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題名 阿多諾的音樂哲學研究
Adorno`s Philosophy of Music
作者 張紹乾
Chang, Shao-chi`en
貢獻者 沈清松
Shen, Vincent
張紹乾
Chang, Shao-chi`en
關鍵詞 阿多諾的音樂哲學
新音樂
音樂社會學
音樂的文化工業
異化的音樂
Adorno`s philosophy of music
New music
Sociology of music
Musical culture industry
Alienation of music
日期 1996
上傳時間 28-Apr-2016 13:25:38 (UTC+8)
摘要 本篇論文所討論的核心是:新音樂是否可能的問題.在處理這個問題時,藉由阿多諾對荀貝格和斯特拉溫斯基的對比,來了解阿多諾心目中對新音樂的判準.阿多諾的討論經由"調性和無調性","主體和客體","傳統音樂和新音樂","真實和虛假"等對比來突顯他的論點之後,再經由檢視阿多諾判準的有效性,來討論荀貝格和斯特拉溫斯基二人對新音樂的貢獻,以及他們需要修正的地方.
參考文獻 1 、阿多諾( Adorno )的英語本
     A esthetic Theory, trans. C.Lenhart (London, 1984)
     Against Epistemology, trans. Vi. Domingo (Oxford, 1982;
     Cambridge, 1983) .
     Alban Berg:Masler of the Smallest Link,trans.1.Brand and
     C.Hailey(Cambridge, 1991)
     The Culture Industry, ed. J .NLBemstein (Routledge, 1991)
     In Search of Wager, trans.R.Livingstone (London, 1981)
     Introduction to the Sociology of Music, trans. E.B. Ashton(New York, 1976)
     The Jargon of Authenticity, trans. K. Tamowski and F. Will(Londo~1973)
     Kierkegaard: Construction of the Aesthetic,trans.R. hullot-Kentor(University
     of Minnesota, 1989)
     Mahler:A Musical Physiognomy, trans. E.Jephcott(University of Chicago
     Press, 1992)
     Minima ,Moralia, trans. E.1ephcott(London, 1974)
     Negative dialectics,trans.E.B.Ashton(New york and London, 1973)
     Notes to Literature,trans.S. W.Nicholsen(Columbia University Press, 1991)
     Philosophy of lv/orden Alusic,trans.A .G.Mitchill and W. V.Blomster(New
     York and London, 1973)
     Prisms,trans.Samuel and Shierry Weber(London, 1967)
     Quise unafantasia trans.Rodney Livingstone,London : Verso, 1992.
     
     2. 阿多諾與他人含著的作品之英譯本
     The Authoritarian Personality, by Adorno et al(New York, 1950)
     Composing for the Films, with H.Eisler(New York, 1947)
     Dialectic of Enlightenment, With Max Horkheimer, trans. J .Cumming(New
     York, 1972;London, 1973)
     The Positivist Dispute in German Sociology by Adorno et al, trans.O.Adey and
     D.Frisby(London, 1976)
     
     3. 收錄阿多祿作品之選集
     Aesthetics and Politics,ed.New Left Review7afterword by
     FJamesom(London, 1977)
     Critical Theory and Society:A Reader,eds.S.E.Bronner and
     D.M.Kellner(Rontledge, 1989)
     The Essential Frankfurt School Reader,eds.A.Arato and E.
     Gebhardt,intro.P.Piccone(New York and Oxford,1978)
     Mass Culture,eds.S.Frith and A. Goodwin(Routledge, 1 990)
     Radio Research,eds.P.F.Lazarsfeld and F.Stanton(New York, 1941)
     Twentieth Century lv1usic,ed.R.H.Myers(London:John Calder, 1960)
     
     4. 阿多諾在期刊中的英譯
     "Alienated Masterpiece:The Missa Solemnis",Telos,28(Summer, 1976)
     "Music and Technique",Telos, 32(Swnnler, 1977)
     "On the Social Situation of Music",Telos,3S(Spring, 1978)
     "A Social Critique of Radio Music",Kenyon Review, Vol.,No.2(spring, 1945)
     
