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題名 衝突、信仰和愛:丹·西蒙斯《海伯利安四部曲》中的生命政治
Conflict, Belief, and Love: The Biopolitics in Dan Simmons’ Hyperion Cantos作者 陳月汀
Chen, Yüeh-Ting貢獻者 羅狼仁
Brian David Phillips
陳月汀
Chen, Yüeh-Ting關鍵詞 生命政治
科幻小說
人性
人工智能
Biopolitics
Science fiction
Humanity
Artificial Intelligence日期 2023 上傳時間 6-Jul-2023 17:03:34 (UTC+8) 摘要 本論文旨在分析科幻小說《海伯利安四部曲》中對生命政治的呈現,並探討小說中不同主題,包括衝突、信仰和愛等。這本小說作為一個警示故事,警告人們要警惕技術進步對人類精神造成的危險。作者丹·西蒙斯描繪了一個反烏托邦未來,其中人工智能已經超越人類控制,導致人性的喪失。本論文評論小說對人類狀態的看法,強調了重新發現人性和追求內在改善的必要性。透過分析小說的主題,揭示了作者對生命政治的觀點,強調了人性內在本質的重要性。小說用Aenea替代了聖三一,Aenea是由人工智能和人類共同創造的救世主,主張尊重多樣性和真正的演化本質。
This dissertation analyzes biopolitics in the science fiction series Hyperion Cantos, exploring themes such as conflict, belief, and love. The novel serves as a cautionary tale, warning against the dangers posed to the human spirit by technological progress. Author Dan Simmons portrays a dystopian future where artificial intelligence has surpassed human control, resulting in a loss of humanity. This dissertation emphasizes the necessity of rediscovering humanity and striving for internal improvement. The author’s perspective on biopolitics is revealed through an analysis of the novel’s themes, highlighting the significance of humanity’s inner nature. In the Cantos, the Holy Trinity is replaced by Aenea, a messiah conceived by artificial intelligence and humans, advocating for respect for diversity and the true nature of evolution.參考文獻 Agamben, Giorgio. Homo Sacer. Sovereign Power and Bare Life. Stanford UP, 1998. —. State of Exception, trans. Kevin Attel. Chicago UP, 2005. —. The Time That Remains: A Commentary on the Letter to the Romans, trans. Patricia Dailey. Stanford UP, 2005. Beynon, Meurig, Chrystopher L. Nehaniv, and Kerstin Dautenhahn. Cognitive Technology Instruments of Mind: 4th International Conference, CT 2001, Warwick, UK, August 6-9, 2001. Springer, 2001. Blake, William. Songs of Innocence and Experience. Clarendon House Publications. Accessed 5 Aug. 2020. https://www.clarendonhousebooks.com/single-post/2016/04/24/eternity-is-in-love-with-the-productions-of-time-the-wisdom-of-william-blake. Brinks, Ellen. “The Male Romantic Poet as Gothic Subject: Keats’ Hyperion and The Fall of Hyperion: A Dream.” Nineteenth-Century Literature, vol. 54, no. 4 (March, 2000), pp. 427-454. Brownson, Orestes Augustus. Saint Worship and the Worship of Mary: Why Devotion to the Saints Makes Sense. Sophia Institute Press, 2003. Bush, Douglas. “The Date of Keats’ Fall of Hyperion.” Modern Language Notes, vol. 49, no. 5 (May, 1934), pp. 281-286. Bynum, Caroline Walker. The Resurrection of the Body in Western Christianity, 200- 1336. Columbia UP, 1995. Caldwell, James Ralston. “The Meaning of Hyperion.” PMLA, vol. 51, no. 4 (December, 1936), pp. 1080-1097. Cano, Antonio Fernández and Alfonso Fernández Guerrero. “Computers and Classical Myths.” Artificial Intelligence & Society, vol. 29, no. 1 (February, 2014), pp. 85-96. Carney, Sean. “Dan Simmons: Overview.” Contemporary Popular Writers, ed. Dave Mote, St. James Press, 1997. Gale Literature Resource Center. Accessed 13 Jan. 2020. https://link.gale.com/apps/doc/H1420007424/LitRC?u=nccu&sid=LitRC&xid=b3c6516d. Chaucer, Geoffrey. The Canterbury Tales. Penguin Classics, 2008. Chayers, Irene H. “Dreamer, Poet, and Poem in The Fall of Hyperion.” Nineteenth- Century Literature Criticism, edited by Lynn M. Zott, vol. 121, Gale, 2003. Gale Literature Resource Center. Accessed 13 Jan. 2020. https://link.gale.com/apps/doc/H1420048544/LitRC?u=nccu&sid=LitRC&xid=4 b405501. Clausewitz, Carl