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題名 「如現實成夢」：以布萊希亞理論閱讀艾蜜莉．狄金生詩作
“As made Reality a Dream”: A Baudrillardian Reading of Emily Dickinson’s Poetry
作者 吳信賢
Wu, Hsin-Hsien
貢獻者 楊麗敏
Yang, Li-Min
吳信賢
Wu, Hsin-Hsien
關鍵詞 艾蜜莉．狄金生
尚．布萊希亞
擬像
符號
夢/空想
社會
烏托邦/反烏托邦
Emily Dickinson
Jean Baudrillard
Simulacra
Sign
Dream/Fantasy
Society
Utopia/Dystopia
日期 2020
上傳時間 2-Mar-2020 10:55:55 (UTC+8)
摘要 本論文試圖透過尚．布萊希亞對於擬像與複製之概念，探求艾蜜莉．狄金生詩作中「夢」這一概念的後現代面容。藉助布萊希亞對於符號霸權的思索，本文將狄金生的夢境意象視作一種空想，並察覺其招來人們欲求理想的符號。本文不僅於詩人關於夢與作夢的寫作中，深思其中符號的無所不在，並更將觀察延伸，在詩人思慮社會的其他詩作中，探詢這所謂「符號」的影響。

本論文周旋在三個面向之間：夢的概念、人類社會裡的社會關聯、烏托邦/反烏托邦夢境空間。藉著探討詩作〈我們作夢——正是好我們做夢著〉(強生531)、〈夢猶如細微的嫁妝〉(強生1376)、〈死期正像是無門的房屋〉(強生475)，本文首先深思「夢」一詞的各種定義，並試圖將這樣所謂的「夢」定義為欲求理想的空想。而在這個符號主宰的夢域中，必須注意的是，空想從不帶來理想，反而只是欺騙地招來理想的符號作為替代。

隨著分析另三首詩〈我一早出發——帶著我的狗——〉(強生520)、〈瘋癲相當才是最神聖的理性——〉(強生435)、〈文明——鄙斥——那花豹呀！〉(強生492)，本文探討詩文中對人類社會的視察。考量著人類社會裡的社會關聯，詩人對於人們追求理想的夢/空想，被扣於社會次序的問題，以及自我與他者的衝突上。

最後，藉著探索詩作〈「天堂」帶著不同符號——對我來說〉(強生575)、〈那裏有著某一道歪斜的光，〉(強生258)、〈身在那狹小蜂巢中〉(強生1607)，一個飄忽在烏托邦與反烏托邦分界之間的夢境空間最終被察見。而所謂意義的曖昧不明也在此審視著。
This thesis proposes to pursue a rather postmodernist landscape of Emily Dickinson’s concept of dream in several of her poems, in light of Jean Baudrillard’s idea of simulation and simulacra. With a Baudrillardian consideration that aims at the supremacy of signs, the thesis reads Dickinson’s dream imagery as an equivalent of fantasy that brings signs to actualise one’s desire for the ideal. The thesis not only considers the prevalence of signs in the poet’s writings on dream and dreaming. More extensively, it also traces the effectiveness of the so-called “signs” in a wider range of her poems where locates the poet’s concern over human society.

The thesis wanders around three aspects: the notion of dreams defined as ideals and deception, social relationships within human society, and the utopian/dystopian dreamscape. With “We dream – it is good we are dreaming –” (J 531), “Dreams are the subtle Dower” (J 1376), and “Doom is the House without Door” (J 475) examined, the thesis firstly considers the diverse definitions of the term “dream,” and tends to define the alleged “dream” as fantasy about desiring the ideal. Yet, in the realm of dream where signs dominate, it is also noted that fantasy never brings the ideal but just deceptively summons signs of the ideal for substitution.

With another three poems “I started Early – Took my Dog –” (J 520), “Much Madness is divinest Sense –” (J 435), and “Civilization – spurns – the Leopard!” (J 492) discussed, a deeper concern about human society is then taken in the thesis. Concerning social relationship within human society, the poet’s concerns over the dream/fantasy about the ideal are thus anchored at the problems of social order and the conflicts between the self and the Other.

