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題名 城市漫遊:《阿卡迪亞》中的心理地圖
Walking in the City: Psychogeography in Arcadia作者 周羿含
Chou, I Han貢獻者 楊麗敏
Yang, Li Min
周羿含
Chou, I Han關鍵詞 《阿卡迪亞》
城市空間
城市漫遊者
城市漫遊文本
心理地圖
Arcadia
urban space
the flâneur
textual flânerie
psychogeography日期 2011 上傳時間 4-九月-2013 14:48:36 (UTC+8) 摘要 當代英國小說家吉姆‧克雷斯 (Jim Crace) 在《阿卡迪亞》(Arcadia, 2008)這部城市小說中，以一位隱身人群的專欄作家為敘述者，從城市居民的心理為出發點描寫城市空間，並以傳統露天市場被改建為一現代化購物商場之事件為主軸，刻劃城市居民經歷生存空間遭強制改變的衝擊之後，仍然找到適應的方式和創造空間運用的可能性。本文主要採取甄克斯 (Chris Jenks) 對城市漫遊者 (flâneur) 的論述，以及情境主義的心理地圖 (psychogeography)、漂移 (dérive)、異軌 (détournement)、及景觀 (spectacle) 的理論概念，剖析克雷斯如何以都市漫遊文本，呈現人和空間的互動，凸顯城市居民和其生存空間實為一生生不息的有機體，並揭露都市空間規劃背後暗藏視覺操縱，藉以反對空間商品化和景觀化。論文第一章主要借助甄克斯的都市漫遊者論述以及情境主義的心理地圖和漂移理論，闡述小說敘述者打破心理和地理的界線，以不同的人物心理呈現一幅城市拼貼。第二章以異軌理論為出發點，闡釋此小說將阿卡迪亞的文學概念和都市公共空間議題並置，一方面解構溫室和商場中的鄉村實為自然的複製品，另一方面強調城市生命力在於多樣性以及居民與空間的互動。第三章援引情境主義的景觀概念，著重討論社會關係和城市的空間生產被資本主義塑造的景觀所滲透控制，並強調敘述者以漂移和異軌的空間實踐與其對抗之外，也刻劃了都市居民在景觀的控制之下，仍然找到新的出口，保有空間運用的自主性。
Jim Crace’s novel Arcadia delineates a city from the perspective of human mentality by means of an incognito critical social observer. The displacement of a modernized shopping mall for a traditional open market is the most important incident that causes a great impact upon the urban people. In this thesis, I would like to use Chris Jenks’ analysis of the flâneur and situationist concepts of psychogeography, dérive, détournement, and the spectacle to analyze how Crace presents the interaction between man and space which is threatened by the visual manipulation hidden behind urban planning. He also points out that urban inhabitants and their living environment form an organic whole that will keep evolving through their mutual influence. Applying Jenks’ discussion on the flâneur and situationist concepts of psychogeography and dérive, I would first show that Crace breaks the boundary between psychology and geography to present a collage of different interpretations based upon several characters’ mentalities. Then, the construction of the new shopping mall named Arcadia brings up the juxtaposition of the topos Arcadia and the issue of urban public space. With the practice of détournement, the narrator deconstructs the countryside in the shopping mall as the duplication of nature and emphasizes that the life of the city does not reside in the spectacular sites but in diverse and mutual interactions between urban space and its inhabitants. With spatial practices of dérive and détournement, the narrator not only criticizes that both social relationship and urban space are saturated with separation caused by the spectacle, but also makes known that urban people still hold the autonomy of creating alternative spatial use even under the dominant representation of the spectacle in the city.參考文獻 Works CitedBegley, Adam. “Jim Crace: The Art of Fiction CLXXIX.” The Paris Review. 45.167(2003):182-214. Baudelaire, Charles. Selected Writings on Art and Literature. Trans. and introd. P. E. Charvet. London: Penguin, 1972.---. The Flowers of Evil and Paris Spleen. Trans. William H. Crosby. Rochester, NY: BOA Editions, 1991.Baudrillard, Jean.Simulations. Tran. Paul Foss, Paul Patton and Philip Beitchm. New York: Semiotext(e), 1983.Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin Mclaughin. Boston: Harvard University Press, 1999. Best, Steven, and Douglas Kellner. The Postmodern Turn. New York: The Guilford Press, 1997.Best, Steven. “The Commodification of Reality and the Reality of Commodification: Baudrillard, Debord, and postmodern Theory.” Baudrillard: A Critical Reader. Ed. Douglas Kellner, Oxford: Blackwell, 1994.Buck-Morss, Susan. “The Flâneur, the Sandwichman and the Whore.” New German Critique 39 (1986): 99-140.Certeau, Michel de. “Walking the City.” The Practice of Everyday Life. Berkeley: University of California Press, 1984. 91-110.Crace, Jim. Arcadia. London: Picador, 2008.Debord, Guy. Comments on the Society of the Spectacle. Trans. Malcolm Imrie. London and New York: Verso, 1990.---. Society of the Spectacle. Trans. Ken Knabb. London: Rebel Press, 1992.---. “Unitary Urbanism at the End of the 1950s”. On the Passage of a Few People through a Rather Brief Moment in Time: The Situationist International 1957-1972. Cambridge: MA: MIT Press, 143-47.Dyer, Geoff. “Word Salad – Arcadia by Jim Crace.” New Statesman & Society. 5.194 (1992): 45.Gilloch, Graeme. Walter Benjamin: Critical Constellations. London: Polity Press, 2002.Goonewardena, Kanishka, Stefan Kipfer, Richard Milgrom, and Christian Schmid, ed. Space, Difference, Everyday Life: Reading Henri Lefebvre. New York and London: Routledge, 2008. Harold, Christine. Our Space. London: University of Minnesota Press, 2007.Holston and Appadurai. “Cities and Citizenship.” State / Space: A Reader. Ed. Neil Brenner, Bob Jessop, Martin Jones, and Gordon MacLeod. Oxford: Blackwell Publishing. 296-308.Jenks, Chris. Aspects of Urban Culture. Taipei, Taiwan: The Institute of European and American Studies, Academia Sinica, 2000.Kellner, Douglas. Media Spectacle. London: Routledge, 2003.Knabb, Ken, trans. and ed. Situationist International Anthology. Berkeley, CA: Bureau of Public Secrets, 1989.Lane, Richard J. “The Fiction of Jim Crace: Narrative and Recovery.” Contemporary British Fiction. Ed. Richard J. Lane, Rod Mengham, and Philip Tew. Cambridge, U.K.: Polity Press, 2003. 27-39.Lefebvre, Henri. Writings on Cities. Tran. Elenore Kofman and Elizabeth Lebas. Cambridge, Mass: Blackwell, 1996.Lopate, Phillip. “Can’t Keep a Good Vegetable Down.” New York Times Book Review 18 Oct 1992, 711.Luke, Timothy W.. “Simulated Sovereignty, Telematic Territoriality: The Political Economy of Cyberspace.” Spaces of Culture: City, Nation, World. Ed. Mike Featherstone and Scott Lash. London: Sage Publications, 1999. 27-48.Mars-Jones, Adam. “Hurrying Back to Nature – Arcadia by Jim Crace.” The Times Literary Supplement 13 Mar. 1992, 22.Massey, Doreen. For Space. London: SAGE, 2005.McDonough, Tom. “Situationist Space.” Guy Debord and the Situationist International: Texts and Documents. Ed. Tom McDonough. Cambridge and London: The MIT Press, 2002. 241-265.Mumford, Lewis. The City in History: Its Origins, its Transformations and its Prospects. Harmondsworth: Penguin, 1961.Ostwald, Michael F. “Identity Tourism, Virtuality and the Theme Park.” Virtual Globalization: Virtual Spaces/Tourist Spaces. Ed. David Holmes. London and New York: Routledge, 2001.Park, Robert E. “The City: Suggestions for the Investigation of Human Behaviour in the Urban Environment.” The City. Chicago: University of Chicago Press, 1925. 1-46.Plant, Sadie. The Most Radical Gesture: The Situationist International in a Postmodern age. London and New York: Routledge, 1992.Pinder, David. “Arts of Urban Exploration.” Cultural Geographies. 12.4 (2005): 383-411.---. Visions of the City: Utopianism, Power and Politics in Twentieth-Century Urbanism. New York: Routledge, 2005.Rignall, John. “Benjamin’s Flâneur and the Problem of Realism.” Problems of Modernity, Adorno and Benjamin. Ed. A. Benjamin. Coventry: Warwick University Press, 1989. 