von. On War, edit. and trans. Michael Howard and Peter Paret; introductory essays by Peter Paret, Michael Howard, and Bernard Brodie; with a commentary by Bernard Brodie. Princeton UP, 1976. Csicsery-Ronay Jr., Istvan. “The Hyperion Cantos.” in The Cambridge Companion to Science Fiction, edited by Edward James and Farah Mendlesohn. Cambridge UP, 2003. Dan Simmons - Author’s Official Web Site. Web. Accessed 5 Aug. 2020. http://www.dansimmons.com. Dan Simmons Official web site. Accessed 20 July, 2020. http://www.dansimmons.com/books/bibliography.htm. Encyclopedia Britannica. “Hyperion.” Encyclopedia Britannica, Accessed 20 July, 2020. https://www.britannica.com/topic/Hyperion-Titan. Findlay, Andrew M. “The Changing Face of Population Geography: Innovative Approaches to Research on Population, Place and Space.” Population, Space and Place, vol. 15, no. 2, 2009, pp. 95-99. Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995. —. The Birth of Biopolitics--Lectures at the College de France, 1978-1979. Palgrave Macmillan, 2008. —. Power/Knowledge: Selected Interviews and Other Writings, 1972-1977. ed. Colin Gordon, Harvester Press, 1980. —. Society Must Be Defended: Lectures at the Collège de France, 1975-1976. ed. Mauro Bertani and Alessandro Fontana, trans. David Macey, Picador, 2003. —. The History of Sexuality: An Introduction. trans. Robert Hurley, Vintage Books, 1990. —. Sécurité, Territoire, Population. Cours au Collège de France (1977-78), Gallimard/Seuil (Collection « Hautes Études »), 2004. Fromm, Erich. The Art of Loving. HarperCollins Publishers, 1995. Frothingham, Octavius Brooks. The Cradle of the Christ. Putnam, 1877. Gigante, Denise. “The Monster in the Rainbow: Keats and the Science of Life.” PMLA, vol. 117, no. 3 (May, 2002), pp. 433-448. Gräslund, Christian. “The Romantic Poet in the Imaginary Future - John Keats in the Hyperion Cantos by Dan Simmons.” Accessed 15 Dec. 2021. https://www.diva-portal.org/smash/get/diva2:820943/FULLTEXT01.pdf. Hardt, Michael, & Negri, Antonio. Commonwealth. Belknap Press, 2009. Accessed 15 Dec. 2021. https://doi.org/10.2307/j.ctvjsf48h. Haworth, E. Helen. “The Titans, Apollo, and the Fortunate Fall in Keats’ Poetry.” Studies in English Literature, 1500-1900, vol. 10, no. 4, 1970, pp. 637-649. Hayles, N. Katherine. “The Life Cycle of Cyborgs: Writing the Posthuman.” in How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago UP, 1999. Hodge, Charles. What Is Darwinism? New York: Scribner, Armstrong, and Company, 1874. Accessed 19 Dec. 2021. https://www.gutenberg.org/ebooks/19192. Huang, Qing and Xu, Cheng. “The Connotation Analysis of John Keats’ ‘Negative Capability’.” Foreign Literature Studies, vol. 6, 2015, pp. 92-100. “Hyperion Study Guide.” eNotes. Accessed 5 August, 2020. http://armytage.net/updata/enotes-hyperion-guide.pdf. Joy, A. Eileen and Christine M. Neufeld. “A Confession of Faith: Notes Toward a New Humanism.” Journal of Narrative Theory, vol. 37, no. 2, Premodern to Modern Humanisms: The BABEL Project (Summer 2007), pp. 161-190. Keats, John. The Fall of Hyperion – A Dream. Poems by John Keats (1795-1821). Accessed 13 Jan. 2020. http://keats-poems.com/the-fall-of-hyperion-a-dream/. —. The Poems of John Keats. The Poetry Archive. Accessed 13 Jan. 2020. https://poetryarchive.org/poet/john-keats/. Kurzweil, Ray. The Age of Spiritual Machines-When Computers Exceed Human Intelligence. Viking Adult, 1999. Lacombe, Jérémy. “Bio-Power, Bio-Politics, and Bio-Objects: Epidemiological Surveillance in Vietnam.” Sociology of Health & Illness, vol. 33, no. 5, 2011, pp. 