     5. 其它相關英文參考書
     Benjamin,a.(cd),The Problems of Modernity (Routledge,1989)
     Benjamin, W., Illuminations( Schocken Books, 1969)
     Bemstein,lM.,The Fate of Art(polity, 1992)
     Bernsetein,R.J.( ed),Habermas and Madernity(Polity, 1985)
     Bloch,Ernst,Essays on the Philosophy of Music,trans.P.Palmer
     (Cambridge, 1974)
     ----The Utopian Function of Art and Literature,trans J.Zipes and
     F.Meklenburg(Mt Press, 1988)
     B1oomfield,Terry,"Resisting Songs: Negative Dialectics in Pop", Popular
     Music,Vol.12,No.1(January,1993)
     Bottomore,Tom,The Frankfurt School(New York, 1984)
     Buck-Morss,Susan The Origin of Negative Dialectics(The Free Press, 1977)
     ----The Dialectics if Seeing(MIT Press,1989)
     Burger,Peter, theory of A vant-Garde,trans.M. Shaw(University of
     Minnesota, 1984)
     Dahlhaus,Carl,Schoenberg and the New .Music,trans.D.Puffett and
     A.Clayton(Cambridge,1987)
     Durant,A1an,Conditons of Music(Macmillan 1984)
     Eagleton, Terry, Walter Benjamin(Verso, 1981)
     ----The Ideology of the Aesthetic(Basil Blackwell,1990)
     ----Ideology(Verso, 1991)
     Griffiths,Paul,The Encyclopaedia of 20th-Century Music (Thames and
     Hudson, 1986)
     Habermas,Jurgen,The Theory of Communicative Action,trans,tiomas
     McCarthy(Beacon Press, 1984)
     --The Philosophical Discourse of Modernity,trans. F. Lawrence(M1T
     Press, 1985)
     Held, David, Introduction to Critical Theory(University of California
     Press,1980)
     Horkheimer,Max, Critical Theory, trans .M.1. Q`Connell( Continuum, 1972)
     Jarneson, fredric,Marxism and Form(Princeton, 1971)
     --The Ideologies of Theory Essays 1971-1986(University of Minnesota, 1982)
     ----Late Marxism (Verso, 1-990)
     ----postmodernism(Duke University Press, 1991)
     Jauss,Hans Robert,Aesthetic Experience and Literary Hermeneutics,trans.
     Michael Shaw(University of Minnesota, 1982)
     Jay,Martin,The Dialectical Imagination (Little,Brown and Company, 1973)
     ----Marxism and Totality(University of California, 1984)
     ----Adonw(Fontana, 1984)
     Leppert, Richard and Susan McClary(eds),Music and Society
     (Cambridge, 1987)
     Magee,Bryan, Aspects of Wager(Oxford, 1988)
     Marcuse,Herbert, The Aesthetic Dimension(Beacon Press, 1977)
     Middleton,Richard, Studying Popular Music, open University Press,1990)
     Roberts,David, Art and Enlightenment(University of Nebraska
     Press, 1991 )
     Roblin,Ronald(ed), The Aesthetics of the Critical Theorists(Edwin Mellen
     Press,1990)
     Rose,Gillan, The Melancholy Science(1vIacnlillan Press, 1978)
     Said,Edward W.,Musical Elaborations(Vintage, 1992)
     Schoenberg,Arnold,Style and Idea(philosophical Library, 1950)
     Slater,Phil,Origin and Significance of the Frankfurt School(Routledge, 1977)
     Stirt,P.M.R.,Alax Horknheimer(Harvester Whealshea( 1992)
     Tar,Zoltan,The Frankfurt School(John Wiley and Sons, 1977)
     Tran Van Doan, Reason,Rationality,Reasonableness, New York/London :
     University Press of America 1989.
     Weber,Max,171e Rational and Social Foundations of music, trans.
     D.Martindale, 1.Ridede1 and G.Neuwirth(Southern Illinois University,1958)
     Wellmer, Albrecht,The Persistence ojA1odernity,trans.D.MidgleyMlT
     press, 1991)
     Wolin,Richard, Walter Betijamin(Columbia University Press, 1982)
     Wurzer, Wilhelm S.,Filming and Judgement(Hmnanities Press, 1992)
     Special Section on Musico!ogy:Popu!ar musicfrom Adorno to Zappa,
     teios,87(sprin& 1991)
     
