| 2025-06 |
媒介學的（不）理論：從基德勒與克蕾默爾的媒介存有論探問媒介與技術的「在中間」 |
article |
web page(165) |
| 2024-11 |
Cycles and Turns: Steve Reich and De Keersmaeker's Violin Phase |
conference |
pdf(165) |
| 2023-09 |
The Body That Counts: On the Digital Techniques of the Chinese Modern Dance |
article |
web page(319) |
| 2023-09 |
身體檔案 |
book/chapter |
web page(377) |
| 2023-09 |
檔案熱：在歷史與遺跡之間的攝影 |
book/chapter |
web page(363) |
| 2022-12 |
當代展演 |
book |
web page(350) |
| 2022-12 |
Notation as Diagram: Transnotators |
article |
web page(389) |
| 2022-12 |
導言：當代展演 |
book/chapter |
web page(369) |
| 2022-12 |
離開劇場的當代舞蹈：走出影像的身體 |
book/chapter |
web page(327) |
| 2022-07 |
The Ghost of Writing: On the Correlation between Music Notation and Phonography from the Perspectives of Media and Culture Studies |
conference |
web page(516) |
| 2022-06 |
Notation as the “Culture Technique” |
conference |
web page(447) |
| 2022-06 |
The Body That Counts: On the Digital Techniques of the Chinese Modern Dance |
conference |
web page(403) |
| 2021-08 |
Sinogram: Writing of Ancient China with Modern Dance |
conference |
web page(590) |
| 2021-06 |
The Unnotated Beat: On the Emergence of the Rhythm |
conference |
web page(472) |
| 2020-12 |
動—物—慾：在現代舞蹈的情慾之間 |
conference |
web page(354) |
| 2020-11 |
Perform me! On Notation as Writing and the Endless Interpretations |
book/chapter |
web page(638) |
| 2019 |
The Performing Writing: Some Reflections on the Writings of Ch’i in the Contemporary Dance |
conference |
web page(679) |
| 2018 |
Figuration under the Forces: On the Rhythm in the Chinese Traditional Music |
conference |
pdf(457) |
| 2018 |
Figure of Force: The Concept and (Non-)Notation of Rhythm in the Chinese Traditional Nan-kuan Music |
conference |
|
| 2017 |
Trace of Force: Lin Hwai-min’s Water Stains on the Wall |
book/chapter |
web page(814) |
| 2017 |
Weight of Time: The Empathic Perception of the Rhythm of Chinese Traditional Nan-kuan Music |
conference |
web page(609) |
| 2017 |
Dance as the Figure of Music: The Dynamics of Nan-kuan Music and Dance in Chen Mei-e’s Work |
conference |
web page(675) |
| 2016 |
Citation of Imagery: Chen Mei-e’s Representation of the Chinese Ancient Dance-Music Scenes |
conference |
|
| 2016 |
Sense of Rhythm, Sense of Weight: The Empathic Perception of the Dynamics of Chinese Traditional Nan-kuan Music |
conference |
|
| 2007-04 |
聽見1933年的「跳舞時代」 : 以敘事的時間性探論臺灣日治時期現代機械與技術的意涵 |
article |
pdf(545) |
