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題名 恐懼的假象：馬克白中的象徵、邪惡、與苦難
Painting of Fear: Symbolism, Evil, and Suffering in Macbeth
作者 呂信醇
Lu, Hsin-Tsun
貢獻者 施堂模
Thomas John Sellari
呂信醇
Lu, Hsin-Tsun
關鍵詞 馬克白
恐懼
假象
表徵
邪惡
苦難
日期 2022
上傳時間 1-Mar-2022 16:29:45 (UTC+8)
摘要 本論文以探索隱藏於馬克白恐懼背後的真相為重點，揭示一般評論家較為忽略的部分，那就是莎士比亞透過馬克白這齣戲要告訴我們的道理--邪不勝正，在劇中，馬克白及其夫人的恐懼其實是來自於害怕正義的到來，雖然整齣戲大多籠罩在血腥、背叛、及恐怖的氛圍中，但馬克白終究自食惡果，無論他怎麼抗拒光明、正義的到來，他還是要離開那自我封閉的黑暗，因為「邪不勝正」，也就是不論陰雨、黑暗多久，太陽一定會出來，本論文在劇中找到諸多證據，顯示這個莎士比亞所隱藏在劇中的道理。
Shakespeare’s tragedy Macbeth is probably the most complicated of his four famous tragedies. This thesis explores the meaning behind Macbeth’s fear. The thesis states that the meaning of Macbeth’s major fear is that evil cannot conquer justice—the usurper will eventually yield to the rightful sovereign. Overshadowed by the dark symbolism and mental suffering in the play, the rightful sovereign is a theme often overlooked by critics. The Tragedy of Macbeth is more than a personal, individual suffering and struggling; it is also a tragedy of a kingdom with hope in the end.
參考文獻 Blair, David. “What Happens In Macbeth Act I Scene Vii?” The Review of English
Studies, XLVII, no. 188, 1996, pp. 534–539., doi:10.1093/res/xlvii.188.534.
Bradley, A. C. “Construction in Shakespeare`s Tragedies.” Shakespearean Tragedy:
Lectures on Hamlet, Othello, King Lear, Macbeth. Macmillan, 1904, pp. 5–39.
Bridges, Robert. The Influence of the Audience on Shakespeare’s Drama. Oxford UP,
1927. Collected Papers &c. of Robert Bridges.
Briggs, Katharine Mary. Pale Hecate`s Team: An Examination of the Beliefs on
Witchcraft and Magic among Shakespeare`s Contemporaries and His
Immediate Successors. Routledge, 2003, Accessed 2021.
Calvin, John. “John Calvin.” The Norton Anthology of English Literature: The
Sixteenth Century/the Early Seventeenth Century. Edited by Stephen Greenblatt.
W.W. Norton and Company, 2018, pp. 681–684.
“Catharsis.” Cambridge Dictionary, Cambridge UP,
dictionary.cambridge.org/us/dictionary/english/catharsis?q=Catharsis.
Charnock, Ross. “Hart as Contextualist? Theories of Interpretation in Language and
the Law.” Law and Language, 2013, pp. 128–150.,
doi:10.1093/acprof:oso/9780199673667.003.0062.
Daileader, Celia R. “Weird Brothers: What Thomas Middleton’s The Witch Can Tell
Us about Race, Sex, and Gender in Macbeth.” Weyward Macbeth, 2010, pp. 11–
20., doi:10.1007/978-0-230-10216-3_2.
Eliot, T. S. “Hamlet and His Problems.” The Sacred Wood: Essays on Poetry and
Criticism, Faber and Faber, 1997, pp. 81–87.
---. Selected Essays. New Edition, Harcourt, Brace & Co., 1950.
“Evil.” Cambridge Dictionary, Cambridge UP,
dictionary.cambridge.org/us/dictionary/english/evil?q=Evil.
