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題名 「好軍人」敘述結構之研究
The narrative structure of Ford Madox Ford`s The Good Soldier
作者 余三奇
貢獻者 李文彬
Wen-Pin Li
余三奇
日期 1990
1989
上傳時間 3-May-2016 14:05:43 (UTC+8)
摘要 Ford`s persistent concern with the formal aspects of fiction has received much critical attention , but a complete delineation of the narrative structure of The Good Soldier has yet to be supplied. As a result, it is my purpose to make a thorough study of the novel`s narrative structure. In Chapter One, I will briefly introduce Ford`s literary career with The Good Soldier as the culmination of his craftsmanship in fiction. Chapter Two deals with the issue of the narrator`s reliability. After reviewing the various critical opinions about the narrator`s reliability ,and after analyzing Dowell`s narrative style, I will illustrate how and why Dowell , as a self-conscious liar, fails to achieve full credibility. Chapter Three focuses itself on the structure of the whole novel--especially on the various triangle relationships in the novel and Ford`s use of \"progression d’effet.\" Besides, I will use the \"protest scene\" as an example to show how the major scenes contribute to the structure of the whole novel. In Chapter Four I will delineate the major characters of the novel -- starting with Dowell , then going on to Florence , Leonora , and Edward. Finally , in Chapter Five the conclusion, I I will give a summary of the major points in the main body.
參考文獻 Allen, Walter. The English Novel. New York: E. P. Dutton, 1954.\r\nAndreach, Robert J. \"Ford’s The Good Soldier: The Quest for Permanence and Stability.” Tennessee Studies in Literature 10 (1965): 81-92.\r\nArmstrong, Paul B. \"The Epistemology of The Good Soldier: A Phenomenological Reconsideration.\" criticism 22.3 (1980): 230-51.\r\nBaernstein, Jo-Ann. “Image, Identity, and Insight in The Good Soldier.” Critique: Studies in Modern Fiction 9.1 (1966): 19-42.\r\nBailin, Miriam. “’An Extraordinarily Safe Castle’ : Aesthetics as Refuge in The Good Soldier.” Modern Fiction Studies 30 (1984): 621-36.\r\nBarnes, Daniel R. \"Ford and the ‘Slaughtered Saints’: A New Reading of The Good Soldier.” Modern Fiction Studies 14 (1968): 157-70.\r\nBassoff, Bruce. “Oedipal Fantasy and Arrested Development in The Good Soldier.\" Twentieth Century Literature 34.1 (1988): 40-47.\r\nBonds, Diane Stockmar. \"The seeing Eye and the Slothful Heart: The Narrator of Ford`s The Good Soldier.\" English Literature in Transition, 1880-1920 25.1 (1982): 21-27.\r\nBooth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.\r\nBort, Barry D. \"The Good Soldier: Comedy or Tragedy.\" Twentieth Century Literature 12.4 (1967): 194-202.\r\nBrown, Christopher. \"Marlow and Dowell.\" Philological Quarterly 56.1 (1977): 136-40.\r\nBruffee, Kenneth A. Elegiac Romance: Cultural Change and Loss of the Hero in Modern Fiction. Ithaca: Cornell UP, 1983.\r\nCassell, Richard A. Ford Madox Ford: A Study of His Novels. Baltimore: The Johns Hopkins P, 1961.\r\n---. \"Images of Collapse and Reconstruction: Ford`s Vision of Society.\" English Literature in Transition, 1880-1920 19 (1976): 265-82.\r\nChatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.