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題名 衰敗的預言 : 論《亞瑟王之死》中行使暴力與掌控命運之聯繫
The Intrinsic Failure of Chivalry: Violence and Fate in Le Morte d'Arthur
作者 謝丞璋
Hsieh, Cheng-Jang
貢獻者 施堂模
Thomas J. Sellari
謝丞璋
Hsieh, Cheng-Jang
關鍵詞 亞瑟王之死
暴力
預言
命運
喻象
Le Morte d'Arthur
Violence
Prophecy
Fate
Figura
日期 2024
上傳時間 5-八月-2024 15:00:30 (UTC+8)
摘要 《亞瑟王之死》纂於紛亂不息的動盪年代,然書中仍充滿著騎士行俠仗義的高貴情操。在不詳預言與悲劇收尾間,圓桌武士遊歷犯險的奇幻與血腥使隱約滾動的歷史與四散各處的命運交織。本文聚焦解析騎士承受強烈傷痛的鮮明軀體與蒙昧未來時壟時散的徵候,探索兩者是否有尚未釐清的連結引導此中古傳奇的發展。首先以Erich Auerbach和Roland Barthes的觀點分別檢視角色面對預兆和暴力展演的百態,解讀其於注定限制下的挑戰與釋然;並以Walter Benjamin對暴力本質的探討及Jacques Derrida和Giorgio Agamben的衍生評判,將人類對純粹秩序的追求與否應用於亞瑟王傳奇,從而雖猶見勢力抗衡傾軋的世俗輪迴,亦有投身現實專注行動構建理想之思冀,使騎士劍下或宿命掌中之暴力,無復僅係嚴守定數的規矩,而係在完滿轉瞬即逝下持續前進、最終形塑出命定之途的人本之氣。
Le Morte d’Arthur features gory violence and ominous prophecies within knights’ adventures, and this thesis tries to answer whether violence of characters or fate has any connection with the seemingly unavoidable tragedy in the end of the story. By consulting Erich Auerbach’s argument on figura and Roland Barthes’ discussion on violent spectacle, we recognize how prophetic events and knightly violence work respectively in the prophecies-shrouded Logres, and how characters can attain autonomy within these extant restrictions imposed by divinity or humans. Meanwhile, based on Walter Benjamin’s Critique of Violence and Jacques Derrida’s and Giorgio Agamben’s derivative arguments, the application of their dissection on humans’ pursuit of absolute order to the story enlightens our view on the inevitable course of the decadent legend, pointing out that the irreversible history and inexorable fate are fulfilled only by human agency. Since the temporal cycle of initiation and termination are the inherent part of humans’ struggle towards eternal truth, our urge for perfection both dooms us to corruption before unreachable ideals while prompting further breakthrough in extant boundaries.
