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題名 給我一晚的自由：吉尼•溫特森《魔力書》女性主體的哲學思考
A Philosophical Interpretation of Women`s Subjectivity in Jeanette Winterson`s The PowerBook
作者 張儀
Chang,Yi
貢獻者 劉建基
Liu,Chien-chi
張儀
Chang,Yi
關鍵詞 女性主體與自由
女性情慾自主
權力關係
女性言說
顛覆與重生(轉化)
women`s subjectivity and freedom
the autonomy of femininity
power relations
discourse of femininity
denaturalization and transformation
日期 2004
上傳時間 17-Sep-2009 16:19:34 (UTC+8)
摘要 溫特森最新的實驗小說《魔力書》，以網際空間為喻，探討性自由與權力之間的關係；是一本因應千禧年而誕生的作品。故事中的主人翁阿里(Ali)，藉由答覆網上不知名的筆友，為讀者揭示女性主體及性慾自主的議題；作者巧妙地將自己擅長的詩意散文、新奇敘事體，融入哲學思維，與網際網路天馬行空的力量相結合。本論文旨在以宏觀哲學的角度分析女性各個不同時期的處境，並指出《魔力書》除了充溢智慧、想像、力量之外，是一本關切女性處境及主體的小說。
本論文以西蒙•波娃有關女性主體論述為主要理論架構。論文主體可分三部分。第一部分旨在分析權力關係的影響，並以書中網路外遇事件為例，彰顯出已婚女性受傳統意識型態箝制，失去性自主的契機。第二部分從敘事者的角度，以女性特有言說方式，持續探討女性情慾自主的議題。最後一部分處理敘事者不同形式的存在模式，並以宏觀角度分析，不同時期(神話、奇想、網際空間)女性主體的變化性。
對照四十年前的女性處境，處於科技時代的摩登女性仍然受制於傳統女性特質的制約，或是受到強勢意識型態所掌控。面對此情境，女性應藉由參與社會或政治活動，承擔起改變世界的責任，來確保個人主體性的完整；女性應對自我有更多的期許及要求。溫特森在《魔力書》中藉由答覆網路筆友的要求─「自由，給我一晚的自由」─其實真正探討的是確立女性主體性的重要概念。
Winterson’s latest novel The PowerBook (2000) is an experimental work of fiction that uses the metaphor of cyberspace to portray the issue of sexual freedom and power, a book that greets the challenge of the new millennium in Winterson’s design. By answering to an unknown on-line correspondent’s need, the narrator and e-mail writer Ali explores the very issue on women’s subjectivity and the autonomy of femininity, adroitly connecting the power of the Internet (the imaginary and the virtual) with her poetic prose and inventive narrative in conjunction with philosophical significance. My thesis aims to start a complicated analysis of women’s different situations from a philosophical perspective. I think The PowerBook, invested with wisdom, imagination and power, is a book that concentrates on women’s situation and subjectivity.
Simone de Beauvoir’s concept on women’s subjectivity constitutes the most important theoretical framework of my thesis. The main body of the thesis can be grouped into three parts. Firstly, I will probe the effect of power relations on a virtual forbidden love affair, manifesting that the married woman is manipulated by the patriarchal ideology so that she ultimately fails to fulfill her autonomy of femininity. Secondly, I will discuss, mainly in terms of a feminist discourse theory, the issue on the autonomy of femininity revealed in Ali’s narrative. Thirdly, the last section of the main body will not only deal with Ali’s various modes of existence, but also aim at exploring women’s selfhood in respect of myth, fantasy and cyberspace.
By contrasting women’s situation at present with that almost forty years ago, I will show that modern women in the technological age are still either bound by the myth of femininity, or conditioned by dominant ideologies. Finally, I will conclude that modern women should not only act as independent subjects, but also demand more and expect more for themselves. By participating in social and political activities, they are able to take the responsibilities for improving the world. It can be interpreted that to answer to the correspondent’s need—“Freedom, just for one night”—is actually to examine the main subject on women’s existence in Winterson’s intention.
