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題名 愛倫坡作品中之魑魅陽剛與同性慾望
Gothic Masculinity and Same-Sex Desire in the Works of Edgar Allan Poe作者 徐千惠
Hsu, Chien Hui貢獻者 葉德宣<br>趙順良
Yeh, Te Hsuan<br>Chao, Shun Liang
徐千惠
Hsu, Chien Hui關鍵詞 愛倫坡
哥德／志異
戰前奇情小說
負面情感
陽剛氣質
同性慾望
賽菊寇
巴特勒
Edgar Allan Poe
The Gothic
Antebellum sensation fiction
Negative affect
Masculinity
Same-sex desire
Eve Sedgwick
Judith Butler日期 2017 上傳時間 13-Sep-2017 14:01:57 (UTC+8) 摘要 本論文旨在分析愛倫坡作品中之陽剛氣質與同性慾望的社會建構，藉由探討男性敘事者的負面情感與角色間的同性社交慾望，本研究意欲以酷兒閱讀的方法對美國戰前時期文本提出新詮。論文第一部分剖析短篇故事《黑貓》中正典陽剛氣質與異性戀婚家常規之共構、重探維多利亞時期公私領域分離的意識形態如何性別化地形塑家庭與酒館之文化意義，並據此提出敘事者和其寵物黑貓間的親密關係或可理解為一種酷兒情慾之隱喻。在此脈絡下，敘事者對雄貓之恐懼與同性親密關係之拒斥遂映照出其悖離資本主義式中產階級男性身分之挫敗陽剛。第二部分以《威廉‧威爾森》為例，探討哥德傳統中反覆出現的替身母題與自戀和男性偏執妄想之內在關聯。延續傳統上常見於愛倫坡研究的心理分析方法，此章在不否定將主角替身視為超我的前提下，將焦點轉移至主角與替身之間競爭關係的曖昧模稜，並揭示這種競爭關係與賽菊寇同性社交慾望理論之若合符節。第三部分檢視同性慾望結構中常見的死亡慾力與肉身性如何具體而微地在長篇小說《亞瑟‧戈登‧皮姆之自述》中呈現。此章從巴特勒對佛洛伊德《傷逝與憂鬱》論述之改寫出發，重新闡釋故事中帶有毀滅色彩的重要場景──奧古斯特之死與集體食人，並分析同性愛結構中被壓抑的慾力投注如何以情感遺骸之形式往復迴返，成為美國戰前時期性別憂鬱之縮影。據此，論文將問題意識收束在三個面向:陽剛身分之內在裂隙、同性社交情誼之踰越性、與情感的性別政治意涵，透過梳理愛倫坡筆下男性角色的負面情感，本論文得以發掘其作品中哥德元素、破碎陽剛與酷兒情慾間的潛在關聯，進而揭示同性情慾如何在美國戰前文學中隱沒／現身。
The present study engages three works written by Edgar Allan Poe to contextualize the construction of masculinity and same-sex desire in antebellum sensation fictions. While ample analyses have been dedicated to Poe’s depictions of femininity, the interrelation between masculinity and incipient homoeroticism in his stories proves to be significantly understudied. By examining the negative affects of Poe’s male protagonists—respectively fear in “The Black Cat,” paranoia in “William Wilson,” and melancholia in The Narrative of Arthur Gordon Pym of Nantucket, this project aims to provide a queer reinterpretation of these texts.Structurally, the thesis consists of five chapters. The second chapter délinéâtes the Victorian separate spheres ideology to explore its significance in the formation of normative manhood in “The Black Cat.” By underscoring the homoerotic Relationship between the narrator and Pluto, the study thereby sees the conclusion of the story as a testimonial to the unattainable ideals of Jacksonian manhood and its oppressive continuum with the heterosexual domestic sphere. In so doing, the study is able to substantiate a connection between the narrator’s perverseness with a homosocial desire that is subjected to heteronormative cultural silencing.The third chapter is an attempt to establish a linkage between Gothic doubling, narcissism, and male paranoia in “William Wilson.” While exhaustive studies have been taken upon to validate the readings wherein the second Wilson is treated as the narrator’s super-ego, the present study further argues that Gothic doubling finds expression in this tale in the form of capitalist competitiveness. Building on this observation, the project examines Poe’s doubling in relation to the narrator’s paranoia and his conscious disengagement from the patriarchal social order. Through a reassessment of the gentlemanly edifices of Poe’s male characters, this study explores the constructedness of antebellum manhood and discovers a concurrence of onanism and homosexuality in Poe’s time, thereby establishing a connection between Wilson’s narcissistic desire and its homoerotic potentialities.Lastly, the fourth chapter demonstrates how unconsummated mourning over the