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題名 《咆哮山莊》中的凝視、權力消長與和解
The Gaze, Power Shifting and the Reconciliation in Wuthering Heights作者 彭詠翎
Peng, Yung-Ling貢獻者 黃涵榆<br>陳音頤
Han-yu Huang<br>Eva Chen
彭詠翎
Peng, Yung-Ling關鍵詞 艾蜜莉．布朗忒
咆哮山莊
權力消長
凝視
空間
社會結構
Emily Brontë
Wuthering Heights
Power shifting
The gaze
Space
Social structures日期 2021 上傳時間 2-Sep-2021 15:26:20 (UTC+8) 摘要 我嘗試在《咆哮山莊》錯綜複雜的角色關係中，尋找可以分析權力關係的介質。探討凝視可以解釋人物動機，以及角色間豐沛的情感。因此從各種角度做文本分析，在第一章，從凝視的觀點，讀者可以發現在社會結構底下被人物隱藏所的心思。然而，社會脈絡不完全限制角色的發展，論文的第二章展現藉由觀察人物的凝視，人物間的權力運作關係顯而易見。以奈莉為例，她並非來自於上層家族，卻可以影響書中人物的命運。她充分利用職位的權力影響身邊的人們。在社會結構底下，角色們隱藏了他們的心思還有內心意志。凝視顯露了角色的內心意識，像是凱瑟琳生病時的意識焦點。凝視的動作也可以捕捉流動的意識，像是凱瑟琳預測了伊莎貝拉的未來。不過這些隱藏的部分，因為凝視得以被了解。最後，凝視成為生者與死者間溝通的媒介。舉例來說，凱瑟琳死後仍盤踞著咆哮山莊，不斷地提醒著希斯克里夫她的存在。希思克里夫能看見凱瑟琳的鬼魂，則讓他保持復仇的意圖。最後，藉由凝視，咆嘯山莊和畫眉田莊的第二代讓兩家得以和解。
Among the intricacy of the relationship between the characters in Wuthering Heights, I look for a medium to analyze the power shifting. Exploring the gaze explains the unspoken intentions and the passionate emotions of the characters. Therefore, I try to do textual analysis from various perspectives. For the first chapter, the reader discovers hidden motives under social structures through the lens of the gaze. The conflicts between the Heights and the Grange reflect the intertwined power in society. However, social class does not constrain characters. The demonstration of the power shift in the relationship is in the observation of the gaze in the second chapter. Nelly, as an example, does not come from a high-born family but manages to influence the fate of the characters. Nelly makes the most use of her position to influence the people around her. Under the power structure, the characters hold their inner voice and convey the will under power. The gaze indicates the consciousness of the characters and locates Catherine’s focalization when she is sick. The flow of consciousness can be captured by the movement of the gaze, as seen when Catherine, in a trance, forecasts Isabella’s future. Furthermore, the gaze depicts the inner voice and strong will of the characters. In the end, the gaze becomes a method for the life and the dead to communicate. For instance, Catherine keeps haunting Heathcliff in order to remind Heathcliff of her presence and Heathcliff seeing Catherine after her death retains his purpose of vengeance. Lastly, the gaze brings consolation for the second generation.參考文獻 Botting, Fred. Gothic. Routledge, 2005.Brontë, Emily. Wuthering Heights: Penguin Group, 2006.Benvenuto, Richard. “Wuthering Heights Depicts the Conflict Between Natural and Social Values.” Class Conflict in Emily Brontë’s Wuthering Heights, edited by Elizabeth Des Chenes, Greenhaven Press, 2011, pp. 53-64.Conger, Syndy M. and Homans, Margaret “Nature in Wuthering Heights” Modern Language Association. PMLA, vol. 93, no. 5, Oct., 1978, pp. 1003-1004.Creed, Barbara. The Monstrous—Feminine. Routledge, 2007.E. Pike, Judith, “‘My Name was Isabella Linton’: Coverture, Domestic Violence, and Mrs. Heathcliff`s Narrative in Wuthering Heights” Nineteenth-Century Literature, vol. 64, no. 3, December, 2009, pp. 347-383.Eagleton, Terry. “Wuthering Heights Depicts a Marxist Struggle.” Class Conflict in Emily Brontë’s Wuthering Heights, edited by Elizabeth Des Chenes, Greenhaven Press, 2011, pp. 75-87.Goldfarb, Russell M. “The Survival of Nelly Dean in “Wuthering Heights”” The Johns Hopkins University Press Stable, vol. 51, no. 4, 1989, pp. 53-63.Gibson, Richard Hughes. “Dickens and Forgiveness in 1846: Liberality and Liability” Forgiveness in Victorian Literature, Bloomsbury Academic, 2015, pp39-78.Geerken, Ingrid. “‘The Dead Are Not Annihilated’: Mortal Regret in ‘Wuthering Heights’” Journal of Narrative Theory, vol. 34, no. 3, 2004, pp. 373-406.Lutz, Deborah. “Relics and Death Culture in Wuthering Heights.” Duke UP, 2012, pp. 389-408.Levy, Eric P. “The Psychology of Loneliness in Wuthering Heights” Studies in the Novel, ProQuest Central, 1996, pp. 158-177.Miller, Hillis J. Fiction and Repetition. Bedford Books, 1992.