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題名 縱目馳騁 : 「看」哈代的兩本小說 : 遠離人群與黛絲姑娘
Eye that sees: visibility in Thomas Hardy`s Far from the Madding Crowd and Tess of the d`Urbervilles
作者 譚忠九
貢獻者 王心玲
譚忠九
日期 1991
1990
上傳時間 2-May-2016 16:57:43 (UTC+8)
參考文獻 Works Cited
     Barthes, Roland. The Semiotic Challenge. Trans. Richard
     Howard. Oxford: Basil Blackwell, 1988.
     Bayley, John. Introduction. Far from the Madding Crowd.
     New Wessex Edition. By Thomas Hardy. London:Macmillan, 1985. xi-xxxii.
     Beegel, Susan. "Bathsheba`s Lovers: Male Sexuality in Fat
     from the Madding Crowd." Modern Critical Views:
     Thomas Hardy. Ed. Harold Bloom. New York: Chelsea
     House Publishers, 1987. 207-26.
     Ben jam in, W a I t e r . " The Storyteller " I’ll uminations . Ed.
     Hannah Arendt. Trans. Harry Zohn. New York:Schocken, 1969.83-109.
     Blake, Kathleen. "Pure Tess: Hardy on Knowing a Woman."Studies in English Literature, 1500-1900 22 (1982):689-705.
     Boumelha, Penny. Thomas Hardy and Women: Sexual Ideology and Narrative Form. Sussex: Harvester, 1982.
     Brooks, Jean R. Thomas Hardy: The Poetic Structure. New York: Cornell UP, 1971.
     Brooks, Peter. "The Idea of a Psychoanalytic Literary Criticism." Discourse in Psychoanalysis and Literature. Ed. Shlomith Rimmon-Kenan. London: Methuen, 1987. 1-18.
     Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon, 1984.
     Brown, Douglas. Thomas Hardy. New York: Longman, 1961.
     Bu 11 en, J. B. The Expressive Eye : Fiction and Perception In the Work of Thomas Hardy. Oxford: Clarendon, 1986.
     Butler, Lance St. John. Thomas Hardy. Cambridge: Cambridge UP, 1978.
     Carpenter, Richard. Thomas Hardy. London: Macmillan, 1976.
     Casagrande, Peter J. Unity in Hardy`s Novels: Repetitive Symmetries. London: Macmillan, 1982.
     Caws, Mary Ann. Reading Frames in Modern Fiction. Princeton: Princeton UP, 1985.
     Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Minneapolis: U of Minnesota P, 1984.
     Chatman, Seymour. Story and Discourse: Narrative Structure In Fiction and Film. Ithaca: Cornell UP, 1978.
     Coates, Paul. The Realist Fantasy Fiction and Reality since Clarissa. London: Macmillan, 1983.
     Cox, R. G., ed. Thomas Hardy: The Critical Heritage. London: Routledge & Kegan Paul, 1970.
     Danon, Ruth. Work in the Engl ish Novel: The Myth of Vocation. Sydney: Croom Helm, 1985.
     Davis, Lennard J. Resisting Novels: Ideology and Fiction. New York: Methuen, 1987.
     Edel, Leon. "Novel and Camera." The Theory of the Novel. Ed. John Halperin. New York: Oxford UP, 1974. 177-88.
     Edwards, Ann-Marie. Discovering Hardy`s Wessex. Ashurst, Southampton: Arcady Books, 1982.
     Enstice, Andrew. Thomas Hardy: Landscapes of the Mind.
     New York: St. Martin`s, 1979.
     Freund, Elizabeth. The Return of the Reader: Reader-Response Criticism. London: Methuen, 1987.
     Furbank, P. N. Introduction. Tess of the d’Urbervilles. New Wessex Edition. By Thomas Hardy. London: Macmillan, 1985. . .. Xl-XXII.
     Gibson, James. Thomas Hardy: Tess of the d`Urbervilles. London: Macmillan, 1986.
     Goode, John. Thomas Hardy: The Offensive Truth. Oxford: Basil Blackwell, 1988.
     Gregor, Ian. The Great Web: The Form of Hardy`s Major Fiction. Boston: Faber and Faber, 1974.