\r\nCheng, Vincent J. \"Religious Difference in The Good Soldier: the `Protest` Scene.\" Renascence: Essays on Value in Literature 37.4 (1985): 238-47.\r\n---. \"A Chronology of The Good Soldier.\" English Language Notes 24.1 (1986): 91-97.\r\nCohen, Mary. \"The Good Soldier: outworn Codes.\" Studies in the Novel 5.3 (1973): 284-97.\r\nCox, James Trammell. \"Ford`s `Passion for Provence`.\" English Literary History 28 (1961): 383-98.\r\n---. \"The Finest French Novel in the English Language.\" Modern Fiction studies 9.1 (1963): 79-93.\r\nCreed, Walter G. \"The Good Soldier: Knowing and Judging.\" English Literature In Transition, 1880-1920 23.4 (1980): 215-30.\r\nDonoghue, Denis. \"Listening to the Saddest Story.\" Sewanee Review 88 (1980): 557-71.\r\nEggenschwiler, David. \"Very Like a Whale: The ComicalTragical Illusions of The Good Soldier.\" Genre 12 (1979): 401-14.\r\nFleishman, Avrom. \"The Genre of The Good Soldier: Ford`s Comic Mastery.\" Studies In the Literary Imagination 13 (1980): 31-42.\r\nFord, Ford Madox. The Good Soldier: A Tale of Passion. New York: Vintage Books, 1951.\r\n---.Critical Writings of Ford Madox Ford. Ed. Frank MacShane. N.p.: Lincoln, U of Nebraska P, 1964.\r\nGabbay, Lydia Rivlin. \"The Four Square coterie: A comparison of Ford Madox Ford and Henry James.\"Studies in the Novel 6.4 (1974): 439-53.\r\nGanzel, Dewey. \"What the Letter Said: Fact and Inference in The Good Soldier.\" Journal of Modern Literature 11.2 (1984): 277-90.\r\nGordon, Ambrose, Jr. \"At the Edge of Silence : The Good Soldier as `War Novel`.\" Modern Fiction Studies 9.1(1963): 67-78.\r\nGose, Elliott B., Jr. \"The Strange Irregular Rhythm: An Analysis of The Good Soldier.\" PMLA 72 (1957): 494-509.\r\nGreen, Robert. Ford Madox Ford: Prose and Politics. Cambridge: Cambridge UP, 1981.\r\nHafley, James. \"The Moral Structure of The Good Soldier.\" Modern Fiction Studies 5.2 (1959): 121-28.\r\nHanzo, T. A. \"Downward to Darkness.\" Sewanee Review 74.4 (1966): 832-55.\r\nHarvey, David D. \"Pro Patria Mori: The Neglect of Ford`s Novels in England.\" Modern Fiction Studies 9.1 (1963): 3-16.\r\nHessler, John G. \"Dowell and The Good Soldier: The Narrator Re-Examined.\" The Journal of Narrative Technique 9 (1979): 53-60.\r\nHill, A. G. \"The Literary Career of Ford Madox Ford. “Critical Quarterly 5.4 (1963): 369-79.\r\nHoffmann, Charles G. \"Ford`s Manuscript Revisions of The Good Soldier.\" English Literature in Transition, 1880-1920 9.3 (1966): 145-52.\r\n---. Ford Madox Ford. New York: Twayne Publishers, Inc.,1967.\r\nHuntley, H. Robert. The Alien Protagonist of Ford Madox Ford. Chapel Hill: The U of North Carolina P, 1970.\r\nHurt, James. \"The Primal Scene as Narrative Model in Ford`s The Good Soldier.\" The Journal of Narrative Technique 8.3 (1978): 200-10.\r\nHynes, Samuel. “The Epistemology of The Good Soldier. “ Sewanee Review 69.2 (1961): 225-35.\r\n---. \"Ford and the Spirit of Romance.\" Modern Fiction Studies 9.1 (1963): 17-24.\r\nJacobs, Carol. “The (Too) Good Soldier: `A Real Story`.\" Glyph 3: Johns Hopkins Textual Studies 1978: 32-51.\r\nJohnson, Ann S. \"Narrative Form in The Good Soldier. “ Critique: Studies in Modern Fiction 11.2 (1968-69):70-80.