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題名 俄羅斯芭蕾藝術之起源與發展
The Origin and development of Russian Ballet
作者 張馨尹
Chang, Hsin-Yin
貢獻者 陳美芬
Chen, Mei-Fen
張馨尹
Chang, Hsin-Yin
關鍵詞 俄羅斯芭蕾
芭蕾
Russian Ballet
Ballet
日期 2000
上傳時間 18-Apr-2016 16:34:10 (UTC+8)
摘要 本文採取歷史研究途徑（Historical Approach）和君?蕾森（June Layson）之舞蹈研究途徑，針對俄羅斯芭蕾舞起源的相關社會、文化與藝術背景，及各時期重要編舞家與舞蹈家作一系統性的分析與研究。
The thesis of “The Origin and development of Russian Ballet” focuses on “Historical Approach” and adopts June Layson’s “ Dance Study Approach”, aims at analyzing the social, cultural and artistic content of the Russian Ballet’s origin, as well as the style of important choreographers, dancers and educators of each time.
參考文獻 中文書籍
     大衛?麥肯尼斯，邁可?科倫合著（David Mackenzie & Michael W. Curran），《俄羅斯?蘇聯?與其後的歷史》，台北：國立編譯館，民國84年。
     巴蘭欽和梅森著（George Balanchine & Francis Mason），《外國著名芭蕾舞劇故事》，北京：中國戲劇出版社，民國81年。
     尼金斯基著，陳瑞獻、郝小菲合譯，《尼金斯基日記》，台北：水牛出版社，民國73年。
     布羅凱特，《世界戲劇藝術欣賞》，台北：志文，民國80年。
     卡蜜拉?葛瑞，曾長生譯，《俄國的藝術實驗》，台北：遠流，民國84年。
     伍曼麗主編，《舞蹈欣賞》，台北：五南，民國87。
     奚靜之，《俄羅斯蘇聯美術史》，台北：藝術家，民國79年。
     林懷民，《擦身而過》，台北： 遠流，民國81年。
     黃麒、葉蓉合著，《現代芭蕾》，台北：大呂，民國83年。
     歐建平，《舞蹈名人錄》，台北：洪葉，民國86年。
     蘆原英了著，李哲洋譯，《舞劇與古典舞蹈》，台北：全音樂譜，民國74年。
     《中國大百科全書—音樂舞蹈》，台北：錦繡出版事業股份有限公司，民國82年。
     英文書籍
     Anderson, Jack. Ballet & Modern Dance: A Concise History, NJ: Princeton , 1992.
     Au, Susan. Ballet & Modern Dance, London: Thames and Hudson, 1988.
     Clarke, Mary. & Crisp, Clement. Ballet: An Illustrated History, NY: Universe, 1978.
     －How to Enjoy Ballet, Taipei: Bookman, 1991.
     Fokine, Michel. “Letter to The Times, July 6th, 1914: The Five Principles,” in Cyril W. Beaumont, Michel Fokine and His Ballets. London: C.W. Beaumont, 1945.
     Frank, A. H. Approach to the Ballet, London: Sir Isaac Pitman & Sons LTD, 1952.
     Garafola, Lynn. Diaghilev’s Ballet Russes, NY: Oxford University Press, 1989.
     Great Soviet Encyclopedia, London: Collier Macmillan Publishers, 1973, vol. 14.
     Guest, Ivor. The Dancer’s Heritage: A Short History of Ballet, London: Adam and Charles Black,1960.
     Gusev, Peter. ``Choreographic Education in the USSR``, The Soviet Ballet, New York: Da Capo Press, 1970.
     Hall, Fernau. An Anatomy of Ballet, London: Andrew Melrose, 1954.
     Haskell, Arnold. Diaghileff: His Artistic and Private Life, London: Gollancz, 1935.
     Hastings, Baird. Choreographer and Composer, Boston: Twayne Publishers, 1983.
     Iving, Victor . “Catherine Geltser”, The Soviet Ballet, New York: Da Capo Press, 1970.
     Karsavina, Tamara. Theatre Street: The Reminiscences of Tamara Karsavina, London: Heinemann, 1930.