112-121.Sadler, Simon. The Situationist City. Cambridge and London: The MIT Press, 1998.Smith, Neil. Uneven Development: Nature, Capital, and the production of Space. Athens: University of Georgia Press, 2008.Teske, Doris. “Jim Crace’s Arcadia: Public Culture in the Postmodern City.” London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg: Universitätsverlag C. Winter, 2002. 165-182.Tew, Philip. The Contemporary British Novel. London: Continuum International Publishing Group, 2007.Wheeler, Edward T. “Modern Gardening -- Arcadia by Jim Crace.” Commenweal. 120.12(1993): 26-27.Wilson, Elizabeth. “The Invisible Flâneur.” Postmodern Cities and Spaces. Ed. Sophie Watson and Katherine Gibson. Oxford: Blackwell, 1995. 59-79. 描述 碩士
國立政治大學
英國語文學研究所
97551005
100資料來源 http://thesis.lib.nccu.edu.tw/record/#G0097551005 資料類型 thesis dc.contributor.advisor 楊麗敏 zh_TW dc.contributor.advisor Yang, Li Min en_US dc.contributor.author (作者) 周羿含 zh_TW dc.contributor.author (作者) Chou, I Han en_US dc.creator (作者) 周羿含 zh_TW dc.creator (作者) Chou, I Han en_US dc.date (日期) 2011 en_US dc.date.accessioned 4-九月-2013 14:48:36 (UTC+8) - dc.date.available 4-九月-2013 14:48:36 (UTC+8) - dc.date.issued (上傳時間) 4-九月-2013 14:48:36 (UTC+8) - dc.identifier (其他 識別碼) G0097551005 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/60014 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學研究所 zh_TW dc.description (描述) 97551005 zh_TW dc.description (描述) 100 zh_TW dc.description.abstract (摘要) 當代英國小說家吉姆‧克雷斯 (Jim Crace) 在《阿卡迪亞》(Arcadia, 2008)這部城市小說中，以一位隱身人群的專欄作家為敘述者，從城市居民的心理為出發點描寫城市空間，並以傳統露天市場被改建為一現代化購物商場之事件為主軸，刻劃城市居民經歷生存空間遭強制改變的衝擊之後，仍然找到適應的方式和創造空間運用的可能性。本文主要採取甄克斯 (Chris Jenks) 對城市漫遊者 (flâneur) 的論述，以及情境主義的心理地圖 (psychogeography)、漂移 (dérive)、異軌 (détournement)、及景觀 (spectacle) 的理論概念，剖析克雷斯如何以都市漫遊文本，呈現人和空間的互動，凸顯城市居民和其生存空間實為一生生不息的有機體，並揭露都市空間規劃背後暗藏視覺操縱，藉以反對空間商品化和景觀化。論文第一章主要借助甄克斯的都市漫遊者論述以及情境主義的心理地圖和漂移理論，闡述小說敘述者打破心理和地理的界線，以不同的人物心理呈現一幅城市拼貼。第二章以異軌理論為出發點，闡釋此小說將阿卡迪亞的文學概念和都市公共空間議題並置，一方面解構溫室和商場中的鄉村實為自然的複製品，另一方面強調城市生命力在於多樣性以及居民與空間的互動。第三章援引情境主義的景觀概念，著重討論社會關係和城市的空間生產被資本主義塑造的景觀所滲透控制，並強調敘述者以漂移和異軌的空間實踐與其對抗之外，也刻劃了都市居民在景觀的控制之下，仍然找到新的出口，保有空間運用的自主性。 zh_TW dc.description.abstract (摘要) Jim Crace’s novel Arcadia delineates a city from the perspective of human mentality by means of an incognito critical social observer. The displacement of a modernized shopping mall for a traditional open market is the most important incident that causes a great impact upon the urban people. In this thesis, I would like to use Chris Jenks’ analysis of the flâneur and situationist concepts of psychogeography, dérive, détournement, and the spectacle to analyze how Crace presents the interaction between man and space which is threatened by the visual manipulation hidden behind urban planning. He also points out that urban inhabitants and their living environment form an organic whole that will keep evolving through their mutual influence. Applying Jenks’ discussion on the flâneur and situationist concepts of psychogeography and dérive, I would first show that Crace breaks the boundary between psychology and geography to present a collage of different interpretations based upon several characters’ mentalities. Then, the construction of the new shopping mall named Arcadia brings up the juxtaposition of the topos Arcadia and the issue of urban public space. With the practice of