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題名 「好軍人」敘述結構之研究
The narrative structure of Ford Madox Ford`s The Good Soldier
作者 余三奇
貢獻者 李文彬
Wen-Pin Li
余三奇
日期 1990
1989
上傳時間 3-May-2016 14:05:43 (UTC+8)
摘要 Ford`s persistent concern with the formal aspects of fiction has received much critical attention , but a complete delineation of the narrative structure of The Good Soldier has yet to be supplied. As a result, it is my purpose to make a thorough study of the novel`s narrative structure. In Chapter One, I will briefly introduce Ford`s literary career with The Good Soldier as the culmination of his craftsmanship in fiction. Chapter Two deals with the issue of the narrator`s reliability. After reviewing the various critical opinions about the narrator`s reliability ,and after analyzing Dowell`s narrative style, I will illustrate how and why Dowell , as a self-conscious liar, fails to achieve full credibility. Chapter Three focuses itself on the structure of the whole novel--especially on the various triangle relationships in the novel and Ford`s use of "progression d’effet." Besides, I will use the "protest scene" as an example to show how the major scenes contribute to the structure of the whole novel. In Chapter Four I will delineate the major characters of the novel -- starting with Dowell , then going on to Florence , Leonora , and Edward. Finally , in Chapter Five the conclusion, I I will give a summary of the major points in the main body.
參考文獻 Allen, Walter. The English Novel. New York: E. P. Dutton, 1954.
     Andreach, Robert J. "Ford’s The Good Soldier: The Quest for Permanence and Stability.” Tennessee Studies in Literature 10 (1965): 81-92.
     Armstrong, Paul B. "The Epistemology of The Good Soldier: A Phenomenological Reconsideration." criticism 22.3 (1980): 230-51.
     Baernstein, Jo-Ann. “Image, Identity, and Insight in The Good Soldier.” Critique: Studies in Modern Fiction 9.1 (1966): 19-42.
     Bailin, Miriam. “’An Extraordinarily Safe Castle’ : Aesthetics as Refuge in The Good Soldier.” Modern Fiction Studies 30 (1984): 621-36.
     Barnes, Daniel R. "Ford and the ‘Slaughtered Saints’: A New Reading of The Good Soldier.” Modern Fiction Studies 14 (1968): 157-70.
     Bassoff, Bruce. “Oedipal Fantasy and Arrested Development in The Good Soldier." Twentieth Century Literature 34.1 (1988): 40-47.
     Bonds, Diane Stockmar. "The seeing Eye and the Slothful Heart: The Narrator of Ford`s The Good Soldier." English Literature in Transition, 1880-1920 25.1 (1982): 21-27.
     Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.
     Bort, Barry D. "The Good Soldier: Comedy or Tragedy." Twentieth Century Literature 12.4 (1967): 194-202.
     Brown, Christopher. "Marlow and Dowell." Philological Quarterly 56.1 (1977): 136-40.
     Bruffee, Kenneth A. Elegiac Romance: Cultural Change and Loss of the Hero in Modern Fiction. Ithaca: Cornell UP, 1983.
     Cassell, Richard A. Ford Madox Ford: A Study of His Novels. Baltimore: The Johns Hopkins P, 1961.
     ---. "Images of Collapse and Reconstruction: Ford`s Vision of Society." English Literature in Transition, 1880-1920 19 (1976): 265-82.
     Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.
     Cheng, Vincent J. "Religious Difference in The Good Soldier: the `Protest` Scene." Renascence: Essays on Value in Literature 37.4 (1985): 238-47.
     ---. "A Chronology of The Good Soldier." English Language Notes 24.1 (1986): 91-97.
     Cohen, Mary. "The Good Soldier: outworn Codes." Studies in the Novel 5.3 (1973): 284-97.
     Cox, James Trammell. "Ford`s `Passion for Provence`." English Literary History 28 (1961): 383-98.
     ---. "The Finest French Novel in the English Language." Modern Fiction studies 9.1 (1963): 79-93.
     Creed, Walter G. "The Good Soldier: Knowing and Judging." English Literature In Transition, 1880-1920 23.4 (1980): 215-30.
     Donoghue, Denis. "Listening to the Saddest Story." Sewanee Review 88 (1980): 557-71.
     Eggenschwiler, David. "Very Like a Whale: The ComicalTragical Illusions of The Good Soldier." Genre 12 (1979): 401-14.