參考文獻 Alter, Robert. The Art of Biblical Narrative. New York: Basic Books, 1981. Arkenberg, Megan. “‘A Mayde, and Last of Youre Blood’: Galahad’s Asexuality and Its Significance in ‘Le Morte Darthur.’” Arthuriana, vol. 24, no. 3, 2014, pp. 3–22. Auerbach, Erich. “Figura” 1938, In Auerbach, Scenes from the Drama of European Literature. Gloucester, Mass. Peter Smith, 1973. Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Princeton University Press, [1953] 2003. Auerbach, Erich. “Vico and Aesthetic Historism.” The Journal of Aesthetics and Art Criticism, vol. 8, no. 2, 1949, pp. 110–18. Barron, W. R. J. English Medieval Romance. Longman, 1987. Barthes, Roland. Mythologies. Trans. Annette Lavers. New York, Noonday Press, 1972. Benjamin, Walter. “Critique of violence.” Reflections: Essays, aphorisms, autobiographical writings. New York, Schocken Books, 1978, pp. 277-300. Benson, Larry Dean. King Arthur’s Death: The Middle English Stanzaic Morte Arthur and Alliterative Morte Arthure. Exeter, Devon, U.K: University of Exeter, 1986. Bliss, Jane. “Prophecy in the ‘Morte Darthur.’” Arthuriana, vol. 13, no. 1, 2003, pp. 1–16. Collingwood, R. G., and T. M. Knox. The Idea of History. Oxford, England: Clarendon Press, 1946. Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford University Press, 2004. Corrie, Marilyn. “‘God May Well Fordo Desteny’: Dealing with Fate, Destiny, and Fortune in Sir Thomas Malory’s ‘Le Morte Darthur’ and Other Late Medieval Writing.” Studies in Philology, vol. 110, no. 4, 2013, pp. 690–713. Corrie, Marilyn. “Self-Determination in the Post-Vulgate ‘Suite Du Merlin’ and Malory’s ‘Le Morte Darthur.’” Medium Ævum, vol. 73, no. 2, 2004, pp. 273–89. Feather, Jennifer. Writing combat and the self in early modern English literature: the pen and the sword. Springer, 2011. Field, Peter J. C. Romance and Chronicle: A Study of Malory’s Prose Style. Barrie and Jenkins, 1971. Finke Laurie A., and Martin B. Schichtman. “No Pain, No Gain: Violence as Symbolic Capital in Malory’s ‘Morte d’Arthur.’” Arthuriana, vol. 8, no. 2, 1998, pp. 115–34. Grosz, Elizabeth. “The Time of Violence; Deconstruction and Value.” College Literature, vol. 26, no. 1, 1999, pp. 8–18. Holte, Stine. “Legal, Mythic, and Divine Violence: Post-secular Entanglements in Walter Benjamin’s ‘Toward the Critique of Violence’.” Literature & Theology 36.3 (2022): 316-341. Houswitschka, Christoph. “Masculinity in Thomas Malory’s Morte Darthur”. Configuring Masculinity in Theory and Literary Practice. Leiden, The Netherlands: Brill, 2020. Hovind, Jacob. “Figural Interpretation as Modernist Hermeneutics: The Rhetoric of Erich Auerbach’s ‘Mimesis.’” Comparative Literature, vol. 64, no. 3, 2012, pp. 257–69. Huizinga, Z. Johan. Homo Ludens: A Study of the Play-Element in Culture. Routledge & K. Paul, 1980 Huizinga, Z. Johan. The Waning of the Middle Ages: A Study of the Forms of Life, Thought and Art in France and the Netherlands in the XIVth and Xvth Centuries. Edward Arnold, 1924. Kaeuper, Richard W., Elspeth Kennedy, and Geoffroi de Charny. The book of chivalry of Geoffroi de Charny: Text, context, and translation. 