\r\nJones, Lawrence William. “The Quality of Sadness in Ford`s The Good Soldier.\" English Literature in Transition, 1880-1920 13.4 (1970): 296-302.\r\nLeer, Norman. The Limited Hero in the Novels of Ford Madox Ford. East Lansing: Michigan state UP, 1966.\r\nLehan, Richard. \"Ford Madox Ford and the Absurd: The Good Soldier.\" Texas studies in Literature and Language 5.2 (1963): 219-31.\r\nLentz, Vern B. \"Ford`s Good Narrator.\" Studies in the Novel 5.4 (1973): 483-90.\r\nLevenson, Michael. \"Character in The Good Soldier.\" Twentieth Century Literature 30.4 (1984): 373-87.\r\nLid, Richard W. Ford Madox Ford: The Essence of His Art. Berkeley and Los Angeles: U of California P, 1964.\r\nLoeb, Harold. \"Ford Madox Ford`s The Good Soldier: A Critical Reminiscence.\" Carleton Miscellany 6.2 (1965): 27-41.\r\nLynn, David H. \"Watching the Orchards Robbed: Dowell and The Good Soldier.\" Studies in the Novel 16.4 (1984): 410-23.\r\nMacShane, Frank. The Life and Work of Ford Madox Ford. New York: Horizon P, 1965.\r\nMcCaughey, G. S. \"The Mocking Bird and the Tomcat: An Examination of Ford Madox Ford`s The Good Soldier.\" Humanities Association Bulletin 16.1 (1965): 49-58.\r\nMcDougal, stuart Y.\"`Where Even the Saddest Stories Are Gay`: Provence and The Good Soldier.\" Journal of Modern Literature 7 (1979): 552-54.\r\nMcFate, Patricia, and Bruce Golden. \"The Good Soldier: A Tragedy of Self-Deception.\" Modern Fiction Studies 9.1 (1963): 50-60.\r\nMcLaughlin, A. V. \"Dowell`s Doubt: The Tragic Flaw in The Good Soldier.\" Horizontes 25 (1974): 17-18.\r\nMeixner, John A. \"The Saddest Story.\" Kenyon Review 22.2 (1960): 234-64.\r\nMicklus, Robert. \"Dowell`s Passion in The Good Soldier.\" English Literature in Transition, 1880-1920 22.4 (1979): 281-92\r\nMizener, Arthur. \"The Good Soldier.\" The Southern Review 6.3 (1970): 589-602.\r\nMoser, Thomas. \"Towards The Good Soldier--Discovery of a Sexual Theme.\" Daedalus 92 (1963): 312-25.\r\n---. \"Conrad, Marwood, and Ford: Biographical Speculations on the Genesis of The Good Soldier.\" Mosaic 8.1 (1974): 217-27.\r\n---.The Life in the Fiction of Ford Madox Ford. Princeton, New Jersey: Princeton UP, 1980.\r\nPeirce, william P. \"The Epistemological Style of Ford`s The Good Soldier.\" Language and Style 8.1 (1975): 34-46.\r\nRay, Robert J. \"Style in The Good Soldier.\" Modern Fiction studies 9.1 (1963): 61-66.\r\nReichert, John. \"Poor Florence Indeed! or: The Good Soldier Retold.\" Studies in the Novel 14.2 (1982):161-79.\r\nRentz, Kathryn C. \"The Question of James`s Influence on Ford`s The Good Soldier.\" English Literature in Transition, 1880-1920 25.2 (1982): 104-14.\r\nRicoeur, Paul. Freud and Philosophy: An Essay on Interpretation. Trans. Denis Savage. New Haven: Yale UP, 1970.\r\nSabol, C. Ruth, and Todd K. Bender. A Concordance to Ford Madox Ford`s \"The Good Soldier.\" New York: Garland Publishing, Inc., 1981.\r\nSale, Roger. \"Ford`s Coming of Age: The Good Soldier and Parade`s End.\" The Presence of Ford Madox Ford: A Memorial Volume of Essays, Poems, and Memoirs. Ed. Sondra J. Stang. Philadelphia: U of Pennsylvania P, 1981. 55-76.\r\nScholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966. \r\nSchow, H. Wayne. \"Ironic Structure in The Good Soldier.