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題名 黃哲倫三劇中文化認同的轉變
The Change of Cultural Identity in Three Plays by David Henry Hwang作者 盛業瑋
Sheng, Yueh-Wei貢獻者 姜翠芬
Jiang, Tsui-Fen
盛業瑋
Sheng, Yueh-Wei關鍵詞 黃哲倫
文化認同
David Henry Hwang
Cultural Identity日期 2001 上傳時間 15-Apr-2016 15:58:44 (UTC+8) 摘要 本篇論文主要探討黃哲倫在《剛下船的新移民》、《如鴉而飛》、及《尋找唐人街》這三個劇作中，處理「文化認同」主題的轉變。這三個劇作分別代表黃哲倫創作生涯的三階段，即初期─華裔美國文化認同、中期─華裔美人漂泊離散的文化認同、以及晚近─華裔美國文化認同的多元文化未來。同時，將援引德希達的「主體觀」、傅柯的「對抗記憶」、霍爾的「文化認同」概念、哈伯馬斯的「包含他者」、以及學者對多元文化的討論等，並應用於文本之分析與探討。本論文共分為五個章節。第一章略述黃哲倫的三個劇作以及所採用的理論。第二章討論作者如何在《剛下船的新移民》中剖析華裔美國文化認同。第三章探討《如鴉而飛》中老一輩華裔美人漂泊離散的文化認同狀態。第四章側重於作者在《尋找唐人街》□所勾勒出的多元文化未來之希望與遠景。最後一章則回顧前述四章中的劇作及理論，並總結黃哲倫在三個作品中對於「認同」看法的轉變及其詮釋。
In this study of David Henry Hwang`s three plays FOB, As The Crow Flies, and Trying to Find Chinatown, I would like to explore the change of his attitude toward identity issue. These three plays represent the three stages of his writing career：first, the early stage of Chinese American identity; second, the maturing stage of the traveling cultural identity for Chinese American; third, the latest stage of a multicultural future for Chinese American identity. In my study, I apply several theories for the theoretic approach in this thesis, such as Jacque Derrida`s "subject," Michael Foucault`s "counter-memory," Stuart Hall`s concept of identity, Jurgen Habermas`s "inclusion of the Other," and Michael Omi`s and Angela Davis`s multicultural viewpoints toward ethnicity. The thesis is divided into five chapters. The first chapter aims at a general introduction to the three stages of the playwright`s career and to the theories employed for textual analysis. The second chapter is the discussion on the work of his early stage-Chinese American identity in FOB. In the third chapter, I will analyze the traveling identity for early Chinese American in As The Crow Flies. In the fourth chapter, I will stress Hwang`s latest production of a promising multicultural future for Chinese American identity in Trying to Find Chinatown. Finally in my concluding chapter, I would like to review the changes of Hwang`s concepts in these three plays with regard to cultural identity and offer his own interpretation for new and hopeful Chinese American identity.參考文獻 Avery F. Gordon and Christopher Newfield. Eds. Mapping Multiculturalism. Minneapolis and London: U of Minnesota Press, 1996. Berson, Misha, Ed. Between Worlds: Contemporary Asian-American Plays. New York: Theatre Communications Group, 1990. -----. "The Demon in David Henry Hwang." American Theatre Apr. 1998, Vol. 15 Issue 4. Chang, Nina. Mar. 1994. "The Image of Women in David Henry Hwang`s Plays" Wen Tzao Journal 8:115-36. Davis, Angela Y.. "Gender, Class, and Multiculturalism: Rethinking `Race` Politics." Mapping Multiculturalism. 40-48. Deeney, John J. "Of Monkeys and Butterflies: Transformation in M.H.Kinston`s Tripmaster Monkey and D.H. Hwang`s M. Butterfly." Melus 18, 4 (1993): 21-39. Derrida, Jacque. Positions. Trans. Alan Bass. Chicago: University of Chicago Press, 1981. -----. "Structure, Sign, and Play in the Discourse of the Human Sciences." Writing and Difference. Trans. Alan Bass. Chicago: University of Chicago Press, 1978. 