| dc.contributor | 文山評論：文學與文化 | |
| dc.creator (作者) | Lee, Ming-Yu | |
| dc.date (日期) | 2021-12 | |
| dc.date.accessioned | 8-Apr-2022 15:42:40 (UTC+8) | - |
| dc.date.available | 8-Apr-2022 15:42:40 (UTC+8) | - |
| dc.date.issued (上傳時間) | 8-Apr-2022 15:42:40 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/139672 | - |
| dc.description.abstract (摘要) | This paper aims to discuss the use of the voice-over in first-person cinema and its unique audiovisual structure. Employing notions of caméra-stylo from Alexandre Astruc, horizontal montage from André Bazin, sonic interstices from Laura Rascaroli, and Michel Chion`s discussion on the sound in cinema, I try to examine in this paper how the voice-over has become the most common approach for revealing the filmmaker/author`s presence, and further, how voice-over narration interacts with images within a dynamic parenthetical structure. By using Hollis Frampton`s (nostalgia) and Jonas Mekas`s The Song of Avila as case studies, I aim to establish that in parenthetical structure, the voice-over functions in various ways and can be seen as a novel perspective for treating audiovisual structure in the first-person cinema. | |
| dc.format.extent | 909204 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 文山評論：文學與文化, 15(1), 235-267 | |
| dc.subject (關鍵詞) | voice-over ;Hollis Frampton ;Jonas Mekas ;(nostalgia) ;The Song of Avila ;essay film ;diary film | |
| dc.title (題名) | The Parenthetical Voice-over: Dialectical Audiovisual Structure in Hollis Frampton`s (nostalgia) and Jonas Mekas`s The Song of Avila | |
| dc.type (資料類型) | article | |
| dc.identifier.doi (DOI) | 10.30395/WSR.202112_15(1).0010 | |
| dc.doi.uri (DOI) | https://doi.org/10.30395/WSR.202112_15(1).0010 | |