Lastly, with three poems of Emily Dickinson “‘Heaven’ has different Signs – to me –” (J 575), “There’s a certain Slant of light,” (J 258), and “Within that little Hive” (J 1607) explored, the manifestation of the utopian/dystopian dreamscape is a final focus in the thesis. The question of vagueness in meaning here is also sophisticatedly examined.
參考文獻 Barker, Wendy. “Emily Dickinson and Poetic Strategy.” The Cambridge Companion to Emily Dickinson, edited by Wendy Martin, Cambridge UP, 2002, pp. 77-90.
Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser, The U of Michigan P, 1994.
———. “The Order of Simulacra.” Symbolic Exchange and Death, edited by Lain Hamilton Grant, Sage, 1993, pp. 50-86.
Benfey, Christopher. “Nearness and Neighbors.” Emily Dickinson and the Problem of Others, The U of Massachusetts P, 1984, pp. 63-79.
Cameron, Sharon. Choosing Not Choosing. The U of Chicago P, 1992.
Curtis, Audrey. “Social Etiquette.” Martin, vol. 2, pp. 784-89.
Deppman, Jed. Trying to Think with Emily Dickinson. The U of Massachusetts P, 2008.
Dickinson, Emily. “Civilization – spurns – the Leopard!” (492). Johnson, p. 236
———. “‘Heaven’ has different Signs – to me –” (575). Johnson, p. 280.
———. “Dreams are the subtle Dower” (1376). Johnson, p. 592.
———. “Doom is the House without Door” (475). Johnson, p. 229.
———. “I dwell in Possibility” (657). Johnson, p. 327
———. “I started Early – Took my Dog –” (520). Johnson, p. 254-55
———. “Much Madness is divinest Sense –” (435) Johnson, p. 209
———. “There’s a certain Slant of light,” (258). Johnson, p. 118.
———. “We dream – it is good we are dreaming –” (531). Johnson, pp. 259-60.
———. “Within that little Hive” (1607). Johnson, p. 664.
“Dream.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/565805. Accessed 31 March. 2018.
“Dream.” Oxford English Dictionary, www.oed.com/view/Entry/57600?. Accessed 31 March. 2018.
Emily Dickinson Lexicon. Brigham Young University, 2007–2017, edl.byu.edu.
Farr, Judith. The Gardens of Emily Dickinson. Harvard UP. 2004
Finnerty, Páraic. “A Dickinson Reverie: The Worm, the Snake, Marvel, and Nineteenth-century Dreaming.” The Emily Dickinson Journal, vol. 16, no. 2, 2007, pp. 94-119. Proquest, search.proquest.com/docview/216521309?accountid=10067. Accessed 31 March. 2018.
Genosko, Gary. Baudrillard and Signs: Signification Ablaze. Routledge. 1994.
Grabher, Gudrun, et al., editors. The Emily Dickinson Handbook. U of Massachusetts P, 1998.
Hagenbüchle, Roland. “Dickinson and Literary Theory.” Grabher, pp. 356-384.
Hammer, Jaji Crocker. “Cultural Norms.” Martin, vol. 1, pp. 213-218.
“Heaven.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/565805. Accessed 20 Nov. 2019.
Johnson, Thomas H, editor. The Complete Poems of Emily Dickinson. By Emily Dickinson, Back Bay Books, 1960.
Jones, Lisa Marie. “Leopard.” Martin, vol. 2, pp. 512-13.
Kellner, Douglas. “Media, Simulations and the End of the Social.” Jean Baudrillard: From Maxism to Postmodernism and Beyond, Standford UP, 1989, pp. 61-92.
Lechte, John. “Imaginary.” The Baudrillard Dictionary, edited by Richard G. Smith, Edinburgh UP, 2010, pp. 103-5.
