1. NCCU Academic Hub
  2. 學術產出
  3. College of Foreign Languages and Literature
  4. Theses
  5. Item

學術產出-Theses

Article View/Open

Publication Export

Google ScholarTM

政大圖書館

Citation Infomation

  • No doi shows Citation Infomation
題名 阿嘉莎克莉絲蒂:偵探故事與現代性
Agatha Christie: Detective Stories and Modernity
作者 王銘鋒
Wang,Ming Fong
貢獻者 陳超明
Chen,Chao Ming
王銘鋒
Wang,Ming Fong
關鍵詞 阿嘉莎克莉絲蒂
偵探故事
現代性
偵探
風險社會
時間與空間
Agatha Christie
detective story
modernity
detective
risk society
space and time
日期 2007
上傳時間 17-Sep-2009 16:19:59 (UTC+8)
摘要 阿嘉莎•克莉絲蒂一般被視為是一位傳統及經典的偵探小說作家。此類小說家通常會在小說裡強調「最後的真相」以及一個穩定社會秩序的回歸。然而，在此論文中，我將試著去證明克莉絲蒂的作品其實已超越了傳統偵探小說家的境界。由於她另類地在小說裡鋪陳「不確定真相」並且展現了一個介於工業社會以及後工業「風險社會」現代化變遷過程中的不穩定社會秩序，她甚至可以說是一位「反身性」的現代主義作家(“reflexive” modernist)呈現「高度現代性」(high modernity)的社會寫實。
本論文共分為六個章節；主要探討了克莉絲蒂對英國工業社會的「現代化進程」(modernizing process)的反身性及批判性的思維。在她的小說裡，所呈現的所謂「現代化進程」，包含了對理性真理的建構、規律化的時間及空間實踐以及國家之各法制機關的運作。在克莉絲蒂的小說裡，此過程與深受資本主義所影響下的工業化以及都市化的英國社會的關係是密不可分的。
因此，貝克(Ulrich Beck)對「風險社會」(risk society)以及「反身性現代化」(reflexive modernization)的見解，被用來廣泛地討論克莉絲蒂的作品。此外，其他談論「現代性」的幾位學者，例如哈維(David Harvey)、列菲弗爾(Henri Lefebvre)、瑟鐸(Michel de Certeau)以及班雅明(Walter Benjamin)的理論也被運用來解析她的文本。之所以涉及到這幾位學者的學說的原因，主要是他們都對工業社會下的理性化及紀律化的日常生活提出他們的質疑，也對現代科技及都市生活影響下的全新空間/時間的感知，發表了他們的見解。這些都有助於以文化研究的方法來暸解克莉絲蒂在其小說裡所呈現的社會情景。
總之，本論文的主要目標是要探討克莉絲蒂的小說文本與小說的社會背景兩者的關係。以「高度現代性」的理論架構，而非以傳統結構主義以及文類研究的方式，來審視她的小說。藉此，我期盼克莉絲蒂的小說能在英美現代文學作品的研究裡，能夠被重視並且能有重新的評價。
Agatha Christie is often regarded as a traditional and classic detective writer who accentuates an ultimate truth and promotes the restoration of a stable social order in her novels. Yet, my study attempts to evidence that, with her writings transcending the limits of traditional detective fiction, she acted as a “reflexive” modernist by alternatively dealing with an uncertainty truth and demonstrating a shaky social order in a transitive changing reality from an industrial society to a post-industrial risk society.
My dissertation is divided into six chapters, which focus on examining her reflexive and critical consciousness of a modernizing process, including the construction and deconstruction of a rational truth, disciplinary spatiotemporal practices, and legal institutions in her contemporary society of industrialization and urbanization under the impact of capitalism.
The study of Christie’s works will be based on Ulrich Beck’s notions of ‘risk society” and “reflexive modernization.” The theories of other modernist scholars, including those of David Harvey, Henri Lefebvre, Michel de Certeau, and Walter Benjamin, are also applied to witness Christie’s transformation from a conventional detective writer to a modernist one. These four theorists interrogate the rational and disciplinary control of everyday life in an industrial society and deal with brand new spatio-temporal perceptions rising from the development of advanced technologies and modern city life. Their theoretical perspectives are helpful to analyze Christie’s texts.
Christie’s writings exhibit a changing social reality, a change from an early modernity to a later development of high modernity. Other than applying traditional approaches like structuralism and genre study, I employ a high-modernist perspective to discuss the interactions between Christie’s literary texts and their social background. My study is expected to relocate Christie as an experimental writer in the literary history of detective fiction.