loss of same-sex ties in The Narrative of Arthur Gordon Pym of Nantucket functions as an integral part of Jacksonian normative male identity. Focusing on the queer connotations of Pym’s break from patronymic ties, this study contends that becoming the antebellum subject entails a preclusion of homosexual attachments.Reconsidering the protagonist’s inability to mourn Augustus Barnard’s death and the crew’s cannibalism, this study sees Arthur Gordon Pym as the Butlerian melancholic subject who is unable to perform the work of mourning for his beloved object. Read in tandem with Freud’s conception of primordial parricide, the fraternal revolt that works at the center of the story can be viewed as a form of gender nonconformity which foregrounds melancholia in the abandonment of familial bonds.As such, the project excavates the instability, constructedness, and finally—the Gothicness that underlie Poe’s representations of masculinity. Reappraising the failed manhood of Poe’s men, this thesis concludes that the affective dynamics between Poe’s male characters are inextricably bound up with their broken masculinity andqueer homoerotics.參考文獻 Anthony, David. “Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic.” American Literature 76.4 (2004): 719-47. Print.Auerbach, Jonathan. The Romance of Failure: First-Person Fictions of Poe, Hawthorne, and James. NY: Oxford UP, 1989. Print.Benfey, Christopher. “Poe and the Unreadable: ‘The Black Cat’ and ‘The Tell-Tale Heart.’ New Essays on Poe’s Major Tales. Ed. Kenneth Silverman. Cambridge: Cambridge UP, 1993. 27-44. Print. Bersani, Leo. No Future: Queer Theory and the Death Drive. US: Duke UP, 2004. Print.Bliss, Ann V. “Household Horror: Domestic Masculinity in Poe’s ‘The Black Cat.’” Explicator 67.2 (2009): 96-99. Web. 5 April 2016.Boggs, Colleen Glenney. “Animals and the Letter of the Law (Edgar Allan Poe).” Animalia Americana: Animal Representations and Biopolitical Subjectivity. NY: Columbia UP, 2012. 126-48. Print.Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. NY: Routledge, 1990. Print.——. The Psychic Life of Power: Theories in Subjection. Stanford: Stanford UP, 1997. Print.Carter, Angela. “The Bloody Chamber.” The Bloody Chamber and Other Stories. US: Penguin, 2011. 20. Print.Caserio, Robert L., et al. “The Antisocial Thesis in Queer Theory.” PMLA 121.3 (2006): 819-28. Web. 7 June 2017.Crain, Caleb. “Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels.” American Literature 66.1 (1994): 25-53. Web. 22 February 2017.Cvetkovich, Ann. “Marketing Affect: The Nineteenth-Century Sensation Novel.” Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism. New Brunswick: Rutgers UP, 1992. 13-25. Print.Dayan, Joan. “Amorous Bondage: Poe, Ladies, and Slaves.” American Literature 66.2 (1994): 239-73. Web. 5 April 2016.Edelman, Lee. Homographesis: Essays in Gay Literary and Cultural Theory. NY: Routledge, 1994. Print.——. No Future: Queer Theory and the Death Drive. Durham: Duke UP, 2004. Print.Feldberg, Michael. “Urbanization as a Cause of Violence: Philadelphia as a Test Case.” The Peoples of Philadelphia: A History of Ethnic Groups and Lower-Class Life, 1790-1940. Ed. Allen F. Davis and Mark H. Haller. Philadelphia: U of Pennsylvania P, 1998. 