| dc.contributor.advisor | 胡錦媛 | zh_TW |
| dc.contributor.advisor | Hu, Chin-Yuan | en_US |
| dc.contributor.author (Authors) | 林松燕 | zh_TW |
| dc.contributor.author (Authors) | Lin, Song-Yen | en_US |
| dc.creator (作者) | 林松燕 | zh_TW |
| dc.creator (作者) | Lin, Song-Yen | en_US |
| dc.date (日期) | 1997 | en_US |
| dc.date.accessioned | 27-Apr-2016 11:21:03 (UTC+8) | - |
| dc.date.available | 27-Apr-2016 11:21:03 (UTC+8) | - |
| dc.date.issued (上傳時間) | 27-Apr-2016 11:21:03 (UTC+8) | - |
| dc.identifier (Other Identifiers) | B2002001872 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/86418 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 英國語文學系 | zh_TW |
| dc.description (描述) | 84551004 | zh_TW |
| dc.description.abstract (摘要) | 在後殖民主義的觀點下，一部「描寫異域」的文學作品，已不再被視為是對殖民地的「寫真」或忠實表現，而是被「解碼」成一種殖民暴力的再現和想像。本論文採取「對位閱讀」(contrapuntal reading)策略，探討《黑暗之心》這部小說對歐洲文明的批判。本論文的基本觀點是：通過一種「暴力再現」，對他者的論述將導致一種「自我認識」和「自我彰顯」的行動，這種自我理解的行動，是通過以「對他者的暴力否定」為工具而獲得表現的。在西方本體論與形上論的約制架構下，「異文化」的形塑是根據歐洲定做的真理和本質來拼湊的，而不是根據歷史的真實。 | zh_TW |
| dc.description.abstract (摘要) | From the perspective of Post-colonial theory, a literary work depicting alien territories is no longer considered as truthful portrayals but is decoded as a violence of representation in Western imagination. This thesis employs a “contrapuntal reading”to explore Marlow`s vacillations in his critique of European civilization. In Marlow`s vacillations between corrupted and ideal imperialism, a concrete world of the other hemisphere is rendered silent and invisible in Marlow`s narrative. The Africa and Africans are invisible in that they are transformed into a negative and abstract category which contributes to Marlow`s moral and metaphysical meditations. Through a negative representation of the Africa as an alien other which holds the wicked power the Europe does not possess, Marlow achieves his self-revelation and maintains his European identity. Africa is relegated to a category opposite to the West and is deprived of any concrete reality of history and language. Africans are reduced to function as a negative mirror which reflects the primitive psyche of the European self. | en_US |
| dc.description.tableofcontents | Acknowledgements iv Chinese Abstract vi English Abstract viii Introduction 1 Chapter1 Ambiguities: The Operations of a Divided Mind 13 Chapter2 Post-colonial Theory and Heart of Darkness 37 Chapter3 The West and Its Others: Writing the Other 55 Chapter4 Women as a Negative Trope 77 Conclusion 92 Works Cited 99 | zh_TW |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#B2002001872 | en_US |
| dc.subject (關鍵詞) | 後殖民 | zh_TW |
| dc.subject (關鍵詞) | 再現 | zh_TW |
| dc.subject (關鍵詞) | 他者 | zh_TW |
| dc.subject (關鍵詞) | Post-colonial theory | en_US |
| dc.subject (關鍵詞) | Representation | en_US |
| dc.subject (關鍵詞) | Other | en_US |
| dc.title (題名) | 康拉德《黑暗之心》中再現的暴力 | zh_TW |
| dc.title (題名) | Violence of representation in joseph Conrad`s heart of darkness | en_US |
| dc.type (資料類型) | thesis | en_US |