     6. 中文參考書
     王美珠，漫談系統音樂學，美育月刊第24期( 1992， 6 月)
     巴托莫爾，《法蘭克福學派》，廖仁義譯(台北:桂冠， 1991 )
     沈清松，《現代哲學論街》， (台北:黎明， 1981 ， 8 月)
     ----，《解除世界魔咒一一科技對文化的衝擊與展望》， (台北:時報，
     1986 )
     佩里安德、森，《西方馬克思主義探討》，高話、文貫中、魏章玲譯
     (台北;桂冠， 1990)
     洪翠娥，霍克海默與阿多諾對「文化工業」的批判(台北;唐山，
     1988 )
     馬丁﹒傑，《阿多諾》，李健鴻校閱(台北:桂冠， 1992)
     馬克﹒杰木乃茲，阿多諾，欒棟/關寶艷譯(台北:遠流， 1990， 4 月)
     翁嘉銘，《迷迷之音一蛻變中的台灣流行歌曲》， (台北:萬象，
     1996 )
     ----，《從羅大佑到崔健一一當代流行音樂的軌跡》，(台北:時報，
     1992 )
     楊小潰，《否定的美學一一法蘭克福學派的文藝理論和文化批評》，(台
     北:麥田， 1995)
     賣克-阿達利，《噪音:音樂的政治經濟學》，宋素鳳、翁桂堂譯，
     (台北:時報， 1995)
     詹明信，後現代主義與文化理論，唐小兵譯(台北:當代， 1989)
     ----- 音樂社會學簡介，美育月刊第26期( 1992， 8 月)
     赫伯特﹒馬庫塞，《單向度的人一一發達工業社會意識形態研究》，劃
     繼譯(台北:桂冠， 1990)
     蔡錚雲，《從現象學到後現代》，(台北:三民， 1955)
     廖世奇，《否定辯證法的冒險和拯救》，收錄於甘陽編選的，中國當代文
     化意識， (台北:風雲時代， 1989)
     劉千美，《現代音樂之「現代性」的美學反省》，《哲學雜音》，第1 1
     期， 1995年1 月出版。
     霍克海默/阿多爾諾，啟蒙辯證法，洪佩郁/蘭月峰譯(重慶出版社，
     1990 )
描述 碩士
國立政治大學
哲學系
80154002
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002002725
資料類型 thesis
dc.contributor.advisor 沈清松zh_TW
dc.contributor.advisor Shen, Vincenten_US
dc.contributor.author (Authors) 張紹乾zh_TW
dc.contributor.author (Authors) Chang, Shao-chi`enen_US
dc.creator (作者) 張紹乾zh_TW
dc.creator (作者) Chang, Shao-chi`enen_US
dc.date (日期) 1996en_US
dc.date.accessioned 28-Apr-2016 13:25:38 (UTC+8)-
dc.date.available 28-Apr-2016 13:25:38 (UTC+8)-
dc.date.issued (上傳時間) 28-Apr-2016 13:25:38 (UTC+8)-
dc.identifier (Other Identifiers) B2002002725en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/87358-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 哲學系zh_TW
dc.description (描述) 80154002zh_TW
dc.description.abstract (摘要) 本篇論文所討論的核心是:新音樂是否可能的問題.在處理這個問題時,藉由阿多諾對荀貝格和斯特拉溫斯基的對比,來了解阿多諾心目中對新音樂的判準.阿多諾的討論經由"調性和無調性","主體和客體","傳統音樂和新音樂","真實和虛假"等對比來突顯他的論點之後,再經由檢視阿多諾判準的有效性,來討論荀貝格和斯特拉溫斯基二人對新音樂的貢獻,以及他們需要修正的地方.zh_TW
dc.description.tableofcontents 第一章導論----------1
     第一節研究動機----------1
     第二節定位阿多諾----------3
     第三節文獻回顧----------5
     第四節研究方法----------7
     第二章新音樂的哲學基礎----------11
     第一節何謂新音樂----------11
     第二節荀貝格所涉及的問題----------13
     第三節斯特拉溫斯基----------20
     第四節新音樂哲學的出路----------26
     第三章阿多諾的音樂社會學----------33
     第一節論流行音樂的兩個面向----------33
     第二節音樂的異化----------41
     一、唱片----------41
     二、簡論黑格爾對音樂的看法----------44
     三、阿多諾和班雅明對複製的看法----------47
     四、場域與音樂----------49
     五、唱片製造的歷程----------50
     第三節以阿多諾的理論分析台灣唱片工業----------57
     第四節結論----------59
     第一節研究成果總結----------59
     第二節限制與展望----------60
     參考書目----------63		zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002002725en_US
dc.subject (關鍵詞) 阿多諾的音樂哲學zh_TW
dc.subject (關鍵詞) 新音樂zh_TW
dc.subject (關鍵詞) 音樂社會學zh_TW
dc.subject (關鍵詞) 音樂的文化工業zh_TW
dc.subject (關鍵詞) 異化的音樂zh_TW
dc.subject (關鍵詞) Adorno`s philosophy of musicen_US
dc.subject (關鍵詞) New musicen_US
dc.subject (關鍵詞) Sociology of musicen_US
dc.subject (關鍵詞) Musical culture industryen_US
dc.subject (關鍵詞) Alienation of musicen_US
dc.title (題名) 阿多諾的音樂哲學研究zh_TW
dc.title (題名) Adorno`s Philosophy of Musicen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) 1 、阿多諾( Adorno )的英語本
     A esthetic Theory, trans. C.Lenhart (London, 1984)
     Against Epistemology, trans. Vi. Domingo (Oxford, 1982;
     Cambridge, 1983) .
     Alban Berg:Masler of the Smallest Link,trans.1.Brand and
     C.Hailey(Cambridge, 1991)
     The Culture Industry, ed. J .NLBemstein (Routledge, 1991)
     In Search of Wager, trans.R.Livingstone (London, 1981)
     Introduction to the Sociology of Music, trans. E.B. Ashton(New York, 1976)
     The Jargon of Authenticity, trans. K. Tamowski and F. Will(Londo~1973)
     Kierkegaard: Construction of the Aesthetic,trans.R. hullot-Kentor(University
     of Minnesota, 1989)
     Mahler:A Musical Physiognomy, trans. E.Jephcott(University of Chicago
     Press, 1992)
     Minima ,Moralia, trans. E.1ephcott(London, 1974)
     Negative dialectics,trans.E.B.Ashton(New york and London, 1973)
     Notes to Literature,trans.S. W.Nicholsen(Columbia University Press, 1991)
     Philosophy of lv/orden Alusic,trans.A .G.Mitchill and W. V.Blomster(New
     York and London, 1973)
     Prisms,trans.Samuel and Shierry Weber(London, 1967)
     Quise unafantasia trans.Rodney Livingstone,London : Verso, 1992.
     
