| dc.contributor | 英語系 | |
| dc.creator (作者) | 劉建基 | zh_TW |
| dc.creator (作者) | Liu, Chien-Chi | |
| dc.date (日期) | 2010-01 | |
| dc.date.accessioned | 30-十二月-2014 11:17:54 (UTC+8) | - |
| dc.date.available | 30-十二月-2014 11:17:54 (UTC+8) | - |
| dc.date.issued (上傳時間) | 30-十二月-2014 11:17:54 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/72490 | - |
| dc.description.abstract (摘要) | 本論文以杜玲英譯的《家變》Family Catastrophe 為例，闡釋王文興的中文原著如何經過文化翻譯形成一部褪色的「現代主義」譯本。論文旨在析論英譯本如何透過「歸化」策略，形成一種嶄新的「建構體」。此外，論文將闡明英譯本如何展現「差異性重複」，形成一個「看似神似卻不盡相同」的相異主體與「番易」文本。 | |
| dc.description.abstract (摘要) | This paper aims to probe into how Wang Wen-hsing’s Family Catastrophe, a classic modernist novel in Taiwan, becomes a work of faded-out modernism in English translation. Besides, it seeks to explore how the English translator adopts the translation strategy of domestication, instead of foreignization, to reconstruct a “translation-and-transformation” copy, a “repetition in difference,” which is “almost the same, but not quite.” | |
| dc.format.extent | 475764 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 廣譯：語言、文學與文化翻譯, 3, 43-54 | |
| dc.subject (關鍵詞) | 翻譯 ; 番易 ; 王文興 ; 家變 ; 現代主義 | |
| dc.subject (關鍵詞) | translation ; transformation ; Wang Wen-hsing ; ＂Family Catastrophe＂ ; modernism | |
| dc.title (題名) | 翻譯、番易、褪色的現代主義：以王文興《家變》英譯本為例 | zh_TW |
| dc.title.alternative (其他題名) | Translation, Transformation, and Faded-out Modernism: A study of English translation of Wang Wen-hsing’s Family Catastrophe | |
| dc.type (資料類型) | article | en |
