Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/118002| DC Field | Value | Language |
|---|---|---|
| dc.contributor | 英文系 | zh_TW |
| dc.creator | 趙順良 | zh_TW |
| dc.creator | Chao, Shun-liang | en_US |
| dc.date | 2017 | - |
| dc.date.accessioned | 2018-06-25T09:34:29Z | - |
| dc.date.available | 2018-06-25T09:34:29Z | - |
| dc.date.issued | 2018-06-25T09:34:29Z | - |
| dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/118002 | - |
| dc.format.extent | 99 bytes | - |
| dc.format.extent | 119 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.format.mimetype | text/html | - |
| dc.relation | Criticism: A Quarterly for Literature and the Arts, Vol.59, No.2, pp. 301-328 | zh_TW |
| dc.title | The Alchemy of Photography: Hybridity, Nature, and \"Grotesque Realism\" in Jerry Uelsmann`s Photomontages | zh_TW |
| dc.type | article | - |
| dc.identifier.doi | 10.13110/criticism.59.2.0301 | - |
| dc.doi.uri | https://doi.org/10.13110/criticism.59.2.0301 | - |
| item.fulltext | With Fulltext | - |
| item.grantfulltext | restricted | - |
| item.cerifentitytype | Publications | - |
| item.openairetype | article | - |
| item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
| Appears in Collections: | 期刊論文 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| index.html | 99 B | HTML2 | View/Open | |
| 86.pdf | 503.86 kB | Adobe PDF2 | View/Open |
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