     "Reading a Story: Sequence, Pace, and Recollection." Reading the Victorian Novel: Detail into Form. Ed. Ian Gregor. London: Vis ion, 1980. 92-110.
     Gregor, Ian, and Brian Nicholas. The Moral and the Story.
     London: Faber and Faber, 1962.
     Guerard, Albert J. Thomas Hardy: The Novels and Stories. Cambridge, Mass.: Harvard UP, 1949.
     Hardy, Barbara. Forms of Feeling in Victorian Fiction. London: Methuen, 1986.
     Tellers and Listeners: The Narrative of Imagination. London: Athlone, 1975.
     Hardy, Florence Emily. The Life of Thomas Hardy 1840-1928.
     London: Macmillan, 1962.
     Hardy, Thomas. Far from the Madding Crowd. Ed. Robert C. Schweik. New York: Norton, 1986.
     Jude the Obscure. Ed. Norman Page. New York: Norton, 1978.
     The Mayor of Casterbridge. Ed. James K. Robinson. New York: Norton, 1977.
     The Ret urn of the Native London: Macmillan, 1985.
     Tess of the d`Urbervilles. Ed. Scott Elledge. 2nd ed. New York: Norton, 1979.
     The Woodlanders. New Wessex Edition. London: Macmillan, 1985.
     Hawkins, Desmond. Hardy: Novelist and Poet. New York: Barnes & Noble, 1976.
     Holub, Robert c. Reception Theory: A Critical Introduction. London: Methuen, 1984.
     Hornback, Bert G.The Metaphor of Chance: Vision and Technique In the Works of Thomas Hardy. Ohio: Ohio UP, 1971.
     Howe, Irving. Thomas Hardy. 1967. New York: Collier Macmillan, 1985.
     Hyman, Virginia R. Ethical Perspective in the Novels of Thomas Hardy.New York: Kennikat, 1975.
     Ingham, Patricia. Thomas Hardy. London: Harvester Wheatsheaf, 1989.
     Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Baltimore: John~ Hopkins UP, 1978.
     Jackson, Arlene M. "Photography as Style and Metaphor in the Art of Thomas Hardy." Thomas Hardy`s Annual No. 2. Ed. Norman Page. London: Macmillan, 1984. 91-109.
     Johnson~ Bruce. True Correspondence: A Phenomenology of Thomas Hardy`s Novels. Tallahassee: UP of Florida,1983.
     Jones, Lawrence. "`A Good Hand at a Serial`: Thomas Hardy and the Serialization of Far from the Madding Crowd." Studjes In the Novel 10 (1978): 320-34.
     Kramer, Dale. Thomas Hardy: The Forms of Tragedy.
     Detroit: Wayne State UP, 1975.
     Knoepflmacher, U. C. Laughter and Despair: Readings In Ten
     Novels of the Victorian Era. Berkeley: U of California P, 1971.
     Langer, Suzanne K. Feeling and Form. New York: Charles Scribner`s Sons, 1953.
     Lecercle, Jean Jacques. "The Violence of Style in Tess of the d`Urbervilles." Alternative Hardy. Ed. Lance St. John Butler. London: Macmillan, 1989. 1-25.
     Lentricchia, Frank. After the New Criticism. Chicago: U of Chicago P, 1980.
     Lodge, David. "Tess, Nature, and the Voices of Hardy." Language of Fiction: Essays in Criticism and Verbal Analysis of the English Novel. London: Routledge &
     Kegan Paul, 1984. 164-88.
     "Thomas Hardy and Cinematographic Form." Novel 7 (1974): 246-54.
     "Thomas Hardy as a Cinematic Novelist." Working with Structuralism: Essays and Reviews on Nineteenth- and Twentieth-Century Literature. London: Routledge &
     Kegan Paul, 1981. 95-105.
     Lothe, Jakob. "Hardy`s Authorial Narrative Method in Tess of the d`Urbervilles." The Nineteenth-Century British Nove 1 ? Ed. Jeremy Hawthorn. London: Edward Arnold,
     1986. 156-70.
