| dc.contributor.advisor | 陳音頤 | zh_TW |
| dc.contributor.advisor | Chen, Yin-I | en_US |
| dc.contributor.author (Authors) | 林揚 | zh_TW |
| dc.contributor.author (Authors) | Lin, Yang | en_US |
| dc.creator (作者) | 林揚 | zh_TW |
| dc.creator (作者) | Lin, Yang | en_US |
| dc.date (日期) | 2004 | en_US |
| dc.date.accessioned | 17-Sep-2009 16:16:58 (UTC+8) | - |
| dc.date.available | 17-Sep-2009 16:16:58 (UTC+8) | - |
| dc.date.issued (上傳時間) | 17-Sep-2009 16:16:58 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0090551008 | en_US |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/33329 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 英國語文學研究所 | zh_TW |
| dc.description (描述) | 90551008 | zh_TW |
| dc.description (描述) | 93 | zh_TW |
| dc.description.abstract (摘要) | 恐怖電影一直都是好萊塢主流電影中一項重要並且流行的一種類型。在一九七零年代末期，出現了一種新型的恐怖片，也就是所謂的跟蹤客/砍殺電影。雖然這類電影誇張地凸顯性別差異，不過還是以其展現出極度暴力以及色情的風格，迅速地受到廣大觀眾的歡迎。過去國外對於此類電影的研究多半由批評家蘿拉•莫薇的觀點出發，指出由於跟蹤客/砍殺電影中男性總被描寫為強壯的角色，而女性總是被窺視及性慾化的個體，因此唯有男性觀眾得以由此類電影當中獲得視覺上的快感。然而，很明顯地此一詮釋並不能夠完全解釋為何女性在跟蹤客/砍殺電影的忠實觀眾中佔有相當的份量。因此，有鑑於此，以及國內對於此類電影研究的稀少，本論文將仔細探討之前詮釋的缺失，並尋找一個更適當及周詳的理論來詮釋兩種性別觀眾的觀看議題，特別是在跟蹤客/砍殺電影這種性別刻畫差異極大的類型中。 本論文分為四個章節。第一章介紹跟蹤客/砍殺電影如何誇張地呈現性別差異，以及之前的評論家如何詮釋此類電影中的刻板元素。第二章則探討莫薇如何批評好萊塢主流電影為傳播父權意識型態的機制，以及跟蹤客/砍殺電影如何成為此意識型態的傳聲筒。第三章則指出莫薇如何為了將批判父權體系為重心而在引用佛洛依德的理論時刻意忽略了女性在獲得視覺快感的能動性。更重要地，第四章引用「幻象」的概念，指出視覺快感不應該因觀眾的性別而有所不同；唯有在「幻象」的領域中，不管是男性或是女性都可以主動地獲得視覺快感，那怕是像跟蹤客/砍殺電影這種刻意凸顯性別差異的電影類型。最後，第五章為前述論點作個總結，指出「幻象」為現有的理論中最能詮釋觀眾在觀看跟蹤客/砍殺電影時所獲得的視覺快感。 | zh_TW |
| dc.description.abstract (摘要) | Horror films have been an important and popular form of mainstream Hollywood films. In the late seventies, a special type of horror films, stalker/slasher films, characterized by their demonstration of extreme violence and sex, immediately attracted a huge amount of spectators despite that males are always depicted as powerful agents whereas females the powerless and eroticized objects. Previous critics analyze stalker/slasher films by adopting Laura Mulvey’s concepts, indicating that only males can require visual pleasure through the films. However, the interpretation obviously fails to account for the fact that females comprise a significant amount of stalker/slasher films spectators. As a result, the thesis aims to indicate the defects of those critics and, moreover, to search for a theory that provides a better interpretation of spectators’ visual pleasure in viewing stalker/slasher films. The thesis consists of five chapters. Chapter One introduces how stalker/slasher films dramatize gender differences and how the previous critics analyze their conventional elements. Chapter Two discusses how Mulvey criticizes mainstream Hollywood cinema as a mechanism that spreads patriarchal ideology and how stalker/slasher films manifest the patriarchal ideology. Chapter Three, on the other hand, points out how Mulvey selectively adopts Freud’s theory because of her political nature and how her theory fails to account for a spectatorship with which both men and women can acquire visual pleasure in viewing stalker/slasher films. Most importantly, Chapter Four, introduces the concept of fantasy, indicating that spectatorship should not be demarcated along biological gender lines; within the realm of fantasy both men and women are the active agents acquiring visual pleasure through adopting multiple and fluid spectating positions. Finally, Chapter Five concludes that fantasy may be a better perspective that accounts for not only males’ but also females’ visual pleasure in viewing stalker/slasher films. | en_US |