參考文獻 Works Cited
Adam, Barbara and Joost van Loon. “Introduction: Repositioning Risk; the Challenge for Social Theory.” Ed. Ulrich Beck et al. The Risk Society and Beyond: Critical Issues for Social Theory. London: Sage Publications, 2000.
Adornov, Theodor W. “Cultural Industry Reconsidered” in Reading Popular Narrative: A Source Book. Ed. Bob Ashley. London: Leicester UP, 1989.
Bargainnier, Earl F. The Gentle Art of Murder: The Detective Fiction of Agatha Christie. Bowling Green, Ohio, Bowing Green State University Popular Press, 1980.
Barth, John. “The Literature of Exhaustion.” Ed. Mark Currie. Metafiction. London: Longman, 1995.
Barnard, Robert. A Talent to Deceive: An Appreciation of Agatha Christie. New York: Dodd, Mead and Company, 1980.
Bayard, Pierre. Who Killed Roger Ackroyd? The Mystery Behind the Agatha Christie Mystery. New York: The New Press, 2000.
Beck, Ulrich. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order, Stanford, Calif.: Stanford University Press, 1994.
--- . “Risk Society Revisited: Theory, Politics and Research Programmes.” The Risk Society and Beyond: Critical Issues for Social Theory. London: Sage Publications, 2000.
Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans by Harry Zohn. London: Verso, 1992.
--- . “Theses on the Philosophy of History.” Illuminations. Trans by Hannha Arendt. New York: Schocken Books, 1986.
--- . Walter Benjamin: Selected Writings Volume I 1913-1926. Ed. Marcus Bullock and Michael W. Jenning. Harvard UP, 1996.
Best, Steven and Douglas Kellner. “Foucault and the Critique of Modernity.” Postmodern Theory: Critical Interrogations. Guilford Press: New York. 1991.
Burkitt, Ian.” The Time and Space of Everyday Life.” Cultural Studies. 18.2/3, 2004. 211-227.
Cawelti, John G. “Artisitc Failure and Successes: Christie and Sayers.” Adventure, Mystery, and Romance. Chicago: U of Chicago P, 1976.
Christie, Agatha. 4:50 from Paddington. 1957. New York: Berkley Books, 2000.
--- . A Murder Is Announced. 1950. New York: St. Martin Press, 2000.
--- . And Then There Were None. 1939, New York: St. Martin P, 2001.
--- . A Pocket Full of Rye. 1953. New York: Berkley Books
--- . Cards on the Table. 1936. New York: Berkley Books, 2000.
--- . Cat Among the Pigeons. 1959, New York: Berkley Book, 2000.
--- . Curtain: Poirot’s Last Case. 1976, New York: Berkley Books, 2000.
--- . Dead Man’s Folly.1956. New York: Berkley Books, 2000.
--- . Destination Unknown. 1955. New York: St. Martin’s Press, 2002.
--- . Elephant Can Remember. 1972. New York: Berkley Books, 2000.
--- . Endless Night. 1967, New York: Berkley Books, 2000.
--- . Five Little Pigs. 1942, New York: Berkley Books, 1984.
--- . Hallowe’en Party. 1969. New York: Berkley Books, 2000.
--- . Hercules Poirot’s Christmas. 1938. New York: Berkley Books, 2000.
--- . Mrs. McGinty’s Death. 1952. New York: Berkley Books, 2000.
--- . Murder on the Oriental Express. 1934, New York: Berkley Books, 2004.
--- . One, Two, Buckle My Shoe. 1940. New York: Berkley Books, 1984.
--- . Ordeal by Innocence. 1958, New York: St. Martin’s Press, 2002.
--- . Pale Horse. 1961. New York: St. Martin Press, 2002.
--- . Passenger to Frankfort. 1970. New York: St. Martin’s Press, 2002.
--- . Sleeping Murder. 1976, New York: Signet, 2000.
--- . Sparkling Cyanide. 1945, New York: St. Martin’s Press, 2001.