détournement, the narrator deconstructs the countryside in the shopping mall as the duplication of nature and emphasizes that the life of the city does not reside in the spectacular sites but in diverse and mutual interactions between urban space and its inhabitants. With spatial practices of dérive and détournement, the narrator not only criticizes that both social relationship and urban space are saturated with separation caused by the spectacle, but also makes known that urban people still hold the autonomy of creating alternative spatial use even under the dominant representation of the spectacle in the city. en_US dc.description.tableofcontents TABLE Of CONTENTSAcknowledgement...........................................ⅲChinese Abstract..........................................ⅶEnglish Abstract..........................................ⅷIntroduction..............................................01Chapter One Dérive: Remapping the City..................19Chapter Two Détournement: The Claim of Public Space.....49Chapter Three Spectacle: The Rebirth of the City.........71Conclusion................................................97Works Cited....................................................103 zh_TW dc.format.extent 760579 bytes - dc.format.extent 760579 bytes - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.language.iso en_US - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0097551005 en_US dc.subject (關鍵詞) 《阿卡迪亞》 zh_TW dc.subject (關鍵詞) 城市空間 zh_TW dc.subject (關鍵詞) 城市漫遊者 zh_TW dc.subject (關鍵詞) 城市漫遊文本 zh_TW dc.subject (關鍵詞) 心理地圖 zh_TW dc.subject (關鍵詞) Arcadia en_US dc.subject (關鍵詞) urban space en_US dc.subject (關鍵詞) the flâneur en_US dc.subject (關鍵詞) textual flânerie en_US dc.subject (關鍵詞) psychogeography en_US dc.title (題名) 城市漫遊:《阿卡迪亞》中的心理地圖 zh_TW dc.title (題名) Walking in the City: Psychogeography in Arcadia en_US dc.type (資料類型) thesis en dc.relation.reference (參考文獻) Works CitedBegley, Adam. “Jim Crace: The Art of Fiction CLXXIX.” The Paris Review. 45.167(2003):182-214. Baudelaire, Charles. Selected Writings on Art and Literature. Trans. and introd. P. E. Charvet. London: Penguin, 1972.---. The Flowers of Evil and Paris Spleen. Trans. William H. Crosby. Rochester, NY: BOA Editions, 1991.Baudrillard, Jean.Simulations. Tran. Paul Foss, Paul Patton and Philip Beitchm. New York: Semiotext(e), 1983.Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin Mclaughin. Boston: Harvard University Press, 1999. Best, Steven, and Douglas Kellner. The Postmodern Turn. New York: The Guilford Press, 1997.Best, Steven. “The Commodification of Reality and the Reality of Commodification: Baudrillard, Debord, and postmodern Theory.” Baudrillard: A Critical Reader. Ed. Douglas Kellner, Oxford: Blackwell, 1994.Buck-Morss, Susan. “The Flâneur, the Sandwichman and the Whore.” New German Critique 39 (1986): 99-140.Certeau, Michel de. “Walking the City.” The Practice of Everyday Life. Berkeley: University of California Press, 1984. 91-110.Crace, Jim. Arcadia. London: Picador, 2008.Debord, Guy. Comments on the Society of the Spectacle. Trans. Malcolm Imrie. London and New York: Verso, 1990.---. Society of the Spectacle. Trans. Ken Knabb. London: Rebel Press, 1992.---. “Unitary Urbanism at the End of the 1950s”. On the Passage of a Few People through a Rather Brief Moment in Time: The Situationist International 1957-1972. Cambridge: MA: MIT Press, 143-47.Dyer, Geoff. “Word Salad – Arcadia by Jim Crace.” New Statesman & Society. 