     Koegler, Horst. The Concise Oxford Dictionary of Ballet, New York: Oxford University Press, 1982.
     Kopelson, Kevin. The Queer Afterlife of Vaslav Nijinsky, California: Stanford University Press, 1997.
     Layson, June. “Historical Perspectives in the Study of Dance”, Dance History: An Introduction, London and New York: Routledge, 1994.
     Mamontov, George . “Soviet Choreographers”, The Soviet Ballet , New York: Da Capo Press, 1970.
     Martin, John. John Martin’s Book of The Dance, NY: Tudor Publishing Company, 1963.
     Massine, L’eonide. My Life in Ballet, ed. Phyllis Hartnoll and Robert Rubens. London: Macmillan, 1968.
     Money, Keith. Anna Pavlova:Her Life and Art , New York: Knopf, 1982.
     Nijinska, Bronislava. Early Memoirs, Durham and London: Duke University Press, 1992.
     Nijinsky, Vaslav. The Diary of Vaslav Nijinsky, Ed. Romola Nijinsky, Berkeley: University of California Press, 1968.
     Perugini, M. E. The Art of Ballet, London: Martin Secker, 1915.
     Rambert, Marie. Quicksilver, London: Macmillan, 1972.
     Reyna, Ferdinando. A Concise History of Ballet, New York: Crosset & Dunlap, 1965.
     Roslavleva, Natalia. Era of the Russian Ballet, New York: Da Capo Press, 1979.
     Schouvaloff, Alexander. The Art of Ballet Russes, New Haven and London: Yale University Press, 1997.
     Slonimsky, Juri. ``The Soviet Ballet``, The Soviet Ballet. New York: Da Capo Press, 1970.
     Souritz, Elizabeth. Soviet Choreographers in the 1920s, Durham and London: Duke University Press, 1990.
     Swift, M. G. The Art of The Dance in the U.S.S.R., Indiana: University of Norte Dame Press, 1968.
     Taper, B. Balanchine, NY: Macmillan, 1960.
     Twysden, A. Alexandra Danilova , London: C. W. Beaumont, 1945.
     Volkov, Nikolai . “Marina Semenova”, The Soviet Ballet, New York: Da Capo Press, 1970.
     —“Agrippina Vaganova,” The Soviet Ballet, New York: Da Capo Press, 1970.
     Woodward, Ian. Ballet, London: Hodder & Stoughton, 1979.
     英文期刊
     Tikhmeneva, Galina. “Didelot’s work in Russia”, Sovietsky Balet, issue No. 4, 1987. (http:www.aha.ru/~vladmo/d-txt1.html.)
     Vsevolodskaya, Olga. "The Merry Tsarina and Russian Dance", Sovietsky Balet, issue No. 2, 1991. (http:www.aha.ru/~vladmo/d-txt1.html.)
     Zozulina, Natalia. Sovietsky Ballet, issue No. 1, 1988. (http://www.aha.ru/~vladmo/d-txt15.html)
描述 碩士
國立政治大學
俄羅斯研究所
資料來源 http://thesis.lib.nccu.edu.tw/record/#A2002001662
資料類型 thesis
dc.contributor.advisor 陳美芬zh_TW
dc.contributor.advisor Chen, Mei-Fenen_US
dc.contributor.author (Authors) 張馨尹zh_TW
dc.contributor.author (Authors) Chang, Hsin-Yinen_US
dc.creator (作者) 張馨尹zh_TW
dc.creator (作者) Chang, Hsin-Yinen_US
dc.date (日期) 2000en_US
dc.date.accessioned 18-Apr-2016 16:34:10 (UTC+8)-