332-352. Machiavelli, Niccolò. The Prince. trans. by Rufus Goodwin. Dante UP, 2003. Marszalski, Mariusz. “Humanity’s Transhuman Future and the Ethics of the Other in Dan Simmons’ Hyperion Cantos.” Bohemica Litteraria, vol. 2, 2015, pp. 44-58. Matolcsy, Kálmán. “Banishing the Machine from the Garden: Ecology and Evolution in Dan Simmons’ Hyperion Cantos.” Academia.edu. Accessed 20 Jan. 2020. www.academia.edu/32689105/Banishing_the_Machine_from_the_Garden_Ecology_and_Evolution_in_Dan_Simmonss_Hyperion_Cantos. Michaelis, Loralea. “The Wisdom of Prometheus: Kant, Marx, and Hölderlin on Politics, Disappointment, and the Limits of Modernity.” Polity, vol. 31, no. 4, 1999, pp. 537-559. Milton, John. “Paradise Lost: Book 1.” Milton Reading Room. Accessed 20 Jan. 2020. https://milton.host.dartmouth.edu/reading_room/pl/book_1/text.shtml. Miyake, Hiroko. “Rethinking Music Therapy From the Perspective of Bio-politics.” Voices: A World Forum for Music Therapy, vol. 8, no. 3, 2008. Accessed 20 Jan. 2020. https://voices.no/index.php/voices/article/view/1765/1525. Morris, Henry. Scientific Creationism. Master Books, 2018. Nagy, H. Péter, József Keserű. “Alternative Canons in Popular Literature--Reading David Gemmell and Dan Simmons.” Eruditio - Educatio, vol. 2018, pp. 85-103. Newey, Vincent. “‘Alternate uproar and sad peace’: Keats, Politics, and the Idea of Revolution.” in The French Revolution in English Literature and Art Special Number, The Yearbook of English Studies, vol. 19, 1989, pp. 265-289. —. “Hyperion, The Fall of Hyperion, and Keats’ Epic Ambitions.” The Cambridge Companion to Keats, 2001, pp. 69–85. doi:10.1017/ccol0521651263.005. Ovid. Ars Amatoria, trans. A. S. Cline. South Geogia State College: 2001. Accessed 18 Feb. 2020. http://faculty.sgc.edu/rkelley/ars%20amatoria.pdf Palmer, Christoher. “Galactic Empires and the Contemporary Extravaganza: Dan Simmons and Iain M. Banks.” Science Fiction Studies (March 1999), pp. 73-90. Accessed 18 Feb. 2020. http://www.jstor.org/stable/4240753. Piot, Dorian. “Genre and Metadiscourse: The Shrike in Dan Simmons’ Hyperion.” Academia.edu, 2013. Accessed 21 Jan. 2020. www.academia.edu/6907055/Genre_and_Metadiscourse_The_Shrike_in_Dan_Simmonss_Hyperion. Rajan, Tilottama. “Keats, Poetry, and ‘The Absence of the Work’.” Modern Philology, vol. 95, no. 3 (February, 1998), pp. 334-351. Reed, A. Thomas. “Keats and the Gregarious Advance of Intellect in Hyperion.” ELH, vol. 55, no. 1, 1988, pp. 195-232. Roberts, John Hawley. “Did Keats Finish Hyperion?” Modern Language Notes, vol. 44, no. 5 (May, 1929), pp. 285-287. Rose, Gillian. Love’s Work: A Reckoning with Life. Schocken Books, 1995. Rousseau, Jean-Jacques. The Social Contract and Discourses. J.M. 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Accessed 20 Jan. 2020. https://en.wikipedia.org/wiki/Yggdrasil. Zhai, He. “Hyperion and Keats’ Pathos.” Literature Education, vol. 21, 2011, pp. 86-87. Žižek, Slavoj. “From Politics to Biopolitics . . . and Back.” The South Atlantic Quarterly, vol. 103, no. 2/3, 2004, pp. 502-521. 描述 博士
國立政治大學
英國語文學系
