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日期 | 題名 | Author | Type | Full Text(downloads) |
---|---|---|---|---|
2022-09 | 21世紀初臺灣崑曲劇壇景觀與研究成果綜述 | 蔡欣欣 | book/chapter | |
2023-02 | 既是經師也是人師的曾永義教授 | 蔡欣欣 | article | 說明頁(7) |
2023-06 | 既是經師也是人師的曾永義教授 | 蔡欣欣 | article | 說明頁(6) |
2024-01 | 梅蘭芳”舊曲新排”《獅吼記》探源 | 蔡欣欣 | article | 說明頁(5) |
2023-09 | 士與道:林希元學術及其《四書存疑》 | 陳逢源 | conference | pdf(6) |
2024-04 | 心體與證道:林希元《四書存疑》之學脈思考 | 陳逢源 | conference | |
2023-12 | 毛奇齡學術的轉向與思考--以四書學為討論範圍 | 陳逢源 | conference | |
2024-04 | 求精與求全――蔡清《四書蒙引》的版本問題 | 陳逢源 | conference | pdf(0) |
2023-12 | 陳琛學術及其《四書淺說》詮釋考察 | 陳逢源 | conference | |
2022-08 | 21世紀初臺灣崑曲劇壇綜述(2000-2020) | 蔡欣欣 | conference | |
2023-10 | 元宇宙數位策展—1960年代臺灣歌仔戲赴新馬商演的歷史印記 | 蔡欣欣 | conference | 說明頁(6) |
2023-11 | 民初梅蘭芳「舊曲新排」《獅吼記》演劇探析 | 蔡欣欣 | conference | |
2022-10 | 見證臺灣歌仔戲在地演藝風華的「日光歌劇團」 | 蔡欣欣 | conference | |
2022-10 | 明《獅吼記.鬧祠》傳奇到崑壇〈夢怕〉、〈三怕〉的演化傳播探析 | 蔡欣欣 | conference | pdf(2) |
2023-04 | 梨園戲、崑曲等南戲與古老劇種在臺灣的傳承發展 | 蔡欣欣 | conference | |
2021-12 | 清宮廷演劇《獅吼記》研究 | 蔡欣欣 | conference | 說明頁(4) |
2022-11 | 臺灣歌仔戲元宇宙的文化展演與跨域傳播 | 蔡欣欣 | conference | pdf(4) |