| dc.contributor | 國立政治大學 | en_US |
| dc.contributor | 新聞研究所 | en_US |
| dc.creator (作者) | 陳澤瑋 | zh_TW |
| dc.date (日期) | 2006 | en_US |
| dc.date.accessioned | 19-Dec-2013 14:34:27 (UTC+8) | - |
| dc.date.available | 19-Dec-2013 14:34:27 (UTC+8) | - |
| dc.date.issued (上傳時間) | 19-Dec-2013 14:34:27 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/62772 | - |
| dc.description.abstract (摘要) | 本研究以觀展/表演典範提出的閱聽人行為循環過程－媒介滲透、日常生活、消費、表演、觀展/自戀來分析「女人我最大」的閱聽人，試探究觀展/表演典範是否適於分析台灣當前的實際傳播現況。研究發現，除了自戀外，其餘的概念皆適於詮釋女人我最大的閱聽人，此外研究還發現，觀展並非僅出現在表演之後，而被認為是構成整個循環過程的要因。 | en_US |
| dc.description.abstract (摘要) | This study is to analyze the audience`s reaction to test the application of Spectacle/Performance paradigm`s suggested five level of SPP-media, drenching, everyday life, consumption, performance, and Spectacle/Narcissism. The study verified that all five levels of Spectacle/Performance paradigm, except for Narcissism. In addition, this study showed that Spectacle does not necessary come subsequent to performance, but exist as a main component of audience`s behavior. | en_US |
| dc.format.extent | 797252 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en_US | - |
| dc.relation (關聯) | 中華傳播學會年會研討會 | en_US |
| dc.subject (關鍵詞) | 觀展表演典範 | en_US |
| dc.subject (關鍵詞) | spectacle/performance paradigm | en_US |
| dc.title (題名) | 以觀展/表演典範論女人我最大的閱聽人 | zh_TW |
| dc.title.alternative (其他題名) | The application of spectacle/performance paradigm on a famous TV show concerning how to make up and dress yourself | en_US |
| dc.type (資料類型) | conference | en |