1996. Kapelle, Rachel. “Merlin’s Prophecies, Malory’s Lacunae.” Arthuriana, vol. 19, no. 2, 2009, pp. 58–81. Kennedy, Beverly. “Notions of adventure in Malory’s ‘Morte Darthur.’” Arthurian Interpretations, vol. 3, no. 2, 1989, pp. 38–59. Kennedy, Beverly. “The Idea of Providence in Malory’s ‘Le Morte Darthur.’” Arthuriana, vol. 11, no. 2, 2001, pp. 5–19. Lewis, C. S. The Discarded Image: An Introduction to Medieval and Renaissance Literature. Cambridge University Press, 1964. Luis Guzmán. “Benjamin’s Divine Violence: Unjustifiable Justice.” CR: The New Centennial Review, vol. 14, no. 2, 2014, pp. 49–64. Lynch, Andrew. Malory’s Book of Arms: The Narrative of Combat in Le Morte d’Arthur. Brewer, 1997. Malory, Thomas. Works. Ed. Eugene Vinaver. Second Edition. Oxford: Oxford UP, 1971. Mann, Jill, and Mark David Rasmussen. Life in Words: Essays on Chaucer, the Gawain-Poet, and Malory; University of Toronto Press, 2014. Mccausland, Elly. “‘Mervayle What Hit Mente’: Interpreting Pained Bodies in Malory’s ‘Morte Darthur.’” Arthuriana, vol. 26, no. 4, 2016, pp. 89–113. Morley, Neville. “Decadence as a Theory of History.” New Literary History, vol. 35, no. 4, 2004, pp. 573–85. Morris, Aubrey. “‘Here Is My Glove’: Introductory Oath-Taking and Trial by Combat in ‘Le Morte Darthur.’” Arthuriana, vol. 28, no. 1, 2018, pp. 20–37. Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. Yale University Press, 1994. Oyarzún, Pablo. “Law, Violence, History: A Brief Reading of the Last Paragraph of Walter Benjamin's “Toward the Critique of Violence”.” Critical Times 2.2 (2019): 330-337. Porter, James I. “Disfigurations: Erich Auerbach’s Theory of Figura.” Critical Inquiry, vol. 44, no. 1, 2017, pp. 80–113. Robeson, Lisa. “Noble Knights and ‘Mischievous War’: The Rhetoric of War in Malory’s ‘Le Morte Darthur.’” Arthuriana, vol. 13, no. 3, 2003, pp. 10–35. Ross, Alison. “The Distinction between Mythic and Divine Violence: Walter Benjamin's “Critique of Violence” from the Perspective of “Goethe's Elective Affinities”.” New German Critique 41.1 (2014): 93-120. Sanders, Arnold A. “Malory’s Transition Formulae: Fate, Volition, and Narrative Structure.” Arthurian Interpretations, vol. 2, no. 1, 1987, pp. 27–46. Schneider, Thomas R. “Malory’s ‘Fyne Force’: Motion in Le Morte Darthur.” Arthuriana, vol. 30, no. 4, 2020, pp. 56–69. Sinnerbrink, Robert. “Deconstructive Justice and the “Critique of Violence”: On Derrida and Benjamin.” Social Semiotics 16.3 (2006): 485-497. Spellmire, Adam. “The Questing Beast and the Noise of Adventure.” Arthuriana, vol. 27, no. 2, 2017, pp. 73–86 Stuhmiller, Jacqueline. “‘Iudicium Dei, Iudicium Fortunae’: Trial by Combat in Malory’s ‘Le Morte Darthur.’” Speculum, vol. 81, no. 2, 2006, pp. 427–62. Tuchman, Barbara Wertheim. A Distant Mirror: the Calamitous 14th Century. 1st trade ed. New York: Knopf, 1978. Print. Vinaver, Eugène. The Rise of Romance. D.S. Brewer, 1984. Wace, and Judith (Judith Elizabeth) Weiss. Wace’s Roman de Brut: A History of the British: Text and Translation. Rev. ed. Exeter, U.K: University of Exeter Press, 2002. Williams, Rosemary. Keywords: A Vocabulary of Culture and Society. Flamingo, 1983. Zacharias, Robert. ““And yet”: Derrida on Benjamin’s divine violence.” Mosaic: A journal for the interdisciplinary study of literature (2007): 103-116.
