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題名 現代荒原 : 愛德華.阿爾比的誰怕維吉妮亞.吳爾芙?和微妙的均衡
Modern waste land: Edward Albee`s Who`s Afraid of Virginia Woolf: and A Delicate Balance
作者 吳淑美
貢獻者 司徒芝萍
吳淑美
日期 1991
1990
上傳時間 2-May-2016 16:57:41 (UTC+8)
參考文獻 Works Cited
     Adler, Thomas. "Edward Albee." Critical Survey of Drama.Ed. Frank Magill. Vol. 1. Englewood Cliff, NJ: Salem,1985. 6 vols.
     Albee, Edward. A Delicate Balance. New York: Atheneum, 1967.
     ---.Who`s Afraid of Virginia Woolf? New York:Atheneum, 1962.
     ---.The Zoo Story. Twentieth Century Drama: England,Ireland, and the United states. Ed. Ruby Cohn and Bernard F. Dukore. N`ew York: Random House, 1966. 654-75.
     Amacher, Richard E. Edward Albee. Rev. ed. Boston: Twayne,1982.
     Anderson, Mark, and Earl Ingersoll, eds. "Living on the Precipice: A Conversation with Edward Albee."Conversations with Edward Albee. Jackson: UP of Mississippi, 1988. Ed. Philip Kolin. 158-72.
     Bigsby, C. W. E. "Confronting Reality: Who`s Afraid of Virginia Woolf?" Critical Essays on Edward Albee. Eds.Philip Kolin and J. Madison Davis. Boston: Hall, 1986.
     80-86.
     ---.Albee. Edinburgh: Oliver & Boyd, 1969.
     ---."The strategy of Madness: An Analysis of Edward Albee`s A Delicate Balance." Contemporary Literature 9 (1968):223-35.
     ---."Who`s Afraid of- Virginia Woolf?: Edward Albee`s Morality Plays." Journal of American Studies 1 (1967):257-68.
     Clurman, Harold. "Who`s Afraid of Virginia Woolf?" Albee.Ed. C. W. E. Bigsby. Edinburgh: Oliver & Boyd, 1969.77-78.
     Cohn, Ruby. Dialogue in American Drama. Bloomington: Indiana UP, 1971.
     De La Fuente, Patricia. ,"Edward Al bee: An interview . "Conversations with Edward Albee. Ed. Philip Kolin.Jackson: UP of Mississippi, 1988. 143-154.
     ---.ed. Edward Albee: Planned Wilderness: Interviews,Essays, and Bibliography. Edinburgh, Texas: Pan American UP,1980.
     Debusscher, Gilbert. Edward Albee: Tradition and Renewal.Trans. Anne D. Williams. Brussels: Center for American Studies, 1969.
     Deutsch, Robert H. "Writers Maturing in the Theatre of the Absurd." Discourse 7 (1964): 181-87.
     Dozier, Richard J. "Adultery and Disappointment in Who`s Afraid of Virginia Woolf?" Modern Drama 11 (1969): 432-36.
     Dutton, Richard. Modern Tragicomedy and the British Tradition. Brighton, Sussex: Harvester, 1986.
     Eliot, T. S. The Complete Poems and Plays. N. P.: Harcourt,Brace and Company, 1934.
     Esslin, Martin. The Theatre of the Absurd. Garden City:Doubleday, 1969.
     Evans, Gareth L. "American Connections: O`Neill, Miller,williams and Albee. " The Language of Modern Drama.London: Dent, 1977. 85-95.
     Flanagan, William. "The Art of the Theatre IV: Edward Albee. " Conversations with Edward Albee. Ed. Philip Kolin. Jackson: UP of Mississippi, 1988. 45-66.
     Flasch, Joy. "Games People Play in Who`s Afraid of Virginia Woolf?" Modern Drama 10 (1967): 280-88.
     Gabbard, Lucina P. "At the Zoo: From O`Neill to Albee."Modern Drama 19 (1976): 365-74.
     Gassner, John. Dramatic Soundings. New York: Crown, 1968.
     Harris, Wendell V. "Morality, Absurdity, and Albee."Southwest Review 29 (1964): 249-56.
     Hayman, Ronald. Edward Al bee. New York: Frederick Ungar,
     1973.