53-69. Print.Fernández-Santiago, Miriam. “Edgar Allan Poe’s Narrative Use of Literary Doubling.” Mediterranean Journal of Social Sciences 4.1 (2013): 71-82. Web. February 3, 2016.Fiedler, Leslie. Love and Death in the American Novel. NY: Stein and Day, 1966. Print.Foster, George G. “Philadelphia in Slices.” The Pennsylvania Magazine of History and Biography 93.1 (1969): 23-72. Web. 7 March 2017.Foucault, Michel. The History of Sexuality, Volume One: An Introduction. NY: Vintage, 1978. Print.Freud, Sigmund. “Mourning and Melancholia.” Standard Edition. Vol. 14. Trans. James Strachey. London: Hogarth, 1953. 243-58. Print. ——. “Psycho-analytic Notes on An Autobiographical Account of A Case of Paranoia(Dementia Paranoides).” Standard Edition. Vol. 24. Trans. James Strachey. London: Hogarth, 1958. 9-82. Print.——. The Interpretation of Dreams. Raleigh: Hayes Barton, 1950. Print.——. “The ‘Uncanny.’” Trans. James Strachey. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVII (1917-1919): An Infantile Neurosis and Other Works. 217-56. PEP Web Archive. Web. 2 February 2017.——. Totem and Taboo. London: Routledge, 2001. Print.Gargano, James W. “‘The Black Cat’: Perverseness Reconsidered.” Texas Studies in Literature and Language 2.2 (1960): 172-78. U of Texas P. Web.12 April 2016. Garrett, Peter K. Gothic Reflections: Narrative Force in Nineteenth-Century Fiction.Ithaca: Cornell UP, 2003. Print. Ginsberg, Lesley. “Slavery and the Gothic Horror of Poe’s ‘The Black Cat.’’’American Gothic: New Interventions in a National Narrative. Ed. Robert K Martin. Iowa: U of Iowa P, 1988. 99-128. Print. Graham, Sylvester. A Lecture to Young Men on Chastity: Intended Also for the Serious Consideration of Parents and Guardians (1834). Boston: George W. Light, 1838. Print.Greven, David. Gender Protest and Same-Sex Desire in Antebellum American Literature. UK: Ashgate, 2014. Print.Haggerty, George E. Queer Gothic. Great Britain: U of Illinois P, 2006. Print.Halberstam, Jack. Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke UP, 2006. Print.Hanson, Ellis. Introduction. Out Takes: Essays on Queer Theory and Film. Ed. Ellis Hanson. Durham: Duke UP, 1999. 4. Print.Harvey, Ronald C. The Critical History of Edgar Allan Poe’s The Narrative of Arthur Gordon Pym: A Dialogue with Unreason. NY: Garland, 1998. Print.Hocquenghem, Guy. Homosexual Desire. Trans. Daniella Dangoor. Durham, NC: Duke UP, 1993. Print.Kennedy, J. Gerald. “The Violence of Melancholy: Poe against Himself.” American Literary History 8.3 (1996): 533-51. Web. 2 March 2017. Kilgour, Maggie. From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation. Princeton: Princeton UP, 1990. Print.Kristeva, Julia. Black Sun: Depression and Melancholia. NY: Columbia UP, 1989. Print.Lee, Maurice S. “Absolute Poe: His System of Transcendental Racism.” American Literature 75.4 (2003): 751-81. Web. 20 February 2017.Leverenz, David. “Poe and Gentry Virginia.” Ed. Shawn Rosenheim and Stephen Rachman. The American Face of Edgar Allan Poe. Baltimore: The Johns Hopkins UP, 1995. 210-36. Print.Lint, Brad. “The Hermaphrodite in the Abyss: Queering Poe’s Pym.” The Edgar Allan Poe Review 7.1 (2006): 49-60. Web. 22 June 2016.Looby, Christopher. ‘“Innocent Homosexuality’: the Fiedler Thesis in Retrospect.” Ed. Gerald Graff and James Phelan. The Adventures of Huckleberry Finn: A CaseStudy in Critical Controversy. Boston: Bedford Books of St. Martin’s Press, 1995. 