Leiter, Sharon. Critical Companion to Emily Dickinson: A Literary Reference to Her Life and Work. Facts On File, 2007.
Martin, Wendy, editor. All Things Dickinson: An Encyclopedia of Emily Dickinson’s World. Vol. 1 A-H, Greenwood, 2014.
———, editor. All Things Dickinson: An Encyclopedia of Emily Dickinson’s World. Vol. 2 I-Z, Greenwood, 2014.
———, editor. The Cambridge Companion to Emily Dickinson. Cambridge UP, 2002.
McCabe, Brian F. “Dream.” Martin, vol. 1, pp. 277-280.
———. “Heaven.” Martin, vol. 1, pp. 438-39.
Miller, Christian, “Dickinson’s Experiments in Language.” Grabher, pp. 240-57.
Morris, Caroline Ann. “Madness.” Martin, vol. 2, pp. 557-560.
Oxford English Dictionary: The Definitive Record of the English Language. Oxford UP, 2017, www.oed.com.
“Paradise.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/431423. Accessed 20 Nov. 2019.
Pawlett, William. “Simulation and the End of the Social.” Jean Baudrillard: Against Banality, Routledge, 2007, pp. 70-90.
———. “Simulacra + Simulacrum.” Richard Smith, pp. 196-198.
Porter, David. “Searching for Dickinson’s Themes.” Grabher, pp.183-196.
“Prudent.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/432047. Accessed 20 Nov. 2019.
Smith, Richard G., editor. The Baudrillard Dictionary. Edinburgh UP, 2010.
Smith, Robert McClure. The Seductions of Emily Dickinson. Tuscaloosa: The U of Alabama P, 1996.
St. Armand, Barton Levi. Emily Dickinson and Her Culture: The Soul’s Society. Cambridge UP, 1984.
Stocks, Kenneth. Emily Dickinson and the Modern Consciousness: A Poet of Our Time. Macmillan Press, 1988.
Tie, Rachel Nicole. “Normal and Abnormal.” Martin, vol. 2, pp. 640-45.
Vendler, Helen. Dickinson: Selected Poems and Commentaries. The Belknap P of Harvard UP, 2010.
Weisbuch, Robert. “Prisming Dickinson; or, Gathering Paradise by Letting Go.” Grabher, pp. 197-223.
Wernick, Andrew. “Simulation.” Richard Smith, pp. 199-201.
“Utopia.” Oxford English Dictionary, www.oed.com.autorpa.lib.nccu.edu.tw/view/Entry/220784?redirectedFrom=utopia#eid. Accessed 20 Nov. 2019.
Zapedowska, Magdalena. “Citizens of Paradise: Dickinson and Emmanuel Levinas’s Phenomenology of the Home.” The Emily Dickinson Journal, vol. 12, no. 2, 2003, pp. 69-104
描述 碩士
國立政治大學
英國語文學系
103551005
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0103551005
資料類型 thesis
dc.contributor.advisor 楊麗敏zh_TW
dc.contributor.advisor Yang, Li-Minen_US
dc.contributor.author (Authors) 吳信賢zh_TW
dc.contributor.author (Authors) Wu, Hsin-Hsienen_US
dc.creator (作者) 吳信賢zh_TW
dc.creator (作者) Wu, Hsin-Hsienen_US
dc.date (日期) 2020en_US
dc.date.accessioned 2-Mar-2020 10:55:55 (UTC+8)-
dc.date.available 2-Mar-2020 10:55:55 (UTC+8)-
dc.date.issued (上傳時間) 2-Mar-2020 10:55:55 (UTC+8)-
dc.identifier (Other Identifiers) G0103551005en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/128761-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description (描述) 103551005zh_TW
dc.description.abstract (摘要) 本論文試圖透過尚．布萊希亞對於擬像與複製之概念，探求艾蜜莉．狄金生詩作中「夢」這一概念的後現代面容。藉助布萊希亞對於符號霸權的思索，本文將狄金生的夢境意象視作一種空想，並察覺其招來人們欲求理想的符號。本文不僅於詩人關於夢與作夢的寫作中，深思其中符號的無所不在，並更將觀察延伸，在詩人思慮社會的其他詩作中，探詢這所謂「符號」的影響。