     Hilfer, Anthony C. "George and Martha: Sad, Sad, Sad." Seven Contemporary Authors. Ed. T. W. Whitbread. Austin: U of Texas P, 1966. 121-39.
     Hirsch, Foster.Who`s Afraid of Edward Albee?` Berkeley:Creative Arts, 1987.
     Kemper, Robert Graham. "A Weekend with the `Can Do` Family."
     Critical Essays on Edward Albee. Eds. Philip Kolin and J. Madison Davis. Boston: Hall, 1986. 54-55.
     Kolin, Philip C., and J. Madison Davis, eds. Critical Essays on Edward Albee. Boston: Hall, 1986.
     Krohn, Charles S., and Wasserman, Julian N. "An Interview with Edward Al bee. " Edward Al bee: An Interview and Essays. Ed. Julian N. Wasserman. Houston, Texas: The University of St. Thomas, 1983.
     Lewis, Allan. American Plays and Playwrights of Contemporary Theatre. Rev. ed. New York: Crown, 1970.
     Mayberry, Robert. "A Theatre of Discord: Some Plays of Beckett, Albee, and Pinter." Kansas Quarterly 12 (1980):7 -16.
     McCarthy, Gerald. Edward Albee. London: Macmillan, 1987.
     Otten, Terry. After Innocence: Visions of the Fall in Modern Literature. Pittsburgh: Pittsburgh UP, 1982.
     Paolucci, Anne. "Albee and the Restructuring of the Modern Stage." studies in American Drama, 1945-Present 1 (1986): 3-23.
     ---.From Tension to Tonic: The Plays of Edward Albee.Carbondale: southern Illinois UP, 1972.
     Paul, Louis. "A Game Analysis of Al bee`s Who`s Afraid of Virginia Woolf?" Literature and Psychology 17 (1967):47-51.
     Porter, M. Gilbert. "Toby`s Last Stand: The Evanescence of Commitment in A Delicate Balance." Educational Theatre Journal 31 (1979): 398-408.
     Porter, Thomas E. Myth and Modern American Drama. Detroit:Wayne State UP, 1969.
     Rich, Alan. "Edward Albee Takes to the Air." Conversations with Edward Albee. Ed. Philip Kolin. Jackson: UP of Mississippi, 1988. 121-23.
     Robinson, Fred Miller. "Albee`s Long Night`s Journey into Day." Modern Language Studies 11 (1981): 25-32.
     Roudane, Matthew C. "A Playwright Speaks: An Interview with Edward Albee." Critical Essays on Edward Albee. Eds.Philip Kolin and J. Madison Davis. Boston: Hall, 1986.193-99.
     ---.Understanding Edward Albee. Columbia, South Carolina:U of South carolina P, 1987.
     Rutenburg, Michael E. Edward Albee: Playwright in Protest.New York: Avon, 1969.
     Schechner, Richard. "Who`s Afraid of Edward Albee?" Tulane Drama Review 7 (1963): 7-10.
     Sheed, Wilfrid. The Morning After. New York: Farrar, straus & Giroux, 1971.
     Simard, Rodney. Postmodern Drama: Contemporary Playwrights in America and Britain. Boston: UP of America, 1984.
     Stenz, Anita Mari a. Edward Al bee; The Poet of Loss. The Hague: Mouton, 1978.
     Trilling, Diana. "The Riddle of Albee IS Who’s Afraid of Virginia Woolf?" Claremon Essays. New York: Harcourt,Brace & World, 1964. 203-27.
     Vos, Nelvin. Ionesco and Albee: Theatre of the Absurd.Michigan: Grand Rapids, 1968.
     Wardle, Irving. "Albee Looks at Himself and at His Plays."Conversations with Edward Albee. Ed. Philip Kolin.Jackson: UP of Mississippi, 1988. 97-100.
     Way, Brian. "Albee and the Absurd: The American Dream and The Zoo story." American Theatre. Ed. John Rusell Brown & Bernard Harris. London: Edward Arnold, 1967. 189-208.Weales, Gerald. The Jumping-Off Place. London:Macmillan, 1969.
     Wilson, Raymond. "The Dynamics of Who`s Afraid of Virginia Woolf?" De La Fuente, Edward Albee: Planned Wilderness 58-69.
     Wolf, Jeanne. "Jeanne Wolf 1n Conversation with Edward Albee." Conversations with Edward Albee. Ed. Philip Kollin. Jackson: UP of Mississippi, 1988.110-20.
