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題名 阿嘉莎克莉絲蒂:偵探故事與現代性
Agatha Christie: Detective Stories and Modernity
作者 王銘鋒
Wang,Ming Fong
貢獻者 陳超明
Chen,Chao Ming
王銘鋒
Wang,Ming Fong
關鍵詞 阿嘉莎克莉絲蒂
偵探故事
現代性
偵探
風險社會
時間與空間
Agatha Christie
detective story
modernity
detective
risk society
space and time
日期 2007
上傳時間 17-Sep-2009 16:19:59 (UTC+8)
摘要 阿嘉莎•克莉絲蒂一般被視為是一位傳統及經典的偵探小說作家。此類小說家通常會在小說裡強調「最後的真相」以及一個穩定社會秩序的回歸。然而，在此論文中，我將試著去證明克莉絲蒂的作品其實已超越了傳統偵探小說家的境界。由於她另類地在小說裡鋪陳「不確定真相」並且展現了一個介於工業社會以及後工業「風險社會」現代化變遷過程中的不穩定社會秩序，她甚至可以說是一位「反身性」的現代主義作家(“reflexive” modernist)呈現「高度現代性」(high modernity)的社會寫實。
本論文共分為六個章節；主要探討了克莉絲蒂對英國工業社會的「現代化進程」(modernizing process)的反身性及批判性的思維。在她的小說裡，所呈現的所謂「現代化進程」，包含了對理性真理的建構、規律化的時間及空間實踐以及國家之各法制機關的運作。在克莉絲蒂的小說裡，此過程與深受資本主義所影響下的工業化以及都市化的英國社會的關係是密不可分的。
因此，貝克(Ulrich Beck)對「風險社會」(risk society)以及「反身性現代化」(reflexive modernization)的見解，被用來廣泛地討論克莉絲蒂的作品。此外，其他談論「現代性」的幾位學者，例如哈維(David Harvey)、列菲弗爾(Henri Lefebvre)、瑟鐸(Michel de Certeau)以及班雅明(Walter Benjamin)的理論也被運用來解析她的文本。之所以涉及到這幾位學者的學說的原因，主要是他們都對工業社會下的理性化及紀律化的日常生活提出他們的質疑，也對現代科技及都市生活影響下的全新空間/時間的感知，發表了他們的見解。這些都有助於以文化研究的方法來暸解克莉絲蒂在其小說裡所呈現的社會情景。
總之，本論文的主要目標是要探討克莉絲蒂的小說文本與小說的社會背景兩者的關係。以「高度現代性」的理論架構，而非以傳統結構主義以及文類研究的方式，來審視她的小說。藉此，我期盼克莉絲蒂的小說能在英美現代文學作品的研究裡，能夠被重視並且能有重新的評價。
Agatha Christie is often regarded as a traditional and classic detective writer who accentuates an ultimate truth and promotes the restoration of a stable social order in her novels. Yet, my study attempts to evidence that, with her writings transcending the limits of traditional detective fiction, she acted as a “reflexive” modernist by alternatively dealing with an uncertainty truth and demonstrating a shaky social order in a transitive changing reality from an industrial society to a post-industrial risk society.
My dissertation is divided into six chapters, which focus on examining her reflexive and critical consciousness of a modernizing process, including the construction and deconstruction of a rational truth, disciplinary spatiotemporal practices, and legal institutions in her contemporary society of industrialization and urbanization under the impact of capitalism.
The study of Christie’s works will be based on Ulrich Beck’s notions of ‘risk society” and “reflexive modernization.” The theories of other modernist scholars, including those of David Harvey, Henri Lefebvre, Michel de Certeau, and Walter Benjamin, are also applied to witness Christie’s transformation from a conventional detective writer to a modernist one. These four theorists interrogate the rational and disciplinary control of everyday life in an industrial society and deal with brand new spatio-temporal perceptions rising from the development of advanced technologies and modern city life. Their theoretical perspectives are helpful to analyze Christie’s texts.
Christie’s writings exhibit a changing social reality, a change from an early modernity to a later development of high modernity. Other than applying traditional approaches like structuralism and genre study, I employ a high-modernist perspective to discuss the interactions between Christie’s literary texts and their social background. My study is expected to relocate Christie as an experimental writer in the literary history of detective fiction.
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Beck, Ulrich. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order, Stanford, Calif.: Stanford University Press, 1994.
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Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans by Harry Zohn. London: Verso, 1992.
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Clark, Gordon. and Michael Dear. “The State in Capitalism and the Capitalist State” Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York. 1981. 45-61.
De Certeau, Michele. Heterologies: Discourse on the Other, Minneapolis: University of Minnesota Press, 1986.
--- . The Practice of Everyday Life. Tran. Steven Rendall. Berkeley: U of California P, 1984.
--- . The Practic eof Everyday Life. Vol. 2. Tran. Timothy S. Tomasik. Minneaoplolis: U of Minnesota P, 1998.
Edel, Matthew. “Capitalism, Accumulation and the Explanation of Urban Phenomena” in Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York, 1981.
Fitzgibbon, Russell H. The Agatha Christie Companion. Bowling Green, Ohio, Bowing Green State University Popular Press, 1980.
