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題名 《密鎮》的時空型：時間、空間與人的形象
The Chronotope of Middlemarch: Time, Space and the Image of Man作者 蔡仁傑
Tsai, Jen Chieh貢獻者 陳超明
Chen, Chao Ming
蔡仁傑
Tsai, Jen Chieh日期 2002 上傳時間 9-May-2016 16:10:11 (UTC+8) 摘要 喬治‧艾略特的《密鎮》處處顯示了對於時間議題的關注。艾略特不只描繪了時間性在角色之間的互動關係，也在她的小說中援引了許多當代的社會及歷史事件。一些評論家已針對艾略特的時間觀作過詮釋，但他們往往忽略了空間的因素。殊不知，空間的配置或多或少也促成對時間的感知。因此，本論文企圖用較全面的觀點來審酌《密鎮》的時間性。在此之下，巴赫汀的「時空型」適足為本論文的理論出發點。這位理論家強調時間與空間的不可分割性。因為惟有如此，文學上才會出現種類不一的視野與面貌。實則，巴赫汀的「時空型」的理論根基於他早期的作品《邁向行動哲學》。因此，本論文將就巴赫汀的哲學觀加以闡述以彰顯「時空型」的論述基礎並進而以之研究《密鎮》的種種時間型式。就架構而言，本論文延用巴赫汀論時空型時強調的三個議題，也就是時間、空間與人的形象，並分別在三個章節討論之。
In Middlemarch, George Eliot manifests her affiliation with the issue of time either in her character portrayals or in her numerous socio-historical allusions. Critics like Sidney Colvin, Mary Wilson Carpenter and Jim Reilly have analyzed the temporal forms in Middlemarch in their own specificity. However, their scope seems to be confined in the category of time. They overlooked factors like place and spatial arrangements that might mediate the understanding of time. Therefore, this thesis sets out to study Eliot``s conception of time with a more panoramic view. Bakhtin``s idea of chronotope thus serves as a theoretical approach that offsets the insufficiency of the former three critics. He mainly argues that time and space work together to create a specific vision in a certain tempo-spatial environment, that is, chronotope, and thus time and space have to be seen as a matrical whole in the study of literature. As the present thesis shows, this is actually related to Bakhtin``s larger scheme in his Toward a Philosophy of the Act. So, following Bakhtin``s philosophy of the act, this thesis explores what kinds of tempo-spatial relationships are revealed in Middlemarch. In point of structure, this thesis follows Bakhtin``s three major issues--time, space and the image of man--and studies them in three separate chapters.參考文獻 Works Cited Allen, Walter. George Eliot. N.Y.: Collier Books, 1967. Bakhtin, M. M.. "Epic and Novel." The Dialogic Imagination: Four Essays. Ed.Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1998. 3-40. -------, "Forms of Time and of the Chronotope in the Novel." Holquist, Dialogic 84-258. -------, Toward a Philosophy of the Act. Trans. Vadim Liapunov. Eds. Vadim Liapunov and Michael Holquist. Austin: Texas UP, 1993. Best, Janice. "The Chronotope and the Generation of Meaning in Novels and Paintings." Criticism 36 (1994): 291-316. Brooks, Peter. "Reading for the Plot." Reading for the Plot. Oxford: Clarendon Press, 1984. 3-36. Carpenter, Mary Wilson. "Transposing the Apocalypse in Middlemarch." George Eliot and the Landscape of Time. Chapel Hill: U of North Carolina P, 1986. 04-30. Chang, Hsu-ying. "The Eternal Dialectics between Religion and Eroticism." United Literature 210 (2002): 44-54. Colvin, Sidney. "Review of Middlemarch." Stuart Hutchinson 314-20. Dentith, Simon. "Bakhtin on the Novel." Bakhtinian thought: An introductory reader.London: Routledge, 1995. 41-64. De Man, Paul. "Dialogue and Dialogism." Rethinking Bakhtin: Extensions and Challenges. Eds. Gary Saul Morson and Garyl Emerson. Evanston:Northwestern Up, 1989.105-34. Edwards, Lee R.. "Women, Energy, and Middlemarch." Hornback 683-93. Eliot, George. Middlemarch. Ed. Bert G. Hornback. New York: W. W. Norton &Company, 1977. -----, The Mill on the Floss. London: Penguin Books, 1994. -----, "The Natural History of German Life." Essays of George Eliot. Ed. Thomas Pinney. N.Y.: Columbia UP, 1967. 