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題名 明清以來河南部份方言入聲字的演變
其他題名 A Change about Abrupt Tone Of He-Nan-Fang-Yin Since The Ming And Ching Period
作者 宋韻珊
Sung, Yun-San
貢獻者 中文系
關鍵詞 入聲字;河南方言;青郊雜著;交秦韻;剔弊廣增分韻五方元音
Abrupt tone;HE NAN FANG YIN;CHING JIAU TZA JU;JIAU TAI YUEN;TZENG BU TI BI WU FANG YUAN YIN
日期 2001
上傳時間 18-Dec-2013 12:29:16 (UTC+8)
摘要 明清時期出現了大量反映時音的韻書、韻圖,它們是研究近代漢語語音的重要資料,這些著作中的音系各具特色,也往往不單純限於一時一地之音而具有「複合性」的特點。本計畫以明清時期呈顯河南方音的三部韻書-《青郊雜著》、《交泰韻》、《剔弊廣增分韻五方元音》為考察對象,觀察十六、十七世紀時期河南部份方言入聲字的表現一包括入聲韻的消變情況與入聲調的類別屬性,再對照現今方音,一一釐析這些入聲字在現今河南方言中的流向。依據本文的觀察,發現:入聲韻雖仍獨立存在,但已弱化為喉塞音韻尾了;其次,在明清時期的河南方言裡入聲調還區分為陰入、陽入(或上入、下入)二類,清聲母和次濁聲母讀陰入,全濁聲母讀陽入;但現今卻發展為次濁聲母字讀陰平的特殊演變類型,而此項語音條件亦適為中原官話與北方官話、膠遼官話分區的主要依據。因此,本研究除可獲悉入聲字由明至今在河南方言中的變讀趨勢與演變型態外,也為官話分區提供重要語音線索,並進而得知明清時期分屬於中原官話與北方官話類型韻書中對入聲字的措置到了現代的不同流向。
In the period of Ming and Ching, appear quantity rhythm books and rhythm charts, those books and charts are important information to study of recent times Chinese Language. Although those writings have difference characteristics, but most important, "compound` are evidently characteristics in those writings. This project based three rhythm books--JIAU TAI YUEN、CHING JIAU TZA JU、TZENG BLT TI BI WU FANG YUAN YIN. According to those three rhythm books, we can observe a chang about abrupt tone of HE NAN FANG YIN (河南方音)in 16th and 17th century. Through this project, also we can find the changing track of abrupt tone since Ming dynasty till now. In my opinions, there have two phenomenon worthy to pay attention: First, althought the JU SHENG YUN (入聲韻)exist singlely, but reduction become into Glottal Stop. The second, in the period of Ming and Ching, the abrupt tone between HE NAN FANG YIN were distinguished upper abrupt tone and lower abrupt tone, voiceless sound(清聲母) and half voice(次濁聲母)were readed YIN JU(陰入). Voiced sound(全濁聲母) were readed YANG JU(陽入), but now, it development into half voice were read upper even tone. This kind of special evolutionary type and condition just the essential distinguish of CHUNG YANG Mandarin(中原官話) 、Northern Mandarin(北方官話) and CHIAO LIAO Mandarin(膠遼官話). Hence this project can make us realize the change of abrupt tone change in HE NAN FANG YIN from Ming till now. Further more, it can provide the important sound clue of Mandarin.
關聯 國科會
資料類型 report
dc.contributor 中文系en_US
dc.creator (作者) 宋韻珊zh_TW
dc.creator (作者) Sung, Yun-Sanen_US
dc.date (日期) 2001en_US
dc.date.accessioned 18-Dec-2013 12:29:16 (UTC+8)-
dc.date.available 18-Dec-2013 12:29:16 (UTC+8)-
dc.date.issued (上傳時間) 18-Dec-2013 12:29:16 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/62677-
dc.description.abstract (摘要) 明清時期出現了大量反映時音的韻書、韻圖,它們是研究近代漢語語音的重要資料,這些著作中的音系各具特色,也往往不單純限於一時一地之音而具有「複合性」的特點。本計畫以明清時期呈顯河南方音的三部韻書-《青郊雜著》、《交泰韻》、《剔弊廣增分韻五方元音》為考察對象,觀察十六、十七世紀時期河南部份方言入聲字的表現一包括入聲韻的消變情況與入聲調的類別屬性,再對照現今方音,一一釐析這些入聲字在現今河南方言中的流向。依據本文的觀察,發現:入聲韻雖仍獨立存在,但已弱化為喉塞音韻尾了;其次,在明清時期的河南方言裡入聲調還區分為陰入、陽入(或上入、下入)二類,清聲母和次濁聲母讀陰入,全濁聲母讀陽入;但現今卻發展為次濁聲母字讀陰平的特殊演變類型,而此項語音條件亦適為中原官話與北方官話、膠遼官話分區的主要依據。因此,本研究除可獲悉入聲字由明至今在河南方言中的變讀趨勢與演變型態外,也為官話分區提供重要語音線索,並進而得知明清時期分屬於中原官話與北方官話類型韻書中對入聲字的措置到了現代的不同流向。en_US
dc.description.abstract (摘要) In the period of Ming and Ching, appear quantity rhythm books and rhythm charts, those books and charts are important information to study of recent times Chinese Language. Although those writings have difference characteristics, but most important, "compound` are evidently characteristics in those writings. This project based three rhythm books--JIAU TAI YUEN、CHING JIAU TZA JU、TZENG BLT TI BI WU FANG YUAN YIN. According to those three rhythm books, we can observe a chang about abrupt tone of HE NAN FANG YIN (河南方音)in 16th and 17th century. Through this project, also we can find the changing track of abrupt tone since Ming dynasty till now. In my opinions, there have two phenomenon worthy to pay attention: First, althought the JU SHENG YUN (入聲韻)exist singlely, but reduction become into Glottal Stop. The second, in the period of Ming and Ching, the abrupt tone between HE NAN FANG YIN were distinguished upper abrupt tone and lower abrupt tone, voiceless sound(清聲母) and half voice(次濁聲母)were readed YIN JU(陰入). Voiced sound(全濁聲母) were readed YANG JU(陽入), but now, it development into half voice were read upper even tone. This kind of special evolutionary type and condition just the essential distinguish of CHUNG YANG Mandarin(中原官話) 、Northern Mandarin(北方官話) and CHIAO LIAO Mandarin(膠遼官話). Hence this project can make us realize the change of abrupt tone change in HE NAN FANG YIN from Ming till now. Further more, it can provide the important sound clue of Mandarin.en_US
dc.format.extent 21848 bytes-
dc.format.mimetype application/pdf-
dc.language.iso en_US-
dc.relation (關聯) 國科會en_US
dc.subject (關鍵詞) 入聲字;河南方言;青郊雜著;交秦韻;剔弊廣增分韻五方元音en_US
dc.subject (關鍵詞) Abrupt tone;HE NAN FANG YIN;CHING JIAU TZA JU;JIAU TAI YUEN;TZENG BU TI BI WU FANG YUAN YINen_US
dc.title (題名) 明清以來河南部份方言入聲字的演變zh_TW
dc.title.alternative (其他題名) A Change about Abrupt Tone Of He-Nan-Fang-Yin Since The Ming And Ching Perioden_US
dc.type (資料類型) reporten