5.194 (1992): 45.Gilloch, Graeme. Walter Benjamin: Critical Constellations. London: Polity Press, 2002.Goonewardena, Kanishka, Stefan Kipfer, Richard Milgrom, and Christian Schmid, ed. Space, Difference, Everyday Life: Reading Henri Lefebvre. New York and London: Routledge, 2008. Harold, Christine. Our Space. London: University of Minnesota Press, 2007.Holston and Appadurai. “Cities and Citizenship.” State / Space: A Reader. Ed. Neil Brenner, Bob Jessop, Martin Jones, and Gordon MacLeod. Oxford: Blackwell Publishing. 296-308.Jenks, Chris. Aspects of Urban Culture. Taipei, Taiwan: The Institute of European and American Studies, Academia Sinica, 2000.Kellner, Douglas. Media Spectacle. London: Routledge, 2003.Knabb, Ken, trans. and ed. Situationist International Anthology. Berkeley, CA: Bureau of Public Secrets, 1989.Lane, Richard J. “The Fiction of Jim Crace: Narrative and Recovery.” Contemporary British Fiction. Ed. Richard J. Lane, Rod Mengham, and Philip Tew. Cambridge, U.K.: Polity Press, 2003. 27-39.Lefebvre, Henri. Writings on Cities. Tran. Elenore Kofman and Elizabeth Lebas. Cambridge, Mass: Blackwell, 1996.Lopate, Phillip. “Can’t Keep a Good Vegetable Down.” New York Times Book Review 18 Oct 1992, 711.Luke, Timothy W.. “Simulated Sovereignty, Telematic Territoriality: The Political Economy of Cyberspace.” Spaces of Culture: City, Nation, World. Ed. Mike Featherstone and Scott Lash. London: Sage Publications, 1999. 27-48.Mars-Jones, Adam. “Hurrying Back to Nature – Arcadia by Jim Crace.” The Times Literary Supplement 13 Mar. 1992, 22.Massey, Doreen. For Space. London: SAGE, 2005.McDonough, Tom. “Situationist Space.” Guy Debord and the Situationist International: Texts and Documents. Ed. Tom McDonough. Cambridge and London: The MIT Press, 2002. 241-265.Mumford, Lewis. The City in History: Its Origins, its Transformations and its Prospects. Harmondsworth: Penguin, 1961.Ostwald, Michael F. “Identity Tourism, Virtuality and the Theme Park.” Virtual Globalization: Virtual Spaces/Tourist Spaces. Ed. David Holmes. London and New York: Routledge, 2001.Park, Robert E. “The City: Suggestions for the Investigation of Human Behaviour in the Urban Environment.” The City. Chicago: University of Chicago Press, 1925. 1-46.Plant, Sadie. The Most Radical Gesture: The Situationist International in a Postmodern age. London and New York: Routledge, 1992.Pinder, David. “Arts of Urban Exploration.” Cultural Geographies. 12.4 (2005): 383-411.---. Visions of the City: Utopianism, Power and Politics in Twentieth-Century Urbanism. New York: Routledge, 2005.Rignall, John. “Benjamin’s Flâneur and the Problem of Realism.” Problems of Modernity, Adorno and Benjamin. Ed. A. Benjamin. Coventry: Warwick University Press, 1989. 112-121.Sadler, Simon. The Situationist City. Cambridge and London: The MIT Press, 1998.Smith, Neil. Uneven Development: Nature, Capital, and the production of Space. Athens: University of Georgia Press, 2008.Teske, Doris. “Jim Crace’s Arcadia: Public Culture in the Postmodern City.” London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg: Universitätsverlag C. Winter, 2002. 165-182.Tew, Philip. The Contemporary British Novel. London: Continuum International Publishing Group, 2007.Wheeler, Edward T. “Modern Gardening -- Arcadia by Jim Crace.” Commenweal. 120.12(1993): 26-27.Wilson, Elizabeth. “The Invisible Flâneur.” Postmodern Cities and Spaces. Ed. Sophie Watson and Katherine Gibson. Oxford: Blackwell, 1995. 59-79. zh_TW
