dc.contributor.advisor | 周惠民 | zh_TW |
dc.contributor.author (Authors) | 江沛文 | zh_TW |
dc.creator (作者) | 江沛文 | zh_TW |
dc.date (日期) | 2004 | en_US |
dc.date.accessioned | 17-Sep-2009 17:06:38 (UTC+8) | - |
dc.date.available | 17-Sep-2009 17:06:38 (UTC+8) | - |
dc.date.issued (上傳時間) | 17-Sep-2009 17:06:38 (UTC+8) | - |
dc.identifier (Other Identifiers) | G0089153003 | en_US |
dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/33576 | - |
dc.description (描述) | 碩士 | zh_TW |
dc.description (描述) | 國立政治大學 | zh_TW |
dc.description (描述) | 歷史研究所 | zh_TW |
dc.description (描述) | 89153003 | zh_TW |
dc.description (描述) | 93 | zh_TW |
dc.description.abstract (摘要) | 奇幻原本只是文學中的隱流,卻在1960年代的美國突然崛起,成為類型小說的新支,並在日後藉各種傳播形式發揮更大的影響力。本文斷限起自1950年代,述論此種類型的文學如何在激進和保守相互激盪的時代氛圍中浮現,大眾在其中找到何種切合己需的事物,並賦予新的解釋。其中並以1965年後造成明顯風潮的《魔戒(The Lord of the Rings)》 為例,藉其出版和解讀的過程,分析當時奇幻文學和時代背景的關連,意圖藉五0及六0年代的社會背景、戰後的青少年文化、以及對工業化、資本化社會的反動,分析奇幻類型文學在此時興起的原因。 | zh_TW |
dc.description.tableofcontents | 前言研究動機章節配置材料運用第一章 奇幻文學的歷史脈絡第一節「奇幻」的定義與歷史源流一、奇幻文學的歷史源流二、「奇幻」的定義三、奇幻理論的發展第二節 浪漫主義式的抗議:近代奇幻的產生背景與精神一、十九世紀社會的轉變二、基督教寓言的傳統三、浪漫主義的中世紀想像第三節 二十世紀的奇幻文類一、英美傳統的差異二、英國浪漫主義抗議的傳統三、奇幻文學在美國的發展與轉變第二章 英美地區奇幻文類的興起背景與發展第一節 大眾讀物的發展與閱讀人口的改變一、閱讀人口的增加與轉變二、美國戰後出版業的轉變三、大眾平裝書的興起第二節 英國:二戰後榮光不再一、兩次大戰的損失二、戰後的經濟困難三、社會文化的危機感第三節 美國:學生反戰運動一、披頭與反文化二、理想主義的學生運動三、反戰運動第四節 六0年代的閱讀出版風潮與新文類的形成一、由《魔戒》衍生的風潮二、市場機制與新文類的形成第五節 新媒體的使用與文本的變貌一、傳播媒體對書籍出版的影響二、電影與文本的密切合作三、類型小說與類型電影第三章 英美地區奇幻文類與時代的關連:以《魔戒》為例第一節 五0年代英國對《魔戒》的回應一、出版時的書評爭議二、時事與《魔戒》的寓言解讀第二節 六0年代美國閱讀與解讀的轉變一、神話學理論的應用二、環保意識的發揮第三節 校園中的《魔戒》:創造新世界一、流行風潮與寓言詮釋二、《魔戒》的反戰寓言三、《魔戒》與學生運動的關連結論參考書目 | zh_TW |
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dc.language.iso | en_US | - |
dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0089153003 | en_US |
dc.subject (關鍵詞) | 二次戰後 | zh_TW |
dc.subject (關鍵詞) | 出版史 | zh_TW |
dc.subject (關鍵詞) | 文學史 | zh_TW |
dc.subject (關鍵詞) | 社會文化 | zh_TW |
dc.title (題名) | 二次戰後奇幻文學的重現:以《魔戒》為例 | zh_TW |
dc.type (資料類型) | thesis | en |
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