     
     
     Works Consulted
     Acharya, Shanta. "The Drama of confrontation: A study of Edward Al bee. " Indian Journal of American studies 18 (1979): 83-96.
     Adler, Thomas. "Albee`s Virginia woolf: A Long Night`s Journey into Day." Educational Theatre Journal 25 (1973): 60-70.
     ---.Mirror on the stage. West Lafayette, Indiana: Purdue UP, 1987.
     Albee, Edward. AllOver. New York: Atheneum, 1971.
     ---.The Lady from Dubuque. New York: Atheneum, 1980.
     ---.The Sandbox. Types of Drama: Plays and Essays. Eds.Sylvan Barnet et al. Glenview, Illinois: Scott, Foresman and Company, 1989. 143-46.
     ---.Seascape. The Best Plays of 1974-1975. Ed. Otis L.Guernsey Jr. New York: Dodd, Mead and Company, 1975.
     ---.Tiny Alice. The Best Plays of 1964-1965. Ed. Otis L.Guernsey Jr. New York: Dodd, Mead and Company, 1965.
     Amacher, Richard E., and Margaret Rule. Edward Albee at Horne and Abroad. New York: AMS Press, 1973.
     Bernstein, Samuel J. The strands Entwined: A New Direction in American Drama. Boston: Northeastern UP, 1980.
     Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. Vol. 2. London: Cambridge UP, 1984.
     Blum, Harold P. "A Psychoanalytic View of Who`s Afraid of Virginia Woolf?" Journal of the American Psychoanalytic Association 17 (1969): 888-903.
     Bonin, Jane F. Prize-Winning American Drama. Metuchen, NJ:The Scarecrow Press, 1973.
     Brockett, Oscar G., and Robert R. Findlay. A History of European and American Theatre and Drama Since 1870.Englewood Cliffs, NJ: Prentice-Hall, 1973.
     Cardullo, Bert . "Pinter ` s The Homecoming and Albee`s A Delicate Balance." Explicator. 42.4 (1984): 54-56.
     Clurman, Harold. The Naked Image: Observations on the Modern Theatre. New York: Macmillan, 1966.
     Copleland, Roger. "Should Edward Albee Call It Quits?"Saturday Review (Feb. 1981): 28-31.
     Ducker, Dan. " ‘Pow! ` `Snap! ` `Puff!`: the Modes of Communication in Who`s Afraid of Virginia Woolf?"College Language Association Journal 26 (1982): 465-77.Dukore, Bernard F. "A Warp in Albee`s Woolf."Southern Speech Communication Journal 30 (1964): 261-68.
     Duprey, Richard A. "Today`s Dramatists." American Theatre.Ed. John Russell Brown and Bernard Harris. London:Edward Arnold, 1967. 209-24.
     Freeman, Morris. American Drama in Social Context.Carbondale: Southern Illinois UP, 1971.
     ---."Success and the American Dramatists." American Theatre. Ed. John Russell Brown and Bernard Harris.London: Edward Arnold, 1967. 109-26.
     Fumerton, M. Patricia. "Verbal Prisons: The Language of Albee`s A Delicate Balance." English Studies in Canada 7 (1981): 201-11.
     Gabbard, Lucina P. "Edward Albee`s Triptych on Abandonment."Twentieth Century Literature 28 (1982): 14-33.
     Galbraith, John Kenneth. "The Mystique of Failure: A Latter-Day Reflection on Who`s Afraid of Virginia Woolf?"Critical Essays on Edward Albee. Eds. Philip Kolin and J. Madison David. Boston: Hall, 1986. 149-51.
     Gale, Steven H. "Breakers of Illusion: George in Edward Albee`s Who`s Afraid of Virginia Woolf? and Richard in Harold Pinter`s The Lover." Vision 1.1 (1979): 70-77.
     Greenfield, Thomas Allen. Work and the Work Ethic in American Drama 1920-1970. Columbia: Missouri UP, 1982.
     Herron, Ima Honaker. The Small Town in American Drama.Dallas: Southern Methodist UP, 1969.
     Higgs, Robert J. Laurel and Thorn: The Athlete in American Literature. Lexington: Kentucky UP, 1981.