535-50. Print.Love, Heather. Feeling Backward: Loss and the Politics of Queer History. London: 2007, Harvard UP. Print.Mccallum, E. L. “The ‘Queer Limits’ in the Modern Gothic.” Ed. Jerrold E. Hogle. The Cambridge Companion to the Modern Gothic. Cambridge: Cambridge UP, 2014. 71-86. Print.Min, Susette. “Remains to Be Seen: Reading the Works of Dean Sameshima and Khanh Vo.” Loss: The Politics of Mourning. Ed. David L. Eng and David Kazanjian. Berkeley: U of California P, 2003. Print.Møllegaard, Kirsten. “Animal Invasion: Estrangement and the Domestic Uncanny in Edgar Allan Poe’s ‘The Black Cat’ and ‘The Murders in the Rue Morgue.’”International Journal of Arts and Sciences 7.5 (2014): 11-25. Web. 5 April 2016.Monnet, Agnieszka S. The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Great Britain: Ashgate, 2010. Print.Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. NY: Vintage Books, 1993. Print.Neff, Brian. Frightening Masculinity: Gothic Affect and Antebellum Manhood. Diss. The Pennsylvania State U, 2010. Print.Novosat, Courtney. “Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s ‘The Murders in the Rue Morgue.’” Poe Studies 45.1 (2012): 78-106. Web. 28 February 2017.Person, Leland S. “Poe and Nineteenth-Century Gender Constructions.” A Historical Guide to Edgar Allan Poe. Ed. J. Gerald Kennedy. NY: Oxford UP, 2001. 129-65. Print. ——. “Queer Poe: The Tell-Tale Heart of His Fiction.” Poe Studies 41.1 (2008): 7-30. Web. 12 March 2017.Peyser, Thomas. “Poe’s ‘William Wilson’ and the Nightmare of Equality.” Explicator68.2 (2010): 101-03. Web. 20 May 2016. Plath, Sylvia. “The Couriers.” Ariel. NY: Perennial Classics, 1999. 2. Print.Pocock, J. G. A. Virtue, Commerce, and History: Essays on Political Thoughtand History, Chiefly in the Eighteenth Century. Cambridge, UK: CambridgeUP, 1985. 235. Print. Poe, Edgar Allan. “Instinct vs Reason—a Black Cat.” Alexander’s Weekly Messenger 4.5 (1840): 2. Web. 26 February 2017.——.The Annotated Poe. Ed. Kevin J. Hayes. US: The Belknap of Harvard UP, 2015. Print.——. “The Black Cat.” The Portable Edgar Allan Poe. NY: Penguin, 2006. 192-201. Print. ——. “The Imp of the Perverse.” Ed. J. Gerald Kennedy. The Portable Edgar Allan Poe. NY: Penguin, 2006. 202-07. Print.——. “The Narrative of Arthur Gordon Pym of Nantucket.” Ed. Burton R. Pollin. The Collected Writings of Edgar Allan Poe: Volume I: The Imaginary Voyages. Boston: Twayne, 1981. 53-208. Print.——. “The Poetic Principle.” Ed. T. O. Mabbott. The Selected Poetry and Prose ofEdgar Allan Poe. NY: Random House, 1951. 383-403. 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Print.——. “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, YouProbably Think This Essay Is About You.” Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP, 2003. 123-51. Print. ——. The Coherence of Gothic Conventions. NY: Yale, 1976. Print.Stadler, Gustavus T. “Poe and Queer Studies.” Poe Studies 33.1 (2000): 19-22. Web. 28 February 2016. Warner, Michael. Introduction. Fear of a Queer Planet. By Warner. Minneapolis: U ofMinnesota P, 1993. vii-xxxi. Print.Welter, Barbara. “The Cult of True Womanhood: 1820-1860.” American Quarterly18.2 (1996): 151-74. Print.Yonjae, Jung. “Poe’s ‘William Wilson.’” The Explicator 65.2 (2007): 82-84. Web. January 15, 2017. 描述 碩士
國立政治大學
英國語文學系