Goodare, Julian, and Joyce Miller. “Introduction.” Witchcraft and Belief in Early
Modern Scotland, Palgrave Macmillan, 2016, pp. 1.
“Great Scottish Witch Hunt of 1597.” Wikipedia, Wikimedia Foundation, 31 Oct.
2019, en.wikipedia.org/wiki/Great_Scottish_Witch_Hunt_of_1597.
Holinshed, Raphael. Holinshed`s Chronicles of England, Scotland, and Ireland. vol. 5,
Richard Taylor & Co, 1808, Internet Archive,
archive.org/details/chroniclesofengl05holiuoft, Accessed 2021.
Inception. Directed by Christopher Nolan. Warner Home Video, 2010.
Johnson, Samuel. Dr. Johnson on Shakespeare. Edited by William K. Wimsatt.
Penguin Books, 1969.
Kermode, Frank. “Macbeth.” The Riverside Shakespeare, Houghton Mifflin, 1997, pp.
1355–1359.
Kipling, Gordon. “Triumphal Drama: Form in English Civic Pageantry.” Renaissance
Drama, vol. 8, 1977, pp. 37–56. JSTOR, www.jstor.org/stable/41917136.
Accessed 27 May 2021.
---. “Wonderfull Spectacles: Theater and Civic Culture.” A New History of Early
English Drama, edited by John D. Cox et al., Columbia UP, 1997, pp. 153–171.
Knight, G. Wilson. The Wheel of Fire: Interpretations of Shakespearian Tragedy;
with New Essays. World Pub. Co., 1962.
Knights, L. C. Explorations: Essays in Criticism. G.W. Stewart, 1947, Internet
Archive, archive.org/details/explorationsessa00knigrich, Accessed 2021.
Mackay, Christopher S., and Heinrich Institoris. The Hammer of Witches: a Complete
Translation of the Malleus Maleficarum. Cambridge UP, 2014.
Miola, Robert S. Shakespeare`s Reading. Oxford UP, 2012.
Muir, Kenneth. “Introduction.” Macbeth, Mathuen & Co., 1962, pp. iii-lxv.
Nagler, Alois M., and Ralph Manheim. Shakespeare`s Stage. Yale UP, 1966.
Shakespeare, William. Macbeth. Mathuen & Co., 1962.
---. The Riverside Shakespeare: The Complete Works. Edited by G. Blakemore Evans.
Houghton Mifflin, 1997.
Schoenbaum, Samuel. Macbeth: Critical Essays. Garland, 1991.
Stuart, James Charles. “Speech of James I before Parliament, 21 March 1610.” Select
Statutes and Other Constitutional Documents Illustrative of the Reigns of
Elizabeth and James I. Edited by G.W. Prothero. Clarendon Press, 1906,
Internet Archive, archive.org/details/selectstatuteso00protuoft, Accessed 2021,
pp. 293–294.
Tillyard, E. M. W. The Elizabethan World Picture: a Study of the Idea of Order in the
Age of Shakespeare, Donne and Milton. Random House, 1960.
Williams, Gordon. Shakespeare`s Sexual Language: a Glossary. Continuum, 2006.
Wills, Garry. Witches & Jesuits. Oxford UP, 1995.
