| dc.contributor | 行政院國家科學委員會 | en_US |
| dc.contributor | 國立政治大學中國文學系 | en_US |
| dc.creator (作者) | 黃偉倫 | zh_TW |
| dc.date (日期) | 2010 | en_US |
| dc.date.accessioned | 31-Oct-2011 14:04:33 (UTC+8) | - |
| dc.date.available | 31-Oct-2011 14:04:33 (UTC+8) | - |
| dc.date.issued (上傳時間) | 31-Oct-2011 14:04:33 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/51763 | - |
| dc.description.abstract (摘要) | 典美學「物感」範疇的理論結構及其歷史發展圖式（二）摘 要「物感」之說的提出，主要是立足於發生論的視角，對文學之所以產生及審美體驗的生成做一種心理性根源的追問與描述。因此，本計劃有見於「物感」在探究文學創作內在規律上的重要性及前行研究成果的可補闕性，故於先前計畫的研究基礎及成果之上，一方面繼續梳理相關的理論內涵及其哲學基礎，另一方面則接續探討「物感」在六朝以後的發展概況和不同歷史階段的理論型態。以期能在深入原典、擴大檢視範圍的基礎工作之上，依循著「共時性」與「歷時性」的研究進路，分析其內在構成、理論屬性和價值意義，以深化對「物感」的認識與論述理據，並檢視其動態發展歷程，揭示「物感」的發展規律及其傳承演變之跡，結合此兩方面的成果，用以狀繪「物感」的歷史全貌，完成對「物感」的整體性研究。冀能結合其它美學範疇的研究成果，朝一系統化的方向加以整合，以對建構一套既能表徵且契應於自身主體特性的文學理論體系的當代籲求，在「物感」範疇的言說上，提供一可能性的參考。；Theory construction and History Development of Wu-Gau Hypothesis in classical Aesthetics Category Ⅱ Abstract Based on the perspective of the genetic approach, the theory of Wu-gan is primarily a description and exploration to discover the psychological origins of the being of literature and the aesthetic experience. In the sense, Wu-gan certainly exerts its importance in discovering the inner pattern of literature creation. The study was hoping to serve as the complementation of the predecessors’ researches into Wu-gan. Therefore, the study would conduct literature review by compiling relevant theories along with their philosophy and discuss the development of Wu-gan after the Six Dynasties along with its different theory types in various history phases. It was expected to adopt the approaches of Synchronic as well as Diachronic studies, on the basis of exploring deep into the original literature and extending the scope of review, to analyze the inner structure, the attribution of theory and the meaning of value of Wu-gan in order to deepen the understanding of it. The study would further examine the process of dynamic development of Wu-gan so as to discover its development pattern and trace of transformation. In this sense, the study was hoping to comprehend the full history of Wu-gan for the purpose of making the research of Wu-gan complete. Moreover, the study was hoping to combine with other researches of aesthetics so as to gradually construct the unique theory system of literature specialized to the study. | en_US |
| dc.language.iso | en_US | - |
| dc.relation (關聯) | 基礎研究 | en_US |
| dc.relation (關聯) | 學術補助 | en_US |
| dc.relation (關聯) | 研究期間:9908~ 10007 | en_US |
| dc.relation (關聯) | 研究經費:343仟元 | en_US |
| dc.subject (關鍵詞) | 語文;物感;審美感應;感物吟志;創作主體性;心物關係 | en_US |
| dc.subject (關鍵詞) | Wu-gan;Aesthetic Reaction;ganwuyinzhi;Creation Subject;Subject-Object Relationship | - |
| dc.title (題名) | 古典美學範疇「物感說」的理論架構及其歷史發展圖式(Ⅱ) | zh_TW |
| dc.title.alternative (其他題名) | Theory Construction and History Development of Wu-Gau Hypothesis in Classical Aesthetics Category (Ⅱ) | - |
| dc.type (資料類型) | report | en |