本論文周旋在三個面向之間：夢的概念、人類社會裡的社會關聯、烏托邦/反烏托邦夢境空間。藉著探討詩作〈我們作夢——正是好我們做夢著〉(強生531)、〈夢猶如細微的嫁妝〉(強生1376)、〈死期正像是無門的房屋〉(強生475)，本文首先深思「夢」一詞的各種定義，並試圖將這樣所謂的「夢」定義為欲求理想的空想。而在這個符號主宰的夢域中，必須注意的是，空想從不帶來理想，反而只是欺騙地招來理想的符號作為替代。

隨著分析另三首詩〈我一早出發——帶著我的狗——〉(強生520)、〈瘋癲相當才是最神聖的理性——〉(強生435)、〈文明——鄙斥——那花豹呀！〉(強生492)，本文探討詩文中對人類社會的視察。考量著人類社會裡的社會關聯，詩人對於人們追求理想的夢/空想，被扣於社會次序的問題，以及自我與他者的衝突上。

最後，藉著探索詩作〈「天堂」帶著不同符號——對我來說〉(強生575)、〈那裏有著某一道歪斜的光，〉(強生258)、〈身在那狹小蜂巢中〉(強生1607)，一個飄忽在烏托邦與反烏托邦分界之間的夢境空間最終被察見。而所謂意義的曖昧不明也在此審視著。		zh_TW
dc.description.abstract (摘要) This thesis proposes to pursue a rather postmodernist landscape of Emily Dickinson’s concept of dream in several of her poems, in light of Jean Baudrillard’s idea of simulation and simulacra. With a Baudrillardian consideration that aims at the supremacy of signs, the thesis reads Dickinson’s dream imagery as an equivalent of fantasy that brings signs to actualise one’s desire for the ideal. The thesis not only considers the prevalence of signs in the poet’s writings on dream and dreaming. More extensively, it also traces the effectiveness of the so-called “signs” in a wider range of her poems where locates the poet’s concern over human society.

The thesis wanders around three aspects: the notion of dreams defined as ideals and deception, social relationships within human society, and the utopian/dystopian dreamscape. With “We dream – it is good we are dreaming –” (J 531), “Dreams are the subtle Dower” (J 1376), and “Doom is the House without Door” (J 475) examined, the thesis firstly considers the diverse definitions of the term “dream,” and tends to define the alleged “dream” as fantasy about desiring the ideal. Yet, in the realm of dream where signs dominate, it is also noted that fantasy never brings the ideal but just deceptively summons signs of the ideal for substitution.

With another three poems “I started Early – Took my Dog –” (J 520), “Much Madness is divinest Sense –” (J 435), and “Civilization – spurns – the Leopard!” (J 492) discussed, a deeper concern about human society is then taken in the thesis. Concerning social relationship within human society, the poet’s concerns over the dream/fantasy about the ideal are thus anchored at the problems of social order and the conflicts between the self and the Other.

Lastly, with three poems of Emily Dickinson “‘Heaven’ has different Signs – to me –” (J 575), “There’s a certain Slant of light,” (J 258), and “Within that little Hive” (J 1607) explored, the manifestation of the utopian/dystopian dreamscape is a final focus in the thesis. The question of vagueness in meaning here is also sophisticatedly examined.		en_US
dc.description.tableofcontents Acknowledgement iii
Chinese Abstract v
English Abstract vi

Chapter One: Introduction 1
I. Literature Review 3
II. Problems 8
III. Methodology 11
IV. Chapter Organization 15

Chapter Two: Dream with Simulacra 21
I. Introduction 21
II. Warning against Dream and Dreaming 23
III. Dreaming about the Ideal 28
IV. Mistaking Dream & Reality and the Deceptive Ambiguity in Simulacra 30
V. Conclusion 36

Chapter Three: Dreaming in Society 37
I. Introduction 37
II. The Simulacra-constructed Social Order and Social Relations 45
III. The Social Order that “Baptizes” Us 53
IV. The Abatement of Individuality 61
V. Conclusion 67