參考文獻 Works Cited
“Internet.” Def. Collins Cobuild English Dictionary. New ed. HK: Harper Collins, 1995.
“Jeanette Winterson.” Contemporary Authors Online. 2003. Contemporary Authors. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 22 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.
&Aacute;BALOS, Susana GONZ&Aacute;LEZ. “Winterson’s Sexing the Cherry: Rewriting ‘Woman’ Through Fantasy.” Gender, I-deology : Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D’Arcy and Jos&eacute; Angel Garc&iacute;a Landa. Amsterdam: Rodopi, 1996. 281-95.
Allen, Amy. “Foucault on Power: A Theory for Feminists.” Feminist Interpretations of Michel Foucault. Ed. Susan J. Hekman. University Park: The Pennsylvania State P, 1996. 265-81.
Ascher, Carol. “Women and Choice—A New Look at Simone de Beauvoir and The Second Sex.” Faith of a (Woman) Writer. Ed. Alice Kessler-Harris and William McBrien. 1988. Contemporary Literary Criticism. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 8 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.
Asensio, Maria del Mar. “Subversion of Sexual Identity in Jeanette Winterson’s The Passion.” Feminism and the Postmodern Impulse: Post-World War II Fiction. Ed. Magali Cornier Michael. Albany: State U of NY P, 1996. 265-79.
Bakhtin, M.M. “Discourse in the Novel.” The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1998. 259-422.
Barry, Peter. Beginning Theory. Manchester: Manchester UP, 1995.
Beauvoir, Simone de. “Women and Creativity.” Trans. Roisin Mallaghan. French Feminist Thought: A Reader. Ed. Toril Moi. Oxford: Basil Blackwell, 1987. 18-32.
_ _ _. The Second Sex. Ed. and trans. H. M. Parshley. NY: Vintage, 1989.
Brisson, Luc. Sexual Ambivalence: Androgyny and Hermaphroditism in Graeco-Roman Antiquity. Trans. Janet Lloyd. Berkeley: U of California P, 2002.
Brosman, Catharine Savage. “The Self and Others: Memoirs and Documentary Studies.” Simone de Beauvoir. 1991. Twayne’s World Authors. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 8 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.
Burns, Christy L. “Fantastic Language: Jeanette Winterson’s Recovery of the Postmodern Word.” Contemporary Literature 37.2 (1996): 278-306.
Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. NY: Routledge, 1993.
_ _ _. Gender Trouble: Feminism and the Subversion of Identity. NY: Routledge, 1990.
Cixous , H&eacute;l&egrave;ne. “The Laugh of the Medusa.” New French Feminisms: An Anthology. Ed. Elaine Marks and Isabelle de Courtivron. NY: Schocken, 1980. 245-64.
Danaher, Geoff, Tony Schirato and Jenn Webb. Understanding Foucault. London: Sage, 2000.
DeLombard, Jeannine. “Control Option Delete.” Rev. of The PowerBook, by Jeanette Winterson. Lambda Book Report 9.5 (2000). Academic Search Premier EBSCOhost. Natl. Chengchi U Lib., Taipei. 16 July 2003 <http://ehostvgw5.epnet.com/>.
Eagleton, Mary, ed. Feminist Literary Criticism. London: Longman, 1991.
Fahy, Thomas. “Fractured Bodies: Privileging the Incomplete in Jeanette Winterson’s The Passion.” Mosaic 33 (2000): 95-106.
Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. NY: Pantheon, 1977.
_ _ _. The Archaeology of Knowledge. Trans. A. M. Sheridan Smith. London: Tavistock, 1972.
_ _ _. The History of Sexuality: An Introduction. Vol. 1. Trans. Robert Hurley. Harmondsworth, Penguin, 1978.
_ _ _. The Use of Pleasure. Vol. 2 of The History of Sexuality. Trans. Robert Hurley. NY: Vintage, 1990.