     Holt, Jane. "Well-Known Playwright Directs University of Houston Students." Conversations with Edward Albee. Ed.Philip Kolin. Jackson: UP of Mississippi, 1988. 190-93.
     Kane, Leslie. The Language of Silence: On the Unspoken and the Unspeakable in Modern Drama. Rutherfold, NJ:Fairleigh Dickinson UP, 1984.
     Kerr, walter. "Only Time Really Happens to People." Critical Essays on Edward Albee. Eds. Philip Kolin and J. Madison Davis. Boston: Hall, 1986. 52-54.
     Kolin, Philip C. "Bawdy Uses of Et Cetera." American Speech 58 (1983): 75-78.
     Lewis, Allan. The Contemporary Theatre. Rev. ed. New York:Crown, 1971.
     Little, Stuart w. Off-Broadway: The Prophetic Theatre. New York: Coward, McCann & Geoghegan, 1972.
     MacNicholas, John, ed. Twentieth-Century American Dramatists.Part 1. Detroit: Gale Research Company, 1981. Vol. 7 of Dictionary of Literary Biography. 7 vols.
     Miller, Jordan Y. "Myth and the American Dream: O`Neill to Albee." Modern Drama 7 (1964): 190-98.
     Mohanlal, Benu. "Theme of Disorientation in Albee`s A Delicate Balance." Indian Journal of American Studies 12.1 (1982): 89-95.
     Orr, John. Tragic Drama and Modern Society. London:Macmillan, 1981.
     Paolucci, Anne. "Pirandello and the Waiting Stage of the Absurd." Modern Drama 23 (1980): 102-11.
     Sarotte, George M. "Edward Albee: Homosexual Playwright in Spite of Himself." Like a Brother, Like a Lover: Male Homosexuality in the American Novel and Theatre From Herman Me1vi11e to James Baldwin. Trans. Richard Mi11er.Garden City: Anchor, 1978. 134-49.
     Schlueter, June. Metaficitional Characters in Modern Drama.New York: Columbia UP, 1979.
     Szilassy, Zoltan. American Theatre of the 1960s. Carbondale:southern Illnois UP, 1986.
     Wellwarth, George. The Theatre of Protest and Paradox. Rev.ed. New York: New York UP, 1971.
     White, Robert. "Albee`s who`s Afraid of Virginia Woolf?"Explicator 43.2 (1985): 52-53.
描述 碩士
國立政治大學
英國語文學系
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002004900
資料類型 thesis
dc.contributor.advisor 司徒芝萍zh_TW
dc.contributor.author (Authors) 吳淑美zh_TW
dc.creator (作者) 吳淑美zh_TW
dc.date (日期) 1991en_US
dc.date (日期) 1990en_US
dc.date.accessioned 2-May-2016 16:57:41 (UTC+8)-
dc.date.available 2-May-2016 16:57:41 (UTC+8)-
dc.date.issued (上傳時間) 2-May-2016 16:57:41 (UTC+8)-
dc.identifier (Other Identifiers) B2002004900en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/89518-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description.tableofcontents Table of Contents
     Chapter One
     Introduction ………………..1
     Chapter Two
     Table of Contents
     The Naked Confrontation:
     Who`s Afraid of Virginia Woolf? ………………..9
     Chapter Three
     Separateness and Uninvolvement:
     A Delicate Balance ………………..57
     Chapter Four
     Living on the Precipice:
     An Overview of Who`s Afraid of Virginia Woolf?
     and A Delicate Balance ………………..100
     Chapter Five
     Conclusion ………………..111
     Works Cited ………………..115
     Works Consulted ………………..121
zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002004900en_US
dc.title (題名) 現代荒原 : 愛德華.阿爾比的誰怕維吉妮亞.吳爾芙?和微妙的均衡zh_TW
dc.title (題名) Modern waste land: Edward Albee`s Who`s Afraid of Virginia Woolf: and A Delicate Balanceen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Works Cited
     Adler, Thomas. "Edward Albee." Critical Survey of Drama.Ed. Frank Magill. Vol. 1. Englewood Cliff, NJ: Salem,1985. 6 vols.
     Albee, Edward. A Delicate Balance. New York: Atheneum, 1967.
     ---.Who`s Afraid of Virginia Woolf? New York:Atheneum, 1962.