| dc.description.tableofcontents | Acknowledgments...............................................ivChinese Abstract.............................................viiEnglish Abstract..............................................ixChapter One Introduction......................................1Chapter Two Visual Pleasure and Stalker/Slasher Films........17Chapter Three Where Is Females’ Visual Pleasure?............43Chapter Four The Realm of Fantasy and Stalker/Slasher Films..55Chapter Five Conclusion......................................72Works Cited ..................................................78 | zh_TW |
| dc.format.extent | 10297 bytes | - |
| dc.format.extent | 12523 bytes | - |
| dc.format.extent | 8187 bytes | - |
| dc.format.extent | 13840 bytes | - |
| dc.format.extent | 51057 bytes | - |
| dc.format.extent | 77089 bytes | - |
| dc.format.extent | 38763 bytes | - |
| dc.format.extent | 55776 bytes | - |
| dc.format.extent | 24568 bytes | - |
| dc.format.extent | 23872 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0090551008 | en_US |
| dc.subject (關鍵詞) | 跟蹤客/砍殺電影 | zh_TW |
| dc.subject (關鍵詞) | 電影 | zh_TW |
| dc.subject (關鍵詞) | 恐怖片 | zh_TW |
| dc.subject (關鍵詞) | 性別 | zh_TW |
| dc.subject (關鍵詞) | 觀眾 | zh_TW |
| dc.subject (關鍵詞) | 父權 | zh_TW |
| dc.subject (關鍵詞) | 視覺快感 | zh_TW |
| dc.subject (關鍵詞) | stalker/slasher films | en_US |
| dc.subject (關鍵詞) | films | en_US |
| dc.subject (關鍵詞) | horror films | en_US |
| dc.subject (關鍵詞) | gender | en_US |
| dc.subject (關鍵詞) | spectator | en_US |
| dc.subject (關鍵詞) | patriarchy | en_US |
| dc.subject (關鍵詞) | visual pleasure | en_US |
| dc.title (題名) | 跟蹤客/砍殺電影中的觀看議題 | zh_TW |
| dc.type (資料類型) | thesis | en |
| dc.relation.reference (參考文獻) | Althusser, Louis. “Ideology and Ideological State Apparatuses.” A Critical and Cultural Theory Reader. Ed. Easthope, Anthony and McGowan, Kate. Open UP, 1992. | zh_TW |
| dc.relation.reference (參考文獻) | Arbuthnot, Lucy and Seneca, Gail. “Pre-Text and Text.” Gentlemen Prefer Blondes. Conference on Feminist Film Criticism, Nov. 1980. Northwestern University, 1980. | zh_TW |
| dc.relation.reference (參考文獻) | Bass, Alison. “Do Slasher Films Breed Real-Life Violence?” Gender, Race and Class in Media: A Text-Reader. Thousand Oaks: Sage, 1995. | zh_TW |
| dc.relation.reference (參考文獻) | Berger, John. Ways of Seeing. London: Penguin, 1972. | zh_TW |
| dc.relation.reference (參考文獻) | Cantor, Joanne. “‘I’ll Never Have a Clown in My House’ – Why Movie Horror Lives On.” Poetics Today 25:2 (2004): 283-304. | zh_TW |
| dc.relation.reference (參考文獻) | Cantor, Joanne and Oliver, Mary Beth. “Developmental Differences in Responses to Horror.” Horror Films: Current Research on Audience Preferences and Reactions. Ed. Weaver, James B. and Tamborini, Ron. Mahwah: Lawrence Erlbaum, 1996. | zh_TW |
| dc.relation.reference (參考文獻) | Carroll, Noel. “Why Horror?” Horror, the Film Reader. Ed. Jancovich, Mark. London: Routledge, 2002. | zh_TW |
| dc.relation.reference (參考文獻) | Cherry, Brigid. “Refusing to Refuse to Look.” Horror, the Film Reader. Ed. Jancovich, Mark. London: Routledge, 2002. | zh_TW |
| dc.relation.reference (參考文獻) | Clover, Carol. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton UP, 1992. | zh_TW |
| dc.relation.reference (參考文獻) | Cowie, Elizabeth. Representing the Woman: Cinema and Psychoanalysis. London: Macmillan, 1997. | zh_TW |
| dc.relation.reference (參考文獻) | Cunningham, Scan. Fangoria 10 (January 1981). | zh_TW |
| dc.relation.reference (參考文獻) | Dickstein, Morris. "The Aesthetics of Fright," American Film 5 no. 10 (September 1980): 33. | zh_TW |
| dc.relation.reference (參考文獻) | Dika, Vera. Games of Terror: Halloween, Friday the 13th, and the Films of the Stalker Cycle. London: Fairleigh Dickinson UP, 1990. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “The Stalker Film, 1978-81.” American Horrors: Essays on the Modern American Horror Film. Ed. Waller, Gregory A. Chicago: U of Illinois P, 1987. | zh_TW |
| dc.relation.reference (參考文獻) | Ellis, John. Visible Fictions. London: Routledge, 1982. | zh_TW |