--- . The A.B.C. Murders. 1936, New York: Berkley Book, 1991.
--- . The Body in the Library. 1942. New York: Berkley Books, 2000.
--- . The Clocks. 1963, New York: Berkley Book, 2000.
--- . The Mirror Crack’d. 1962. New York: Signet Book, 2000.
--- . The Murder of Roger Ackroyd. 1926, New York: Berkley Books, 1984.
--- . They Came to Baghdad. 1951. New York: St. Martin’s Press, 2002.
--- . They Do It with Mirror. 1952, New York: Signet, 2000.
--- . Third Girl. 1966, New York: Berkley Book, 2000.
--- . Toward Zero. 1944, New York: St. Martin’s Press, 2001.
Clark, Gordon. and Michael Dear. “The State in Capitalism and the Capitalist State” Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York. 1981. 45-61.
De Certeau, Michele. Heterologies: Discourse on the Other, Minneapolis: University of Minnesota Press, 1986.
--- . The Practice of Everyday Life. Tran. Steven Rendall. Berkeley: U of California P, 1984.
--- . The Practic eof Everyday Life. Vol. 2. Tran. Timothy S. Tomasik. Minneaoplolis: U of Minnesota P, 1998.
Edel, Matthew. “Capitalism, Accumulation and the Explanation of Urban Phenomena” in Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York, 1981.
Fitzgibbon, Russell H. The Agatha Christie Companion. Bowling Green, Ohio, Bowing Green State University Popular Press, 1980.
Foucault, Michele. Discipline and Punish: The Birth of the Prison. New York: Vintage Books, 1979.
--- . Language, Counter Memory, and Practice: Selected Essays and Interviews. Ithaca, N.Y.: Cornell University Press, 1977.
---. Power/Knowledge: Selected Interviews and Other Writings 1972-1977. Tran. Colin Gordon et al. New York: Pantheon Books, 1980.
Frank, Joseph. The Widening Gyre: Crisis and Mastery in Modern Literature. New Brunswick: Rutgers UP, 1963.
Giddens, Anthony. “Anthony Giddens and Will Hutton in Conversation.” Ed. Will Hutton and Anthony Giddens. Global Capitalism. New York: The New Press, 2000. 1-51.
--- . “Living in a Post-Traditional Society.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in Modern Social Order. Standford, CA: Standford UP, 1994. 57-107.
--- . Modernity and Self-Identity: Self and Society in the Late Modern Age,
Cambridge, UK: Polity Press, 1991.
Gilligan, George. Crime, Truth and Justice: Official Inquiry, Discourse, Knowledge. Ed. George Gilligan and John Pratt. Cullompton, UK: Willan Publishing, 2004.
Habermas, Jürgen. “Modernity—An Incomplete Project.” Ed. Hal Foster. The Anti-Aesthetic: Essay on Postmodern Culture. Bay Press, 1983.
Hamilton, Peter. Espionage, Terrorism and Subversion: An Examination and A Philosophy of Defence for Management. Surrey, England: Peter A. Heims Ltd., 1979.
Harvey, David. “Time-Space Compression and the Rise of Modernism as a Cultural Force.” The Condition of Postmodernity: An Inquiry into the Origins of Cultural Changes. Cambridge, MA: Blackwell, 1990.
--- . Space of Capitalism: Towards a Critical Geography, New York: Routledge, 2001.
--- . The Urban Experience, Oxford: Basil Blackwell Press, 1989.
Heise, Thomas. “Going Blood-Simple Like the Narratives: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s Red Harvest.” Modern Fiction Studies 49.4 (2003): 485-511.
Heynen, Hilde. Architecture and Modernity: A Critic. MIT P, 1999.
Horsley, Lee. “Classical Detection in the Inter-War Years.” Twentieth-Century Crime Fiction. Oxford UP, 2005.