     ---.The Zoo Story. Twentieth Century Drama: England,Ireland, and the United states. Ed. Ruby Cohn and Bernard F. Dukore. N`ew York: Random House, 1966. 654-75.
     Amacher, Richard E. Edward Albee. Rev. ed. Boston: Twayne,1982.
     Anderson, Mark, and Earl Ingersoll, eds. "Living on the Precipice: A Conversation with Edward Albee."Conversations with Edward Albee. Jackson: UP of Mississippi, 1988. Ed. Philip Kolin. 158-72.
     Bigsby, C. W. E. "Confronting Reality: Who`s Afraid of Virginia Woolf?" Critical Essays on Edward Albee. Eds.Philip Kolin and J. Madison Davis. Boston: Hall, 1986.
     80-86.
     ---.Albee. Edinburgh: Oliver & Boyd, 1969.
     ---."The strategy of Madness: An Analysis of Edward Albee`s A Delicate Balance." Contemporary Literature 9 (1968):223-35.
     ---."Who`s Afraid of- Virginia Woolf?: Edward Albee`s Morality Plays." Journal of American Studies 1 (1967):257-68.
     Clurman, Harold. "Who`s Afraid of Virginia Woolf?" Albee.Ed. C. W. E. Bigsby. Edinburgh: Oliver & Boyd, 1969.77-78.
     Cohn, Ruby. Dialogue in American Drama. Bloomington: Indiana UP, 1971.
     De La Fuente, Patricia. ,"Edward Al bee: An interview . "Conversations with Edward Albee. Ed. Philip Kolin.Jackson: UP of Mississippi, 1988. 143-154.
     ---.ed. Edward Albee: Planned Wilderness: Interviews,Essays, and Bibliography. Edinburgh, Texas: Pan American UP,1980.
     Debusscher, Gilbert. Edward Albee: Tradition and Renewal.Trans. Anne D. Williams. Brussels: Center for American Studies, 1969.
     Deutsch, Robert H. "Writers Maturing in the Theatre of the Absurd." Discourse 7 (1964): 181-87.
     Dozier, Richard J. "Adultery and Disappointment in Who`s Afraid of Virginia Woolf?" Modern Drama 11 (1969): 432-36.
     Dutton, Richard. Modern Tragicomedy and the British Tradition. Brighton, Sussex: Harvester, 1986.
     Eliot, T. S. The Complete Poems and Plays. N. P.: Harcourt,Brace and Company, 1934.
     Esslin, Martin. The Theatre of the Absurd. Garden City:Doubleday, 1969.
     Evans, Gareth L. "American Connections: O`Neill, Miller,williams and Albee. " The Language of Modern Drama.London: Dent, 1977. 85-95.
     Flanagan, William. "The Art of the Theatre IV: Edward Albee. " Conversations with Edward Albee. Ed. Philip Kolin. Jackson: UP of Mississippi, 1988. 45-66.
     Flasch, Joy. "Games People Play in Who`s Afraid of Virginia Woolf?" Modern Drama 10 (1967): 280-88.
     Gabbard, Lucina P. "At the Zoo: From O`Neill to Albee."Modern Drama 19 (1976): 365-74.
     Gassner, John. Dramatic Soundings. New York: Crown, 1968.
     Harris, Wendell V. "Morality, Absurdity, and Albee."Southwest Review 29 (1964): 249-56.
     Hayman, Ronald. Edward Al bee. New York: Frederick Ungar,
     1973.
     Hilfer, Anthony C. "George and Martha: Sad, Sad, Sad." Seven Contemporary Authors. Ed. T. W. Whitbread. Austin: U of Texas P, 1966. 121-39.
     Hirsch, Foster.Who`s Afraid of Edward Albee?` Berkeley:Creative Arts, 1987.
     Kemper, Robert Graham. "A Weekend with the `Can Do` Family."
     Critical Essays on Edward Albee. Eds. Philip Kolin and J. Madison Davis. Boston: Hall, 1986. 54-55.
     Kolin, Philip C., and J. Madison Davis, eds. Critical Essays on Edward Albee. Boston: Hall, 1986.
     Krohn, Charles S., and Wasserman, Julian N. "An Interview with Edward Al bee. " Edward Al bee: An Interview and Essays. Ed. Julian N. Wasserman. Houston, Texas: The University of St. Thomas, 1983.