描述 碩士
國立政治大學
英國語文學系
105551007
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0105551007
資料類型 thesis
dc.contributor.advisor 施堂模zh_TW
dc.contributor.advisor Thomas John Sellarien_US
dc.contributor.author (Authors) 呂信醇zh_TW
dc.contributor.author (Authors) Lu, Hsin-Tsunen_US
dc.creator (作者) 呂信醇zh_TW
dc.creator (作者) Lu, Hsin-Tsunen_US
dc.date (日期) 2022en_US
dc.date.accessioned 1-Mar-2022 16:29:45 (UTC+8)-
dc.date.available 1-Mar-2022 16:29:45 (UTC+8)-
dc.date.issued (上傳時間) 1-Mar-2022 16:29:45 (UTC+8)-
dc.identifier (Other Identifiers) G0105551007en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/139128-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description (描述) 105551007zh_TW
dc.description.abstract (摘要) 本論文以探索隱藏於馬克白恐懼背後的真相為重點，揭示一般評論家較為忽略的部分，那就是莎士比亞透過馬克白這齣戲要告訴我們的道理--邪不勝正，在劇中，馬克白及其夫人的恐懼其實是來自於害怕正義的到來，雖然整齣戲大多籠罩在血腥、背叛、及恐怖的氛圍中，但馬克白終究自食惡果，無論他怎麼抗拒光明、正義的到來，他還是要離開那自我封閉的黑暗，因為「邪不勝正」，也就是不論陰雨、黑暗多久，太陽一定會出來，本論文在劇中找到諸多證據，顯示這個莎士比亞所隱藏在劇中的道理。zh_TW
dc.description.abstract (摘要) Shakespeare’s tragedy Macbeth is probably the most complicated of his four famous tragedies. This thesis explores the meaning behind Macbeth’s fear. The thesis states that the meaning of Macbeth’s major fear is that evil cannot conquer justice—the usurper will eventually yield to the rightful sovereign. Overshadowed by the dark symbolism and mental suffering in the play, the rightful sovereign is a theme often overlooked by critics. The Tragedy of Macbeth is more than a personal, individual suffering and struggling; it is also a tragedy of a kingdom with hope in the end.en_US
dc.description.tableofcontents Chinese Abstract…………………………………………………vi
English Abstract………………………………………………….vii
Introduction……………………………………………………1
Chapter One: Symbolism and the Structure of Evil……………21
Chapter Two: The Rightful Sovereign and Pageantry……………37
Conclusion………………………………………………………..55
Works Cited………………………………………………………..64		zh_TW
dc.format.extent 402273 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0105551007en_US
dc.subject (關鍵詞) 馬克白zh_TW
dc.subject (關鍵詞) 恐懼zh_TW
dc.subject (關鍵詞) 假象zh_TW
dc.subject (關鍵詞) 表徵zh_TW
dc.subject (關鍵詞) 邪惡zh_TW
dc.subject (關鍵詞) 苦難zh_TW
dc.title (題名) 恐懼的假象：馬克白中的象徵、邪惡、與苦難zh_TW
dc.title (題名) Painting of Fear: Symbolism, Evil, and Suffering in Macbethen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Blair, David. “What Happens In Macbeth Act I Scene Vii?” The Review of English
Studies, XLVII, no. 188, 1996, pp. 534–539., doi:10.1093/res/xlvii.188.534.
Bradley, A. C. “Construction in Shakespeare`s Tragedies.” Shakespearean Tragedy:
Lectures on Hamlet, Othello, King Lear, Macbeth. Macmillan, 1904, pp. 5–39.
Bridges, Robert. The Influence of the Audience on Shakespeare’s Drama. Oxford UP,
1927. Collected Papers &c. of Robert Bridges.
Briggs, Katharine Mary. Pale Hecate`s Team: An Examination of the Beliefs on
Witchcraft and Magic among Shakespeare`s Contemporaries and His
Immediate Successors. Routledge, 2003, Accessed 2021.
Calvin, John. “John Calvin.” The Norton Anthology of English Literature: The
Sixteenth Century/the Early Seventeenth Century. Edited by Stephen Greenblatt.
W.W. Norton and Company, 2018, pp. 681–684.
“Catharsis.” Cambridge Dictionary, Cambridge UP,
dictionary.cambridge.org/us/dictionary/english/catharsis?q=Catharsis.
Charnock, Ross. “Hart as Contextualist? Theories of Interpretation in Language and
the Law.” Law and Language, 2013, pp. 128–150.,
doi:10.1093/acprof:oso/9780199673667.003.0062.