Chapter Four: Dreaming in a Utopian/Dystopian Dreamscape 71
I. Introduction 71
II. A Fairer Paradise in Doubt: Utopian or Dystopian? 78
III. A Particular Slant on the “Light”: Signs of Meanings in Vagueness 89
IV. Conclusion 96

Chapter Five: Conclusion 99

Works Cited 105		zh_TW
dc.format.extent 795116 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0103551005en_US
dc.subject (關鍵詞) 艾蜜莉．狄金生zh_TW
dc.subject (關鍵詞) 尚．布萊希亞zh_TW
dc.subject (關鍵詞) 擬像zh_TW
dc.subject (關鍵詞) 符號zh_TW
dc.subject (關鍵詞) 夢/空想zh_TW
dc.subject (關鍵詞) 社會zh_TW
dc.subject (關鍵詞) 烏托邦/反烏托邦zh_TW
dc.subject (關鍵詞) Emily Dickinsonen_US
dc.subject (關鍵詞) Jean Baudrillarden_US
dc.subject (關鍵詞) Simulacraen_US
dc.subject (關鍵詞) Signen_US
dc.subject (關鍵詞) Dream/Fantasyen_US
dc.subject (關鍵詞) Societyen_US
dc.subject (關鍵詞) Utopia/Dystopiaen_US
dc.title (題名) 「如現實成夢」：以布萊希亞理論閱讀艾蜜莉．狄金生詩作zh_TW
dc.title (題名) “As made Reality a Dream”: A Baudrillardian Reading of Emily Dickinson’s Poetryen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Barker, Wendy. “Emily Dickinson and Poetic Strategy.” The Cambridge Companion to Emily Dickinson, edited by Wendy Martin, Cambridge UP, 2002, pp. 77-90.
Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser, The U of Michigan P, 1994.
———. “The Order of Simulacra.” Symbolic Exchange and Death, edited by Lain Hamilton Grant, Sage, 1993, pp. 50-86.
Benfey, Christopher. “Nearness and Neighbors.” Emily Dickinson and the Problem of Others, The U of Massachusetts P, 1984, pp. 63-79.
Cameron, Sharon. Choosing Not Choosing. The U of Chicago P, 1992.
Curtis, Audrey. “Social Etiquette.” Martin, vol. 2, pp. 784-89.
Deppman, Jed. Trying to Think with Emily Dickinson. The U of Massachusetts P, 2008.
Dickinson, Emily. “Civilization – spurns – the Leopard!” (492). Johnson, p. 236
———. “‘Heaven’ has different Signs – to me –” (575). Johnson, p. 280.
———. “Dreams are the subtle Dower” (1376). Johnson, p. 592.
———. “Doom is the House without Door” (475). Johnson, p. 229.
———. “I dwell in Possibility” (657). Johnson, p. 327
———. “I started Early – Took my Dog –” (520). Johnson, p. 254-55
———. “Much Madness is divinest Sense –” (435) Johnson, p. 209
———. “There’s a certain Slant of light,” (258). Johnson, p. 118.
———. “We dream – it is good we are dreaming –” (531). Johnson, pp. 259-60.
———. “Within that little Hive” (1607). Johnson, p. 664.
“Dream.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/565805. Accessed 31 March. 2018.
“Dream.” Oxford English Dictionary, www.oed.com/view/Entry/57600?. Accessed 31 March. 2018.
Emily Dickinson Lexicon. Brigham Young University, 2007–2017, edl.byu.edu.
Farr, Judith. The Gardens of Emily Dickinson. Harvard UP. 2004
Finnerty, Páraic. “A Dickinson Reverie: The Worm, the Snake, Marvel, and Nineteenth-century Dreaming.” The Emily Dickinson Journal, vol. 16, no. 2, 2007, pp. 94-119. Proquest, search.proquest.com/docview/216521309?accountid=10067. Accessed 31 March. 2018.
Genosko, Gary. Baudrillard and Signs: Signification Ablaze. Routledge. 1994.