     "Repetition and Narrative Method: Hardy, Conrad, Faulkner." Narrative: From Malory to Motion Pictures. Ed. Jeremy Hawthorn. 116-32.
     London: Edward Arnold, 1985.
     Maclean, Marie. Narrative as Performance: The Baudelairean Experiment. London: Routledge, 1988.
     Miles, Rosalind. "The Women of Wessex ." The Novels of Thomas Hardy. Ed. Anne Smith. London: Vision, 1979. 23-44.
     Miller, J. Hillis. The Disappearance of God. Cambridge, Mass.: Belknap P of Harvard UP, 1975.
     Fiction and Repetition. Oxford: Basil Blackwell, 1982.
     The Form of Victorian Fiction. Indiana: U of Notre Dame P, 1968.
     Thomas Hardy: Distance and Desire. Cambridge, Mass.: Belknap P of Harvard UP, 1970.
     "Three Problems of Fictional Form." Experience in the Novel. Ed. Roy Harvey Pearce. New York: Columbia UP, 1968. 21-48.
     Mi1ligate. Michael. Thomas Hardy: A Biography. Oxford: Oxford UP, 1985.
     Moers, Ellen. "Tess as Cultural Stereotype." Twentieth Century Interpretations of Tess of the d`Urbervilles. Ed. Albert J. La Valley. Englewood Cliffs: Prentice,
     1969. 98-101.
     Morgan, Rosemarie. Women and Sexuality in the Novels of Thomas Hardy. London: Routledge, 1988.
     Morrell, Roy. Thomas Hardy: The Will and the Way. Kuala
     Lumpur: U of Malaya P, -1965.
     Mulvey, Laura. Visual and Other Pleasures. London: Macmillan, 1989.
     Paris, Bernard J. "`A Confusion of Many Standards`: Conflicting Value Systems in Tess of the d`Urbervilles." Nineteenth-Century Fiction 24 (1969): 57-79.
     "Experiences of Thomas Hardy." The Victorian Experience: The Novelists. Ed. Richard A. Levine. Ohio: Ohio UP, 1976. 203-38.
     Ray, Will i am. Literary Meaning: From Phenomenology to Deconstruction. Oxford: Basil Blackwell, 1984.
     Rimmon-Kenan~ Shlomith. "Narration as Repetition." Discourse in Psychoanalysis and Literature. Ed. Shlomith Rimmon-Kenan. London: Methuen, 1987. 176-87.
     Narrative Fiction: Contemporary Poetics. London:Methuen, 1983.
     Ross, Alexander M. The Imprint of the Picturesque on Nineteenth-Century British Fiction. Waterloo, Ontario: Wilfrid Laurier UP, 1986.
     Rubin, Louis D. The Teller in the Tale. Seattle: U of Washington P, 1967.
     Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.
     Schwarz, Daniel R. "The Narrator as Character In Hardy`s Major Fiction." Modern Fiction Studies 18 (1972): 155-72.
     Schweik, Robert C. "Hardy`s Shifting Narrative Modes." Far from the Madding Crowd. Ed. Robert C. Schweik. New York: Norton, 1986. 431-48.
     Sharpe, Robert. "Where Interpretation Stops." Reception and Response: Hearer Creativity and the Analysis of Spoken and Written Texts. Ed. Graham McGregor and R. S. White. London: Routledge, 1990. 181-95.
     Silverman, Kaja. "History, Figuration and Female Subjectivity In Tess of the d`Urbervilles." Novel 18 (1984): 5-28.
     Smith, Barbara Herrnstein. "Narrative Versions, Narrative Th.eories." On Narrative. Ed. W.J.T.Mitchell. Chicago: U of Chicago P, 1981.209-32.
     Stanzel, F. K. A Theory of Narrative. Trans. Charlotte Goedsche. Cambridge: Cambridge UP, 1984.
     Sumner, Rosemary. Thomas Hardy: Psychological Novelist. 2nd ed. London: Macmillan, 1986.
     Tanner, Tony. "Colour and Movement In Tess of the d`Urbervilles." Critical Quarterly 10 (1968): 219-39.
     Temblett-Wood, Colin. Thomas Hardy: Far from the Madding Crowd. London: Macmillan, 1985.