267-99. -----, "Notes on Form in Art." Pinney 432-6. -----, "Letter to Sara Shophia Hennel." Hornback 581-2. -----, "Quarry for Middlmarch." Hornback 604-42. -----, Romola. London: Dent, 1907. -----, Silas Marner. London: J. M. Dent, 1906. -----, A Writer``s Notebook, 1854-1879, and Uncollected Writings. Ed. Joseph Wiesengarth. Charlottesville: UP of Virginia, 1981. Ellmann, Richard. "Dorothea``s Husbands." Hornback 750-65. Farrrel, John P.. "Crossroads to Community: Jude the Obscure and the Chronotope of Wessex." Dialogue, Culture, Critical Theory. Ed. Michael Macovski. Oxford:Oxford UP, 1997. 65-78. Freud, Sigmund. Civilization and its Discontents. N.Y.: W. W. Norton, 1961. Gardiner,Michael E.. "Bakhtin``s Prosaic Imagination." Critique of Everyday Life.London: Routledge, 2000. 43-70. Goodchild, Philip. Deleuze and Guattari: An Introduction to the Politics of Desire.London: Sage Publications, 1996. Holquist, Michael. "Answering as Authoring: Mikhail Bakhtin``s Trans-Linguistics."Bakhtin: Essays and Dialogues on His Work. Ed. Gary Saul Morson. Chicago:U of Chicago P, 1986. 59-71. --------, Dialogism: Bakhtin and His World. London: Routledge,1990. Hutchinson, Stuart, ed. George Eliot: Critical Assesments. Vol. 1. Biography,Nineteenth-century Reviews and Responses. East Sussex: East Sussex: Helm Information, 1996. James, Henry. " Middlemarch." Hutchinson 485-91. Kenney, Jr., Edward J. "George Eliot: Through the Looking Glass." Hornback 733-50. Leavis, F. R.. "George Eliot." The Great Tradition. N.Y.: New York UP, 1960. 28-125. Longus. Daphnis and Chloe. Collected Ancient Greek Novels. Trans. Christopher Bill.Ed. B.P. Reardon Berkeley: U of California P, 1989. 285-348. Matus, Jill L.. "From Hysteria to Maternity: Saint Theresa and the Madonna in Middlemarch." Manchester: Manchester UP, 1995. 213-48. McCracken, Scott. Pulp: Reading Popular Fiction. Manchester: Manchester UP,1998. Miller, J. Hillis. Victorian Subjects. N.Y: Harvester, 1990. Morson, Gary Saul, and Caryl Emerson. "The Chronotope." Creation of a Prosaics.Stanford: Stanford UP, 1990. 367-432. Morson, Gary Saul, and Emerson, Caryl, eds. Introduction: Rethinking Bakhtin.Rethinking Bakhtin: Extensions and Challengs. Evanston: Northwestern UP,1989. 1-60. Morson, Gary Saul, ed. Bakhtin: Essays and Dialogues on His Work.Chicago: U of Chicago P, 1986. Reilly, Jim."A History of the Lights and the Shadows": Aspects of History, Myth and Realism in Hardy and George Eliot." Shadowtime: History and Representation in Hardy, Conrad and George Eliot. London: Routledge, 1993. 45-82. Schorer, Mark. "Fiction and the ``Matrix of Analogy.``" Hornback 706-14. Wiesenfarth, Joseph. "Middlemarch: The Language of Art." PMLA 97 (1982): 363-77. Woolf, Virginia. "George Eliot." Women and Writing. Ed. Michele Barret. London:The Women``s Press, 1979. 150-60. 描述 碩士
國立政治大學
