| 2027-01 |
楊德昌電影遺緒的當代轉化：論空音央電影的世界主義想像 |
article |
說明頁(29) |
| 2026-09 |
電影作為流動地圖：論陳駿霖電影中的臺北城市空間建構 |
article |
說明頁(26) |
| 2026-07 |
The Aesthetic Genealogy of Sinophone Cinema: The Cinematic Influence of Edward Yang’s Urban Realism in the Films of Anthony Chen |
conference |
pdf(3) |
| 2026-06 |
The Travelling of Taiwan New Cinema: The Transcultural Transformation and Transnational Influence of Edward Yang’s Cinematic Aesthetics in Neo Sora’s Film |
conference |
pdf(2) |
| 2026-01 |
In the aftermath of the protests: the aesthetic construction of fear in Hong Kong’s independent cinema |
article |
說明頁(446) |
| 2025-12 |
The Confluence of Realism and Magic Realism: Urban Modernity, Gendered Subjectivity, and Spatial Reconfiguration in Arvin Chen’s Film |
conference |
pdf(2) |
| 2025-11 |
Negotiating Emotions in East Asian Urban Cinema: The Politics of Passion in Ryusuke Hamaguchi’s Passion and Edward Yang’s A Confucian Confusion |
conference |
pdf(3) |
| 2025-07 |
融匯的視域：從跨媒介方法重新思考楊德昌的《恐怖份子》 |
article |
說明頁(242) |
| 2025-07 |
Urban Imagery and Critique of Capitalism: Tracing Edward Yang’s Influence on Alex Yang’s Cinematic Portrait of Taipei in Taipei 21 |
conference |
pdf(5) |
| 2025-06 |
Articulating the Taiwanese Diaspora in Contemporary Taiwan Cinema: The Negotiations of Transnational Identities and Cross-Cultural Tensions in Fiona Roan’s “American Girl” (2021) |
conference |
pdf(112) |
| 2025-06 |
The Asian American Journey to the East: Transnational Tourist Gaze and Asian Metropolis Representation in “Love in Taipei” (2023) |
conference |
pdf(136) |
| 2024-12 |
Reconsidering “Cinéma Vérité” and “Direct Cinema”: The Modes and Strategies of Documentary Filmmaking in Hong Kong Protest Documentaries Yellowing and Inside the Red Brick Wall |
article |
說明頁(405) |
| 2024-05 |
Reconstructing the Dialogue between Taiwan New Cinema and the “Post-New Cinema”: A Comparative Study on the Cinematic Arts of Ho Wi-ding’s “Terrorizers” (2021) and Edward Yang’s “Terrorizers” (1986) |
conference |
說明頁(498) |
| 2023-07 |
Building Taiwan’s National Brand and Soft Power: Transnational Distribution of Taiwan’s Creative Content on Digital Streaming Platforms |
conference |
pdf(20) |
| 2023-07 |
More than Blue and Man in Love: Transnational Korean-Taiwanese Film Remakes as a Facilitator for Taiwan Cinema |
book/chapter |
說明頁(583) |
| 2023-06 |
Film Screenings Matter: Constructing Taiwan-Hong Kong Alliance of Resistance through the Film Festival Circuits in Taiwan |
conference |
說明頁(599) |
| 2023-03 |
Everyday Resistance, Female Agency, and Identity Politics: Code-switching as Tactic in Still Human |
article |
說明頁(621)說明頁(925) |
| 2022-11 |
On-Site and `Be Water`: The Hong Kong Documentaries on the 2019 Social Movement |
conference |
pdf(50) |
| 2022-09 |
朝向多重寫實性：論林龍吟《蚵豐村》中臺灣新電影寫實主義美學的承繼與轉化 |
article |
說明頁(460) |
| 2021-07 |
In-between Fiction and Non-fiction: The Aesthetics and Politics of Independent Hong Kong Short Films in the Era of Social Protest |
conference |
pdf(5) |
| 2020-09 |
Reconstructing Taiwanese National Identity in the Sports Film: Small Nation, Sports, and Cultural Heterogeneity |
book/chapter |
說明頁(669) |
| 2020-07 |
Reconsidering the Art of Hong Kong Political Cinema: The Poetics and Activism in the Post-Umbrella-Revolution Films |
conference |
說明頁(468) |
| 2020-03 |
Re-negotiations of the “China Factor” in Contemporary Hong Kong Genre Cinema |
article |
說明頁(560)說明頁(1016) |
| 2019-04 |
Charting the Transnational within the National: The Case of Contemporary Taiwan Popular Cinema |
book/chapter |
說明頁(715)說明頁(663) |
| 2018-06 |
Activism, Protest and Social Criticism in Contemporary Hong Kong Cinema |
conference |
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