Fraser, Nancy. “The Use and Abuses of French Discourse Theories for Feminist Politics.” Revaluing French Feminism: Critical Essays on Difference, Agency, and Culture. Ed. Nancy Fraser and Sandra Lee Bartky. Bloomington: Indiana UP, 1992. 177-94.
G&#261;siorek, Andrzej. Post-War British Fiction: Realism and After. London: Edward Arnold, 1995.
Gordon, Colin, ed. Power/Knowledge: Selected Interviews and Other Writings 1972-1977. Trans. Colin Gordon, et al. NY: Pantheon, 1980.
Heise, Ursula K. “Jeanette Winterson.” British Writers Supplement IV. Ed. George Stade and Carol Howard. NY: Charles Scribner`s Sons, 1997. 541-559. The Scribner Writers Series. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 22 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.
Howarth, David. Discourse. Buckinghamshire: Open UP, 2000.
Hutcheon, Linda. The Politics of Postmodernism. London: Routlege, 1993.
Irwin, Gayle. “Jeanette Winterson.” Dictionary of Literary Biography, Volume 261: British Fantasy and Science-Fiction Writers Since 1960. Ed. Darren Harris-Fain. 2002. Dictionary of Literary Biography. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 22 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.
Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Routlege, 1981.
Jiwaji, Zaheera. Rev. of The PowerBook, by Jeanette Winterson. The Charlotte Austin Review Ltd Online 3 Feb. 2001. 16 July 2003 <http://collection.nlc-bnc.ca/100/202/300/charlotte/2001/02-03/pages/reviews/generalfiction/thepowerbook.html/>.
Klages, Mary. “Poststructuralist Feminist Theory: The Laugh of the Medusa.” 2001. English Dept., U of Colorado. 24 Mar. 2002 <http://www.colorado.edu/Engish/eng12010mk/cixous.lec.html/>.
Macdonell, Diane. Theories of Discourse: An Introduction. Oxford: Blackwell, 1986.
McNay, Lois. Foucault and Feminism: Power, Gender and the Self. Boston: Northeastern UP, 1992.
Mills, Sara. Discourse. London: Routledge, 1997.
Moi, Toril. Sexual/Texual Politics: Feminist Literary Theory. London: Routlege, 1985.
Munt, Sally. New Lesbian Criticism: Literary and Cultural Readings. London: Harvester Wheatsheaf, 1992.
Palmer, Paulina. “Postmodern Trends in Contemporary Fiction: Margaret Atwood, Angela Carter, Jeanette Winterson.” Postmodern Subject/Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 181-99.
Reynolds, Margaret and Jonathan Noakes. Jeanette Winterson: Vintage Living Texts—The Essential Guide to Contemporary Literature. London, Vintage, 2003.
Robbins, Ruth. Literary Feminisms. HK: Macmillan P, 2000.
Selden, Raman., et al. A Reader’s Guide to Contemporary Literary Theory. 4th ed. London: Prentice Hall, 1997.
Sheridan, Alan. Michel Foucault: The Will to Truth. London: Tavistock, 1980.
Showalter, Elaine. “Eternal Triangles: Jeanette Winterson’s The PowerBook Is Lost in Cyberspace.” Rev. of The PowerBook, by Jeanette Winterson. The Guardian Online 2 Sep. 2000. 16 July 2003 <http://books.guardian.co.uk/Print/0,3858,4058145,00.html/>.
Simons, Margaret A. “The Second Sex: From Marxism to Radical Feminism.” Feminist Interpretations of Simone de Beauvoir. 1995. Contemporary Literary Criticism. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 8 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.
Skea, Ann. Rev. of The PowerBook, by Jeanette Winterson. Eclectica Magazine Online Eclectica October/November (2000). 16 July 2003 <http://www.eclectica.org/v4n4/skea_winterson.html/>.