\" English Literature in Transition, 1880-1920 18.3 (1975): 203-11.\r\nSmith, Grover. Ford Madox Ford. New York: Columbia UP, 1972.\r\nSpear, H. D. \"The Accuracy of Impressions: Kaleidoscopic Viewpoints in The Good Soldier.\" Durham University Journal 70 (1978): 149-53.\r\nStang, Sondra J. \"A Reading of Ford`s The Good Soldier.\" Modern Language Quarterly 30.4 (1969): 545-63.\r\nSullivan, Z. T. \"Civilization and its Darkness: Conrad`s Heart of Darkness and Ford`s The Good Soldier.\"Conradiana 8(1976): 110-20.\r\nThornton, Lawrence. \"Escaping the Impasse: Criticism and the Mitosis of The Good Soldier.” Modern Fiction Studies 21.2 (1975): 237-41.\r\nTytell, John. “The Jamesian Legacy in The Good Soldier.\" Studies in the Novel 3.4 (1971): 365-73.\r\nWiesenfarth, Joseph, FSC. \"criticism and the Semiosis of The Good Soldier.“ Modern Fiction Studies 9.1 (1963):39-49.\r\nWiley, Paul L. “Two Tales of Passion. “ Conradiana 6 (1974): 189-95.\r\nYoung, Kenneth. Ford Madox Ford. London: British Council,1956.
描述 碩士
國立政治大學
英國語文學系
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002005261
資料類型 thesis
dc.contributor.advisor 李文彬zh_TW
dc.contributor.advisor Wen-Pin Lien_US
dc.contributor.author (Authors) 余三奇zh_TW
dc.creator (作者) 余三奇zh_TW
dc.date (日期) 1990en_US
dc.date (日期) 1989en_US
dc.date.accessioned 3-May-2016 14:05:43 (UTC+8)-
dc.date.available 3-May-2016 14:05:43 (UTC+8)-
dc.date.issued (上傳時間) 3-May-2016 14:05:43 (UTC+8)-
dc.identifier (Other Identifiers) B2002005261en_US
dc.identifier.uri (URI) https://ah.lib.nccu.edu.tw/item?item_id=101901-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description.abstract (摘要) Ford`s persistent concern with the formal aspects of fiction has received much critical attention , but a complete delineation of the narrative structure of The Good Soldier has yet to be supplied. As a result, it is my purpose to make a thorough study of the novel`s narrative structure. In Chapter One, I will briefly introduce Ford`s literary career with The Good Soldier as the culmination of his craftsmanship in fiction. Chapter Two deals with the issue of the narrator`s reliability. After reviewing the various critical opinions about the narrator`s reliability ,and after analyzing Dowell`s narrative style, I will illustrate how and why Dowell , as a self-conscious liar, fails to achieve full credibility. Chapter Three focuses itself on the structure of the whole novel--especially on the various triangle relationships in the novel and Ford`s use of \"progression d’effet.\" Besides, I will use the \"protest scene\" as an example to show how the major scenes contribute to the structure of the whole novel. In Chapter Four I will delineate the major characters of the novel -- starting with Dowell , then going on to Florence , Leonora , and Edward. Finally , in Chapter Five the conclusion, I I will give a summary of the major points in the main body.en_US
dc.description.tableofcontents ACKNOWLEDGEMENTS---------------------i\r\nABSTRACT---------------------ii\r\nCHAPTER ONE INTRODUCTION ---------------------1\r\nCHAPTER TWO THE RELIABILITY OF THE NARRATOR---------------------7\r\nCHAPTER THREE STRUCTURE---------------------41\r\nCHAPTER FOUR CHARACTERIZATION---------------------71\r\nCHAPTER FIVE CONCLUSION---------------------116\r\nWORKS CITED---------------------122zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002005261en_US