     Fleishman, Avrom. "The Genre of The Good Soldier: Ford`s Comic Mastery." Studies In the Literary Imagination 13 (1980): 31-42.
     Ford, Ford Madox. The Good Soldier: A Tale of Passion. New York: Vintage Books, 1951.
     ---.Critical Writings of Ford Madox Ford. Ed. Frank MacShane. N.p.: Lincoln, U of Nebraska P, 1964.
     Gabbay, Lydia Rivlin. "The Four Square coterie: A comparison of Ford Madox Ford and Henry James."Studies in the Novel 6.4 (1974): 439-53.
     Ganzel, Dewey. "What the Letter Said: Fact and Inference in The Good Soldier." Journal of Modern Literature 11.2 (1984): 277-90.
     Gordon, Ambrose, Jr. "At the Edge of Silence : The Good Soldier as `War Novel`." Modern Fiction Studies 9.1(1963): 67-78.
     Gose, Elliott B., Jr. "The Strange Irregular Rhythm: An Analysis of The Good Soldier." PMLA 72 (1957): 494-509.
     Green, Robert. Ford Madox Ford: Prose and Politics. Cambridge: Cambridge UP, 1981.
     Hafley, James. "The Moral Structure of The Good Soldier." Modern Fiction Studies 5.2 (1959): 121-28.
     Hanzo, T. A. "Downward to Darkness." Sewanee Review 74.4 (1966): 832-55.
     Harvey, David D. "Pro Patria Mori: The Neglect of Ford`s Novels in England." Modern Fiction Studies 9.1 (1963): 3-16.
     Hessler, John G. "Dowell and The Good Soldier: The Narrator Re-Examined." The Journal of Narrative Technique 9 (1979): 53-60.
     Hill, A. G. "The Literary Career of Ford Madox Ford. “Critical Quarterly 5.4 (1963): 369-79.
     Hoffmann, Charles G. "Ford`s Manuscript Revisions of The Good Soldier." English Literature in Transition, 1880-1920 9.3 (1966): 145-52.
     ---. Ford Madox Ford. New York: Twayne Publishers, Inc.,1967.
     Huntley, H. Robert. The Alien Protagonist of Ford Madox Ford. Chapel Hill: The U of North Carolina P, 1970.
     Hurt, James. "The Primal Scene as Narrative Model in Ford`s The Good Soldier." The Journal of Narrative Technique 8.3 (1978): 200-10.
     Hynes, Samuel. “The Epistemology of The Good Soldier. “ Sewanee Review 69.2 (1961): 225-35.
     ---. "Ford and the Spirit of Romance." Modern Fiction Studies 9.1 (1963): 17-24.
     Jacobs, Carol. “The (Too) Good Soldier: `A Real Story`." Glyph 3: Johns Hopkins Textual Studies 1978: 32-51.
     Johnson, Ann S. "Narrative Form in The Good Soldier. “ Critique: Studies in Modern Fiction 11.2 (1968-69):70-80.
     Jones, Lawrence William. “The Quality of Sadness in Ford`s The Good Soldier." English Literature in Transition, 1880-1920 13.4 (1970): 296-302.
     Leer, Norman. The Limited Hero in the Novels of Ford Madox Ford. East Lansing: Michigan state UP, 1966.
     Lehan, Richard. "Ford Madox Ford and the Absurd: The Good Soldier." Texas studies in Literature and Language 5.2 (1963): 219-31.
     Lentz, Vern B. "Ford`s Good Narrator." Studies in the Novel 5.4 (1973): 483-90.
     Levenson, Michael. "Character in The Good Soldier." Twentieth Century Literature 30.4 (1984): 373-87.
     Lid, Richard W. Ford Madox Ford: The Essence of His Art. Berkeley and Los Angeles: U of California P, 1964.
     Loeb, Harold. "Ford Madox Ford`s The Good Soldier: A Critical Reminiscence." Carleton Miscellany 6.2 (1965): 27-41.
     Lynn, David H. "Watching the Orchards Robbed: Dowell and The Good Soldier." Studies in the Novel 16.4 (1984): 410-23.
     MacShane, Frank. The Life and Work of Ford Madox Ford. New York: Horizon P, 1965.
     McCaughey, G. S. "The Mocking Bird and the Tomcat: An Examination of Ford Madox Ford`s The Good Soldier." Humanities Association Bulletin 16.1 (1965): 49-58.