Smith, Dorothy. “Femininity as Discourse.” Texts, Facts and Femininity: Exploring the Relations of Ruling. London: Routledge, 1990. 159-208.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. NY: Cornell UP, 1980.
Tong, Rosemarie Putnam. Feminist Thought: A More Comprehensive Introduction. 2nd Ed. Boulder: Westview, 1998.
Turner, Jenny. “A Tulip and Two Bulbs.” Rev. of The PowerBook, by Jeanette Winterson. London Review of Books Online London Review of Books 22.7 (2000). 7 Sep. 2000. 16 July 2003 <http://www.lrb.co.uk/v22/n17/print/turn03_html/>.
Van, Alicia Le. “The Gordon Medusa.” Women in Antiquity. 1996. U of Tufts, Boston. 16 Apr. 2003 <http://www.perseus.tufts.edu/classes/finALp.html/>.
Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989.
_ _ _. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Methuen, 1984.
Weeks, Jeffrey. “The Challenge of Diversity.” Sexuality. Routlege: NY, 1989. 69-88.
Winterson, Jeanette. Art Objects: Essays on Ecstasy and Effrontery. London: Cape, 1995.
_ _ _. Orange Are Not the Only Fruit.. London: Vintage, 1985.
_ _ _. Sexing the Cherry. London: Vintage, 1989.
_ _ _. The Passion. London: Vintage, 1996.
_ _ _. The PowerBook. NY: Vintage, 2001.
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描述 碩士
國立政治大學
英國語文學研究所
90551003
93
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0905510031
資料類型 thesis
dc.contributor.advisor 劉建基zh_TW
dc.contributor.advisor Liu,Chien-chien_US
dc.contributor.author (Authors) 張儀zh_TW
dc.contributor.author (Authors) Chang,Yien_US
dc.creator (作者) 張儀zh_TW
dc.creator (作者) Chang,Yien_US
dc.date (日期) 2004en_US
dc.date.accessioned 17-Sep-2009 16:19:34 (UTC+8)-
dc.date.available 17-Sep-2009 16:19:34 (UTC+8)-
dc.date.issued (上傳時間) 17-Sep-2009 16:19:34 (UTC+8)-
dc.identifier (Other Identifiers) G0905510031en_US
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/33342-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 90551003zh_TW
dc.description (描述) 93zh_TW
dc.description.abstract (摘要) 溫特森最新的實驗小說《魔力書》，以網際空間為喻，探討性自由與權力之間的關係；是一本因應千禧年而誕生的作品。故事中的主人翁阿里(Ali)，藉由答覆網上不知名的筆友，為讀者揭示女性主體及性慾自主的議題；作者巧妙地將自己擅長的詩意散文、新奇敘事體，融入哲學思維，與網際網路天馬行空的力量相結合。本論文旨在以宏觀哲學的角度分析女性各個不同時期的處境，並指出《魔力書》除了充溢智慧、想像、力量之外，是一本關切女性處境及主體的小說。
本論文以西蒙•波娃有關女性主體論述為主要理論架構。論文主體可分三部分。第一部分旨在分析權力關係的影響，並以書中網路外遇事件為例，彰顯出已婚女性受傳統意識型態箝制，失去性自主的契機。第二部分從敘事者的角度，以女性特有言說方式，持續探討女性情慾自主的議題。最後一部分處理敘事者不同形式的存在模式，並以宏觀角度分析，不同時期(神話、奇想、網際空間)女性主體的變化性。
對照四十年前的女性處境，處於科技時代的摩登女性仍然受制於傳統女性特質的制約，或是受到強勢意識型態所掌控。面對此情境，女性應藉由參與社會或政治活動，承擔起改變世界的責任，來確保個人主體性的完整；女性應對自我有更多的期許及要求。溫特森在《魔力書》中藉由答覆網路筆友的要求─「自由，給我一晚的自由」─其實真正探討的是確立女性主體性的重要概念。		zh_TW
dc.description.abstract (摘要) Winterson’s latest novel The PowerBook (2000) is an experimental work of fiction that uses the metaphor of cyberspace to portray the issue of sexual freedom and power, a book that greets the challenge of the new millennium in Winterson’s design. By answering to an unknown on-line correspondent’s need, the narrator and e-mail writer Ali explores the very issue on women’s subjectivity and the autonomy of femininity, adroitly connecting the power of the Internet (the imaginary and the virtual) with her poetic prose and inventive narrative in conjunction with philosophical significance. My thesis aims to start a complicated analysis of women’s different situations from a philosophical perspective. I think The PowerBook, invested with wisdom, imagination and power, is a book that concentrates on women’s situation and subjectivity.