dc.title (題名) 「好軍人」敘述結構之研究zh_TW
dc.title (題名) The narrative structure of Ford Madox Ford`s The Good Soldieren_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Allen, Walter. The English Novel. New York: E. P. Dutton, 1954.\r\nAndreach, Robert J. \"Ford’s The Good Soldier: The Quest for Permanence and Stability.” Tennessee Studies in Literature 10 (1965): 81-92.\r\nArmstrong, Paul B. \"The Epistemology of The Good Soldier: A Phenomenological Reconsideration.\" criticism 22.3 (1980): 230-51.\r\nBaernstein, Jo-Ann. “Image, Identity, and Insight in The Good Soldier.” Critique: Studies in Modern Fiction 9.1 (1966): 19-42.\r\nBailin, Miriam. “’An Extraordinarily Safe Castle’ : Aesthetics as Refuge in The Good Soldier.” Modern Fiction Studies 30 (1984): 621-36.\r\nBarnes, Daniel R. \"Ford and the ‘Slaughtered Saints’: A New Reading of The Good Soldier.” Modern Fiction Studies 14 (1968): 157-70.\r\nBassoff, Bruce. “Oedipal Fantasy and Arrested Development in The Good Soldier.\" Twentieth Century Literature 34.1 (1988): 40-47.\r\nBonds, Diane Stockmar. \"The seeing Eye and the Slothful Heart: The Narrator of Ford`s The Good Soldier.\" English Literature in Transition, 1880-1920 25.1 (1982): 21-27.\r\nBooth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.\r\nBort, Barry D. \"The Good Soldier: Comedy or Tragedy.\" Twentieth Century Literature 12.4 (1967): 194-202.\r\nBrown, Christopher. \"Marlow and Dowell.\" Philological Quarterly 56.1 (1977): 136-40.\r\nBruffee, Kenneth A. Elegiac Romance: Cultural Change and Loss of the Hero in Modern Fiction. Ithaca: Cornell UP, 1983.\r\nCassell, Richard A. Ford Madox Ford: A Study of His Novels. Baltimore: The Johns Hopkins P, 1961.\r\n---. \"Images of Collapse and Reconstruction: Ford`s Vision of Society.\" English Literature in Transition, 1880-1920 19 (1976): 265-82.\r\nChatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.\r\nCheng, Vincent J. \"Religious Difference in The Good Soldier: the `Protest` Scene.\" Renascence: Essays on Value in Literature 37.4 (1985): 238-47.\r\n---. \"A Chronology of The Good Soldier.\" English Language Notes 24.1 (1986): 91-97.\r\nCohen, Mary. \"The Good Soldier: outworn Codes.\" Studies in the Novel 5.3 (1973): 284-97.\r\nCox, James Trammell. \"Ford`s `Passion for Provence`.\" English Literary History 28 (1961): 383-98.\r\n---. \"The Finest French Novel in the English Language.\" Modern Fiction studies 9.1 (1963): 79-93.\r\nCreed, Walter G. \"The Good Soldier: Knowing and Judging.\" English Literature In Transition, 1880-1920 23.4 (1980): 215-30.\r\nDonoghue, Denis. \"Listening to the Saddest Story.\" Sewanee Review 88 (1980): 557-71.\r\nEggenschwiler, David. \"Very Like a Whale: The ComicalTragical Illusions of The Good Soldier.\" Genre 12 (1979): 401-14.\r\nFleishman, Avrom. \"The Genre of The Good Soldier: Ford`s Comic Mastery.\" Studies In the Literary Imagination 13 (1980): 31-42.\r\nFord, Ford Madox. The Good Soldier: A Tale of Passion. New York: Vintage Books, 1951.