Daileader, Celia R. “Weird Brothers: What Thomas Middleton’s The Witch Can Tell
Us about Race, Sex, and Gender in Macbeth.” Weyward Macbeth, 2010, pp. 11–
20., doi:10.1007/978-0-230-10216-3_2.
Eliot, T. S. “Hamlet and His Problems.” The Sacred Wood: Essays on Poetry and
Criticism, Faber and Faber, 1997, pp. 81–87.
---. Selected Essays. New Edition, Harcourt, Brace & Co., 1950.
“Evil.” Cambridge Dictionary, Cambridge UP,
dictionary.cambridge.org/us/dictionary/english/evil?q=Evil.
Goodare, Julian, and Joyce Miller. “Introduction.” Witchcraft and Belief in Early
Modern Scotland, Palgrave Macmillan, 2016, pp. 1.
“Great Scottish Witch Hunt of 1597.” Wikipedia, Wikimedia Foundation, 31 Oct.
2019, en.wikipedia.org/wiki/Great_Scottish_Witch_Hunt_of_1597.
Holinshed, Raphael. Holinshed`s Chronicles of England, Scotland, and Ireland. vol. 5,
Richard Taylor & Co, 1808, Internet Archive,
archive.org/details/chroniclesofengl05holiuoft, Accessed 2021.
Inception. Directed by Christopher Nolan. Warner Home Video, 2010.
Johnson, Samuel. Dr. Johnson on Shakespeare. Edited by William K. Wimsatt.
Penguin Books, 1969.
Kermode, Frank. “Macbeth.” The Riverside Shakespeare, Houghton Mifflin, 1997, pp.
1355–1359.
Kipling, Gordon. “Triumphal Drama: Form in English Civic Pageantry.” Renaissance
Drama, vol. 8, 1977, pp. 37–56. JSTOR, www.jstor.org/stable/41917136.
Accessed 27 May 2021.
---. “Wonderfull Spectacles: Theater and Civic Culture.” A New History of Early
English Drama, edited by John D. Cox et al., Columbia UP, 1997, pp. 153–171.
Knight, G. Wilson. The Wheel of Fire: Interpretations of Shakespearian Tragedy;
with New Essays. World Pub. Co., 1962.
Knights, L. C. Explorations: Essays in Criticism. G.W. Stewart, 1947, Internet
Archive, archive.org/details/explorationsessa00knigrich, Accessed 2021.
Mackay, Christopher S., and Heinrich Institoris. The Hammer of Witches: a Complete
Translation of the Malleus Maleficarum. Cambridge UP, 2014.
Miola, Robert S. Shakespeare`s Reading. Oxford UP, 2012.
Muir, Kenneth. “Introduction.” Macbeth, Mathuen & Co., 1962, pp. iii-lxv.
Nagler, Alois M., and Ralph Manheim. Shakespeare`s Stage. Yale UP, 1966.
Shakespeare, William. Macbeth. Mathuen & Co., 1962.
---. The Riverside Shakespeare: The Complete Works. Edited by G. Blakemore Evans.
Houghton Mifflin, 1997.
Schoenbaum, Samuel. Macbeth: Critical Essays. Garland, 1991.
Stuart, James Charles. “Speech of James I before Parliament, 21 March 1610.” Select
Statutes and Other Constitutional Documents Illustrative of the Reigns of
Elizabeth and James I. Edited by G.W. Prothero. Clarendon Press, 1906,
Internet Archive, archive.org/details/selectstatuteso00protuoft, Accessed 2021,
pp. 293–294.
Tillyard, E. M. W. The Elizabethan World Picture: a Study of the Idea of Order in the
Age of Shakespeare, Donne and Milton. Random House, 1960.
Williams, Gordon. Shakespeare`s Sexual Language: a Glossary. Continuum, 2006.
Wills, Garry. Witches & Jesuits. Oxford UP, 1995.		zh_TW
dc.identifier.doi (DOI) 10.6814/NCCU202200169en_US