Simone de Beauvoir’s concept on women’s subjectivity constitutes the most important theoretical framework of my thesis. The main body of the thesis can be grouped into three parts. Firstly, I will probe the effect of power relations on a virtual forbidden love affair, manifesting that the married woman is manipulated by the patriarchal ideology so that she ultimately fails to fulfill her autonomy of femininity. Secondly, I will discuss, mainly in terms of a feminist discourse theory, the issue on the autonomy of femininity revealed in Ali’s narrative. Thirdly, the last section of the main body will not only deal with Ali’s various modes of existence, but also aim at exploring women’s selfhood in respect of myth, fantasy and cyberspace.
By contrasting women’s situation at present with that almost forty years ago, I will show that modern women in the technological age are still either bound by the myth of femininity, or conditioned by dominant ideologies. Finally, I will conclude that modern women should not only act as independent subjects, but also demand more and expect more for themselves. By participating in social and political activities, they are able to take the responsibilities for improving the world. It can be interpreted that to answer to the correspondent’s need—“Freedom, just for one night”—is actually to examine the main subject on women’s existence in Winterson’s intention.		en_US
dc.description.tableofcontents Acknowledgement...............................................iv
Chinese Abstract.............................................vii
English Abstract............................................viii
Chapter One Introduction....................................01
Chapter Two The Effect of Power Relations in
the World of the“Internet”....................13
Chapter Three Transgressive Power: Discourse of Femininity....33
Chapter Four Denaturalization and Transformation:
From Myth, Fantasy to Cyberspace................52
Chapter Five Conclusion......................................80
Works Cited ................................................83
Afterword ................................................90		zh_TW
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dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0905510031en_US
dc.subject (關鍵詞) 女性主體與自由zh_TW
dc.subject (關鍵詞) 女性情慾自主zh_TW
dc.subject (關鍵詞) 權力關係zh_TW
dc.subject (關鍵詞) 女性言說zh_TW
dc.subject (關鍵詞) 顛覆與重生(轉化)zh_TW
dc.subject (關鍵詞) women`s subjectivity and freedomen_US
dc.subject (關鍵詞) the autonomy of femininityen_US
dc.subject (關鍵詞) power relationsen_US
dc.subject (關鍵詞) discourse of femininityen_US
dc.subject (關鍵詞) denaturalization and transformationen_US
dc.title (題名) 給我一晚的自由：吉尼•溫特森《魔力書》女性主體的哲學思考zh_TW
dc.title (題名) A Philosophical Interpretation of Women`s Subjectivity in Jeanette Winterson`s The PowerBooken_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Works Citedzh_TW
dc.relation.reference (參考文獻) “Internet.” Def. Collins Cobuild English Dictionary. New ed. HK: Harper Collins, 1995.zh_TW
dc.relation.reference (參考文獻) “Jeanette Winterson.” Contemporary Authors Online. 2003. Contemporary Authors. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 22 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.zh_TW