英國語文學系資料來源 http://thesis.lib.nccu.edu.tw/record/#A2010000239 資料類型 thesis dc.contributor.advisor 陳超明 zh_TW dc.contributor.advisor Chen, Chao Ming en_US dc.contributor.author (Authors) 蔡仁傑 zh_TW dc.contributor.author (Authors) Tsai, Jen Chieh en_US dc.creator (作者) 蔡仁傑 zh_TW dc.creator (作者) Tsai, Jen Chieh en_US dc.date (日期) 2002 en_US dc.date.accessioned 9-May-2016 16:10:11 (UTC+8) - dc.date.available 9-May-2016 16:10:11 (UTC+8) - dc.date.issued (上傳時間) 9-May-2016 16:10:11 (UTC+8) - dc.identifier (Other Identifiers) A2010000239 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/95391 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description.abstract (摘要) 喬治‧艾略特的《密鎮》處處顯示了對於時間議題的關注。艾略特不只描繪了時間性在角色之間的互動關係，也在她的小說中援引了許多當代的社會及歷史事件。一些評論家已針對艾略特的時間觀作過詮釋，但他們往往忽略了空間的因素。殊不知，空間的配置或多或少也促成對時間的感知。因此，本論文企圖用較全面的觀點來審酌《密鎮》的時間性。在此之下，巴赫汀的「時空型」適足為本論文的理論出發點。這位理論家強調時間與空間的不可分割性。因為惟有如此，文學上才會出現種類不一的視野與面貌。實則，巴赫汀的「時空型」的理論根基於他早期的作品《邁向行動哲學》。因此，本論文將就巴赫汀的哲學觀加以闡述以彰顯「時空型」的論述基礎並進而以之研究《密鎮》的種種時間型式。就架構而言，本論文延用巴赫汀論時空型時強調的三個議題，也就是時間、空間與人的形象，並分別在三個章節討論之。 zh_TW dc.description.abstract (摘要) In Middlemarch, George Eliot manifests her affiliation with the issue of time either in her character portrayals or in her numerous socio-historical allusions. Critics like Sidney Colvin, Mary Wilson Carpenter and Jim Reilly have analyzed the temporal forms in Middlemarch in their own specificity. However, their scope seems to be confined in the category of time. They overlooked factors like place and spatial arrangements that might mediate the understanding of time. Therefore, this thesis sets out to study Eliot``s conception of time with a more panoramic view. Bakhtin``s idea of chronotope thus serves as a theoretical approach that offsets the insufficiency of the former three critics. He mainly argues that time and space work together to create a specific vision in a certain tempo-spatial environment, that is, chronotope, and thus time and space have to be seen as a matrical whole in the study of literature. As the present thesis shows, this is actually related to Bakhtin``s larger scheme in his Toward a Philosophy of the Act. So, following Bakhtin``s philosophy of the act, this thesis explores what kinds of tempo-spatial relationships are revealed in Middlemarch. In point of structure, this thesis follows Bakhtin``s three major issues--time, space and the image of man--and studies them in three separate chapters. en_US dc.description.tableofcontents Acknowledgements-----iii Table of Contents-----v Chinese Abstract-----vi English Abstract-----vii Chapter I Introduction-----1 Chapter II Time-----21 Chapter III Space-----42 Chapter IV The Image of Man-----68 Chapter V Conclusion-----91 Works Cited-----96 zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#A2010000239 en_US dc.title (題名) 《密鎮》的時空型：時間、空間與人的形象 zh_TW dc.title (題名) The Chronotope of Middlemarch: Time, Space and the Image of Man en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Works Cited Allen, Walter. George Eliot. N.Y.: Collier Books, 1967. Bakhtin, M. M.. "Epic and Novel." The Dialogic Imagination: Four Essays. Ed.Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1998. 3-40. -------, "Forms of Time and of the Chronotope in the Novel." Holquist, Dialogic 84-258. -------, Toward a Philosophy of the Act. Trans. Vadim Liapunov. Eds. Vadim Liapunov and Michael Holquist. Austin: Texas UP, 1993. Best, Janice. "The Chronotope and the Generation of Meaning in Novels and Paintings." Criticism 36 (1994): 291-316. Brooks, Peter. "Reading for the Plot." Reading for the Plot. Oxford: Clarendon Press, 1984. 3-36. Carpenter, Mary Wilson. "Transposing the Apocalypse in Middlemarch." George Eliot and the Landscape of Time. Chapel Hill: U of North Carolina P, 1986. 04-30. Chang, Hsu-ying. "The Eternal Dialectics between Religion and Eroticism." United Literature 210 (2002): 44-54. Colvin, Sidney. "Review of Middlemarch." Stuart Hutchinson 314-20. Dentith, Simon. "Bakhtin on the Novel." Bakhtinian thought: An introductory reader.London: Routledge, 1995. 