| dc.relation.reference (參考文獻) | Freud, Sigmund. “A Case of Paranoia Running Counter to the Psychoanalytic Theory of the Disease.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 14. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “A Child Is Being Beaten: A Contribution to the Study of the Origin of Sexual Perversions.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 17. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “Beyond the Pleasure Principle.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 18. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “Civilization and Its Discontents.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 21. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “Construction in Analysis.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 23. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “Instincts and their Vicissitudes.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 14. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “The Economical Problem in Masochism.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 19. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “Three Essays on Sexuality.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James. Vol. 7. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “The Interpretation of Dreams.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James. Vol. 5. London: Hogarth, 1953. | zh_TW |
| dc.relation.reference (參考文獻) | Grant, Barry Keith. The Dread of Difference: Gender and the Horror Film. Austin: Texas UP, 1995. | zh_TW |
| dc.relation.reference (參考文獻) | Grixti, Joseph. Terrors of Uncertainty: The Cultural Contexts of Horror Fiction. London and New York: Routledge, 1989. | zh_TW |
| dc.relation.reference (參考文獻) | Hansen, Miriam. “Pleasure, Ambivalence, Identification.” Feminism and Film. Ed. Kaplan, E. Ann. Oxford: Oxford UP, 2000. | zh_TW |
| dc.relation.reference (參考文獻) | Huffman-Parent, D. A. “The Effects of Images in the Media on the Female Audience.” Online thesis. January 2001. Hyphen’s Thesis. 29 August 2003. < http://www.angelfire.com/weird2/hyphen/ThesisIndex.htm>. | zh_TW |
| dc.relation.reference (參考文獻) | Johnston, Claire. “Woman`s Cinema as Counter-Cinema.” Notes on Women`s Cinema. Ed. Claire Johnston. London: Screen Pamphlet, 1973). | zh_TW |
| dc.relation.reference (參考文獻) | Jones, Darryl. Horror: A Thematic History in Fiction and Film. London: Arnold, 2002. | zh_TW |
| dc.relation.reference (參考文獻) | Kaplan, E. Ann. “Is the Gaze Male?” Feminism and Film. Ed. Kaplan, E. Ann. Oxford: Oxford UP, 2000. | zh_TW |
| dc.relation.reference (參考文獻) | Katz, Jack. Seductions of Crime: Moral and Sensual Attractions in Doing Evil. New York: BasicBooks, 1988. | zh_TW |
| dc.relation.reference (參考文獻) | Kaufman, Charles. "Anatomy of Terror." Fangoria 10 (January 1981): 48. | zh_TW |
| dc.relation.reference (參考文獻) | Krafft-Ebing, Richard von. Psychopathia Sexualis. Trans. F. J. Rebman, from the 12th German ed. n.p., n.d. [orig. ed. 1886]; rpt., New York: Special Books, 1965. | zh_TW |
| dc.relation.reference (參考文獻) | Lacan, Jacques. Four Fundamental Concepts of Psycho-Analysis. Trans. Sheridan, Alain. Ed. Miller, Jacques-Alain. New York: Penguin, 1977. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience.” Critical Theory since Plato. Ed. Adams, Hazard. New York: Harcourt Brace Jovanovich College P, 1992. | zh_TW |
| dc.relation.reference (參考文獻) | Laplanche, Jean and Pontalis, Jean-Bertrand. “Fantasy and the Origins of Sexuality.” Formations of Fantasy. New York: Methuen, 1986. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. The Language of Psycho-Analysis. New York: Norton, 1974. | zh_TW |