     McDougal, stuart Y."`Where Even the Saddest Stories Are Gay`: Provence and The Good Soldier." Journal of Modern Literature 7 (1979): 552-54.
     McFate, Patricia, and Bruce Golden. "The Good Soldier: A Tragedy of Self-Deception." Modern Fiction Studies 9.1 (1963): 50-60.
     McLaughlin, A. V. "Dowell`s Doubt: The Tragic Flaw in The Good Soldier." Horizontes 25 (1974): 17-18.
     Meixner, John A. "The Saddest Story." Kenyon Review 22.2 (1960): 234-64.
     Micklus, Robert. "Dowell`s Passion in The Good Soldier." English Literature in Transition, 1880-1920 22.4 (1979): 281-92
     Mizener, Arthur. "The Good Soldier." The Southern Review 6.3 (1970): 589-602.
     Moser, Thomas. "Towards The Good Soldier--Discovery of a Sexual Theme." Daedalus 92 (1963): 312-25.
     ---. "Conrad, Marwood, and Ford: Biographical Speculations on the Genesis of The Good Soldier." Mosaic 8.1 (1974): 217-27.
     ---.The Life in the Fiction of Ford Madox Ford. Princeton, New Jersey: Princeton UP, 1980.
     Peirce, william P. "The Epistemological Style of Ford`s The Good Soldier." Language and Style 8.1 (1975): 34-46.
     Ray, Robert J. "Style in The Good Soldier." Modern Fiction studies 9.1 (1963): 61-66.
     Reichert, John. "Poor Florence Indeed! or: The Good Soldier Retold." Studies in the Novel 14.2 (1982):161-79.
     Rentz, Kathryn C. "The Question of James`s Influence on Ford`s The Good Soldier." English Literature in Transition, 1880-1920 25.2 (1982): 104-14.
     Ricoeur, Paul. Freud and Philosophy: An Essay on Interpretation. Trans. Denis Savage. New Haven: Yale UP, 1970.
     Sabol, C. Ruth, and Todd K. Bender. A Concordance to Ford Madox Ford`s "The Good Soldier." New York: Garland Publishing, Inc., 1981.
     Sale, Roger. "Ford`s Coming of Age: The Good Soldier and Parade`s End." The Presence of Ford Madox Ford: A Memorial Volume of Essays, Poems, and Memoirs. Ed. Sondra J. Stang. Philadelphia: U of Pennsylvania P, 1981. 55-76.
     Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.
     Schow, H. Wayne. "Ironic Structure in The Good Soldier." English Literature in Transition, 1880-1920 18.3 (1975): 203-11.
     Smith, Grover. Ford Madox Ford. New York: Columbia UP, 1972.
     Spear, H. D. "The Accuracy of Impressions: Kaleidoscopic Viewpoints in The Good Soldier." Durham University Journal 70 (1978): 149-53.
     Stang, Sondra J. "A Reading of Ford`s The Good Soldier." Modern Language Quarterly 30.4 (1969): 545-63.
     Sullivan, Z. T. "Civilization and its Darkness: Conrad`s Heart of Darkness and Ford`s The Good Soldier."Conradiana 8(1976): 110-20.
     Thornton, Lawrence. "Escaping the Impasse: Criticism and the Mitosis of The Good Soldier.” Modern Fiction Studies 21.2 (1975): 237-41.
     Tytell, John. “The Jamesian Legacy in The Good Soldier." Studies in the Novel 3.4 (1971): 365-73.
     Wiesenfarth, Joseph, FSC. "criticism and the Semiosis of The Good Soldier.“ Modern Fiction Studies 9.1 (1963):39-49.
     Wiley, Paul L. “Two Tales of Passion. “ Conradiana 6 (1974): 189-95.
     Young, Kenneth. Ford Madox Ford. London: British Council,1956.