     Tillotson, Kathleen. Novels of the Eighteen-Forties. London: Oxford UP, 1956.
     Torgovnick, Marianna. The Visual Arts, Pictorial ism, and the Novel. Princeton: Princeton UP, 1985.
     Van Ghent, Dorothy. The English,Novel: Form and Function. New York: Rinehart, 1953.
     Watt , Ian . The Rise of the Novel. Berkeley: U of California P, 1967.
     Weinstein, Philip M. The Semantics of Desire: Changing Models of Identity from Dickens to Joyce. Princeton: Princeton UP, 1984.
     Wheeler, Michael. English Fiction of the Victorian Period 1830-1890. London: Longman, 1985.
     White, R. S. "The Birth of the Reader." Reception and Response: Hearer Creativity and the Analysis of Spoken and Written Texts. Ed. Graham McGregor and R. S.
     White. London: Routledge, 1990. 242-59.
     Williams, Merryn. A Preface to Hardy. 6th ed. Essex: Longman, 1986.
     Williams, Raymond. The English Novel from Dickens to Lawrence. London: Hogarth, 1984.
     Wing, George. Hardy. Edinburgh and London: Oliver & Boyd, 1963.
     Wittenberg, Judith Bryant. "Early Hardy Novels and the Fictional Eye." Novel 16 (1983): 151-64.
     Woolf, Virginia. The Common Reader Second Series. London: Hogarth, 1965.
     Wright, Elizabeth. Psychoanalyt i c Criticism: Theory in Practice. London: Routledge, 1984.
     Wright, Terence. Hardy and the Erotic. London: Macmillan, 1989.
描述 碩士
國立政治大學
英國語文學系
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002004901
資料類型 thesis
dc.contributor.advisor 王心玲zh_TW
dc.contributor.author (Authors) 譚忠九zh_TW
dc.creator (作者) 譚忠九zh_TW
dc.date (日期) 1991en_US
dc.date (日期) 1990en_US
dc.date.accessioned 2-May-2016 16:57:43 (UTC+8)-
dc.date.available 2-May-2016 16:57:43 (UTC+8)-
dc.date.issued (上傳時間) 2-May-2016 16:57:43 (UTC+8)-
dc.identifier (Other Identifiers) B2002004901en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/89519-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description.tableofcontents Table of Contents
     CHAPTER I Introduction-------------------------------1
     CHAPTER II Far from the Madding Crowd:
     An Ocular Drama---------------------------19
     CHAPTER III Tess of the d`Urbervilles:
     Ways of Looking at Tess--------------------67
     CHAPTER IV Conclusion-------------------------------116
     WORKS CITED-------------------------------------------122		zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002004901en_US
dc.title (題名) 縱目馳騁 : 「看」哈代的兩本小說 : 遠離人群與黛絲姑娘zh_TW
dc.title (題名) Eye that sees: visibility in Thomas Hardy`s Far from the Madding Crowd and Tess of the d`Urbervillesen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Works Cited
     Barthes, Roland. The Semiotic Challenge. Trans. Richard
     Howard. Oxford: Basil Blackwell, 1988.
     Bayley, John. Introduction. Far from the Madding Crowd.
     New Wessex Edition. By Thomas Hardy. London:Macmillan, 1985. xi-xxxii.
     Beegel, Susan. "Bathsheba`s Lovers: Male Sexuality in Fat
     from the Madding Crowd." Modern Critical Views:
     Thomas Hardy. Ed. Harold Bloom. New York: Chelsea
     House Publishers, 1987. 207-26.
     Ben jam in, W a I t e r . " The Storyteller " I’ll uminations . Ed.
     Hannah Arendt. Trans. Harry Zohn. New York:Schocken, 1969.83-109.
     Blake, Kathleen. "Pure Tess: Hardy on Knowing a Woman."Studies in English Literature, 1500-1900 22 (1982):689-705.
     Boumelha, Penny. Thomas Hardy and Women: Sexual Ideology and Narrative Form. Sussex: Harvester, 1982.
     Brooks, Jean R. Thomas Hardy: The Poetic Structure. New York: Cornell UP, 1971.