     2. 阿多諾與他人含著的作品之英譯本
     The Authoritarian Personality, by Adorno et al(New York, 1950)
     Composing for the Films, with H.Eisler(New York, 1947)
     Dialectic of Enlightenment, With Max Horkheimer, trans. J .Cumming(New
     York, 1972;London, 1973)
     The Positivist Dispute in German Sociology by Adorno et al, trans.O.Adey and
     D.Frisby(London, 1976)
     
     3. 收錄阿多祿作品之選集
     Aesthetics and Politics,ed.New Left Review7afterword by
     FJamesom(London, 1977)
     Critical Theory and Society:A Reader,eds.S.E.Bronner and
     D.M.Kellner(Rontledge, 1989)
     The Essential Frankfurt School Reader,eds.A.Arato and E.
     Gebhardt,intro.P.Piccone(New York and Oxford,1978)
     Mass Culture,eds.S.Frith and A. Goodwin(Routledge, 1 990)
     Radio Research,eds.P.F.Lazarsfeld and F.Stanton(New York, 1941)
     Twentieth Century lv1usic,ed.R.H.Myers(London:John Calder, 1960)
     
     4. 阿多諾在期刊中的英譯
     "Alienated Masterpiece:The Missa Solemnis",Telos,28(Summer, 1976)
     "Music and Technique",Telos, 32(Swnnler, 1977)
     "On the Social Situation of Music",Telos,3S(Spring, 1978)
     "A Social Critique of Radio Music",Kenyon Review, Vol.,No.2(spring, 1945)
     