101551010資料來源 http://thesis.lib.nccu.edu.tw/record/#G1015510104 資料類型 thesis dc.contributor.advisor 葉德宣<br>趙順良 zh_TW dc.contributor.advisor Yeh, Te Hsuan<br>Chao, Shun Liang en_US dc.contributor.author (Authors) 徐千惠 zh_TW dc.contributor.author (Authors) Hsu, Chien Hui en_US dc.creator (作者) 徐千惠 zh_TW dc.creator (作者) Hsu, Chien Hui en_US dc.date (日期) 2017 en_US dc.date.accessioned 13-Sep-2017 14:01:57 (UTC+8) - dc.date.available 13-Sep-2017 14:01:57 (UTC+8) - dc.date.issued (上傳時間) 13-Sep-2017 14:01:57 (UTC+8) - dc.identifier (Other Identifiers) G1015510104 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/112597 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description (描述) 101551010 zh_TW dc.description.abstract (摘要) 本論文旨在分析愛倫坡作品中之陽剛氣質與同性慾望的社會建構，藉由探討男性敘事者的負面情感與角色間的同性社交慾望，本研究意欲以酷兒閱讀的方法對美國戰前時期文本提出新詮。論文第一部分剖析短篇故事《黑貓》中正典陽剛氣質與異性戀婚家常規之共構、重探維多利亞時期公私領域分離的意識形態如何性別化地形塑家庭與酒館之文化意義，並據此提出敘事者和其寵物黑貓間的親密關係或可理解為一種酷兒情慾之隱喻。在此脈絡下，敘事者對雄貓之恐懼與同性親密關係之拒斥遂映照出其悖離資本主義式中產階級男性身分之挫敗陽剛。第二部分以《威廉‧威爾森》為例，探討哥德傳統中反覆出現的替身母題與自戀和男性偏執妄想之內在關聯。延續傳統上常見於愛倫坡研究的心理分析方法，此章在不否定將主角替身視為超我的前提下，將焦點轉移至主角與替身之間競爭關係的曖昧模稜，並揭示這種競爭關係與賽菊寇同性社交慾望理論之若合符節。第三部分檢視同性慾望結構中常見的死亡慾力與肉身性如何具體而微地在長篇小說《亞瑟‧戈登‧皮姆之自述》中呈現。此章從巴特勒對佛洛伊德《傷逝與憂鬱》論述之改寫出發，重新闡釋故事中帶有毀滅色彩的重要場景──奧古斯特之死與集體食人，並分析同性愛結構中被壓抑的慾力投注如何以情感遺骸之形式往復迴返，成為美國戰前時期性別憂鬱之縮影。據此，論文將問題意識收束在三個面向:陽剛身分之內在裂隙、同性社交情誼之踰越性、與情感的性別政治意涵，透過梳理愛倫坡筆下男性角色的負面情感，本論文得以發掘其作品中哥德元素、破碎陽剛與酷兒情慾間的潛在關聯，進而揭示同性情慾如何在美國戰前文學中隱沒／現身。 zh_TW dc.description.abstract (摘要) The present study engages three works written by Edgar Allan Poe to contextualize the construction of masculinity and same-sex desire in antebellum sensation fictions. While ample analyses have been dedicated to Poe’s depictions of femininity, the interrelation between masculinity and incipient homoeroticism in his stories proves to be significantly understudied. By examining the negative affects of Poe’s male protagonists—respectively fear in “The Black Cat,” paranoia in “William Wilson,” and melancholia in The Narrative of Arthur Gordon Pym of Nantucket, this project aims to provide a queer reinterpretation of these texts.Structurally, the thesis consists of five chapters. The second chapter délinéâtes the Victorian separate spheres ideology to explore its significance in the formation of normative manhood in “The Black Cat.” By underscoring the homoerotic Relationship between the narrator and Pluto, the study thereby sees the conclusion of the story as a testimonial to the unattainable ideals of Jacksonian manhood and its oppressive continuum with the heterosexual domestic sphere. In so doing, the study is able to substantiate a connection between the narrator’s perverseness with a homosocial desire that is subjected to heteronormative cultural silencing.The third chapter is an attempt to establish a linkage between Gothic doubling, narcissism, and male paranoia in “William Wilson.” While exhaustive studies have been taken upon to validate the readings wherein the second Wilson is treated as the narrator’s super-ego, the present study further argues that Gothic doubling finds expression in this tale in the form of capitalist competitiveness. Building on this observation, the project examines Poe’s doubling in relation to the narrator’s paranoia and his conscious disengagement from the patriarchal social order. Through a reassessment of the gentlemanly edifices of Poe’s male characters, this study explores the constructedness of antebellum