     Brooks, Peter. "The Idea of a Psychoanalytic Literary Criticism." Discourse in Psychoanalysis and Literature. Ed. Shlomith Rimmon-Kenan. London: Methuen, 1987. 1-18.
     Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon, 1984.
     Brown, Douglas. Thomas Hardy. New York: Longman, 1961.
     Bu 11 en, J. B. The Expressive Eye : Fiction and Perception In the Work of Thomas Hardy. Oxford: Clarendon, 1986.
     Butler, Lance St. John. Thomas Hardy. Cambridge: Cambridge UP, 1978.
     Carpenter, Richard. Thomas Hardy. London: Macmillan, 1976.
     Casagrande, Peter J. Unity in Hardy`s Novels: Repetitive Symmetries. London: Macmillan, 1982.
     Caws, Mary Ann. Reading Frames in Modern Fiction. Princeton: Princeton UP, 1985.
     Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Minneapolis: U of Minnesota P, 1984.
     Chatman, Seymour. Story and Discourse: Narrative Structure In Fiction and Film. Ithaca: Cornell UP, 1978.
     Coates, Paul. The Realist Fantasy Fiction and Reality since Clarissa. London: Macmillan, 1983.
     Cox, R. G., ed. Thomas Hardy: The Critical Heritage. London: Routledge & Kegan Paul, 1970.
     Danon, Ruth. Work in the Engl ish Novel: The Myth of Vocation. Sydney: Croom Helm, 1985.
     Davis, Lennard J. Resisting Novels: Ideology and Fiction. New York: Methuen, 1987.
     Edel, Leon. "Novel and Camera." The Theory of the Novel. Ed. John Halperin. New York: Oxford UP, 1974. 177-88.
     Edwards, Ann-Marie. Discovering Hardy`s Wessex. Ashurst, Southampton: Arcady Books, 1982.
     Enstice, Andrew. Thomas Hardy: Landscapes of the Mind.
     New York: St. Martin`s, 1979.
     Freund, Elizabeth. The Return of the Reader: Reader-Response Criticism. London: Methuen, 1987.
     Furbank, P. N. Introduction. Tess of the d’Urbervilles. New Wessex Edition. By Thomas Hardy. London: Macmillan, 1985. . .. Xl-XXII.
     Gibson, James. Thomas Hardy: Tess of the d`Urbervilles. London: Macmillan, 1986.
     Goode, John. Thomas Hardy: The Offensive Truth. Oxford: Basil Blackwell, 1988.
     Gregor, Ian. The Great Web: The Form of Hardy`s Major Fiction. Boston: Faber and Faber, 1974.
     "Reading a Story: Sequence, Pace, and Recollection." Reading the Victorian Novel: Detail into Form. Ed. Ian Gregor. London: Vis ion, 1980. 92-110.
     Gregor, Ian, and Brian Nicholas. The Moral and the Story.
     London: Faber and Faber, 1962.
     Guerard, Albert J. Thomas Hardy: The Novels and Stories. Cambridge, Mass.: Harvard UP, 1949.
     Hardy, Barbara. Forms of Feeling in Victorian Fiction. London: Methuen, 1986.
     Tellers and Listeners: The Narrative of Imagination. London: Athlone, 1975.
     Hardy, Florence Emily. The Life of Thomas Hardy 1840-1928.
     London: Macmillan, 1962.
     Hardy, Thomas. Far from the Madding Crowd. Ed. Robert C. Schweik. New York: Norton, 1986.
     Jude the Obscure. Ed. Norman Page. New York: Norton, 1978.
     The Mayor of Casterbridge. Ed. James K. Robinson. New York: Norton, 1977.
     The Ret urn of the Native London: Macmillan, 1985.
     Tess of the d`Urbervilles. Ed. Scott Elledge. 2nd ed. New York: Norton, 1979.
     The Woodlanders. New Wessex Edition. London: Macmillan, 1985.
     Hawkins, Desmond. Hardy: Novelist and Poet. New York: Barnes & Noble, 1976.
     Holub, Robert c. Reception Theory: A Critical Introduction. London: Methuen, 1984.
     Hornback, Bert G.The Metaphor of Chance: Vision and Technique In the Works of Thomas Hardy. Ohio: Ohio UP, 1971.