dc.date.available 18-Apr-2016 16:34:10 (UTC+8)-
dc.date.issued (上傳時間) 18-Apr-2016 16:34:10 (UTC+8)-
dc.identifier (Other Identifiers) A2002001662en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/85561-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 俄羅斯研究所zh_TW
dc.description.abstract (摘要) 本文採取歷史研究途徑（Historical Approach）和君?蕾森（June Layson）之舞蹈研究途徑，針對俄羅斯芭蕾舞起源的相關社會、文化與藝術背景，及各時期重要編舞家與舞蹈家作一系統性的分析與研究。zh_TW
dc.description.abstract (摘要) The thesis of “The Origin and development of Russian Ballet” focuses on “Historical Approach” and adopts June Layson’s “ Dance Study Approach”, aims at analyzing the social, cultural and artistic content of the Russian Ballet’s origin, as well as the style of important choreographers, dancers and educators of each time.en_US
dc.description.tableofcontents 封面頁
     證明書
     序
     論文摘要
     目錄
     圖表目錄
     第一章 緒論
     第一節 研究動機與目的
     第二節 研究主題與研究範圍
     第三節 文獻分析
     第四節 研究方法、架構與限制
     第二章 俄國芭蕾藝術的傳入期─至裴堤帕時代
     第一節 西歐芭蕾簡史
     第二節 俄國芭蕾藝術的興起
     第三節 俄國芭蕾自決的開始
     第四節 浪漫芭蕾在俄國的發展
     第五節 俄國古典芭蕾的建立
     第六節 結論
     第三章 俄國芭蕾藝術的改革期—佳吉列夫之俄羅斯芭蕾舞團
     第一節 俄羅斯芭蕾舞團的創建背景
     第二節 俄羅斯芭蕾舞團的前期編舞風格：1909年至1912年「浪漫主義與異國風情的綜合期」
     第三節 俄羅斯芭蕾舞團的中期編舞風格：1912年至1923年「表現主義期」
     第四節 俄羅斯芭蕾舞團的後期編舞風格：1924年至1929年「新古典主義期」
     第五節 結論
     第四章 蘇聯芭蕾—1920年代的實驗期
     第一節 1917年俄國革命對芭蕾藝術的影響
     第二節 1920年代的蘇聯編舞家
     第三節 瓦岡諾娃的的芭蕾教學體系
     第四節 蘇聯初期的傑出舞者
     第五節 結論
     第五章 結論
     圖片
     參考文獻		zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#A2002001662en_US
dc.subject (關鍵詞) 俄羅斯芭蕾zh_TW
dc.subject (關鍵詞) 芭蕾zh_TW
dc.subject (關鍵詞) Russian Balleten_US
dc.subject (關鍵詞) Balleten_US
dc.title (題名) 俄羅斯芭蕾藝術之起源與發展zh_TW
dc.title (題名) The Origin and development of Russian Balleten_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) 中文書籍
     大衛?麥肯尼斯，邁可?科倫合著（David Mackenzie & Michael W. Curran），《俄羅斯?蘇聯?與其後的歷史》，台北：國立編譯館，民國84年。
     巴蘭欽和梅森著（George Balanchine & Francis Mason），《外國著名芭蕾舞劇故事》，北京：中國戲劇出版社，民國81年。
     尼金斯基著，陳瑞獻、郝小菲合譯，《尼金斯基日記》，台北：水牛出版社，民國73年。
     布羅凱特，《世界戲劇藝術欣賞》，台北：志文，民國80年。
     卡蜜拉?葛瑞，曾長生譯，《俄國的藝術實驗》，台北：遠流，民國84年。
     伍曼麗主編，《舞蹈欣賞》，台北：五南，民國87。
     奚靜之，《俄羅斯蘇聯美術史》，台北：藝術家，民國79年。
     林懷民，《擦身而過》，台北： 遠流，民國81年。
     黃麒、葉蓉合著，《現代芭蕾》，台北：大呂，民國83年。
     歐建平，《舞蹈名人錄》，台北：洪葉，民國86年。
     蘆原英了著，李哲洋譯，《舞劇與古典舞蹈》，台北：全音樂譜，民國74年。
     《中國大百科全書—音樂舞蹈》，台北：錦繡出版事業股份有限公司，民國82年。
     英文書籍
     Anderson, Jack. Ballet & Modern Dance: A Concise History, NJ: Princeton , 1992.
     Au, Susan. Ballet & Modern Dance, London: Thames and Hudson, 1988.
     Clarke, Mary. & Crisp, Clement. Ballet: An Illustrated History, NY: Universe, 1978.
     －How to Enjoy Ballet, Taipei: Bookman, 1991.
     Fokine, Michel. “Letter to The Times, July 6th, 1914: The Five Principles,” in Cyril W. Beaumont, Michel Fokine and His Ballets. London: C.W. Beaumont, 1945.