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Oxford UP, 1999: 833-44.Newman, Beth. “The Situation of the Looker-On: Gender, Narration, and Gaze in Wuthering Heights.” Modern Language Association, vol. 105, no. 5, 1996, pp. 1029-1041.Newman, Beth. “Wuthering Heights Reflects the Social Changes of Its Time.” Class Conflict in Emily Brontë’s Wuthering Heights, edited by Elizabeth Des Chenes, Greenhaven Press, 2011, pp. 44-52.Pike, Judith E. “‘My name was Isabella Linton’”: Coverture, Domestic Violence, and Mrs. Heathcliff`s Narrative in Wuthering Heights” Nineteenth-Century Literature, vol. 64, no. 3, December, 2009, pp. 347-383.Shunami, Gideon. “The Unreliable Narrator in Wuthering Heights” University of California Press, no. 4, 1973, vol. 27, pp. 449-468.Freud, Sigmund. “Medusa’s Head.” Der Internationalen Zeitschrift für Psychoanalyse und Imago, vol. 25, 1922, pp. 273-274Tong, Rosemarie. Feminist Thought. Westview Press, 2009.van Ghent, Dorothy “The Window Figure and the Two-Children Figure in ‘Wuthering Heights’” Nineteenth-Century Fiction, vol. 7, no. 3, Dec., 1952, pp. 189-197.Žižek, Slavoj. “In His Bold Gaze My Ruins Writ Large.” Everything You Always Wanted to Know about Lacan: (but Were Afraid to Ask Hitchkock) 1992, Verso, pp. 211-234 描述 碩士
國立政治大學
英國語文學系
106551009資料來源 http://thesis.lib.nccu.edu.tw/record/#G0106551009 資料類型 thesis dc.contributor.advisor 黃涵榆<br>陳音頤 zh_TW dc.contributor.advisor Han-yu Huang<br>Eva Chen en_US dc.contributor.author (Authors) 彭詠翎 zh_TW dc.contributor.author (Authors) Peng, Yung-Ling en_US dc.creator (作者) 彭詠翎 zh_TW dc.creator (作者) Peng, Yung-Ling en_US dc.date (日期) 2021 en_US dc.date.accessioned 2-Sep-2021 15:26:20 (UTC+8) - dc.date.available 2-Sep-2021 15:26:20 (UTC+8) - dc.date.issued (上傳時間) 2-Sep-2021 15:26:20 (UTC+8) - dc.identifier (Other Identifiers) G0106551009 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/136812 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description (描述) 106551009 zh_TW dc.description.abstract (摘要) 我嘗試在《咆哮山莊》錯綜複雜的角色關係中，尋找可以分析權力關係的介質。探討凝視可以解釋人物動機，以及角色間豐沛的情感。因此從各種角度做文本分析，在第一章，從凝視的觀點，讀者可以發現在社會結構底下被人物隱藏所的心思。然而，社會脈絡不完全限制角色的發展，論文的第二章展現藉由觀察人物的凝視，人物間的權力運作關係顯而易見。以奈莉為例，她並非來自於上層家族，卻可以影響書中人物的命運。她充分利用職位的權力影響身邊的人們。在社會結構底下，角色們隱藏了他們的心思還有內心意志。凝視顯露了角色的內心意識，像是凱瑟琳生病時的意識焦點。凝視的動作也可以捕捉流動的意識，像是凱瑟琳預測了伊莎貝拉的未來。不過這些隱藏的部分，因為凝視得以被了解。最後，凝視成為生者與死者間溝通的媒介。舉例來說，凱瑟琳死後仍盤踞著咆哮山莊，不斷地提醒著希斯克里夫她的存在。希思克里夫能看見凱瑟琳的鬼魂，則讓他保持復仇的意圖。最後，藉由凝視，咆嘯山莊和畫眉田莊的第二代讓兩家得以和解。 zh_TW dc.description.abstract (摘要) Among the intricacy of the relationship between the characters in Wuthering Heights, I look for a medium to analyze the power shifting. Exploring the gaze explains the unspoken intentions and the passionate emotions of the characters. Therefore, I try to do textual analysis from various perspectives. For the first chapter, the reader discovers hidden motives under social structures through the lens of the gaze. The conflicts between the Heights and the Grange reflect the intertwined power in society. However, social class does not constrain characters. The demonstration of the power shift in the relationship is in the observation of the gaze in the second chapter. Nelly, as an example, does not come from a high-born family but manages to influence the fate of the characters. Nelly makes the most use of her position to influence the people around her. Under the power structure, the characters hold their inner voice and convey the will under power. The gaze indicates the consciousness of the characters and locates Catherine’s focalization when she is sick. The flow of consciousness can be captured by the movement of the gaze, as seen when Catherine, in a trance, forecasts Isabella’s future. Furthermore, the gaze depicts the inner voice and strong will of the characters. In the end, the gaze becomes a method for the life and the dead to communicate. For instance, Catherine keeps haunting Heathcliff in order to remind Heathcliff of her presence and Heathcliff seeing Catherine after her death retains his purpose of vengeance. Lastly, the gaze brings consolation for the second generation. en_US dc.description.tableofcontents Abstract vIntroduction 1Chapter One: The Power of the Gaze 13Chapter Two: Space and Time in the Action 33Chapter Three: Reconciliation 45Conclusion 57Works Cited 59 zh_TW dc.format.extent 564761 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0106551009 en_US dc.subject (關鍵詞) 艾蜜莉．