     5. 其它相關英文參考書
     Benjamin,a.(cd),The Problems of Modernity (Routledge,1989)
     Benjamin, W., Illuminations( Schocken Books, 1969)
     Bemstein,lM.,The Fate of Art(polity, 1992)
     Bernsetein,R.J.( ed),Habermas and Madernity(Polity, 1985)
     Bloch,Ernst,Essays on the Philosophy of Music,trans.P.Palmer
     (Cambridge, 1974)
     ----The Utopian Function of Art and Literature,trans J.Zipes and
     F.Meklenburg(Mt Press, 1988)
     B1oomfield,Terry,"Resisting Songs: Negative Dialectics in Pop", Popular
     Music,Vol.12,No.1(January,1993)
     Bottomore,Tom,The Frankfurt School(New York, 1984)
     Buck-Morss,Susan The Origin of Negative Dialectics(The Free Press, 1977)
     ----The Dialectics if Seeing(MIT Press,1989)
     Burger,Peter, theory of A vant-Garde,trans.M. Shaw(University of
     Minnesota, 1984)
     Dahlhaus,Carl,Schoenberg and the New .Music,trans.D.Puffett and
     A.Clayton(Cambridge,1987)
     Durant,A1an,Conditons of Music(Macmillan 1984)
     Eagleton, Terry, Walter Benjamin(Verso, 1981)
     ----The Ideology of the Aesthetic(Basil Blackwell,1990)
     ----Ideology(Verso, 1991)
     Griffiths,Paul,The Encyclopaedia of 20th-Century Music (Thames and
     Hudson, 1986)
     Habermas,Jurgen,The Theory of Communicative Action,trans,tiomas
     McCarthy(Beacon Press, 1984)
     --The Philosophical Discourse of Modernity,trans. F. Lawrence(M1T
     Press, 1985)
     Held, David, Introduction to Critical Theory(University of California
     Press,1980)
     Horkheimer,Max, Critical Theory, trans .M.1. Q`Connell( Continuum, 1972)
     Jarneson, fredric,Marxism and Form(Princeton, 1971)
     --The Ideologies of Theory Essays 1971-1986(University of Minnesota, 1982)
     ----Late Marxism (Verso, 1-990)
     ----postmodernism(Duke University Press, 1991)
     Jauss,Hans Robert,Aesthetic Experience and Literary Hermeneutics,trans.
     Michael Shaw(University of Minnesota, 1982)
     Jay,Martin,The Dialectical Imagination (Little,Brown and Company, 1973)
     ----Marxism and Totality(University of California, 1984)
     ----Adonw(Fontana, 1984)
     Leppert, Richard and Susan McClary(eds),Music and Society
     (Cambridge, 1987)
     Magee,Bryan, Aspects of Wager(Oxford, 1988)
     Marcuse,Herbert, The Aesthetic Dimension(Beacon Press, 1977)
     Middleton,Richard, Studying Popular Music, open University Press,1990)
     Roberts,David, Art and Enlightenment(University of Nebraska
     Press, 1991 )
     Roblin,Ronald(ed), The Aesthetics of the Critical Theorists(Edwin Mellen
     Press,1990)
     Rose,Gillan, The Melancholy Science(1vIacnlillan Press, 1978)
     Said,Edward W.,Musical Elaborations(Vintage, 1992)
     Schoenberg,Arnold,Style and Idea(philosophical Library, 1950)
     Slater,Phil,Origin and Significance of the Frankfurt School(Routledge, 1977)
     Stirt,P.M.R.,Alax Horknheimer(Harvester Whealshea( 1992)
     Tar,Zoltan,The Frankfurt School(John Wiley and Sons, 1977)
     Tran Van Doan, Reason,Rationality,Reasonableness, New York/London :
     University Press of America 1989.
     Weber,Max,171e Rational and Social Foundations of music, trans.
     D.Martindale, 1.Ridede1 and G.Neuwirth(Southern Illinois University,1958)
     Wellmer, Albrecht,The Persistence ojA1odernity,trans.D.MidgleyMlT
     press, 1991)
     Wolin,Richard, Walter Betijamin(Columbia University Press, 1982)
     Wurzer, Wilhelm S.,Filming and Judgement(Hmnanities Press, 1992)
     Special Section on Musico!ogy:Popu!ar musicfrom Adorno to Zappa,
     teios,87(sprin& 1991)
     
     6. 中文參考書
     王美珠，漫談系統音樂學，美育月刊第24期( 1992， 6 月)
     巴托莫爾，《法蘭克福學派》，廖仁義譯(台北:桂冠， 1991 )
     沈清松，《現代哲學論街》， (台北:黎明， 1981 ， 8 月)
     ----，《解除世界魔咒一一科技對文化的衝擊與展望》， (台北:時報，
     1986 )
     佩里安德、森，《西方馬克思主義探討》，高話、文貫中、魏章玲譯
     (台北;桂冠， 1990)
     洪翠娥，霍克海默與阿多諾對「文化工業」的批判(台北;唐山，
     1988 )
     馬丁﹒傑，《阿多諾》，李健鴻校閱(台北:桂冠， 1992)
     馬克﹒杰木乃茲，阿多諾，欒棟/關寶艷譯(台北:遠流， 1990， 4 月)
     翁嘉銘，《迷迷之音一蛻變中的台灣流行歌曲》， (台北:萬象，
     1996 )
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