Foucault, Michele. Discipline and Punish: The Birth of the Prison. New York: Vintage Books, 1979.
--- . Language, Counter Memory, and Practice: Selected Essays and Interviews. Ithaca, N.Y.: Cornell University Press, 1977.
---. Power/Knowledge: Selected Interviews and Other Writings 1972-1977. Tran. Colin Gordon et al. New York: Pantheon Books, 1980.
Frank, Joseph. The Widening Gyre: Crisis and Mastery in Modern Literature. New Brunswick: Rutgers UP, 1963.
Giddens, Anthony. “Anthony Giddens and Will Hutton in Conversation.” Ed. Will Hutton and Anthony Giddens. Global Capitalism. New York: The New Press, 2000. 1-51.
--- . “Living in a Post-Traditional Society.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in Modern Social Order. Standford, CA: Standford UP, 1994. 57-107.
--- . Modernity and Self-Identity: Self and Society in the Late Modern Age,
Cambridge, UK: Polity Press, 1991.
Gilligan, George. Crime, Truth and Justice: Official Inquiry, Discourse, Knowledge. Ed. George Gilligan and John Pratt. Cullompton, UK: Willan Publishing, 2004.
Habermas, Jürgen. “Modernity—An Incomplete Project.” Ed. Hal Foster. The Anti-Aesthetic: Essay on Postmodern Culture. Bay Press, 1983.
Hamilton, Peter. Espionage, Terrorism and Subversion: An Examination and A Philosophy of Defence for Management. Surrey, England: Peter A. Heims Ltd., 1979.
Harvey, David. “Time-Space Compression and the Rise of Modernism as a Cultural Force.” The Condition of Postmodernity: An Inquiry into the Origins of Cultural Changes. Cambridge, MA: Blackwell, 1990.
--- . Space of Capitalism: Towards a Critical Geography, New York: Routledge, 2001.
--- . The Urban Experience, Oxford: Basil Blackwell Press, 1989.
Heise, Thomas. “Going Blood-Simple Like the Narratives: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s Red Harvest.” Modern Fiction Studies 49.4 (2003): 485-511.
Heynen, Hilde. Architecture and Modernity: A Critic. MIT P, 1999.
Horsley, Lee. “Classical Detection in the Inter-War Years.” Twentieth-Century Crime Fiction. Oxford UP, 2005.
Hudson, Barbara. Justice in the Risk Society: Challenging and Re-Affirming Justice in Late Modernity. London: Sage Publications, 2003.
Hühn, Peter. “The Detective as Reader: Narrativity and Reading Concept in Detective Fiction.” Modern Fiction Studies: 33.3, 1987. 451-466.
Hutcheon, Linda. A Poetic of Postmodern: History, Theory, Fiction. New York: Routledge, 1988.
--- . Narcissistic Narrative: The Metafictional Paradox. New York: Methuen, 1984.
--- . “The Politics of Postmodernism: Parody and History.” Cultural Critique 5 (Winter), 1986-7. 179-207.
Innes, Martin. Investigating Murder: Detective Work and the Police Response to Criminal Homicide. Oxford UP, 2003.
Jackson, Christine A. Myth and Ritual in Women’s Detective Fiction. Jefferson, North Carolina: McFarland & Company P, 2002.
Jameson, F. R. “On Raymond Chandler” Eds. Glenn W. Most and William W. Stowe. The Poetics of Murder: Detective Fiction and Literary Theory. San Diego: Hardcourt Brace Jovanovich P, 1983.
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Lefebvre, Henri. Everyday Life in the Modern World. Tran. Sacha Rabinovitch. London: The Athlone Press, 2000.
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Light, Alison. “Agatha Christie and Consevative Modernity.” Forever England: Femininity, Literature, and Conservatism between the Wars. London: Routledge, 1991.
