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題名 水滸故事傳播中的江湖與江山──以明‧陳忱《水滸後傳》的「地景書寫」與「場域效應」為主的討論
其他題名 The Perspectives of `Jiang-hu` and `Jiang-shan` (Nation) in the Story of `Shui-hu`: A Discussion of Geographic Description and Field Effect from Chen Chen`s Book of `Shui-hu-hou-zhuan`
作者 高桂惠
Kao, Kuei-Hui
貢獻者 中文系
關鍵詞 水滸故事 ; 江湖 ; 江山 ; 梁山泊 ; 場域 ; Shui-hu ; Jiang-hu ; Jiang-shan Nation ; Liang-shan-bo
日期 2007.01
上傳時間 16-Apr-2014 17:16:59 (UTC+8)
摘要 本文由水滸故事流播過程中的江湖書寫及其所回應的「變局」,藉由「避地」、「採錄景象」等手法的呈現,成為一個很具代表性的、流動的意象世界,此一世界呈現多面向、多層次空間意象的指涉。經由早期「梁山泊」的「巨野澤」書寫,衍生出與歷世歷代的心靈產生連結,使此存在空間成為不斷賦予創造意義的「地方」。後世更在知識社群、民間傳講、義軍內部演繹,形成多聲部言說狀態,逐漸由江湖言說朝向江山想像趨進。文中指出《水滸後傳》的江湖述說乃將梁山泊忠義堂的「廢墟」及還道村九天玄女廟改變為家族化宗祠、世俗化的廟宇,將暹羅國丹霞宮的修真道場成為國家信仰中心、將山頭意識轉化為逃名之人間淨土、以及航向島嶼等敘事修辭,回應明清語境中「水滸」意涵由「抗」到「征」、「逃」的書寫變化,在水滸故事傳播的脈絡化過程中,經由多面向的歷史折照,我們可以瞥見「建國」的靈光,是一種由江湖到江山多重變奏的建國想像之歷史潛流。
This article analyzed the story of Shui-hu through the description of Jiang-hu, the folkway, the changes of events as well as the action of escaping from the chaos world. It has become a representational and mobile worldview that involves multi-facet and multi-dimensional imagination of space. From the description of the huge swamp area in the early novel of `Liang-shan bo,` not only `the space` concept of Liang-shan bo has been connecting spirits from generation to generation, it also becomes `a place` where creativity seems never end.The phrase `shui-hu` originated from the folktale of volunteer army and the dialogue of the knowledgeable people after a long period of discussion. It had achieved a well-sound position that the smaller viewpoint of Jiang-hu was replaced by a much greater perspective of Jiang-shan (nation). This article points out how the book of Shui-hu-hou-zhuan describes the changes of Liang-shan-bo from war ruins, memorial site, family shrine, and how it becomes the center belief of the nation. Besides these, the meaning of Shui-hu has also implies a hiding place where people can find peace of mind. Furthermore, the remnants of shui-hu finally pursue their utmost peace by sailing to a far away island. The development of the story representes the change of shui-hu, from it resistance conquer, and from it conquer to escape. It also implies that how the possibility of an `outlier` organization moves from triviality to become the focal point of the society as well as the nation, and later, a brand new nation emerged as a result of this idea.
關聯 東華人文學報, 1(10), 157-180
資料類型 article
dc.contributor 中文系en_US
dc.creator (作者) 高桂惠zh_TW
dc.creator (作者) Kao, Kuei-Huien_US
dc.date (日期) 2007.01en_US
dc.date.accessioned 16-Apr-2014 17:16:59 (UTC+8)-
dc.date.available 16-Apr-2014 17:16:59 (UTC+8)-
dc.date.issued (上傳時間) 16-Apr-2014 17:16:59 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/65437-
dc.description.abstract (摘要) 本文由水滸故事流播過程中的江湖書寫及其所回應的「變局」,藉由「避地」、「採錄景象」等手法的呈現,成為一個很具代表性的、流動的意象世界,此一世界呈現多面向、多層次空間意象的指涉。經由早期「梁山泊」的「巨野澤」書寫,衍生出與歷世歷代的心靈產生連結,使此存在空間成為不斷賦予創造意義的「地方」。後世更在知識社群、民間傳講、義軍內部演繹,形成多聲部言說狀態,逐漸由江湖言說朝向江山想像趨進。文中指出《水滸後傳》的江湖述說乃將梁山泊忠義堂的「廢墟」及還道村九天玄女廟改變為家族化宗祠、世俗化的廟宇,將暹羅國丹霞宮的修真道場成為國家信仰中心、將山頭意識轉化為逃名之人間淨土、以及航向島嶼等敘事修辭,回應明清語境中「水滸」意涵由「抗」到「征」、「逃」的書寫變化,在水滸故事傳播的脈絡化過程中,經由多面向的歷史折照,我們可以瞥見「建國」的靈光,是一種由江湖到江山多重變奏的建國想像之歷史潛流。en_US
dc.description.abstract (摘要) This article analyzed the story of Shui-hu through the description of Jiang-hu, the folkway, the changes of events as well as the action of escaping from the chaos world. It has become a representational and mobile worldview that involves multi-facet and multi-dimensional imagination of space. From the description of the huge swamp area in the early novel of `Liang-shan bo,` not only `the space` concept of Liang-shan bo has been connecting spirits from generation to generation, it also becomes `a place` where creativity seems never end.The phrase `shui-hu` originated from the folktale of volunteer army and the dialogue of the knowledgeable people after a long period of discussion. It had achieved a well-sound position that the smaller viewpoint of Jiang-hu was replaced by a much greater perspective of Jiang-shan (nation). This article points out how the book of Shui-hu-hou-zhuan describes the changes of Liang-shan-bo from war ruins, memorial site, family shrine, and how it becomes the center belief of the nation. Besides these, the meaning of Shui-hu has also implies a hiding place where people can find peace of mind. Furthermore, the remnants of shui-hu finally pursue their utmost peace by sailing to a far away island. The development of the story representes the change of shui-hu, from it resistance conquer, and from it conquer to escape. It also implies that how the possibility of an `outlier` organization moves from triviality to become the focal point of the society as well as the nation, and later, a brand new nation emerged as a result of this idea.en_US
dc.format.extent 8259933 bytes-
dc.format.mimetype application/pdf-
dc.language.iso en_US-
dc.relation (關聯) 東華人文學報, 1(10), 157-180en_US
dc.subject (關鍵詞) 水滸故事 ; 江湖 ; 江山 ; 梁山泊 ; 場域 ; Shui-hu ; Jiang-hu ; Jiang-shan Nation ; Liang-shan-boen_US
dc.title (題名) 水滸故事傳播中的江湖與江山──以明‧陳忱《水滸後傳》的「地景書寫」與「場域效應」為主的討論zh_TW
dc.title.alternative (其他題名) The Perspectives of `Jiang-hu` and `Jiang-shan` (Nation) in the Story of `Shui-hu`: A Discussion of Geographic Description and Field Effect from Chen Chen`s Book of `Shui-hu-hou-zhuan`en_US
dc.type (資料類型) articleen