     Lewis, Allan. American Plays and Playwrights of Contemporary Theatre. Rev. ed. New York: Crown, 1970.
     Mayberry, Robert. "A Theatre of Discord: Some Plays of Beckett, Albee, and Pinter." Kansas Quarterly 12 (1980):7 -16.
     McCarthy, Gerald. Edward Albee. London: Macmillan, 1987.
     Otten, Terry. After Innocence: Visions of the Fall in Modern Literature. Pittsburgh: Pittsburgh UP, 1982.
     Paolucci, Anne. "Albee and the Restructuring of the Modern Stage." studies in American Drama, 1945-Present 1 (1986): 3-23.
     ---.From Tension to Tonic: The Plays of Edward Albee.Carbondale: southern Illinois UP, 1972.
     Paul, Louis. "A Game Analysis of Al bee`s Who`s Afraid of Virginia Woolf?" Literature and Psychology 17 (1967):47-51.
     Porter, M. Gilbert. "Toby`s Last Stand: The Evanescence of Commitment in A Delicate Balance." Educational Theatre Journal 31 (1979): 398-408.
     Porter, Thomas E. Myth and Modern American Drama. Detroit:Wayne State UP, 1969.
     Rich, Alan. "Edward Albee Takes to the Air." Conversations with Edward Albee. Ed. Philip Kolin. Jackson: UP of Mississippi, 1988. 121-23.
     Robinson, Fred Miller. "Albee`s Long Night`s Journey into Day." Modern Language Studies 11 (1981): 25-32.
     Roudane, Matthew C. "A Playwright Speaks: An Interview with Edward Albee." Critical Essays on Edward Albee. Eds.Philip Kolin and J. Madison Davis. Boston: Hall, 1986.193-99.
     ---.Understanding Edward Albee. Columbia, South Carolina:U of South carolina P, 1987.
     Rutenburg, Michael E. Edward Albee: Playwright in Protest.New York: Avon, 1969.
     Schechner, Richard. "Who`s Afraid of Edward Albee?" Tulane Drama Review 7 (1963): 7-10.
     Sheed, Wilfrid. The Morning After. New York: Farrar, straus & Giroux, 1971.
     Simard, Rodney. Postmodern Drama: Contemporary Playwrights in America and Britain. Boston: UP of America, 1984.
     Stenz, Anita Mari a. Edward Al bee; The Poet of Loss. The Hague: Mouton, 1978.
     Trilling, Diana. "The Riddle of Albee IS Who’s Afraid of Virginia Woolf?" Claremon Essays. New York: Harcourt,Brace & World, 1964. 203-27.
     Vos, Nelvin. Ionesco and Albee: Theatre of the Absurd.Michigan: Grand Rapids, 1968.
     Wardle, Irving. "Albee Looks at Himself and at His Plays."Conversations with Edward Albee. Ed. Philip Kolin.Jackson: UP of Mississippi, 1988. 97-100.
     Way, Brian. "Albee and the Absurd: The American Dream and The Zoo story." American Theatre. Ed. John Rusell Brown & Bernard Harris. London: Edward Arnold, 1967. 189-208.Weales, Gerald. The Jumping-Off Place. London:Macmillan, 1969.
     Wilson, Raymond. "The Dynamics of Who`s Afraid of Virginia Woolf?" De La Fuente, Edward Albee: Planned Wilderness 58-69.
     Wolf, Jeanne. "Jeanne Wolf 1n Conversation with Edward Albee." Conversations with Edward Albee. Ed. Philip Kollin. Jackson: UP of Mississippi, 1988.110-20.
     
     
     Works Consulted
     Acharya, Shanta. "The Drama of confrontation: A study of Edward Al bee. " Indian Journal of American studies 18 (1979): 83-96.
     Adler, Thomas. "Albee`s Virginia woolf: A Long Night`s Journey into Day." Educational Theatre Journal 25 (1973): 60-70.
     ---.Mirror on the stage. West Lafayette, Indiana: Purdue UP, 1987.
     Albee, Edward. AllOver. New York: Atheneum, 1971.
     ---.The Lady from Dubuque. New York: Atheneum, 1980.
     ---.The Sandbox. Types of Drama: Plays and Essays. Eds.Sylvan Barnet et al. Glenview, Illinois: Scott, Foresman and Company, 1989. 143-46.
