| dc.contributor | 廣播電視學系 | |
| dc.creator (作者) | 黃俊銘 | |
| dc.date (日期) | 2020-08 | |
| dc.date.accessioned | 14-Oct-2022 15:48:14 (UTC+8) | - |
| dc.date.available | 14-Oct-2022 15:48:14 (UTC+8) | - |
| dc.date.issued (上傳時間) | 14-Oct-2022 15:48:14 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/142403 | - |
| dc.description.abstract (摘要) | 儘管台灣與中國存在敵對的兩岸關係，為什麼台灣的流行音樂在中國受到歡迎？中國人如何在日常生活裡接受來自台灣的流行音樂？兩岸的多重傳播媒介透過台灣流行音樂，如何歷經「兩岸心戰」（1949-）、中國「改革開放」（1978）與台灣「開放大陸探親」（1987）時代局勢，重新生產、接合並浮現中國-台灣觀眾聆聽共感的「想像共同體」；台灣-中國在政治和國族身份的爭議與鬥爭，由來以久，如何影響中國樂迷聆聽台灣流行音樂? 本計畫為延續計畫，但將聚焦轉向影響台灣流行音樂傳播的重要媒介：草根媒介與大眾傳媒廣播，以卡帶盜錄、私人管道流通、翻唱文化、扒帶等現象為例，並做兩個媒體機構個案研究；分別是台灣的「中央廣播電台：自由中國之聲」、「上海人民廣播電台」的音樂節目。同時，延伸前期「閱聽社群取向」，將研究對象移往1960-1980年代出生的中國人，討論他們在1990年代聆聽台灣流行音樂的經驗。研究場域設定於台北、中國大陸北京與上海。本研究盼理解台灣流行音樂在中國的傳播情形，尤其改革開放後至1980-1990年的情況；如何與兩岸爭辨的國族、政治局勢變化與情感結構的共構，也與中國的社會轉型需要、傳媒與流行音樂工業的未完備與變革有關，上述強化、再生產與鞏固了台灣流行音樂的中介，雖然有時也因為國族與局勢衝突，而形成破壞。 | |
| dc.description.abstract (摘要) | Despite the hostile cross-strait relations between Taiwan and China, Taiwan`s pop music has gained long-term popularity in China, which presents a question that merits further investigation. How do Chinese people perceive Taiwan`s pop in everyday life? How cross-strait media between Taiwan and China had used Taiwan`s pop as a mediation form of the `Imagined Communities` to negotiate with their own versions of political agendas and national identities, in some different historical phases of `Cold-war propaganda` (1949-), `Open-Up policy` (1978) and `lifting the ban on visiting families of China` (1987). To what extent does the fact that Taiwan and China hold and struggle with contested versions of political and national identities affect the way Chinese audiences listen to Taiwanese pop? The continued study seeks to understand the routes and paths of how Taiwan`s pop traveled to China: its mediation, production and political formation. Different from previous focus on musical audience and their cultural memories, this project highlights the significance of two media forms: Grassroots media and Radio broadcasting. As the former places their focus on using cassette piracy, personal network circulation, songs covering and other phenomena, the latter seeks to examine the case studies from two media organizations; respectively, Taiwan`s ‘Central Broadcasting System: Voice of Free China’ and China’s ‘Shanghai People’s Broadcast Radio.’ Moreover, as a supplement, it also examines the experiences and cultural memories of 24 Chinese audience members living in Beijing and Shanghai, who are fans of 1990s Taiwan`s pop. The research fields are set in Taipei, Beijing and Shanghai. This study aims to probe the spread of Taiwan pop music in China, especially the time from illegal passion to legitimacy in the 1980-1990s. The study shall highlight that the transmission of Taiwanese pop in China may be both mediated `into`, and `by`, the changing status quo of cultural-political relations between Taiwan and China, as well as by the changing face of China`s media and music industries, brought about by developments in the use of technology and by the demand for lifestyle trends. | |
| dc.format.extent | 116 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 科技部 , MOST109-2410-H004-033, 10908 ~ 11007 | |
| dc.subject (關鍵詞) | 媒介; 兩岸關係; 台灣流行音樂; 國族與國族主義; 草根媒介與廣播電台; 歌迷 | |
| dc.subject (關鍵詞) | mediation; cross-strait relations; Taiwanese popular music; nations and nationalism; grassroots media and radio; fans | |
| dc.title (題名) | 「中國人怎麼感受台灣流行音樂」延續性計畫：草根媒介(卡帶傳播、翻唱、 扒帶)、聆聽敵台與現代：重構國族、媒介與情感結構 | |
| dc.title (題名) | Taiwanese Popular Music in China: How Chinese People Perceive Taiwan’S Pop Music? Restructuring Nation, Mediation, and Structure of Feeling | |
| dc.type (資料類型) | report | |