\r\n---.Critical Writings of Ford Madox Ford. Ed. Frank MacShane. N.p.: Lincoln, U of Nebraska P, 1964.\r\nGabbay, Lydia Rivlin. \"The Four Square coterie: A comparison of Ford Madox Ford and Henry James.\"Studies in the Novel 6.4 (1974): 439-53.\r\nGanzel, Dewey. \"What the Letter Said: Fact and Inference in The Good Soldier.\" Journal of Modern Literature 11.2 (1984): 277-90.\r\nGordon, Ambrose, Jr. \"At the Edge of Silence : The Good Soldier as `War Novel`.\" Modern Fiction Studies 9.1(1963): 67-78.\r\nGose, Elliott B., Jr. \"The Strange Irregular Rhythm: An Analysis of The Good Soldier.\" PMLA 72 (1957): 494-509.\r\nGreen, Robert. Ford Madox Ford: Prose and Politics. Cambridge: Cambridge UP, 1981.\r\nHafley, James. \"The Moral Structure of The Good Soldier.\" Modern Fiction Studies 5.2 (1959): 121-28.\r\nHanzo, T. A. \"Downward to Darkness.\" Sewanee Review 74.4 (1966): 832-55.\r\nHarvey, David D. \"Pro Patria Mori: The Neglect of Ford`s Novels in England.\" Modern Fiction Studies 9.1 (1963): 3-16.\r\nHessler, John G. \"Dowell and The Good Soldier: The Narrator Re-Examined.\" The Journal of Narrative Technique 9 (1979): 53-60.\r\nHill, A. G. \"The Literary Career of Ford Madox Ford. “Critical Quarterly 5.4 (1963): 369-79.\r\nHoffmann, Charles G. \"Ford`s Manuscript Revisions of The Good Soldier.\" English Literature in Transition, 1880-1920 9.3 (1966): 145-52.\r\n---. Ford Madox Ford. New York: Twayne Publishers, Inc.,1967.\r\nHuntley, H. Robert. The Alien Protagonist of Ford Madox Ford. Chapel Hill: The U of North Carolina P, 1970.\r\nHurt, James. \"The Primal Scene as Narrative Model in Ford`s The Good Soldier.\" The Journal of Narrative Technique 8.3 (1978): 200-10.\r\nHynes, Samuel. “The Epistemology of The Good Soldier. “ Sewanee Review 69.2 (1961): 225-35.\r\n---. \"Ford and the Spirit of Romance.\" Modern Fiction Studies 9.1 (1963): 17-24.\r\nJacobs, Carol. “The (Too) Good Soldier: `A Real Story`.\" Glyph 3: Johns Hopkins Textual Studies 1978: 32-51.\r\nJohnson, Ann S. \"Narrative Form in The Good Soldier. “ Critique: Studies in Modern Fiction 11.2 (1968-69):70-80.\r\nJones, Lawrence William. “The Quality of Sadness in Ford`s The Good Soldier.\" English Literature in Transition, 1880-1920 13.4 (1970): 296-302.\r\nLeer, Norman. The Limited Hero in the Novels of Ford Madox Ford. East Lansing: Michigan state UP, 1966.\r\nLehan, Richard. \"Ford Madox Ford and the Absurd: The Good Soldier.\" Texas studies in Literature and Language 5.2 (1963): 219-31.\r\nLentz, Vern B. \"Ford`s Good Narrator.\" Studies in the Novel 5.4 (1973): 483-90.\r\nLevenson, Michael. \"Character in The Good Soldier.\" Twentieth Century Literature 30.4 (1984): 373-87.\r\nLid, Richard W. Ford Madox Ford: The Essence of His Art. Berkeley and Los Angeles: U of California P, 1964.\r\nLoeb, Harold. \"Ford Madox Ford`s The Good Soldier: A Critical Reminiscence.\" Carleton Miscellany 6.2 (1965): 27-41.\r\nLynn, David H. \"Watching the Orchards Robbed: Dowell and The Good Soldier.\" Studies in the Novel 16.4 (1984): 410-23.\r\nMacShane, Frank. The Life and Work of Ford Madox Ford. New York: Horizon P, 1965.