278-293. Ellis, Roger, Ed. Multicultural Theatre II: Contemporary Hispanic, Asian and African-American Plays. Colorado: Meriwether, 1993. Faucoult, Michel. "Nietzche, Genealogy, History." Language, Counter-Momory, Practice: Selected Essays and Interviews. Trans. Donald F. Bouchard and Sherry Simon. Ithaca: Cornell University Press, 1977. Fanon, Frantz. Black Skin and White Masks. Trans. Charles Lam Makmann. New York: Grove Press, 1967. Feingold, Michael. "Modern Marriages." Village Voice Apr. 1998, Vol.43 Issue 16, p103,3/4p. 1bw. Hwang, David Henry. FOB and The House of Sleeping Beauties. New York: Dramatists, 1983. -----. The Dance and The Railroad And Family Devotions. New York: Dramatists, 1983. -----. The Sound of A Voice. New York: Dramatists, 1984. -----.M. Butterfly. New York: The Penguin Group, 1989. -----. Rich Relations. New York: Dramatists, 1990. -----. "As The Crow Flies." Between Worlds: Contemporary Asian-American Plays. Ed. Misha Berson. New York: Theatre Communications Groups, 1990. 98-108. -----. The Voyage. New York: Metropolitan Opera House, 1992. -----. Trying to Find Chinatown. New York: Dramatists, 1996. -----. Golden Child. New York: Theatre Communications Group, 1998. -----. "Evolving a Multicultural Tradition." FOB and Other Plays. New York: Penguin, 1996. Gutmann, Amy, ed. Muticulturalism: Examining the Politics of Recognition. New Jersey: Princeton University Press, 1994. -----. "Preface." Muticulturalism: Examining the Politics of Recognition. Ed. Amy Gutman. ix-xii. -----. "Introduction." Multiculturalism: Examining the Politics of Recognition. 3-24. Habermas, Jurgen. "Struggles for Recognition in the Democratic Constitutional State." Trans. Shierry Weber Nicholsen. Multiculturalism: Examining the Politics of Recognition. 107-148. -----. The Inclusion of the Other: Studies in Political Theory. Eds. Ciaran Cronin and Pablo De Grieff. Cambidge: MIT P, Penguin, 1986. Hall, Stuart, Ed. Representation: Cultural Representations and Signifying Practices. London: Sage Publication, 1997. Hall, Stuart, David Held, and Tony McGrew, Ed. Modernity and Its Futures. UK: Polity Press, 1992. -----. "The Ouestions of Cultural Identity." Modernity and Its Futures. 273-326. -----. "Negotiating Caribbean Identities." New Left Review 209 (Jan./Feb.):3-14. Hucheon, Linda. "A Poetics of Postmodernism?" Diacritics (Winter 1983): 330-42. -----. "A Poetic of Postmodernism?" Diacritics (Winter 1983): 33-42. Houston, Velina Hasu. "Introduction." But Still, Like Air, I`ll Rise: New Asian American Plays. Ed. Velina Hasu Houston. Philadelphia: Temple UP, 1997. xv-xxii. JanMohamed, Abdul R., and David Lloyd, Ed. The Nature and Context of Minority Discourse. New York and Oxford: Oxford, 1990. Johnson, Jeremy Caleb. "The Metamorphosis of M. Butterfly," James Madison University 2 Sep. 1996, online, Falcon, 4 May. 1999. Kehde, Suzanne. "Engendering the Imperial Subject: The (De)construction of (Western) Masculinity in David Henry Hwang`s M. Butterfly and Graham Greene`s The Quiet American." Fictions of Masculinity: Crossing Cultures, Crossing Sexualities. Ed. Peter F. Murphy. New York: New York UP, 1994. 241-54. Kerr, Douglas. "David Henry Hwang and the Revenge of Madame Butterfly." The Asian Voices in English. Eds. Mimi Chan and Roy Harris. Hong Kong: Hong Kong UP, 1991. 119-30. Kim, Elaine H. "Defining Asian American Through Literature." The Nature And Context of Minority Discourse. Eds. JanmMohamed and Lloyd.146-70. Landry, Donna and Gerald Maclean, Eds. The Spivak Reader. New York and London: Routledge, 1987. -----. "Subaltern Talk: Interview with the Editors." The Spivak Reader. 287-308. Lin, Mau-chu. "Image of the Chinese in American Literature and Culture." Journal of Taiwan Provincial Taipei Teacher College. 1:79-118. Lyonn, Bonnie. "Making His Muscles Work For Himself: An Interview with David Henry Hwang." Literary Review. Winter 1999, Vol.42 Issue2, p230, 15p. Marshall, Brenda K.. Teaching the Postmodern Fiction and Theory. New York and London: Routledge, 1992. -----. "Critique of Subjectivity and Michel Tournier`s Friday." Teaching the Postmodern Fiction and Theory. 