描述 碩士
國立政治大學
英國語文學系
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002005261
資料類型 thesis
dc.contributor.advisor 李文彬zh_TW
dc.contributor.advisor Wen-Pin Lien_US
dc.contributor.author (Authors) 余三奇zh_TW
dc.creator (作者) 余三奇zh_TW
dc.date (日期) 1990en_US
dc.date (日期) 1989en_US
dc.date.accessioned 3-May-2016 14:05:43 (UTC+8)-
dc.date.available 3-May-2016 14:05:43 (UTC+8)-
dc.date.issued (上傳時間) 3-May-2016 14:05:43 (UTC+8)-
dc.identifier (Other Identifiers) B2002005261en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/89982-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description.abstract (摘要) Ford`s persistent concern with the formal aspects of fiction has received much critical attention , but a complete delineation of the narrative structure of The Good Soldier has yet to be supplied. As a result, it is my purpose to make a thorough study of the novel`s narrative structure. In Chapter One, I will briefly introduce Ford`s literary career with The Good Soldier as the culmination of his craftsmanship in fiction. Chapter Two deals with the issue of the narrator`s reliability. After reviewing the various critical opinions about the narrator`s reliability ,and after analyzing Dowell`s narrative style, I will illustrate how and why Dowell , as a self-conscious liar, fails to achieve full credibility. Chapter Three focuses itself on the structure of the whole novel--especially on the various triangle relationships in the novel and Ford`s use of "progression d’effet." Besides, I will use the "protest scene" as an example to show how the major scenes contribute to the structure of the whole novel. In Chapter Four I will delineate the major characters of the novel -- starting with Dowell , then going on to Florence , Leonora , and Edward. Finally , in Chapter Five the conclusion, I I will give a summary of the major points in the main body.en_US
dc.description.tableofcontents ACKNOWLEDGEMENTS---------------------i
     ABSTRACT---------------------ii
     CHAPTER ONE INTRODUCTION ---------------------1
     CHAPTER TWO THE RELIABILITY OF THE NARRATOR---------------------7
     CHAPTER THREE STRUCTURE---------------------41
     CHAPTER FOUR CHARACTERIZATION---------------------71
     CHAPTER FIVE CONCLUSION---------------------116
     WORKS CITED---------------------122		zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002005261en_US
dc.title (題名) 「好軍人」敘述結構之研究zh_TW
dc.title (題名) The narrative structure of Ford Madox Ford`s The Good Soldieren_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Allen, Walter. The English Novel. New York: E. P. Dutton, 1954.
     Andreach, Robert J. "Ford’s The Good Soldier: The Quest for Permanence and Stability.” Tennessee Studies in Literature 10 (1965): 81-92.
     Armstrong, Paul B. "The Epistemology of The Good Soldier: A Phenomenological Reconsideration." criticism 22.3 (1980): 230-51.
     Baernstein, Jo-Ann. “Image, Identity, and Insight in The Good Soldier.” Critique: Studies in Modern Fiction 9.1 (1966): 19-42.
     Bailin, Miriam. “’An Extraordinarily Safe Castle’ : Aesthetics as Refuge in The Good Soldier.” Modern Fiction Studies 30 (1984): 621-36.
     Barnes, Daniel R. "Ford and the ‘Slaughtered Saints’: A New Reading of The Good Soldier.” Modern Fiction Studies 14 (1968): 157-70.
     Bassoff, Bruce. “Oedipal Fantasy and Arrested Development in The Good Soldier." Twentieth Century Literature 34.1 (1988): 40-47.
     Bonds, Diane Stockmar. "The seeing Eye and the Slothful Heart: The Narrator of Ford`s The Good Soldier." English Literature in Transition, 1880-1920 25.1 (1982): 21-27.
     Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.
     Bort, Barry D. "The Good Soldier: Comedy or Tragedy." Twentieth Century Literature 12.4 (1967): 194-202.
     Brown, Christopher. "Marlow and Dowell." Philological Quarterly 56.1 (1977): 136-40.
     Bruffee, Kenneth A. Elegiac Romance: Cultural Change and Loss of the Hero in Modern Fiction. Ithaca: Cornell UP, 1983.
     Cassell, Richard A. Ford Madox Ford: A Study of His Novels. Baltimore: The Johns Hopkins P, 1961.
     ---. "Images of Collapse and Reconstruction: Ford`s Vision of Society." English Literature in Transition, 1880-1920 19 (1976): 265-82.
     Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.
     Cheng, Vincent J. "Religious Difference in The Good Soldier: the `Protest` Scene." Renascence: Essays on Value in Literature 37.4 (1985): 238-47.
     ---. "A Chronology of The Good Soldier." English Language Notes 24.1 (1986): 91-97.
     Cohen, Mary. "The Good Soldier: outworn Codes." Studies in the Novel 5.3 (1973): 284-97.
     Cox, James Trammell. "Ford`s `Passion for Provence`." English Literary History 28 (1961): 383-98.