描述 碩士
國立政治大學
英國語文學系
110551015
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0110551015
資料類型 thesis
dc.contributor.advisor 施堂模zh_TW
dc.contributor.advisor Thomas J. Sellarien_US
dc.contributor.author (作者) 謝丞璋zh_TW
dc.contributor.author (作者) Hsieh, Cheng-Jangen_US
dc.creator (作者) 謝丞璋zh_TW
dc.creator (作者) Hsieh, Cheng-Jangen_US
dc.date (日期) 2024en_US
dc.date.accessioned 5-八月-2024 15:00:30 (UTC+8)-
dc.date.available 5-八月-2024 15:00:30 (UTC+8)-
dc.date.issued (上傳時間) 5-八月-2024 15:00:30 (UTC+8)-
dc.identifier (其他 識別碼) G0110551015en_US
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/152945-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description (描述) 110551015zh_TW
dc.description.abstract (摘要) 《亞瑟王之死》纂於紛亂不息的動盪年代,然書中仍充滿著騎士行俠仗義的高貴情操。在不詳預言與悲劇收尾間,圓桌武士遊歷犯險的奇幻與血腥使隱約滾動的歷史與四散各處的命運交織。本文聚焦解析騎士承受強烈傷痛的鮮明軀體與蒙昧未來時壟時散的徵候,探索兩者是否有尚未釐清的連結引導此中古傳奇的發展。首先以Erich Auerbach和Roland Barthes的觀點分別檢視角色面對預兆和暴力展演的百態,解讀其於注定限制下的挑戰與釋然;並以Walter Benjamin對暴力本質的探討及Jacques Derrida和Giorgio Agamben的衍生評判,將人類對純粹秩序的追求與否應用於亞瑟王傳奇,從而雖猶見勢力抗衡傾軋的世俗輪迴,亦有投身現實專注行動構建理想之思冀,使騎士劍下或宿命掌中之暴力,無復僅係嚴守定數的規矩,而係在完滿轉瞬即逝下持續前進、最終形塑出命定之途的人本之氣。zh_TW
dc.description.abstract (摘要) Le Morte d’Arthur features gory violence and ominous prophecies within knights’ adventures, and this thesis tries to answer whether violence of characters or fate has any connection with the seemingly unavoidable tragedy in the end of the story. By consulting Erich Auerbach’s argument on figura and Roland Barthes’ discussion on violent spectacle, we recognize how prophetic events and knightly violence work respectively in the prophecies-shrouded Logres, and how characters can attain autonomy within these extant restrictions imposed by divinity or humans. Meanwhile, based on Walter Benjamin’s Critique of Violence and Jacques Derrida’s and Giorgio Agamben’s derivative arguments, the application of their dissection on humans’ pursuit of absolute order to the story enlightens our view on the inevitable course of the decadent legend, pointing out that the irreversible history and inexorable fate are fulfilled only by human agency. Since the temporal cycle of initiation and termination are the inherent part of humans’ struggle towards eternal truth, our urge for perfection both dooms us to corruption before unreachable ideals while prompting further breakthrough in extant boundaries.en_US
dc.description.tableofcontents Chapter one Introduction 1 Chapter Two A Memory of the Future: Preordination and Figura in Le Morte d'Arthur 19 Chapter Three A Violence Called Fate: Tension between Human Volition and Prophecies 45 Chapter Four The Vestige of Combat: Knights in Action towards the Unknown 79 Chapter Five Conclusion 111 Works Cited 119zh_TW
dc.format.extent 1038920 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0110551015en_US
dc.subject (關鍵詞) 亞瑟王之死zh_TW
dc.subject (關鍵詞) 暴力zh_TW
dc.subject (關鍵詞) 預言zh_TW
dc.subject (關鍵詞) 命運zh_TW
dc.subject (關鍵詞) 喻象zh_TW
dc.subject (關鍵詞) Le Morte d'Arthuren_US
dc.subject (關鍵詞) Violenceen_US
dc.subject (關鍵詞) Prophecyen_US
dc.subject (關鍵詞) Fateen_US
dc.subject (關鍵詞) Figuraen_US
dc.title (題名) 衰敗的預言 : 論《亞瑟王之死》中行使暴力與掌控命運之聯繫zh_TW