dc.relation.reference (參考文獻) &Aacute;BALOS, Susana GONZ&Aacute;LEZ. “Winterson’s Sexing the Cherry: Rewriting ‘Woman’ Through Fantasy.” Gender, I-deology : Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D’Arcy and Jos&eacute; Angel Garc&iacute;a Landa. Amsterdam: Rodopi, 1996. 281-95.zh_TW
dc.relation.reference (參考文獻) Allen, Amy. “Foucault on Power: A Theory for Feminists.” Feminist Interpretations of Michel Foucault. Ed. Susan J. Hekman. University Park: The Pennsylvania State P, 1996. 265-81.zh_TW
dc.relation.reference (參考文獻) Ascher, Carol. “Women and Choice—A New Look at Simone de Beauvoir and The Second Sex.” Faith of a (Woman) Writer. Ed. Alice Kessler-Harris and William McBrien. 1988. Contemporary Literary Criticism. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 8 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.zh_TW
dc.relation.reference (參考文獻) Asensio, Maria del Mar. “Subversion of Sexual Identity in Jeanette Winterson’s The Passion.” Feminism and the Postmodern Impulse: Post-World War II Fiction. Ed. Magali Cornier Michael. Albany: State U of NY P, 1996. 265-79.zh_TW
dc.relation.reference (參考文獻) Bakhtin, M.M. “Discourse in the Novel.” The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1998. 259-422.zh_TW
dc.relation.reference (參考文獻) Barry, Peter. Beginning Theory. Manchester: Manchester UP, 1995.zh_TW
dc.relation.reference (參考文獻) Beauvoir, Simone de. “Women and Creativity.” Trans. Roisin Mallaghan. French Feminist Thought: A Reader. Ed. Toril Moi. Oxford: Basil Blackwell, 1987. 18-32.zh_TW
dc.relation.reference (參考文獻) _ _ _. The Second Sex. Ed. and trans. H. M. Parshley. NY: Vintage, 1989.zh_TW
dc.relation.reference (參考文獻) Brisson, Luc. Sexual Ambivalence: Androgyny and Hermaphroditism in Graeco-Roman Antiquity. Trans. Janet Lloyd. Berkeley: U of California P, 2002.zh_TW
dc.relation.reference (參考文獻) Brosman, Catharine Savage. “The Self and Others: Memoirs and Documentary Studies.” Simone de Beauvoir. 1991. Twayne’s World Authors. Literature Resource Center. Natl. Chengchi U Lib., Taipei. 8 Aug. 2003 <http://infotrac.galegroup.com/itweb/nccu/>.zh_TW
dc.relation.reference (參考文獻) Burns, Christy L. “Fantastic Language: Jeanette Winterson’s Recovery of the Postmodern Word.” Contemporary Literature 37.2 (1996): 278-306.zh_TW
dc.relation.reference (參考文獻) Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. NY: Routledge, 1993.zh_TW
dc.relation.reference (參考文獻) _ _ _. Gender Trouble: Feminism and the Subversion of Identity. NY: Routledge, 1990.zh_TW
dc.relation.reference (參考文獻) Cixous , H&eacute;l&egrave;ne. “The Laugh of the Medusa.” New French Feminisms: An Anthology. Ed. Elaine Marks and Isabelle de Courtivron. NY: Schocken, 1980. 245-64.zh_TW
dc.relation.reference (參考文獻) Danaher, Geoff, Tony Schirato and Jenn Webb. Understanding Foucault. London: Sage, 2000.zh_TW
dc.relation.reference (參考文獻) DeLombard, Jeannine. “Control Option Delete.” Rev. of The PowerBook, by Jeanette Winterson. Lambda Book Report 9.5 (2000). Academic Search Premier EBSCOhost. Natl. Chengchi U Lib., Taipei. 16 July 2003 <http://ehostvgw5.epnet.com/>.zh_TW
dc.relation.reference (參考文獻) Eagleton, Mary, ed. Feminist Literary Criticism. London: Longman, 1991.zh_TW
dc.relation.reference (參考文獻) Fahy, Thomas. “Fractured Bodies: Privileging the Incomplete in Jeanette Winterson’s The Passion.” Mosaic 33 (2000): 95-106.zh_TW
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