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題名 隱喻與數位文化: 由傳播與價值批判的角度省思
其他題名 Metaphor and Digital Culture:    A Communicative and Value-Critical Perspective
作者 孫式文
Sun, Sewen
貢獻者 新聞系
關鍵詞 文化生態;公共領域;框架;著佐權;數位文化;隱喻
Copyleft;Cultural ecology;Digital culture;Frame;Metaphor;Public domain
日期 2011-07
上傳時間 16-Jan-2014 15:32:33 (UTC+8)
摘要 數位媒介的發展讓各類資訊的複製與傳佈變得快捷且價廉。大眾使用資訊的方式亦隨之改變,相關的著作權理念因而成為不斷被爭辯的議題。支持強著作權的陣營,持續不輟地將著作權框架為財產與產權,以合理化擴大著作權保護範疇的訴求。而推動自由軟體和自由文化的陣營,也相繼建構出與財產分庭抗禮的隱喻,例如第二次圈地運動、文化生態、著佐權(copyleft)。本文描述這些隱喻之間相互牽連的情況,並說明它們在國內與國際層次上的重要意涵。
In the era of digital media, reproduction and dissemination of various types of information has become easy and inexpensive. As a result, people’s ways of using information have also changed significantly, and therefore it is not surprising that the idea of copyright has become a constantly contested issue. Those who support strong copyright persistently frame copyright as property right and demand to maximize copyright protection. In contrast, those who advocate free software and free culture construct a new set of metaphors – such as intangible commons, the second enclosure movement, cultural ecology, and copyleft – to debunk myths about copyright protection. This article described the interconnections of those metaphors, and explained their significance both at domestic and international levels.
關聯 新聞學研究, 108, 141-181
Mass Communication Research, 108, 141-181
資料類型 article
dc.contributor 新聞系en_US
dc.creator (作者) 孫式文zh_TW
dc.creator (作者) Sun, Sewenen_US
dc.date (日期) 2011-07en_US
dc.date.accessioned 16-Jan-2014 15:32:33 (UTC+8)-
dc.date.available 16-Jan-2014 15:32:33 (UTC+8)-
dc.date.issued (上傳時間) 16-Jan-2014 15:32:33 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/63431-
dc.description.abstract (摘要) 數位媒介的發展讓各類資訊的複製與傳佈變得快捷且價廉。大眾使用資訊的方式亦隨之改變,相關的著作權理念因而成為不斷被爭辯的議題。支持強著作權的陣營,持續不輟地將著作權框架為財產與產權,以合理化擴大著作權保護範疇的訴求。而推動自由軟體和自由文化的陣營,也相繼建構出與財產分庭抗禮的隱喻,例如第二次圈地運動、文化生態、著佐權(copyleft)。本文描述這些隱喻之間相互牽連的情況,並說明它們在國內與國際層次上的重要意涵。en_US
dc.description.abstract (摘要) In the era of digital media, reproduction and dissemination of various types of information has become easy and inexpensive. As a result, people’s ways of using information have also changed significantly, and therefore it is not surprising that the idea of copyright has become a constantly contested issue. Those who support strong copyright persistently frame copyright as property right and demand to maximize copyright protection. In contrast, those who advocate free software and free culture construct a new set of metaphors – such as intangible commons, the second enclosure movement, cultural ecology, and copyleft – to debunk myths about copyright protection. This article described the interconnections of those metaphors, and explained their significance both at domestic and international levels.en_US
dc.format.extent 620497 bytes-
dc.format.mimetype application/pdf-
dc.language.iso en_US-
dc.relation (關聯) 新聞學研究, 108, 141-181en_US
dc.relation (關聯) Mass Communication Research, 108, 141-181en_US
dc.subject (關鍵詞) 文化生態;公共領域;框架;著佐權;數位文化;隱喻en_US
dc.subject (關鍵詞) Copyleft;Cultural ecology;Digital culture;Frame;Metaphor;Public domainen_US
dc.title (題名) 隱喻與數位文化: 由傳播與價值批判的角度省思zh_TW
dc.title.alternative (其他題名) Metaphor and Digital Culture:    A Communicative and Value-Critical Perspectiveen_US
dc.type (資料類型) articleen