80-97. -----. "Counter-memory and Historiographic Metafiction." Teaching the Postmodern Fiction and Theory. 147-178. Omi, Micheal. "Racialization in the Post-Civil Rights Era." Mapping Multiculturalism. 178-186. Rushdie, Salman. Imaginary Homelands. London: Granta Books, 1991. Satre, Jean-Paul. Simone de Beauvoir: The Making of An Intellectual Woman. Oxford And Mass: Blackwell, 1994. Savran, David. "David Hwang." In Their Own Words: Contemporary American Playwrights. NY: Theatre Communications Group, 1988. 117-131. Scruton, Roger. "Authority and Allegiance." Politics and Ideology. Ed. J. Donald and Stuard Hall. Milton: Open UP, 1986. Spivak, Gayatri Chakravorty. In Other Worlds: Essays in Cultural Politics. New York and London: Routledge, 1987. -----. "Subaltern Studies." In Other Words. 197-221. -----. The Post-Colonial Critic. Ed. Sarah Harasym. New York: Routledge, 1990. Young, Mary E.. Mules and Dragons. Westport, Connecticut: Greenwood, 1993. -----. "Dragon Ladies, Susie Wongs, and Passive Dolls." Mules and Dragons. 81-108. -----. "Sui Sin Far to Amy Tan." Mules and Dragons.109-132. -----. "African-Americans and Chinese-Americans." Mules and Dragons.133-148. 描述 碩士
國立政治大學
英國語文學系資料來源 http://thesis.lib.nccu.edu.tw/record/#A2002001023 資料類型 thesis dc.contributor.advisor 姜翠芬 zh_TW dc.contributor.advisor Jiang, Tsui-Fen en_US dc.contributor.author (Authors) 盛業瑋 zh_TW dc.contributor.author (Authors) Sheng, Yueh-Wei en_US dc.creator (作者) 盛業瑋 zh_TW dc.creator (作者) Sheng, Yueh-Wei en_US dc.date (日期) 2001 en_US dc.date.accessioned 15-Apr-2016 15:58:44 (UTC+8) - dc.date.available 15-Apr-2016 15:58:44 (UTC+8) - dc.date.issued (上傳時間) 15-Apr-2016 15:58:44 (UTC+8) - dc.identifier (Other Identifiers) A2002001023 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/84835 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description.abstract (摘要) 本篇論文主要探討黃哲倫在《剛下船的新移民》、《如鴉而飛》、及《尋找唐人街》這三個劇作中，處理「文化認同」主題的轉變。這三個劇作分別代表黃哲倫創作生涯的三階段，即初期─華裔美國文化認同、中期─華裔美人漂泊離散的文化認同、以及晚近─華裔美國文化認同的多元文化未來。同時，將援引德希達的「主體觀」、傅柯的「對抗記憶」、霍爾的「文化認同」概念、哈伯馬斯的「包含他者」、以及學者對多元文化的討論等，並應用於文本之分析與探討。本論文共分為五個章節。第一章略述黃哲倫的三個劇作以及所採用的理論。第二章討論作者如何在《剛下船的新移民》中剖析華裔美國文化認同。第三章探討《如鴉而飛》中老一輩華裔美人漂泊離散的文化認同狀態。第四章側重於作者在《尋找唐人街》□所勾勒出的多元文化未來之希望與遠景。最後一章則回顧前述四章中的劇作及理論，並總結黃哲倫在三個作品中對於「認同」看法的轉變及其詮釋。 zh_TW dc.description.abstract (摘要) In this study of David Henry Hwang`s three plays FOB, As The Crow Flies, and Trying to Find Chinatown, I would like to explore the change of his attitude toward identity issue. These three plays represent the three stages of his writing career：first, the early stage of Chinese American identity; second, the maturing stage of the traveling cultural identity for Chinese American; third, the latest stage of a multicultural future for Chinese American identity. In my study, I apply several theories for the theoretic approach in this thesis, such as Jacque Derrida`s "subject," Michael Foucault`s "counter-memory," Stuart Hall`s concept of identity, Jurgen Habermas`s "inclusion of the Other," and Michael Omi`s and Angela Davis`s multicultural viewpoints toward ethnicity. The thesis is divided into five chapters. The first chapter aims at a general introduction to the three stages of the playwright`s career and to the theories employed for textual analysis. The second chapter is the discussion on the work of his early stage-Chinese American identity in FOB. In the third chapter, I will analyze the traveling identity for early Chinese American in As The Crow Flies. In the fourth chapter, I will stress Hwang`s latest production of a promising multicultural future for Chinese American identity in