41-64. De Man, Paul. "Dialogue and Dialogism." Rethinking Bakhtin: Extensions and Challenges. Eds. Gary Saul Morson and Garyl Emerson. Evanston:Northwestern Up, 1989.105-34. Edwards, Lee R.. "Women, Energy, and Middlemarch." Hornback 683-93. Eliot, George. Middlemarch. Ed. Bert G. Hornback. New York: W. W. Norton &Company, 1977. -----, The Mill on the Floss. London: Penguin Books, 1994. -----, "The Natural History of German Life." Essays of George Eliot. Ed. Thomas Pinney. N.Y.: Columbia UP, 1967. 267-99. -----, "Notes on Form in Art." Pinney 432-6. -----, "Letter to Sara Shophia Hennel." Hornback 581-2. -----, "Quarry for Middlmarch." Hornback 604-42. -----, Romola. London: Dent, 1907. -----, Silas Marner. London: J. M. Dent, 1906. -----, A Writer``s Notebook, 1854-1879, and Uncollected Writings. Ed. Joseph Wiesengarth. Charlottesville: UP of Virginia, 1981. Ellmann, Richard. "Dorothea``s Husbands." Hornback 750-65. Farrrel, John P.. "Crossroads to Community: Jude the Obscure and the Chronotope of Wessex." Dialogue, Culture, Critical Theory. Ed. Michael Macovski. Oxford:Oxford UP, 1997. 65-78. Freud, Sigmund. Civilization and its Discontents. N.Y.: W. W. Norton, 1961. Gardiner,Michael E.. "Bakhtin``s Prosaic Imagination." Critique of Everyday Life.London: Routledge, 2000. 43-70. Goodchild, Philip. Deleuze and Guattari: An Introduction to the Politics of Desire.London: Sage Publications, 1996. Holquist, Michael. "Answering as Authoring: Mikhail Bakhtin``s Trans-Linguistics."Bakhtin: Essays and Dialogues on His Work. Ed. Gary Saul Morson. Chicago:U of Chicago P, 1986. 59-71. --------, Dialogism: Bakhtin and His World. London: Routledge,1990. Hutchinson, Stuart, ed. George Eliot: Critical Assesments. Vol. 1. Biography,Nineteenth-century Reviews and Responses. East Sussex: East Sussex: Helm Information, 1996. James, Henry. " Middlemarch." Hutchinson 485-91. Kenney, Jr., Edward J. "George Eliot: Through the Looking Glass." Hornback 733-50. Leavis, F. R.. "George Eliot." The Great Tradition. N.Y.: New York UP, 1960. 28-125. Longus. Daphnis and Chloe. Collected Ancient Greek Novels. Trans. Christopher Bill.Ed. B.P. Reardon Berkeley: U of California P, 1989. 285-348. Matus, Jill L.. "From Hysteria to Maternity: Saint Theresa and the Madonna in Middlemarch." Manchester: Manchester UP, 1995. 213-48. McCracken, Scott. Pulp: Reading Popular Fiction. Manchester: Manchester UP,1998. Miller, J. Hillis. Victorian Subjects. N.Y: Harvester, 1990. Morson, Gary Saul, and Caryl Emerson. "The Chronotope." Creation of a Prosaics.Stanford: Stanford UP, 1990. 367-432. Morson, Gary Saul, and Emerson, Caryl, eds. Introduction: Rethinking Bakhtin.Rethinking Bakhtin: Extensions and Challengs. Evanston: Northwestern UP,1989. 1-60. Morson, Gary Saul, ed. Bakhtin: Essays and Dialogues on His Work.Chicago: U of Chicago P, 1986. Reilly, Jim."A History of the Lights and the Shadows": Aspects of History, Myth and Realism in Hardy and George Eliot." Shadowtime: History and Representation in Hardy, Conrad and George Eliot. London: Routledge, 1993. 45-82. Schorer, Mark. "Fiction and the ``Matrix of Analogy.``" Hornback 706-14. Wiesenfarth, Joseph. "Middlemarch: The Language of Art." PMLA 97 (1982): 363-77. Woolf, Virginia. "George Eliot." Women and Writing. Ed. Michele Barret. London:The Women``s Press, 1979. 150-60. zh_TW