manhood and discovers a concurrence of onanism and homosexuality in Poe’s time, thereby establishing a connection between Wilson’s narcissistic desire and its homoerotic potentialities.Lastly, the fourth chapter demonstrates how unconsummated mourning over the loss of same-sex ties in The Narrative of Arthur Gordon Pym of Nantucket functions as an integral part of Jacksonian normative male identity. Focusing on the queer connotations of Pym’s break from patronymic ties, this study contends that becoming the antebellum subject entails a preclusion of homosexual attachments.Reconsidering the protagonist’s inability to mourn Augustus Barnard’s death and the crew’s cannibalism, this study sees Arthur Gordon Pym as the Butlerian melancholic subject who is unable to perform the work of mourning for his beloved object. Read in tandem with Freud’s conception of primordial parricide, the fraternal revolt that works at the center of the story can be viewed as a form of gender nonconformity which foregrounds melancholia in the abandonment of familial bonds.As such, the project excavates the instability, constructedness, and finally—the Gothicness that underlie Poe’s representations of masculinity. Reappraising the failed manhood of Poe’s men, this thesis concludes that the affective dynamics between Poe’s male characters are inextricably bound up with their broken masculinity andqueer homoerotics. en_US dc.description.tableofcontents Chapter 1 Introduction 11.1 Critical Background 21.2 Gothic Masculinity and Romantic Camaraderie 151.3 Chapter Organization 28Chapter 2 Constructing Jacksonian Manhood: Fear and Homosocial Desire in “The Black Cat” 332.1 Victorian Gender Formation: Separate Spheres Ideology and Its Discontents 332.2 “Spirit of PERVERSENESS”: Desires Untold 392.3 Household Horror: “the Cult of True Manhood” 50Chapter 3 “In Secret Communion with Myself”: Male Paranoia in “William Wilson” 573.1 Poe’s Literary Doubling 573.2 The Southern Gentleman As Fiction 643.3 “In Secret Communion with Myself”: Onanistic Desire and Male Paranoia 69Chapter 4 Queering Poe: Gender Melancholia in The Narrative of Arthur Gordon Pym of Nantucket 774.1 Corporealized Male Bodies and Deviant Fraternity 774.2 Unmournable Loss: Broken Intimacy and Impossible Love 854.3 Cannibalistic Desire and Homosexuality 90Chapter 5 Conclusion 97Works Cited 102 zh_TW dc.format.extent 1476552 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G1015510104 en_US dc.subject (關鍵詞) 愛倫坡 zh_TW dc.subject (關鍵詞) 哥德／志異 zh_TW dc.subject (關鍵詞) 戰前奇情小說 zh_TW dc.subject (關鍵詞) 負面情感 zh_TW dc.subject (關鍵詞) 陽剛氣質 zh_TW dc.subject (關鍵詞) 同性慾望 zh_TW dc.subject (關鍵詞) 賽菊寇 zh_TW dc.subject (關鍵詞) 巴特勒 zh_TW dc.subject (關鍵詞) Edgar Allan Poe en_US dc.subject (關鍵詞) The Gothic en_US dc.subject (關鍵詞) Antebellum sensation fiction en_US dc.subject (關鍵詞) Negative affect en_US dc.subject (關鍵詞) Masculinity en_US dc.subject (關鍵詞) Same-sex desire en_US dc.subject (關鍵詞) Eve Sedgwick en_US dc.subject (關鍵詞) Judith Butler en_US dc.title (題名) 愛倫坡作品中之魑魅陽剛與同性慾望 zh_TW dc.title (題名) Gothic Masculinity and Same-Sex Desire in the Works of Edgar Allan Poe en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Anthony, David. “Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic.” American Literature 76.4 (2004): 719-47. 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