\r\nMcCaughey, G. S. \"The Mocking Bird and the Tomcat: An Examination of Ford Madox Ford`s The Good Soldier.\" Humanities Association Bulletin 16.1 (1965): 49-58.\r\nMcDougal, stuart Y.\"`Where Even the Saddest Stories Are Gay`: Provence and The Good Soldier.\" Journal of Modern Literature 7 (1979): 552-54.\r\nMcFate, Patricia, and Bruce Golden. \"The Good Soldier: A Tragedy of Self-Deception.\" Modern Fiction Studies 9.1 (1963): 50-60.\r\nMcLaughlin, A. V. \"Dowell`s Doubt: The Tragic Flaw in The Good Soldier.\" Horizontes 25 (1974): 17-18.\r\nMeixner, John A. \"The Saddest Story.\" Kenyon Review 22.2 (1960): 234-64.\r\nMicklus, Robert. \"Dowell`s Passion in The Good Soldier.\" English Literature in Transition, 1880-1920 22.4 (1979): 281-92\r\nMizener, Arthur. \"The Good Soldier.\" The Southern Review 6.3 (1970): 589-602.\r\nMoser, Thomas. \"Towards The Good Soldier--Discovery of a Sexual Theme.\" Daedalus 92 (1963): 312-25.\r\n---. \"Conrad, Marwood, and Ford: Biographical Speculations on the Genesis of The Good Soldier.\" Mosaic 8.1 (1974): 217-27.\r\n---.The Life in the Fiction of Ford Madox Ford. Princeton, New Jersey: Princeton UP, 1980.\r\nPeirce, william P. \"The Epistemological Style of Ford`s The Good Soldier.\" Language and Style 8.1 (1975): 34-46.\r\nRay, Robert J. \"Style in The Good Soldier.\" Modern Fiction studies 9.1 (1963): 61-66.\r\nReichert, John. \"Poor Florence Indeed! or: The Good Soldier Retold.\" Studies in the Novel 14.2 (1982):161-79.\r\nRentz, Kathryn C. \"The Question of James`s Influence on Ford`s The Good Soldier.\" English Literature in Transition, 1880-1920 25.2 (1982): 104-14.\r\nRicoeur, Paul. Freud and Philosophy: An Essay on Interpretation. Trans. Denis Savage. New Haven: Yale UP, 1970.\r\nSabol, C. Ruth, and Todd K. Bender. A Concordance to Ford Madox Ford`s \"The Good Soldier.\" New York: Garland Publishing, Inc., 1981.\r\nSale, Roger. \"Ford`s Coming of Age: The Good Soldier and Parade`s End.\" The Presence of Ford Madox Ford: A Memorial Volume of Essays, Poems, and Memoirs. Ed. Sondra J. Stang. Philadelphia: U of Pennsylvania P, 1981. 55-76.\r\nScholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966. \r\nSchow, H. Wayne. \"Ironic Structure in The Good Soldier.\" English Literature in Transition, 1880-1920 18.3 (1975): 203-11.\r\nSmith, Grover. Ford Madox Ford. New York: Columbia UP, 1972.\r\nSpear, H. D. \"The Accuracy of Impressions: Kaleidoscopic Viewpoints in The Good Soldier.\" Durham University Journal 70 (1978): 149-53.\r\nStang, Sondra J. \"A Reading of Ford`s The Good Soldier.\" Modern Language Quarterly 30.4 (1969): 545-63.\r\nSullivan, Z. T. \"Civilization and its Darkness: Conrad`s Heart of Darkness and Ford`s The Good Soldier.\"Conradiana 8(1976): 110-20.\r\nThornton, Lawrence. \"Escaping the Impasse: Criticism and the Mitosis of The Good Soldier.” Modern Fiction Studies 21.2 (1975): 237-41.\r\nTytell, John. “The Jamesian Legacy in The Good Soldier.\" Studies in the Novel 3.4 (1971): 365-73.\r\nWiesenfarth, Joseph, FSC. \"criticism and the Semiosis of The Good Soldier.“ Modern Fiction Studies 9.1 (1963):39-49.\r\nWiley, Paul L. “Two Tales of Passion. “ Conradiana 6 (1974): 189-95.\r\nYoung, Kenneth. Ford Madox Ford. London: British Council,1956.zh_TW