dc.title (題名) The Intrinsic Failure of Chivalry: Violence and Fate in Le Morte d'Arthuren_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Alter, Robert. The Art of Biblical Narrative. New York: Basic Books, 1981. Arkenberg, Megan. “‘A Mayde, and Last of Youre Blood’: Galahad’s Asexuality and Its Significance in ‘Le Morte Darthur.’” Arthuriana, vol. 24, no. 3, 2014, pp. 3–22. Auerbach, Erich. “Figura” 1938, In Auerbach, Scenes from the Drama of European Literature. Gloucester, Mass. Peter Smith, 1973. Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Princeton University Press, [1953] 2003. Auerbach, Erich. “Vico and Aesthetic Historism.” The Journal of Aesthetics and Art Criticism, vol. 8, no. 2, 1949, pp. 110–18. Barron, W. R. J. English Medieval Romance. Longman, 1987. Barthes, Roland. Mythologies. Trans. Annette Lavers. New York, Noonday Press, 1972. Benjamin, Walter. “Critique of violence.” Reflections: Essays, aphorisms, autobiographical writings. New York, Schocken Books, 1978, pp. 277-300. Benson, Larry Dean. King Arthur’s Death: The Middle English Stanzaic Morte Arthur and Alliterative Morte Arthure. Exeter, Devon, U.K: University of Exeter, 1986. Bliss, Jane. “Prophecy in the ‘Morte Darthur.’” Arthuriana, vol. 13, no. 1, 2003, pp. 1–16. Collingwood, R. G., and T. M. Knox. The Idea of History. Oxford, England: Clarendon Press, 1946. Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford University Press, 2004. Corrie, Marilyn. “‘God May Well Fordo Desteny’: Dealing with Fate, Destiny, and Fortune in Sir Thomas Malory’s ‘Le Morte Darthur’ and Other Late Medieval Writing.” Studies in Philology, vol. 110, no. 4, 2013, pp. 690–713. Corrie, Marilyn. “Self-Determination in the Post-Vulgate ‘Suite Du Merlin’ and Malory’s ‘Le Morte Darthur.’” Medium Ævum, vol. 73, no. 2, 2004, pp. 273–89. Feather, Jennifer. Writing combat and the self in early modern English literature: the pen and the sword. Springer, 2011. Field, Peter J. C. Romance and Chronicle: A Study of Malory’s Prose Style. Barrie and Jenkins, 1971. Finke Laurie A., and Martin B. Schichtman. “No Pain, No Gain: Violence as Symbolic Capital in Malory’s ‘Morte d’Arthur.’” Arthuriana, vol. 8, no. 2, 1998, pp. 115–34. Grosz, Elizabeth. “The Time of Violence; Deconstruction and Value.” College Literature, vol. 26, no. 1, 1999, pp. 8–18. Holte, Stine. “Legal, Mythic, and Divine Violence: Post-secular Entanglements in Walter Benjamin’s ‘Toward the Critique of Violence’.” Literature & Theology 36.3 (2022): 316-341. Houswitschka, Christoph. “Masculinity in Thomas Malory’s Morte Darthur”. Configuring Masculinity in Theory and Literary Practice. Leiden, The Netherlands: Brill, 2020. Hovind, Jacob. “Figural Interpretation as Modernist Hermeneutics: The Rhetoric of Erich Auerbach’s ‘Mimesis.’” Comparative Literature, vol. 64, no. 3, 2012, pp. 257–69. Huizinga, Z. Johan. Homo Ludens: A Study of the Play-Element in Culture. Routledge & K. Paul, 1980 Huizinga, Z. Johan. The Waning of the Middle Ages: A Study of the Forms of Life, Thought and Art in France and the Netherlands in the XIVth and Xvth Centuries. Edward Arnold, 1924. Kaeuper, Richard W., Elspeth Kennedy, and Geoffroi de Charny. The book of chivalry of Geoffroi de Charny: Text, context, and translation. 