| 2025-09 |
抗衡小粉紅：黃明志情歌《玻璃心》中的政治幽默 |
report |
說明頁(9) |
| 2025-07 |
Introduction: “[W]hen the world is torn apart by so much conflict and division” |
book/chapter |
說明頁(178) |
| 2025-07 |
Humour in Times of Confrontation, 1901 to the Present |
book |
說明頁(164) |
| 2025-07 |
Confronting China’s “Little Pinks”: Political Humour in Namewee’s Love Song “Fragile” |
book/chapter |
說明頁(203) |
| 2025-01 |
Confronting China＇s ＂Little Pinks＂: Political Humour in Namewee＇s Love Song ＂Fragile＂ |
conference |
pdf(242) |
| 2023-12 |
Answering the Question: How Can Music (and Some of the Arts) Be Sad? |
article |
說明頁(412) |
| 2023-11 |
[推薦序] 浩蕩英華：長十八世紀的英國文藝與歷史 |
book/chapter |
說明頁(268) |
| 2023-09 |
幽默與化育之浪漫觀：從容・保羅到卡萊爾 |
report |
說明頁(7) |
| 2023-07 |
Rejuvenating English Literature with German Humour: De Quincey, Jean Paul, and Thomas Carlyle |
conference |
說明頁(409) |
| 2022-12 |
“But irony seems to me to dominate life”: The Romantic Longing for Absolute Love in Flaubert’s Madame Bovary |
article |
說明頁(635) |
| 2021-10 |
哂亦有道：尚禮之時論狂諷 |
report |
說明頁(3) |
| 2021-05 |
Play is the first poetry of the human being |
conference |
說明頁(549) |
| 2019-09 |
Shelley's Frankenstein as a Book of Love and Despair |
article |
pdf(796) |
| 2019-07 |
The most polite age is in danger of being most vicious |
conference |
|
| 2019-04 |
Romantic Legacies: Transnational and Transdisciplinary Contexts |
book |
說明頁(765) |
| 2019-03 |
`The world must be made Romantic`: The Sentimental Grotesque in Tetsuya Ishida`s `Self-Portraits of Others`, |
book |
說明頁(616) |
| 2019-03 |
Romantic Legacies: Transnational and Transdisciplinary Contexts, co-edited with John Michael Corrigan |
book |
說明頁(831) |
| 2019-03 |
The world must be made Romantic: The Sentimental Grotesque in Tetsuya Ishida`s Self-Portraits of Others |
book/chapter |
說明頁(670) |
| 2019-03 |
Romantic Legacies: Transnational and Transdisciplinary Contexts, edited by Shun-liang Chao and John Michael Corrigan |
book |
說明頁(866) |
| 2019-03 |
The world must be made Romantic: The Sentimental Grotesque in Tetsuya Ishida`s `Self-Portraits of Others, Romantic Legacies: Transnational and Transdisciplinary Contexts, ed. Shun-liang Chao and John Michael Corrigan |
book |
|
| 2019-03 |
Introduction: Romantic Legacies: An Incomplete Project, Romantic Legacies: Transnational and Transdisciplinary Contexts, ed. Shun-liang Chao and John Michael Corrigan |
book |
|
| 2018-10 |
「靈魂醒悟於苦楚」: 石田徹也筆下的痛楚盈染、社會共感與詭態身體 |
report |
說明頁(5) |
| 2018-08 |
[R]omantic is [that] which presents a sentimental theme in a fantastic form |
conference |
|
| 2018-08 |
A tomato is also a child`s balloon`: Surrealist Humour as a Moral Attitude, Humour in the Arts: New Perspectives, ed. Vivienne Westrbook and Shun-liang Chao |
book/chapter |
說明頁(735) |
| 2018-08 |
Reading Humorously: Towards New Perspectives, Humour in the Arts: New Perspectives, ed. Vivienne Westbrook and Shun-liang Chao |
book |
說明頁(721) |