     ---.Seascape. The Best Plays of 1974-1975. Ed. Otis L.Guernsey Jr. New York: Dodd, Mead and Company, 1975.
     ---.Tiny Alice. The Best Plays of 1964-1965. Ed. Otis L.Guernsey Jr. New York: Dodd, Mead and Company, 1965.
     Amacher, Richard E., and Margaret Rule. Edward Albee at Horne and Abroad. New York: AMS Press, 1973.
     Bernstein, Samuel J. The strands Entwined: A New Direction in American Drama. Boston: Northeastern UP, 1980.
     Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. Vol. 2. London: Cambridge UP, 1984.
     Blum, Harold P. "A Psychoanalytic View of Who`s Afraid of Virginia Woolf?" Journal of the American Psychoanalytic Association 17 (1969): 888-903.
     Bonin, Jane F. Prize-Winning American Drama. Metuchen, NJ:The Scarecrow Press, 1973.
     Brockett, Oscar G., and Robert R. Findlay. A History of European and American Theatre and Drama Since 1870.Englewood Cliffs, NJ: Prentice-Hall, 1973.
     Cardullo, Bert . "Pinter ` s The Homecoming and Albee`s A Delicate Balance." Explicator. 42.4 (1984): 54-56.
     Clurman, Harold. The Naked Image: Observations on the Modern Theatre. New York: Macmillan, 1966.
     Copleland, Roger. "Should Edward Albee Call It Quits?"Saturday Review (Feb. 1981): 28-31.
     Ducker, Dan. " ‘Pow! ` `Snap! ` `Puff!`: the Modes of Communication in Who`s Afraid of Virginia Woolf?"College Language Association Journal 26 (1982): 465-77.Dukore, Bernard F. "A Warp in Albee`s Woolf."Southern Speech Communication Journal 30 (1964): 261-68.
     Duprey, Richard A. "Today`s Dramatists." American Theatre.Ed. John Russell Brown and Bernard Harris. London:Edward Arnold, 1967. 209-24.
     Freeman, Morris. American Drama in Social Context.Carbondale: Southern Illinois UP, 1971.
     ---."Success and the American Dramatists." American Theatre. Ed. John Russell Brown and Bernard Harris.London: Edward Arnold, 1967. 109-26.
     Fumerton, M. Patricia. "Verbal Prisons: The Language of Albee`s A Delicate Balance." English Studies in Canada 7 (1981): 201-11.
     Gabbard, Lucina P. "Edward Albee`s Triptych on Abandonment."Twentieth Century Literature 28 (1982): 14-33.
     Galbraith, John Kenneth. "The Mystique of Failure: A Latter-Day Reflection on Who`s Afraid of Virginia Woolf?"Critical Essays on Edward Albee. Eds. Philip Kolin and J. Madison David. Boston: Hall, 1986. 149-51.
     Gale, Steven H. "Breakers of Illusion: George in Edward Albee`s Who`s Afraid of Virginia Woolf? and Richard in Harold Pinter`s The Lover." Vision 1.1 (1979): 70-77.
     Greenfield, Thomas Allen. Work and the Work Ethic in American Drama 1920-1970. Columbia: Missouri UP, 1982.
     Herron, Ima Honaker. The Small Town in American Drama.Dallas: Southern Methodist UP, 1969.
     Higgs, Robert J. Laurel and Thorn: The Athlete in American Literature. Lexington: Kentucky UP, 1981.
     Holt, Jane. "Well-Known Playwright Directs University of Houston Students." Conversations with Edward Albee. Ed.Philip Kolin. Jackson: UP of Mississippi, 1988. 190-93.
     Kane, Leslie. The Language of Silence: On the Unspoken and the Unspeakable in Modern Drama. Rutherfold, NJ:Fairleigh Dickinson UP, 1984.
     Kerr, walter. "Only Time Really Happens to People." Critical Essays on Edward Albee. Eds. Philip Kolin and J. Madison Davis. Boston: Hall, 1986. 52-54.
     Kolin, Philip C. "Bawdy Uses of Et Cetera." American Speech 58 (1983): 75-78.
     Lewis, Allan. The Contemporary Theatre. Rev. ed. New York:Crown, 1971.
     Little, Stuart w. Off-Broadway: The Prophetic Theatre. New York: Coward, McCann & Geoghegan, 1972.
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