1996. Kapelle, Rachel. “Merlin’s Prophecies, Malory’s Lacunae.” Arthuriana, vol. 19, no. 2, 2009, pp. 58–81. Kennedy, Beverly. “Notions of adventure in Malory’s ‘Morte Darthur.’” Arthurian Interpretations, vol. 3, no. 2, 1989, pp. 38–59. Kennedy, Beverly. “The Idea of Providence in Malory’s ‘Le Morte Darthur.’” Arthuriana, vol. 11, no. 2, 2001, pp. 5–19. Lewis, C. S. The Discarded Image: An Introduction to Medieval and Renaissance Literature. Cambridge University Press, 1964. Luis Guzmán. “Benjamin’s Divine Violence: Unjustifiable Justice.” CR: The New Centennial Review, vol. 14, no. 2, 2014, pp. 49–64. Lynch, Andrew. Malory’s Book of Arms: The Narrative of Combat in Le Morte d’Arthur. Brewer, 1997. Malory, Thomas. Works. Ed. Eugene Vinaver. Second Edition. Oxford: Oxford UP, 1971. Mann, Jill, and Mark David Rasmussen. Life in Words: Essays on Chaucer, the Gawain-Poet, and Malory; University of Toronto Press, 2014. Mccausland, Elly. “‘Mervayle What Hit Mente’: Interpreting Pained Bodies in Malory’s ‘Morte Darthur.’” Arthuriana, vol. 26, no. 4, 2016, pp. 89–113. Morley, Neville. “Decadence as a Theory of History.” New Literary History, vol. 35, no. 4, 2004, pp. 573–85. Morris, Aubrey. “‘Here Is My Glove’: Introductory Oath-Taking and Trial by Combat in ‘Le Morte Darthur.’” Arthuriana, vol. 28, no. 1, 2018, pp. 20–37. Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. Yale University Press, 1994. Oyarzún, Pablo. “Law, Violence, History: A Brief Reading of the Last Paragraph of Walter Benjamin's “Toward the Critique of Violence”.” Critical Times 2.2 (2019): 330-337. Porter, James I. “Disfigurations: Erich Auerbach’s Theory of Figura.” Critical Inquiry, vol. 44, no. 1, 2017, pp. 80–113. Robeson, Lisa. “Noble Knights and ‘Mischievous War’: The Rhetoric of War in Malory’s ‘Le Morte Darthur.’” Arthuriana, vol. 13, no. 3, 2003, pp. 10–35. Ross, Alison. “The Distinction between Mythic and Divine Violence: Walter Benjamin's “Critique of Violence” from the Perspective of “Goethe's Elective Affinities”.” New German Critique 41.1 (2014): 93-120. Sanders, Arnold A. “Malory’s Transition Formulae: Fate, Volition, and Narrative Structure.” Arthurian Interpretations, vol. 2, no. 1, 1987, pp. 27–46. Schneider, Thomas R. “Malory’s ‘Fyne Force’: Motion in Le Morte Darthur.” Arthuriana, vol. 30, no. 4, 2020, pp. 56–69. Sinnerbrink, Robert. “Deconstructive Justice and the “Critique of Violence”: On Derrida and Benjamin.” Social Semiotics 16.3 (2006): 485-497. Spellmire, Adam. “The Questing Beast and the Noise of Adventure.” Arthuriana, vol. 27, no. 2, 2017, pp. 73–86 Stuhmiller, Jacqueline. “‘Iudicium Dei, Iudicium Fortunae’: Trial by Combat in Malory’s ‘Le Morte Darthur.’” Speculum, vol. 81, no. 2, 2006, pp. 427–62. Tuchman, Barbara Wertheim. A Distant Mirror: the Calamitous 14th Century. 1st trade ed. New York: Knopf, 1978. Print. Vinaver, Eugène. The Rise of Romance. D.S. Brewer, 1984. Wace, and Judith (Judith Elizabeth) Weiss. Wace’s Roman de Brut: A History of the British: Text and Translation. Rev. ed. Exeter, U.K: University of Exeter Press, 2002. Williams, Rosemary. Keywords: A Vocabulary of Culture and Society. Flamingo, 1983. Zacharias, Robert. ““And yet”: Derrida on Benjamin’s divine violence.” Mosaic: A journal for the interdisciplinary study of literature (2007): 103-116.zh_TW