     Howe, Irving. Thomas Hardy. 1967. New York: Collier Macmillan, 1985.
     Hyman, Virginia R. Ethical Perspective in the Novels of Thomas Hardy.New York: Kennikat, 1975.
     Ingham, Patricia. Thomas Hardy. London: Harvester Wheatsheaf, 1989.
     Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Baltimore: John~ Hopkins UP, 1978.
     Jackson, Arlene M. "Photography as Style and Metaphor in the Art of Thomas Hardy." Thomas Hardy`s Annual No. 2. Ed. Norman Page. London: Macmillan, 1984. 91-109.
     Johnson~ Bruce. True Correspondence: A Phenomenology of Thomas Hardy`s Novels. Tallahassee: UP of Florida,1983.
     Jones, Lawrence. "`A Good Hand at a Serial`: Thomas Hardy and the Serialization of Far from the Madding Crowd." Studjes In the Novel 10 (1978): 320-34.
     Kramer, Dale. Thomas Hardy: The Forms of Tragedy.
     Detroit: Wayne State UP, 1975.
     Knoepflmacher, U. C. Laughter and Despair: Readings In Ten
     Novels of the Victorian Era. Berkeley: U of California P, 1971.
     Langer, Suzanne K. Feeling and Form. New York: Charles Scribner`s Sons, 1953.
     Lecercle, Jean Jacques. "The Violence of Style in Tess of the d`Urbervilles." Alternative Hardy. Ed. Lance St. John Butler. London: Macmillan, 1989. 1-25.
     Lentricchia, Frank. After the New Criticism. Chicago: U of Chicago P, 1980.
     Lodge, David. "Tess, Nature, and the Voices of Hardy." Language of Fiction: Essays in Criticism and Verbal Analysis of the English Novel. London: Routledge &
     Kegan Paul, 1984. 164-88.
     "Thomas Hardy and Cinematographic Form." Novel 7 (1974): 246-54.
     "Thomas Hardy as a Cinematic Novelist." Working with Structuralism: Essays and Reviews on Nineteenth- and Twentieth-Century Literature. London: Routledge &
     Kegan Paul, 1981. 95-105.
     Lothe, Jakob. "Hardy`s Authorial Narrative Method in Tess of the d`Urbervilles." The Nineteenth-Century British Nove 1 ? Ed. Jeremy Hawthorn. London: Edward Arnold,
     1986. 156-70.
     "Repetition and Narrative Method: Hardy, Conrad, Faulkner." Narrative: From Malory to Motion Pictures. Ed. Jeremy Hawthorn. 116-32.
     London: Edward Arnold, 1985.
     Maclean, Marie. Narrative as Performance: The Baudelairean Experiment. London: Routledge, 1988.
     Miles, Rosalind. "The Women of Wessex ." The Novels of Thomas Hardy. Ed. Anne Smith. London: Vision, 1979. 23-44.
     Miller, J. Hillis. The Disappearance of God. Cambridge, Mass.: Belknap P of Harvard UP, 1975.
     Fiction and Repetition. Oxford: Basil Blackwell, 1982.
     The Form of Victorian Fiction. Indiana: U of Notre Dame P, 1968.
     Thomas Hardy: Distance and Desire. Cambridge, Mass.: Belknap P of Harvard UP, 1970.
     "Three Problems of Fictional Form." Experience in the Novel. Ed. Roy Harvey Pearce. New York: Columbia UP, 1968. 21-48.
     Mi1ligate. Michael. Thomas Hardy: A Biography. Oxford: Oxford UP, 1985.
     Moers, Ellen. "Tess as Cultural Stereotype." Twentieth Century Interpretations of Tess of the d`Urbervilles. Ed. Albert J. La Valley. Englewood Cliffs: Prentice,
     1969. 98-101.
     Morgan, Rosemarie. Women and Sexuality in the Novels of Thomas Hardy. London: Routledge, 1988.
     Morrell, Roy. Thomas Hardy: The Will and the Way. Kuala
     Lumpur: U of Malaya P, -1965.
     Mulvey, Laura. Visual and Other Pleasures. London: Macmillan, 1989.