     Frank, A. H. Approach to the Ballet, London: Sir Isaac Pitman & Sons LTD, 1952.
     Garafola, Lynn. Diaghilev’s Ballet Russes, NY: Oxford University Press, 1989.
     Great Soviet Encyclopedia, London: Collier Macmillan Publishers, 1973, vol. 14.
     Guest, Ivor. The Dancer’s Heritage: A Short History of Ballet, London: Adam and Charles Black,1960.
     Gusev, Peter. ``Choreographic Education in the USSR``, The Soviet Ballet, New York: Da Capo Press, 1970.
     Hall, Fernau. An Anatomy of Ballet, London: Andrew Melrose, 1954.
     Haskell, Arnold. Diaghileff: His Artistic and Private Life, London: Gollancz, 1935.
     Hastings, Baird. Choreographer and Composer, Boston: Twayne Publishers, 1983.
     Iving, Victor . “Catherine Geltser”, The Soviet Ballet, New York: Da Capo Press, 1970.
     Karsavina, Tamara. Theatre Street: The Reminiscences of Tamara Karsavina, London: Heinemann, 1930.
     Koegler, Horst. The Concise Oxford Dictionary of Ballet, New York: Oxford University Press, 1982.
     Kopelson, Kevin. The Queer Afterlife of Vaslav Nijinsky, California: Stanford University Press, 1997.
     Layson, June. “Historical Perspectives in the Study of Dance”, Dance History: An Introduction, London and New York: Routledge, 1994.
     Mamontov, George . “Soviet Choreographers”, The Soviet Ballet , New York: Da Capo Press, 1970.
     Martin, John. John Martin’s Book of The Dance, NY: Tudor Publishing Company, 1963.
     Massine, L’eonide. My Life in Ballet, ed. Phyllis Hartnoll and Robert Rubens. London: Macmillan, 1968.
     Money, Keith. Anna Pavlova:Her Life and Art , New York: Knopf, 1982.
     Nijinska, Bronislava. Early Memoirs, Durham and London: Duke University Press, 1992.
     Nijinsky, Vaslav. The Diary of Vaslav Nijinsky, Ed. Romola Nijinsky, Berkeley: University of California Press, 1968.
     Perugini, M. E. The Art of Ballet, London: Martin Secker, 1915.
     Rambert, Marie. Quicksilver, London: Macmillan, 1972.
     Reyna, Ferdinando. A Concise History of Ballet, New York: Crosset & Dunlap, 1965.
     Roslavleva, Natalia. Era of the Russian Ballet, New York: Da Capo Press, 1979.
     Schouvaloff, Alexander. The Art of Ballet Russes, New Haven and London: Yale University Press, 1997.
     Slonimsky, Juri. ``The Soviet Ballet``, The Soviet Ballet. New York: Da Capo Press, 1970.
     Souritz, Elizabeth. Soviet Choreographers in the 1920s, Durham and London: Duke University Press, 1990.
     Swift, M. G. The Art of The Dance in the U.S.S.R., Indiana: University of Norte Dame Press, 1968.
     Taper, B. Balanchine, NY: Macmillan, 1960.
     Twysden, A. Alexandra Danilova , London: C. W. Beaumont, 1945.
     Volkov, Nikolai . “Marina Semenova”, The Soviet Ballet, New York: Da Capo Press, 1970.
     —“Agrippina Vaganova,” The Soviet Ballet, New York: Da Capo Press, 1970.
     Woodward, Ian. Ballet, London: Hodder & Stoughton, 1979.
     英文期刊
     Tikhmeneva, Galina. “Didelot’s work in Russia”, Sovietsky Balet, issue No. 4, 1987. (http:www.aha.ru/~vladmo/d-txt1.html.)
     Vsevolodskaya, Olga. "The Merry Tsarina and Russian Dance", Sovietsky Balet, issue No. 2, 1991. (http:www.aha.ru/~vladmo/d-txt1.html.)
     Zozulina, Natalia. Sovietsky Ballet, issue No. 1, 1988. (http://www.aha.ru/~vladmo/d-txt15.html)		zh_TW