104551507資料來源 http://thesis.lib.nccu.edu.tw/record/#G0104551507 資料類型 thesis dc.contributor.advisor 羅狼仁 zh_TW dc.contributor.advisor Brian David Phillips en_US dc.contributor.author (Authors) 陳月汀 zh_TW dc.contributor.author (Authors) Chen, Yüeh-Ting en_US dc.creator (作者) 陳月汀 zh_TW dc.creator (作者) Chen, Yüeh-Ting en_US dc.date (日期) 2023 en_US dc.date.accessioned 6-Jul-2023 17:03:34 (UTC+8) - dc.date.available 6-Jul-2023 17:03:34 (UTC+8) - dc.date.issued (上傳時間) 6-Jul-2023 17:03:34 (UTC+8) - dc.identifier (Other Identifiers) G0104551507 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/145936 - dc.description (描述) 博士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description (描述) 104551507 zh_TW dc.description.abstract (摘要) 本論文旨在分析科幻小說《海伯利安四部曲》中對生命政治的呈現,並探討小說中不同主題,包括衝突、信仰和愛等。這本小說作為一個警示故事,警告人們要警惕技術進步對人類精神造成的危險。作者丹·西蒙斯描繪了一個反烏托邦未來,其中人工智能已經超越人類控制,導致人性的喪失。本論文評論小說對人類狀態的看法,強調了重新發現人性和追求內在改善的必要性。透過分析小說的主題,揭示了作者對生命政治的觀點,強調了人性內在本質的重要性。小說用Aenea替代了聖三一,Aenea是由人工智能和人類共同創造的救世主,主張尊重多樣性和真正的演化本質。 zh_TW dc.description.abstract (摘要) This dissertation analyzes biopolitics in the science fiction series Hyperion Cantos, exploring themes such as conflict, belief, and love. The novel serves as a cautionary tale, warning against the dangers posed to the human spirit by technological progress. Author Dan Simmons portrays a dystopian future where artificial intelligence has surpassed human control, resulting in a loss of humanity. This dissertation emphasizes the necessity of rediscovering humanity and striving for internal improvement. The author’s perspective on biopolitics is revealed through an analysis of the novel’s themes, highlighting the significance of humanity’s inner nature. In the Cantos, the Holy Trinity is replaced by Aenea, a messiah conceived by artificial intelligence and humans, advocating for respect for diversity and the true nature of evolution. en_US dc.description.tableofcontents Chinese Abstract vii English Abstract viii Chapter One Introduction 1 1. Original Contributions 7 2. Literature Review 13 3. Theoretical Framework 23 4. Dissertation Structure 25 Chapter Two Biopolitics as a Contemporary Well-Developed Attitude Towards the Future 33 1. Foucault 35 2. Hardt and Negri 37 3. Agamben 41 Chapter Three Three Essential Elements of Hyperion Cantos 47 1. Conflict: On War 49 2. Belief: Evolutionary Belief 54 3. Love: Ovid’s Ars Amatoria and Fromm’s The Art of Loving 60 Chapter Four Conflict: War and Total Uncertainty 73 1. The Armageddon between Humanity and Artificial Intelligence 77 2. The Fight between the Ousters and the Hegemony 95 3. The Struggle of Three Branches in AI 103 4. The Battle of Man Himself 107 Chapter Five Belief: Choose Again 132 1. Belief, Biopolitics, and the Search for Meaning in Sol’s Story 133 2. The Christianity Believed by Father Duré 143 3. The Zen Buddhism Believed by Aenea 156 Chapter Six Love: From Ovid to Fromm 173 1. Fatherly Love 173 2. Brotherly Love 179 3. Erotic Love 180 4. Self-Love 183 5. Love of God 189 6. Fake Love and the Great Revolution of Social Relations 202 Chapter Seven Conclusion: Conflict, Belief, and Love in Hyperion Cantos Embody Dan Simmons’ View on Biopolitics 212 Works Cited 223 zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0104551507 en_US dc.subject (關鍵詞) 生命政治 zh_TW dc.subject (關鍵詞) 科幻小說 zh_TW dc.subject (關鍵詞) 人性 zh_TW dc.subject (關鍵詞) 人工智能 zh_TW dc.subject (關鍵詞) Biopolitics en_US dc.subject (關鍵詞) Science fiction en_US dc.subject (關鍵詞) Humanity en_US dc.subject (關鍵詞) Artificial Intelligence en_US dc.title (題名) 衝突、信仰和愛:丹·西蒙斯《海伯利安四部曲》中的生命政治 zh_TW dc.title (題名) Conflict, Belief, and Love: The Biopolitics in Dan Simmons’ Hyperion Cantos en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Agamben, Giorgio. Homo Sacer. Sovereign Power and Bare Life. Stanford UP, 1998. —. State of Exception, trans. Kevin Attel. Chicago UP, 2005. —. The Time That Remains: A Commentary on the Letter to the Romans, trans. Patricia Dailey. Stanford UP, 2005. Beynon, Meurig, Chrystopher L. Nehaniv, and Kerstin Dautenhahn. Cognitive Technology Instruments of Mind: 4th International