Grabher, Gudrun, et al., editors. The Emily Dickinson Handbook. U of Massachusetts P, 1998.
Hagenbüchle, Roland. “Dickinson and Literary Theory.” Grabher, pp. 356-384.
Hammer, Jaji Crocker. “Cultural Norms.” Martin, vol. 1, pp. 213-218.
“Heaven.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/565805. Accessed 20 Nov. 2019.
Johnson, Thomas H, editor. The Complete Poems of Emily Dickinson. By Emily Dickinson, Back Bay Books, 1960.
Jones, Lisa Marie. “Leopard.” Martin, vol. 2, pp. 512-13.
Kellner, Douglas. “Media, Simulations and the End of the Social.” Jean Baudrillard: From Maxism to Postmodernism and Beyond, Standford UP, 1989, pp. 61-92.
Lechte, John. “Imaginary.” The Baudrillard Dictionary, edited by Richard G. Smith, Edinburgh UP, 2010, pp. 103-5.
Leiter, Sharon. Critical Companion to Emily Dickinson: A Literary Reference to Her Life and Work. Facts On File, 2007.
Martin, Wendy, editor. All Things Dickinson: An Encyclopedia of Emily Dickinson’s World. Vol. 1 A-H, Greenwood, 2014.
———, editor. All Things Dickinson: An Encyclopedia of Emily Dickinson’s World. Vol. 2 I-Z, Greenwood, 2014.
———, editor. The Cambridge Companion to Emily Dickinson. Cambridge UP, 2002.
McCabe, Brian F. “Dream.” Martin, vol. 1, pp. 277-280.
———. “Heaven.” Martin, vol. 1, pp. 438-39.
Miller, Christian, “Dickinson’s Experiments in Language.” Grabher, pp. 240-57.
Morris, Caroline Ann. “Madness.” Martin, vol. 2, pp. 557-560.
Oxford English Dictionary: The Definitive Record of the English Language. Oxford UP, 2017, www.oed.com.
“Paradise.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/431423. Accessed 20 Nov. 2019.
Pawlett, William. “Simulation and the End of the Social.” Jean Baudrillard: Against Banality, Routledge, 2007, pp. 70-90.
———. “Simulacra + Simulacrum.” Richard Smith, pp. 196-198.
Porter, David. “Searching for Dickinson’s Themes.” Grabher, pp.183-196.
“Prudent.” Emily Dickinson Lexicon, edl.byu.edu/lexicon/term/432047. Accessed 20 Nov. 2019.
Smith, Richard G., editor. The Baudrillard Dictionary. Edinburgh UP, 2010.
Smith, Robert McClure. The Seductions of Emily Dickinson. Tuscaloosa: The U of Alabama P, 1996.
St. Armand, Barton Levi. Emily Dickinson and Her Culture: The Soul’s Society. Cambridge UP, 1984.
Stocks, Kenneth. Emily Dickinson and the Modern Consciousness: A Poet of Our Time. Macmillan Press, 1988.
Tie, Rachel Nicole. “Normal and Abnormal.” Martin, vol. 2, pp. 640-45.
Vendler, Helen. Dickinson: Selected Poems and Commentaries. The Belknap P of Harvard UP, 2010.
Weisbuch, Robert. “Prisming Dickinson; or, Gathering Paradise by Letting Go.” Grabher, pp. 197-223.
Wernick, Andrew. “Simulation.” Richard Smith, pp. 199-201.
“Utopia.” Oxford English Dictionary, www.oed.com.autorpa.lib.nccu.edu.tw/view/Entry/220784?redirectedFrom=utopia#eid. Accessed 20 Nov. 2019.
Zapedowska, Magdalena. “Citizens of Paradise: Dickinson and Emmanuel Levinas’s Phenomenology of the Home.” The Emily Dickinson Journal, vol. 12, no. 2, 2003, pp. 69-104		zh_TW
dc.identifier.doi (DOI) 10.6814/NCCU202000134en_US