| 2023-12 |
Answering the Question: How Can Music (and Some of the Arts) Be Sad? |
article |
web page(125) |
| 2023-07 |
Rejuvenating English Literature with German Humour: De Quincey, Jean Paul, and Thomas Carlyle |
conference |
web page(142) |
| 2022-12 |
“But irony seems to me to dominate life”: The Romantic Longing for Absolute Love in Flaubert’s Madame Bovary |
article |
web page(303) |
| 2021-05 |
Play is the first poetry of the human being |
conference |
web page(255) |
| 2019-09 |
Shelley`s Frankenstein as a Book of Love and Despair |
article |
pdf(448) |
| 2019-07 |
The most polite age is in danger of being most vicious |
conference |
|
| 2019-04 |
Romantic Legacies: Transnational and Transdisciplinary Contexts |
book |
web page(443) |
| 2019-03 |
Introduction: Romantic Legacies: An Incomplete Project, Romantic Legacies: Transnational and Transdisciplinary Contexts, ed. Shun-liang Chao and John Michael Corrigan |
book |
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| 2019-03 |
The world must be made Romantic: The Sentimental Grotesque in Tetsuya Ishida`s `Self-Portraits of Others, Romantic Legacies: Transnational and Transdisciplinary Contexts, ed. Shun-liang Chao and John Michael Corrigan |
book |
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| 2019-03 |
`The world must be made Romantic`: The Sentimental Grotesque in Tetsuya Ishida`s `Self-Portraits of Others`, |
book |
web page(354) |
| 2019-03 |
Romantic Legacies: Transnational and Transdisciplinary Contexts, co-edited with John Michael Corrigan |
book |
web page(401) |
| 2019-03 |
The world must be made Romantic: The Sentimental Grotesque in Tetsuya Ishida`s Self-Portraits of Others |
專書篇章 |
web page(412) |
| 2019-03 |
Romantic Legacies: Transnational and Transdisciplinary Contexts, edited by Shun-liang Chao and John Michael Corrigan |
book |
web page(401) |
| 2018-08 |
Humour in the Arts: New Perspectives, co-edit with Vivienne Westbrook |
book |
|
| 2018-08 |
[R]omantic is [that] which presents a sentimental theme in a fantastic form |
conference |
|
| 2018-08 |
Introduction: Reading Humorously: Towards New Perspectives, |
book |
web page(370) |
| 2018-08 |
Reading Humorously: Towards New Perspectives, Humour in the Arts: New Perspectives, ed. Vivienne Westbrook and Shun-liang Chao |
book |
web page(383) |
| 2018-08 |
A tomato is also a child`s balloon`: Surrealist Humour as a Moral Attitude, Humour in the Arts: New Perspectives, ed. Vivienne Westrbook and Shun-liang Chao |
專書篇章 |
web page(339) |
| 2018-07 |
A Tomato Is Also a Child`s Balloon`: Surrealist Humour as a Moral Attitude |
book/chapter |
web page(619) |
| 2018-07 |
Reading Humorously: Towards New Perspectives, Humour in the Arts: New Perspectives, ed. Vivienne Westbrook and Shun-liang Chao (forthcoming) |
book/chapter |
web page(566) |
| 2018-04 |
Saving the World with Brushstrokes: Tetsuya Ishida’s “Self-Portraits of Others” |
conference |
|
| 2018-04 |
The Modernist Grotesque: Physical Deformity and Social Reform in Tetsuya Ishida’s Paintings |
conference |
|
| 2017-10 |
Humour in the Arts: New Perspectives, co-edit with Vivienne Westbrook (under contract with Routledge) |
book/chapter |
web page(497) |
| 2017-05 |
A City of Sadness: Sentimental Pain and Social Sympathy in Tetsuya Ishida`s Urban Paintings |
conference |
|
| 2017 |
The Alchemy of Photography: Hybridity, Nature, and \"Grotesque Realism\" in Jerry Uelsmann`s Photomontages |
article |
web page(704)pdf(357) |