Trying to Find Chinatown. Finally in my concluding chapter, I would like to review the changes of Hwang`s concepts in these three plays with regard to cultural identity and offer his own interpretation for new and hopeful Chinese American identity. en_US dc.description.tableofcontents 封面頁 證明書 Acknowledgements(致謝詞) Table of Contents(目錄) Abstract(摘要) Chapter 1 Introduction Chapter 2 The Early Stage-Defining Chinese American Identity Chapter 3 The Maturing Stage-The Traveling Identity for Chinese American Chapter 4 The Latest Stage-A Multicultural Future for Chinese American Identity Chapter 5 Conclusion Works Cited zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#A2002001023 en_US dc.subject (關鍵詞) 黃哲倫 zh_TW dc.subject (關鍵詞) 文化認同 zh_TW dc.subject (關鍵詞) David Henry Hwang en_US dc.subject (關鍵詞) Cultural Identity en_US dc.title (題名) 黃哲倫三劇中文化認同的轉變 zh_TW dc.title (題名) The Change of Cultural Identity in Three Plays by David Henry Hwang en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Avery F. Gordon and Christopher Newfield. Eds. Mapping Multiculturalism. Minneapolis and London: U of Minnesota Press, 1996. Berson, Misha, Ed. Between Worlds: Contemporary Asian-American Plays. New York: Theatre Communications Group, 1990. -----. "The Demon in David Henry Hwang." American Theatre Apr. 1998, Vol. 15 Issue 4. Chang, Nina. Mar. 1994. "The Image of Women in David Henry Hwang`s Plays" Wen Tzao Journal 8:115-36. Davis, Angela Y.. "Gender, Class, and Multiculturalism: Rethinking `Race` Politics." Mapping Multiculturalism. 40-48. Deeney, John J. "Of Monkeys and Butterflies: Transformation in M.H.Kinston`s Tripmaster Monkey and D.H. Hwang`s M. Butterfly." Melus 18, 4 (1993): 21-39. Derrida, Jacque. Positions. Trans. Alan Bass. Chicago: University of Chicago Press, 1981. -----. "Structure, Sign, and Play in the Discourse of the Human Sciences." Writing and Difference. Trans. Alan Bass. Chicago: University of Chicago Press, 1978. 278-293. Ellis, Roger, Ed. Multicultural Theatre II: Contemporary Hispanic, Asian and African-American Plays. Colorado: Meriwether, 1993. Faucoult, Michel. "Nietzche, Genealogy, History." Language, Counter-Momory, Practice: Selected Essays and Interviews. Trans. Donald F. Bouchard and Sherry Simon. Ithaca: Cornell University Press, 1977. Fanon, Frantz. Black Skin and White Masks. Trans. Charles Lam Makmann. New York: Grove Press, 1967. Feingold, Michael. "Modern Marriages." Village Voice Apr. 1998, Vol.43 Issue 16, p103,3/4p. 1bw. Hwang, David Henry. FOB and The House of Sleeping Beauties. New York: Dramatists, 1983. -----. The Dance and The Railroad And Family Devotions. New York: Dramatists, 1983. -----. The Sound of A Voice. New York: Dramatists, 1984. -----.M. Butterfly. New York: The Penguin Group, 1989. -----. Rich Relations. New York: Dramatists, 1990. -----. "As The Crow Flies." Between Worlds: Contemporary Asian-American Plays. Ed. Misha Berson. New York: Theatre Communications Groups, 1990. 98-108. -----. The Voyage. New York: Metropolitan Opera House, 1992. -----. Trying to Find Chinatown. New York: Dramatists, 1996. -----. Golden Child. New York: Theatre Communications Group, 1998. -----. "Evolving a Multicultural Tradition." FOB and Other Plays. New York: Penguin, 1996. Gutmann, Amy, ed. Muticulturalism: Examining the Politics of Recognition. New Jersey: Princeton University Press, 1994. -----. "Preface." Muticulturalism: Examining the Politics of Recognition. Ed. Amy Gutman. ix-xii. -----. "Introduction." Multiculturalism: Examining the Politics of Recognition. 