zh_TW dc.subject (關鍵詞) Media en_US dc.subject (關鍵詞) Social Identity en_US dc.subject (關鍵詞) Taiwan en_US dc.subject (關鍵詞) China en_US dc.title (題名) 台灣社會認同意識對於中國媒體在台觀感之影響 zh_TW dc.title (題名) The Influence of Taiwanese Social Identity on Attitudes Toward Mainland Chinese Media en_US dc.type (資料類型) thesis en dc.relation.reference (參考文獻) Abrams, J. R., and Giles, H. (2007). Ethnic Identity Gratifications Selection and Avoidance byAfrican Americans: A Group Vitality and Social Identity Gratifications Perspective.Media Psychology, 9(1), 115-134. doi:10.1080/15213260701279598Atkinson, C. (2006). Ostroff meditates on enticing tech-savvy 18-34 demo to the CW.Advertising Age, 77(11), 32.Basuroy, S., Chatterjee, S., & Ravid, S. (2003). How Critical Are Critical Reviews? The BoxOffice Effects of Film Critics, Star Power, and Budgets. Journal Of Marketing, 67(4),103-117.Billings, A. C., & Angelini, J. R. (2007). Packaging the Games for Viewer Consumption:Gender, Ethnicity, and Nationality in NBC`s Coverage of the 2004 Summer Olympics.Communication Quarterly, 55(1), 95-111. doi:10.1080/01463370600998731Canterbery, E., & Marvasti, A. A. (2001). The U.S. Motion Pictures Industry: An EmpiricalApproach. Review Of Industrial Organization, 19(1), 81.Chang, B-H., & Ki E-J. (2005). Devising a Practical Model for Predicting Theatrical MovieSuccess: Focusing on the Experience Good Property. Journal Of Media Economics,18(4), 247-269. doi:10.1207/s15327736me1804_2Chang, C-F. (2012, May 1). The audience is back! Taiwan films enjoy a renaissance. TaiwanPanorama. Retrieved January 12, 2013 from http://www.taiwan-panorama.com/en/China may up missiles aimed at Taiwan to 1,900: defense Minister. (2010, July 22). The ChinaPost. Retrieved November 8th, 2010 from http://www.chinapost.com.tw/Chinese Film Archive Search. 电影组合查询 (2012) Mtime. Retrieved July 23, 2012 fromhttp://movie.mtime.com/movie/search/section/#nation=138&sortType=8&viewType=0Choon-Yin, S. (2010). The Balance of Power in the Taiwan Strait: AnAssessment. International Journal of Asia-Pacific Studies, 6(2), 71-95. Retrieved fromEBSCOhost.Chou Ying-lung (2011). Data Collection Methodology. Important Political Attitude TrendDistribution. Election Study Center: National Chengchi University. Retrieved October 14,2011 from http://esc.nccu.edu.tw/english/modules/tinyd2/index.php?id=6Cohen, Cohen, West, & Aiken. (2003). Applied multiple regression/correlation analysisfor the behavioral sciences. Mahwah, New Jersey: L. Erlbaum Associates.Cooks, L. M., & Orbe, M. P. (1993). Beyond the satire: Selective exposure and selectiveperception in "In Living Color". Howard Journal Of Communications, 4(3), 217-233.Coonan, C. (2012, May 26). China boosts Taiwan film biz. Variety. Retrieved January 14, 2013from http://www.variety.comCraig, C., Greene, W. H., & Douglas, S. P. (2005). Culture Matters: Consumer Acceptance ofU.S. Films in Foreign Markets. Journal Of International Marketing, 13(4), 80-103.doi:10.1509/jimk.2005.13.4.80d`Astous, A., Colbert F., & Nobert V. (2007). Effects of country-genrecongruence on the evaluation of movies: The moderating role of critical reviews andmoviegoers` prior knowledge. International Journal of Arts Management, 10(1), 45-51,82. Retrieved from http://search.proquest.com/docview/205811195?accountid=10067deLisle, J. (2010) Soft Power in a Hard Place: China, Taiwan, Cross-Straight Relationsand U.S. Policy. Orbis. 54 (4), 493-524. Retrieved from http://www.fpri.orgDe Vany, A. and Walls, W.D. 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