布朗忒 zh_TW dc.subject (關鍵詞) 咆哮山莊 zh_TW dc.subject (關鍵詞) 權力消長 zh_TW dc.subject (關鍵詞) 凝視 zh_TW dc.subject (關鍵詞) 空間 zh_TW dc.subject (關鍵詞) 社會結構 zh_TW dc.subject (關鍵詞) Emily Brontë en_US dc.subject (關鍵詞) Wuthering Heights en_US dc.subject (關鍵詞) Power shifting en_US dc.subject (關鍵詞) The gaze en_US dc.subject (關鍵詞) Space en_US dc.subject (關鍵詞) Social structures en_US dc.title (題名) 《咆哮山莊》中的凝視、權力消長與和解 zh_TW dc.title (題名) The Gaze, Power Shifting and the Reconciliation in Wuthering Heights en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Botting, Fred. Gothic. Routledge, 2005.Brontë, Emily. Wuthering Heights: Penguin Group, 2006.Benvenuto, Richard. “Wuthering Heights Depicts the Conflict Between Natural and Social Values.” Class Conflict in Emily Brontë’s Wuthering Heights, edited by Elizabeth Des Chenes, Greenhaven Press, 2011, pp. 53-64.Conger, Syndy M. and Homans, Margaret “Nature in Wuthering Heights” Modern Language Association. PMLA, vol. 93, no. 5, Oct., 1978, pp. 1003-1004.Creed, Barbara. The Monstrous—Feminine. Routledge, 2007.E. Pike, Judith, “‘My Name was Isabella Linton’: Coverture, Domestic Violence, and Mrs. Heathcliff`s Narrative in Wuthering Heights” Nineteenth-Century Literature, vol. 64, no. 3, December, 2009, pp. 347-383.Eagleton, Terry. “Wuthering Heights Depicts a Marxist Struggle.” Class Conflict in Emily Brontë’s Wuthering Heights, edited by Elizabeth Des Chenes, Greenhaven Press, 2011, pp. 75-87.Goldfarb, Russell M. “The Survival of Nelly Dean in “Wuthering Heights”” The Johns Hopkins University Press Stable, vol. 51, no. 4, 1989, pp. 53-63.Gibson, Richard Hughes. “Dickens and Forgiveness in 1846: Liberality and Liability” Forgiveness in Victorian Literature, Bloomsbury Academic, 2015, pp39-78.Geerken, Ingrid. “‘The Dead Are Not Annihilated’: Mortal Regret in ‘Wuthering Heights’” Journal of Narrative Theory, vol. 34, no. 3, 2004, pp. 373-406.Lutz, Deborah. “Relics and Death Culture in Wuthering Heights.” Duke UP, 2012, pp. 389-408.Levy, Eric P. “The Psychology of Loneliness in Wuthering Heights” Studies in the Novel, ProQuest Central, 1996, pp. 158-177.Miller, Hillis J. Fiction and Repetition. Bedford Books, 1992.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Oxford UP, 1999: 833-44.Newman, Beth. “The Situation of the Looker-On: Gender, Narration, and Gaze in Wuthering Heights.” Modern Language Association, vol. 105, no. 5, 1996, pp. 1029-1041.Newman, Beth. “Wuthering Heights Reflects the Social Changes of Its Time.” Class Conflict in Emily Brontë’s Wuthering Heights, edited by Elizabeth Des Chenes, Greenhaven Press, 2011, pp. 44-52.Pike, Judith E. “‘My name was Isabella Linton’”: Coverture, Domestic Violence, and Mrs. Heathcliff`s Narrative in Wuthering Heights” Nineteenth-Century Literature, vol. 64, no. 3, December, 2009, pp. 347-383.Shunami, Gideon. “The Unreliable Narrator in Wuthering Heights” University of California Press, no. 4, 1973, vol. 27, pp. 449-468.Freud, Sigmund. “Medusa’s Head.” Der Internationalen Zeitschrift für Psychoanalyse und Imago, vol. 25, 1922, pp. 273-274Tong, Rosemarie. Feminist Thought. Westview Press, 2009.van Ghent, Dorothy “The Window Figure and the Two-Children Figure in ‘Wuthering Heights’” Nineteenth-Century Fiction, vol. 7, no. 3, Dec., 1952, pp. 189-197.Žižek, Slavoj. “In His Bold Gaze My Ruins Writ Large.” Everything You Always Wanted to Know about Lacan: (but Were Afraid to Ask Hitchkock) 1992, Verso, pp. 211-234 zh_TW dc.identifier.doi (DOI) 10.6814/NCCU202101366 en_US