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描述 博士
國立政治大學
英國語文學研究所
90551502
96
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0905515021
資料類型 thesis
dc.contributor.advisor 陳超明zh_TW
dc.contributor.advisor Chen,Chao Mingen_US
dc.contributor.author (Authors) 王銘鋒zh_TW
dc.contributor.author (Authors) Wang,Ming Fongen_US
dc.creator (作者) 王銘鋒zh_TW
dc.creator (作者) Wang,Ming Fongen_US
dc.date (日期) 2007en_US
dc.date.accessioned 17-Sep-2009 16:19:59 (UTC+8)-
dc.date.available 17-Sep-2009 16:19:59 (UTC+8)-
dc.date.issued (上傳時間) 17-Sep-2009 16:19:59 (UTC+8)-
dc.identifier (Other Identifiers) G0905515021en_US
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/33345-
dc.description (描述) 博士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 90551502zh_TW
dc.description (描述) 96zh_TW
dc.description.abstract (摘要) 阿嘉莎•克莉絲蒂一般被視為是一位傳統及經典的偵探小說作家。此類小說家通常會在小說裡強調「最後的真相」以及一個穩定社會秩序的回歸。然而，在此論文中，我將試著去證明克莉絲蒂的作品其實已超越了傳統偵探小說家的境界。由於她另類地在小說裡鋪陳「不確定真相」並且展現了一個介於工業社會以及後工業「風險社會」現代化變遷過程中的不穩定社會秩序，她甚至可以說是一位「反身性」的現代主義作家(“reflexive” modernist)呈現「高度現代性」(high modernity)的社會寫實。
本論文共分為六個章節；主要探討了克莉絲蒂對英國工業社會的「現代化進程」(modernizing process)的反身性及批判性的思維。在她的小說裡，所呈現的所謂「現代化進程」，包含了對理性真理的建構、規律化的時間及空間實踐以及國家之各法制機關的運作。在克莉絲蒂的小說裡，此過程與深受資本主義所影響下的工業化以及都市化的英國社會的關係是密不可分的。
因此，貝克(Ulrich Beck)對「風險社會」(risk society)以及「反身性現代化」(reflexive modernization)的見解，被用來廣泛地討論克莉絲蒂的作品。此外，其他談論「現代性」的幾位學者，例如哈維(David Harvey)、列菲弗爾(Henri Lefebvre)、瑟鐸(Michel de Certeau)以及班雅明(Walter Benjamin)的理論也被運用來解析她的文本。之所以涉及到這幾位學者的學說的原因，主要是他們都對工業社會下的理性化及紀律化的日常生活提出他們的質疑，也對現代科技及都市生活影響下的全新空間/時間的感知，發表了他們的見解。這些都有助於以文化研究的方法來暸解克莉絲蒂在其小說裡所呈現的社會情景。
總之，本論文的主要目標是要探討克莉絲蒂的小說文本與小說的社會背景兩者的關係。以「高度現代性」的理論架構，而非以傳統結構主義以及文類研究的方式，來審視她的小說。藉此，我期盼克莉絲蒂的小說能在英美現代文學作品的研究裡，能夠被重視並且能有重新的評價。		zh_TW
dc.description.abstract (摘要) Agatha Christie is often regarded as a traditional and classic detective writer who accentuates an ultimate truth and promotes the restoration of a stable social order in her novels. Yet, my study attempts to evidence that, with her writings transcending the limits of traditional detective fiction, she acted as a “reflexive” modernist by alternatively dealing with an uncertainty truth and demonstrating a shaky social order in a transitive changing reality from an industrial society to a post-industrial risk society.
My dissertation is divided into six chapters, which focus on examining her reflexive and critical consciousness of a modernizing process, including the construction and deconstruction of a rational truth, disciplinary spatiotemporal practices, and legal institutions in her contemporary society of industrialization and urbanization under the impact of capitalism.
The study of Christie’s works will be based on Ulrich Beck’s notions of ‘risk society” and “reflexive modernization.” The theories of other modernist scholars, including those of David Harvey, Henri Lefebvre, Michel de Certeau, and Walter Benjamin, are also applied to witness Christie’s transformation from a conventional detective writer to a modernist one. These four theorists interrogate the rational and disciplinary control of everyday life in an industrial society and deal with brand new spatio-temporal perceptions rising from the development of advanced technologies and modern city life. Their theoretical perspectives are helpful to analyze Christie’s texts.
Christie’s writings exhibit a changing social reality, a change from an early modernity to a later development of high modernity. Other than applying traditional approaches like structuralism and genre study, I employ a high-modernist perspective to discuss the interactions between Christie’s literary texts and their social background. My study is expected to relocate Christie as an experimental writer in the literary history of detective fiction.		en_US
dc.description.tableofcontents Dedication....................................................................................iii
Acknowledgments........................................................................iv
Table of Contents.........................................................................v
Chinese Abstract..........................................................................vi
English Abstract..........................................................................viii
Chapter
1. Introduction........................................................................1
2. An Age of Reflexive Modernity: Official Truth/Justice
vs. Personal Truth/Justice.................................................28
3. Degenerating Control of Rational Modernity: Alternative
Spatio-Temporal Practices in a Disciplinary Society...…50
4. A New Setting of Detective Novels: Industrialization,
Urbanization, and Capitalism .......................................... 87
5. Self-Reflexive Meta-Narratives.......................................121
6. Conclusion.......................................................................154
Works Cited.........................................................................175		zh_TW
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dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0905515021en_US
dc.subject (關鍵詞) 阿嘉莎克莉絲蒂zh_TW
dc.subject (關鍵詞) 偵探故事zh_TW
dc.subject (關鍵詞) 現代性zh_TW
dc.subject (關鍵詞) 偵探zh_TW
dc.subject (關鍵詞) 風險社會zh_TW
dc.subject (關鍵詞) 時間與空間zh_TW
dc.subject (關鍵詞) Agatha Christieen_US
dc.subject (關鍵詞) detective storyen_US
dc.subject (關鍵詞) modernityen_US
dc.subject (關鍵詞) detectiveen_US
dc.subject (關鍵詞) risk societyen_US
dc.subject (關鍵詞) space and timeen_US
dc.title (題名) 阿嘉莎克莉絲蒂:偵探故事與現代性zh_TW
dc.title (題名) Agatha Christie: Detective Stories and Modernityen_US
dc.type (資料類型) thesisen
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