     Paris, Bernard J. "`A Confusion of Many Standards`: Conflicting Value Systems in Tess of the d`Urbervilles." Nineteenth-Century Fiction 24 (1969): 57-79.
     "Experiences of Thomas Hardy." The Victorian Experience: The Novelists. Ed. Richard A. Levine. Ohio: Ohio UP, 1976. 203-38.
     Ray, Will i am. Literary Meaning: From Phenomenology to Deconstruction. Oxford: Basil Blackwell, 1984.
     Rimmon-Kenan~ Shlomith. "Narration as Repetition." Discourse in Psychoanalysis and Literature. Ed. Shlomith Rimmon-Kenan. London: Methuen, 1987. 176-87.
     Narrative Fiction: Contemporary Poetics. London:Methuen, 1983.
     Ross, Alexander M. The Imprint of the Picturesque on Nineteenth-Century British Fiction. Waterloo, Ontario: Wilfrid Laurier UP, 1986.
     Rubin, Louis D. The Teller in the Tale. Seattle: U of Washington P, 1967.
     Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.
     Schwarz, Daniel R. "The Narrator as Character In Hardy`s Major Fiction." Modern Fiction Studies 18 (1972): 155-72.
     Schweik, Robert C. "Hardy`s Shifting Narrative Modes." Far from the Madding Crowd. Ed. Robert C. Schweik. New York: Norton, 1986. 431-48.
     Sharpe, Robert. "Where Interpretation Stops." Reception and Response: Hearer Creativity and the Analysis of Spoken and Written Texts. Ed. Graham McGregor and R. S. White. London: Routledge, 1990. 181-95.
     Silverman, Kaja. "History, Figuration and Female Subjectivity In Tess of the d`Urbervilles." Novel 18 (1984): 5-28.
     Smith, Barbara Herrnstein. "Narrative Versions, Narrative Th.eories." On Narrative. Ed. W.J.T.Mitchell. Chicago: U of Chicago P, 1981.209-32.
     Stanzel, F. K. A Theory of Narrative. Trans. Charlotte Goedsche. Cambridge: Cambridge UP, 1984.
     Sumner, Rosemary. Thomas Hardy: Psychological Novelist. 2nd ed. London: Macmillan, 1986.
     Tanner, Tony. "Colour and Movement In Tess of the d`Urbervilles." Critical Quarterly 10 (1968): 219-39.
     Temblett-Wood, Colin. Thomas Hardy: Far from the Madding Crowd. London: Macmillan, 1985.
     Tillotson, Kathleen. Novels of the Eighteen-Forties. London: Oxford UP, 1956.
     Torgovnick, Marianna. The Visual Arts, Pictorial ism, and the Novel. Princeton: Princeton UP, 1985.
     Van Ghent, Dorothy. The English,Novel: Form and Function. New York: Rinehart, 1953.
     Watt , Ian . The Rise of the Novel. Berkeley: U of California P, 1967.
     Weinstein, Philip M. The Semantics of Desire: Changing Models of Identity from Dickens to Joyce. Princeton: Princeton UP, 1984.
     Wheeler, Michael. English Fiction of the Victorian Period 1830-1890. London: Longman, 1985.
     White, R. S. "The Birth of the Reader." Reception and Response: Hearer Creativity and the Analysis of Spoken and Written Texts. Ed. Graham McGregor and R. S.
     White. London: Routledge, 1990. 242-59.
     Williams, Merryn. A Preface to Hardy. 6th ed. Essex: Longman, 1986.
     Williams, Raymond. The English Novel from Dickens to Lawrence. London: Hogarth, 1984.
     Wing, George. Hardy. Edinburgh and London: Oliver & Boyd, 1963.
     Wittenberg, Judith Bryant. "Early Hardy Novels and the Fictional Eye." Novel 16 (1983): 151-64.
     Woolf, Virginia. The Common Reader Second Series. London: Hogarth, 1965.
     Wright, Elizabeth. Psychoanalyt i c Criticism: Theory in Practice. London: Routledge, 1984.
     Wright, Terence. Hardy and the Erotic. London: Macmillan, 1989.		zh_TW