3-24. Habermas, Jurgen. "Struggles for Recognition in the Democratic Constitutional State." Trans. Shierry Weber Nicholsen. Multiculturalism: Examining the Politics of Recognition. 107-148. -----. The Inclusion of the Other: Studies in Political Theory. Eds. Ciaran Cronin and Pablo De Grieff. Cambidge: MIT P, Penguin, 1986. Hall, Stuart, Ed. Representation: Cultural Representations and Signifying Practices. London: Sage Publication, 1997. Hall, Stuart, David Held, and Tony McGrew, Ed. Modernity and Its Futures. UK: Polity Press, 1992. -----. "The Ouestions of Cultural Identity." Modernity and Its Futures. 273-326. -----. "Negotiating Caribbean Identities." New Left Review 209 (Jan./Feb.):3-14. Hucheon, Linda. "A Poetics of Postmodernism?" Diacritics (Winter 1983): 330-42. -----. "A Poetic of Postmodernism?" Diacritics (Winter 1983): 33-42. Houston, Velina Hasu. "Introduction." But Still, Like Air, I`ll Rise: New Asian American Plays. Ed. Velina Hasu Houston. Philadelphia: Temple UP, 1997. xv-xxii. JanMohamed, Abdul R., and David Lloyd, Ed. The Nature and Context of Minority Discourse. New York and Oxford: Oxford, 1990. Johnson, Jeremy Caleb. "The Metamorphosis of M. Butterfly," James Madison University 2 Sep. 1996, online, Falcon, 4 May. 1999. Kehde, Suzanne. "Engendering the Imperial Subject: The (De)construction of (Western) Masculinity in David Henry Hwang`s M. Butterfly and Graham Greene`s The Quiet American." Fictions of Masculinity: Crossing Cultures, Crossing Sexualities. Ed. Peter F. Murphy. New York: New York UP, 1994. 241-54. Kerr, Douglas. "David Henry Hwang and the Revenge of Madame Butterfly." The Asian Voices in English. Eds. Mimi Chan and Roy Harris. Hong Kong: Hong Kong UP, 1991. 119-30. Kim, Elaine H. "Defining Asian American Through Literature." The Nature And Context of Minority Discourse. Eds. JanmMohamed and Lloyd.146-70. Landry, Donna and Gerald Maclean, Eds. The Spivak Reader. New York and London: Routledge, 1987. -----. "Subaltern Talk: Interview with the Editors." The Spivak Reader. 287-308. Lin, Mau-chu. "Image of the Chinese in American Literature and Culture." Journal of Taiwan Provincial Taipei Teacher College. 1:79-118. Lyonn, Bonnie. "Making His Muscles Work For Himself: An Interview with David Henry Hwang." Literary Review. Winter 1999, Vol.42 Issue2, p230, 15p. Marshall, Brenda K.. Teaching the Postmodern Fiction and Theory. New York and London: Routledge, 1992. -----. "Critique of Subjectivity and Michel Tournier`s Friday." Teaching the Postmodern Fiction and Theory. 80-97. -----. "Counter-memory and Historiographic Metafiction." Teaching the Postmodern Fiction and Theory. 147-178. Omi, Micheal. "Racialization in the Post-Civil Rights Era." Mapping Multiculturalism. 178-186. Rushdie, Salman. Imaginary Homelands. London: Granta Books, 1991. Satre, Jean-Paul. Simone de Beauvoir: The Making of An Intellectual Woman. Oxford And Mass: Blackwell, 1994. Savran, David. "David Hwang." In Their Own Words: Contemporary American Playwrights. NY: Theatre Communications Group, 1988. 117-131. Scruton, Roger. "Authority and Allegiance." Politics and Ideology. Ed. J. Donald and Stuard Hall. Milton: Open UP, 1986. Spivak, Gayatri Chakravorty. In Other Worlds: Essays in Cultural Politics. New York and London: Routledge, 1987. -----. "Subaltern Studies." In Other Words. 197-221. -----. The Post-Colonial Critic. Ed. Sarah Harasym. New York: Routledge, 1990. Young, Mary E.. Mules and Dragons. Westport, Connecticut: Greenwood, 1993. -----. "Dragon Ladies, Susie Wongs, and Passive Dolls." Mules and Dragons. 81-108. -----. "Sui Sin Far to Amy Tan." Mules and Dragons.109-132. -----. "African-Americans and Chinese-Americans." Mules and Dragons.133-148. zh_TW