     ---. "The Finest French Novel in the English Language." Modern Fiction studies 9.1 (1963): 79-93.
     Creed, Walter G. "The Good Soldier: Knowing and Judging." English Literature In Transition, 1880-1920 23.4 (1980): 215-30.
     Donoghue, Denis. "Listening to the Saddest Story." Sewanee Review 88 (1980): 557-71.
     Eggenschwiler, David. "Very Like a Whale: The ComicalTragical Illusions of The Good Soldier." Genre 12 (1979): 401-14.
     Fleishman, Avrom. "The Genre of The Good Soldier: Ford`s Comic Mastery." Studies In the Literary Imagination 13 (1980): 31-42.
     Ford, Ford Madox. The Good Soldier: A Tale of Passion. New York: Vintage Books, 1951.
     ---.Critical Writings of Ford Madox Ford. Ed. Frank MacShane. N.p.: Lincoln, U of Nebraska P, 1964.
     Gabbay, Lydia Rivlin. "The Four Square coterie: A comparison of Ford Madox Ford and Henry James."Studies in the Novel 6.4 (1974): 439-53.
     Ganzel, Dewey. "What the Letter Said: Fact and Inference in The Good Soldier." Journal of Modern Literature 11.2 (1984): 277-90.
     Gordon, Ambrose, Jr. "At the Edge of Silence : The Good Soldier as `War Novel`." Modern Fiction Studies 9.1(1963): 67-78.
     Gose, Elliott B., Jr. "The Strange Irregular Rhythm: An Analysis of The Good Soldier." PMLA 72 (1957): 494-509.
     Green, Robert. Ford Madox Ford: Prose and Politics. Cambridge: Cambridge UP, 1981.
     Hafley, James. "The Moral Structure of The Good Soldier." Modern Fiction Studies 5.2 (1959): 121-28.
     Hanzo, T. A. "Downward to Darkness." Sewanee Review 74.4 (1966): 832-55.
     Harvey, David D. "Pro Patria Mori: The Neglect of Ford`s Novels in England." Modern Fiction Studies 9.1 (1963): 3-16.
     Hessler, John G. "Dowell and The Good Soldier: The Narrator Re-Examined." The Journal of Narrative Technique 9 (1979): 53-60.
     Hill, A. G. "The Literary Career of Ford Madox Ford. “Critical Quarterly 5.4 (1963): 369-79.
     Hoffmann, Charles G. "Ford`s Manuscript Revisions of The Good Soldier." English Literature in Transition, 1880-1920 9.3 (1966): 145-52.
     ---. Ford Madox Ford. New York: Twayne Publishers, Inc.,1967.
     Huntley, H. Robert. The Alien Protagonist of Ford Madox Ford. Chapel Hill: The U of North Carolina P, 1970.
     Hurt, James. "The Primal Scene as Narrative Model in Ford`s The Good Soldier." The Journal of Narrative Technique 8.3 (1978): 200-10.
     Hynes, Samuel. “The Epistemology of The Good Soldier. “ Sewanee Review 69.2 (1961): 225-35.
     ---. "Ford and the Spirit of Romance." Modern Fiction Studies 9.1 (1963): 17-24.
     Jacobs, Carol. “The (Too) Good Soldier: `A Real Story`." Glyph 3: Johns Hopkins Textual Studies 1978: 32-51.
     Johnson, Ann S. "Narrative Form in The Good Soldier. “ Critique: Studies in Modern Fiction 11.2 (1968-69):70-80.
     Jones, Lawrence William. “The Quality of Sadness in Ford`s The Good Soldier." English Literature in Transition, 1880-1920 13.4 (1970): 296-302.
     Leer, Norman. The Limited Hero in the Novels of Ford Madox Ford. East Lansing: Michigan state UP, 1966.
     Lehan, Richard. "Ford Madox Ford and the Absurd: The Good Soldier." Texas studies in Literature and Language 5.2 (1963): 219-31.
     Lentz, Vern B. "Ford`s Good Narrator." Studies in the Novel 5.4 (1973): 483-90.
     Levenson, Michael. "Character in The Good Soldier." Twentieth Century Literature 30.4 (1984): 373-87.
     Lid, Richard W. Ford Madox Ford: The Essence of His Art. Berkeley and Los Angeles: U of California P, 1964.
