The mandopop counter-invasion | NCCU Academic Hub

Title	The mandopop counter-invasion
Creator	Eaton, Joseph 周一騰
Contributor	歷史系
Date	2011-09
Date Issued	22-Jun-2015 14:26:17 (UTC+8)
Summary	Marc L. Moskowitz, an associate professor of anthropology at the University of South Carolina, provides valuable insight into notions of gender in Taiwan and East Asia generally, in his book `Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations`. Moskowitz`s research for the book comprised mostly of interviews in Taipei and Shanghai of both laypeople and music industry professionals. Despite all of Shanghai`s history and contemporary modernity, Taiwanese Mandopop plays a vitally important role for the mainland`s most cosmopolitan city. Moskowitz gives a perceptive analysis of the role of pirated music in the mainland, where illegal copying can be seen as a creative act, a means to circumvent state censorship. Cries of Joy, Songs of Sorrow traces the recent history of popular music in Taiwan, but also points to the possibility of Taiwan`s further influence on the mainland in matters of culture and society.
Relation	Taiwan Review, 61(9)
Type	article

dc.contributor	歷史系
dc.creator (作者)	Eaton, Joseph
dc.creator (作者)	周一騰	zh_TW
dc.date (日期)	2011-09
dc.date.accessioned	22-Jun-2015 14:26:17 (UTC+8)	-
dc.date.available	22-Jun-2015 14:26:17 (UTC+8)	-
dc.date.issued (上傳時間)	22-Jun-2015 14:26:17 (UTC+8)	-
dc.identifier.uri (URI)	http://nccur.lib.nccu.edu.tw/handle/140.119/76000	-
dc.description.abstract (摘要)	Marc L. Moskowitz, an associate professor of anthropology at the University of South Carolina, provides valuable insight into notions of gender in Taiwan and East Asia generally, in his book `Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations`. Moskowitz`s research for the book comprised mostly of interviews in Taipei and Shanghai of both laypeople and music industry professionals. Despite all of Shanghai`s history and contemporary modernity, Taiwanese Mandopop plays a vitally important role for the mainland`s most cosmopolitan city. Moskowitz gives a perceptive analysis of the role of pirated music in the mainland, where illegal copying can be seen as a creative act, a means to circumvent state censorship. Cries of Joy, Songs of Sorrow traces the recent history of popular music in Taiwan, but also points to the possibility of Taiwan`s further influence on the mainland in matters of culture and society.
dc.format.extent	176 bytes	-
dc.format.mimetype	text/html	-
dc.relation (關聯)	Taiwan Review, 61(9)
dc.title (題名)	The mandopop counter-invasion
dc.type (資料類型)	article	en