學術產出-期刊論文
| 題名 | The mandopop counter-invasion |
| 作者 | Eaton, Joseph 周一騰 |
| 貢獻者 | 歷史系 |
| 日期 | 2011-09 |
| 上傳時間 | 22-六月-2015 14:26:17 (UTC+8) |
| 摘要 | Marc L. Moskowitz, an associate professor of anthropology at the University of South Carolina, provides valuable insight into notions of gender in Taiwan and East Asia generally, in his book `Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations`. Moskowitz`s research for the book comprised mostly of interviews in Taipei and Shanghai of both laypeople and music industry professionals. Despite all of Shanghai`s history and contemporary modernity, Taiwanese Mandopop plays a vitally important role for the mainland`s most cosmopolitan city. Moskowitz gives a perceptive analysis of the role of pirated music in the mainland, where illegal copying can be seen as a creative act, a means to circumvent state censorship. Cries of Joy, Songs of Sorrow traces the recent history of popular music in Taiwan, but also points to the possibility of Taiwan`s further influence on the mainland in matters of culture and society. |
| 關聯 | Taiwan Review, 61(9) |
| 資料類型 | article |
| dc.contributor | 歷史系 | |
| dc.creator (作者) | Eaton, Joseph | |
| dc.creator (作者) | 周一騰 | zh_TW |
| dc.date (日期) | 2011-09 | |
| dc.date.accessioned | 22-六月-2015 14:26:17 (UTC+8) | - |
| dc.date.available | 22-六月-2015 14:26:17 (UTC+8) | - |
| dc.date.issued (上傳時間) | 22-六月-2015 14:26:17 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/76000 | - |
| dc.description.abstract (摘要) | Marc L. Moskowitz, an associate professor of anthropology at the University of South Carolina, provides valuable insight into notions of gender in Taiwan and East Asia generally, in his book `Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations`. Moskowitz`s research for the book comprised mostly of interviews in Taipei and Shanghai of both laypeople and music industry professionals. Despite all of Shanghai`s history and contemporary modernity, Taiwanese Mandopop plays a vitally important role for the mainland`s most cosmopolitan city. Moskowitz gives a perceptive analysis of the role of pirated music in the mainland, where illegal copying can be seen as a creative act, a means to circumvent state censorship. Cries of Joy, Songs of Sorrow traces the recent history of popular music in Taiwan, but also points to the possibility of Taiwan`s further influence on the mainland in matters of culture and society. | |
| dc.format.extent | 176 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | Taiwan Review, 61(9) | |
| dc.title (題名) | The mandopop counter-invasion | |
| dc.type (資料類型) | article | en |