     Loeb, Harold. "Ford Madox Ford`s The Good Soldier: A Critical Reminiscence." Carleton Miscellany 6.2 (1965): 27-41.
     Lynn, David H. "Watching the Orchards Robbed: Dowell and The Good Soldier." Studies in the Novel 16.4 (1984): 410-23.
     MacShane, Frank. The Life and Work of Ford Madox Ford. New York: Horizon P, 1965.
     McCaughey, G. S. "The Mocking Bird and the Tomcat: An Examination of Ford Madox Ford`s The Good Soldier." Humanities Association Bulletin 16.1 (1965): 49-58.
     McDougal, stuart Y."`Where Even the Saddest Stories Are Gay`: Provence and The Good Soldier." Journal of Modern Literature 7 (1979): 552-54.
     McFate, Patricia, and Bruce Golden. "The Good Soldier: A Tragedy of Self-Deception." Modern Fiction Studies 9.1 (1963): 50-60.
     McLaughlin, A. V. "Dowell`s Doubt: The Tragic Flaw in The Good Soldier." Horizontes 25 (1974): 17-18.
     Meixner, John A. "The Saddest Story." Kenyon Review 22.2 (1960): 234-64.
     Micklus, Robert. "Dowell`s Passion in The Good Soldier." English Literature in Transition, 1880-1920 22.4 (1979): 281-92
     Mizener, Arthur. "The Good Soldier." The Southern Review 6.3 (1970): 589-602.
     Moser, Thomas. "Towards The Good Soldier--Discovery of a Sexual Theme." Daedalus 92 (1963): 312-25.
     ---. "Conrad, Marwood, and Ford: Biographical Speculations on the Genesis of The Good Soldier." Mosaic 8.1 (1974): 217-27.
     ---.The Life in the Fiction of Ford Madox Ford. Princeton, New Jersey: Princeton UP, 1980.
     Peirce, william P. "The Epistemological Style of Ford`s The Good Soldier." Language and Style 8.1 (1975): 34-46.
     Ray, Robert J. "Style in The Good Soldier." Modern Fiction studies 9.1 (1963): 61-66.
     Reichert, John. "Poor Florence Indeed! or: The Good Soldier Retold." Studies in the Novel 14.2 (1982):161-79.
     Rentz, Kathryn C. "The Question of James`s Influence on Ford`s The Good Soldier." English Literature in Transition, 1880-1920 25.2 (1982): 104-14.
     Ricoeur, Paul. Freud and Philosophy: An Essay on Interpretation. Trans. Denis Savage. New Haven: Yale UP, 1970.
     Sabol, C. Ruth, and Todd K. Bender. A Concordance to Ford Madox Ford`s "The Good Soldier." New York: Garland Publishing, Inc., 1981.
     Sale, Roger. "Ford`s Coming of Age: The Good Soldier and Parade`s End." The Presence of Ford Madox Ford: A Memorial Volume of Essays, Poems, and Memoirs. Ed. Sondra J. Stang. Philadelphia: U of Pennsylvania P, 1981. 55-76.
     Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.
     Schow, H. Wayne. "Ironic Structure in The Good Soldier." English Literature in Transition, 1880-1920 18.3 (1975): 203-11.
     Smith, Grover. Ford Madox Ford. New York: Columbia UP, 1972.
     Spear, H. D. "The Accuracy of Impressions: Kaleidoscopic Viewpoints in The Good Soldier." Durham University Journal 70 (1978): 149-53.
     Stang, Sondra J. "A Reading of Ford`s The Good Soldier." Modern Language Quarterly 30.4 (1969): 545-63.
     Sullivan, Z. T. "Civilization and its Darkness: Conrad`s Heart of Darkness and Ford`s The Good Soldier."Conradiana 8(1976): 110-20.
     Thornton, Lawrence. "Escaping the Impasse: Criticism and the Mitosis of The Good Soldier.” Modern Fiction Studies 21.2 (1975): 237-41.
     Tytell, John. “The Jamesian Legacy in The Good Soldier." Studies in the Novel 3.4 (1971): 365-73.
     Wiesenfarth, Joseph, FSC. "criticism and the Semiosis of The Good Soldier.“ Modern Fiction Studies 9.1 (1963):39-49.
     Wiley, Paul L. “Two Tales of Passion. “ Conradiana 6 (1974): 189-95.
     Young, Kenneth. Ford Madox Ford. London: British Council,1956.		zh_TW