Conference, CT 2001, Warwick, UK, August 6-9, 2001. Springer, 2001. Blake, William. Songs of Innocence and Experience. Clarendon House Publications. Accessed 5 Aug. 2020. https://www.clarendonhousebooks.com/single-post/2016/04/24/eternity-is-in-love-with-the-productions-of-time-the-wisdom-of-william-blake. Brinks, Ellen. “The Male Romantic Poet as Gothic Subject: Keats’ Hyperion and The Fall of Hyperion: A Dream.” Nineteenth-Century Literature, vol. 54, no. 4 (March, 2000), pp. 427-454. Brownson, Orestes Augustus. Saint Worship and the Worship of Mary: Why Devotion to the Saints Makes Sense. Sophia Institute Press, 2003. Bush, Douglas. “The Date of Keats’ Fall of Hyperion.” Modern Language Notes, vol. 49, no. 5 (May, 1934), pp. 281-286. Bynum, Caroline Walker. The Resurrection of the Body in Western Christianity, 200- 1336. Columbia UP, 1995. Caldwell, James Ralston. “The Meaning of Hyperion.” PMLA, vol. 51, no. 4 (December, 1936), pp. 1080-1097. Cano, Antonio Fernández and Alfonso Fernández Guerrero. “Computers and Classical Myths.” Artificial Intelligence & Society, vol. 29, no. 1 (February, 2014), pp. 85-96. Carney, Sean. “Dan Simmons: Overview.” Contemporary Popular Writers, ed. Dave Mote, St. James Press, 1997. Gale Literature Resource Center. Accessed 13 Jan. 2020. https://link.gale.com/apps/doc/H1420007424/LitRC?u=nccu&sid=LitRC&xid=b3c6516d. Chaucer, Geoffrey. The Canterbury Tales. Penguin Classics, 2008. Chayers, Irene H. “Dreamer, Poet, and Poem in The Fall of Hyperion.” Nineteenth- Century Literature Criticism, edited by Lynn M. Zott, vol. 121, Gale, 2003. Gale Literature Resource Center. Accessed 13 Jan. 2020. https://link.gale.com/apps/doc/H1420048544/LitRC?u=nccu&sid=LitRC&xid=4 b405501. Clausewitz, Carl von. On War, edit. and trans. Michael Howard and Peter Paret; introductory essays by Peter Paret, Michael Howard, and Bernard Brodie; with a commentary by Bernard Brodie. Princeton UP, 1976. Csicsery-Ronay Jr., Istvan. “The Hyperion Cantos.” in The Cambridge Companion to Science Fiction, edited by Edward James and Farah Mendlesohn. Cambridge UP, 2003. Dan Simmons - Author’s Official Web Site. Web. Accessed 5 Aug. 2020. http://www.dansimmons.com. Dan Simmons Official web site. Accessed 20 July, 2020. http://www.dansimmons.com/books/bibliography.htm. Encyclopedia Britannica. “Hyperion.” Encyclopedia Britannica, Accessed 20 July, 2020. https://www.britannica.com/topic/Hyperion-Titan. Findlay, Andrew M. “The Changing Face of Population Geography: Innovative Approaches to Research on Population, Place and Space.” Population, Space and Place, vol. 15, no. 2, 2009, pp. 95-99. Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995. —. 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Gräslund, Christian. “The Romantic Poet in the Imaginary Future - John Keats in the Hyperion Cantos by Dan Simmons.” Accessed 15 Dec. 2021. https://www.diva-portal.org/smash/get/diva2:820943/FULLTEXT01.pdf. Hardt, Michael, & Negri, Antonio. Commonwealth. Belknap Press, 2009. Accessed 15 Dec. 2021. https://doi.org/10.2307/j.ctvjsf48h. Haworth, E. Helen. “The Titans, Apollo, and the Fortunate Fall in Keats’ Poetry.” Studies in English Literature, 1500-1900, vol. 10, no. 4, 1970, pp. 637-649. Hayles, N. Katherine. “The Life Cycle of Cyborgs: Writing the Posthuman.” in How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago UP, 1999. Hodge, Charles. What Is Darwinism? New York: Scribner, Armstrong, and Company, 1874. Accessed 19 Dec. 2021. https://www.gutenberg.org/ebooks/19192. 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