| dc.relation.reference (參考文獻) | Lott, Berries. Women`s lives : Themes and variations in gender learning. Pacific Grove: Brooks/Cole, 1987. | zh_TW |
| dc.relation.reference (參考文獻) | Maine, Judith. Cinema and Spectatorship. London: Routledge, 1993. | zh_TW |
| dc.relation.reference (參考文獻) | Maslin, Janet. “Bloodbaths debase movies and audiences.” New York Times, 21 November 1982, Sec. 2. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. "Tired Blood Claims the Horror Film as Fresh Victim." New York Times, 1 November 1981, sec. 2. | zh_TW |
| dc.relation.reference (參考文獻) | McCarty, John. Movie Psychos and Madmen: Film Psychopaths from Jekyll and Hyde to Hannibal Lecter. New York: Citadel, 1993. | zh_TW |
| dc.relation.reference (參考文獻) | Metz, Christian. Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford: Oxford UP, 1992. | zh_TW |
| dc.relation.reference (參考文獻) | Meyer, M. (1988, March). Keeping a lid on gore and sex. Video Magazine, pp. 75-76. | zh_TW |
| dc.relation.reference (參考文獻) | Mizruchi, Susan. The Science of Sacrifice: American Literature and Modern Social Theory. Princeton: Princeton UP, 1998. | zh_TW |
| dc.relation.reference (參考文獻) | Molitor, Fred and Sapolsky, Barry S. “Violence towards Women in Slasher Films: A Reply to Linz and Donnerstein.” Journal of Broadcasting and Electronic Media, 38 (1994): 247-250. | zh_TW |
| dc.relation.reference (參考文獻) | Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford: Oxford UP, 1992. | zh_TW |
| dc.relation.reference (參考文獻) | Nordheimer, J. “Rising Concern with VCR`s: Violent Tapes and the Young. New York Times, 18 May 1987, pp. A1.B9. | zh_TW |
| dc.relation.reference (參考文獻) | Pajaczkowska, Claire. “The Heterosexual Presumption: A Contribution to the Debate on Pornography.” Screen 22 (1981). | zh_TW |
| dc.relation.reference (參考文獻) | Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. New York: State U of New York P, 1997. | zh_TW |
| dc.relation.reference (參考文獻) | Rodowick, David N. The Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film theory. London: Routledge, 1991. | zh_TW |
| dc.relation.reference (參考文獻) | Safouan, Moustafa. “Men and Women: A Psychoanalytic Point of View.” The Woman in Question: M/f. Ed. Adams, Parveen and Cowie, Elizabeth. London: Verso, 1990. | zh_TW |
| dc.relation.reference (參考文獻) | Shalit, Gene. “Movie Violence: The Offense to Your Children: What You Can Do.” Ladies Home Journal (October 1980). | zh_TW |
| dc.relation.reference (參考文獻) | Slocum, J. David. Violence and American Cinema. London: Routledge, 2001. | zh_TW |
| dc.relation.reference (參考文獻) | Soothill, Keith. Sex Crime in the News. London: Routledge, 1991. | zh_TW |
| dc.relation.reference (參考文獻) | Stein, Elliot. (. “Have Horror Films Gone Too Far?” New York Times, 20 June 1982, Section 2, pp. 1, 21. | zh_TW |
| dc.relation.reference (參考文獻) | Studlar, Gaylyn. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. New York: Columbia UP, 1988. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “Masochism and the Perverse Pleasures of Cinema.” Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford: Oxford UP, 1992. | zh_TW |
| dc.relation.reference (參考文獻) | Twitchwell, James B. Dreadful Pleasures: An Anatomy of Modern Horror. Oxford: Oxford UP, 1985. | zh_TW |
| dc.relation.reference (參考文獻) | Williams, Linda. Hard Core: Power, Pleasure, and the "Frenzy of the Visible". Berkeley: U of California P, 1999. | zh_TW |
| dc.relation.reference (參考文獻) | - - -. “When the Woman Looks.” Horror, the Film Reader. London: Routledge, 2002. | zh_TW |
| dc.relation.reference (參考文獻) | Williamson, Judith. Decoding Advertisement: Ideology and Meaning in Advertising. London: Marion Boyars, 1978. | zh_TW |
| dc.relation.reference (參考文獻) | Wood, Robin. American Nightmare: Essays on the Horror Film. Toronto: Festival of Festivals, 1979. | zh_TW |