Hudson, Barbara. Justice in the Risk Society: Challenging and Re-Affirming Justice in Late Modernity. London: Sage Publications, 2003.
Hühn, Peter. “The Detective as Reader: Narrativity and Reading Concept in Detective Fiction.” Modern Fiction Studies: 33.3, 1987. 451-466.
Hutcheon, Linda. A Poetic of Postmodern: History, Theory, Fiction. New York: Routledge, 1988.
--- . Narcissistic Narrative: The Metafictional Paradox. New York: Methuen, 1984.
--- . “The Politics of Postmodernism: Parody and History.” Cultural Critique 5 (Winter), 1986-7. 179-207.
Innes, Martin. Investigating Murder: Detective Work and the Police Response to Criminal Homicide. Oxford UP, 2003.
Jackson, Christine A. Myth and Ritual in Women’s Detective Fiction. Jefferson, North Carolina: McFarland & Company P, 2002.
Jameson, F. R. “On Raymond Chandler” Eds. Glenn W. Most and William W. Stowe. The Poetics of Murder: Detective Fiction and Literary Theory. San Diego: Hardcourt Brace Jovanovich P, 1983.
Knepper, Marty S. “The Curtain Falls: Agatha Christie`s Last Novels.” Clues: A Journal of Detection 23.4 (Summer), 2005. 69-84.
Knight, Stephen Thomas. Crime Fiction, 1800-2000: Detection, Death, Diversity. New York: Palgrave MacMillan, 2004.
Lash, Scott. “Reflexivity and Its Doubles: Structures, Aesthetics, Community.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Stanford, CA: Stanford UP, 1994.
Lefebvre, Henri. Everyday Life in the Modern World. Tran. Sacha Rabinovitch. London: The Athlone Press, 2000.
--- . The Production of Space, Oxford, UK: Blackwell, 1991.
--- . Writings on Cities. Tran. and Ed. Eleonore Kofman and Elizabeth Lebas. Oxford: Blackwell P, 1996.
Light, Alison. “Agatha Christie and Consevative Modernity.” Forever England: Femininity, Literature, and Conservatism between the Wars. London: Routledge, 1991.
Lyotard, Jean-François. The Postmodern Condition. Minneapolis: U of Minneapolis P, 1984.
Maida, Patricia D. and Nicholas B. Spornick. Murder She Wrote: A Study of Agatha Christie’s Detective Fiction. Bowling Green, Ohio, Bowing Green State University Popular Press, 1982.
Mandel, Earnest. Delightful Murder: A Social History of the Crime Story. U of Minnesota P, 1984.
Marx, Karl. Capital: Volume 1: A Critique of Political Economy. London: Penguin Books. 1990.
McCracken, Scott. Pulp: Reading Popular Fiction. Manchester UP, 1998.
McHale, Brian. Postmodernist Fiction. New York: Methuen, 1987.
Merivale, Partricia and Susan Elizabeth Sweeney. Detecting Texts: The Metaphysical Story from Poe to Postmodernism. U of Pennsylvania P, 1999.
Miller, Kristine A. “Case Closed: Scapegoating in British Women’s Wartime Detective Fiction.” The Devil Himself: Villainy in Detective Fiction and Film. Eds. Stacy Gillis and Philippa Gate. Greenwod P, 2002.
Moran, Joe. “Benjamin and Boredom.” Critical Quarterly. 45.1-2, 2003. 168-181.
--- . “Housing, Memory and Everyday Life in Contemporary Britain.” Cultural Studies. 18.4, 2004. pp. 607-627.
Murray, Chris. “Rethinking Neighbourhoods: From Urban Villages to Cultural Hubs.” Ed. David Bell & Mark Jayne. City of Quarters: Urban Villages in the Contemporary City. Aldershot, England: Ashgate P, 2004.
Mythen, Gabe. Ulrich Beck: A Critical Introduction to the Risk Society. London: Pluto Press, 2004.
Norton, Philip. Law and Order and British Politics. Brookfield, VT. USA: Gower, 1984.
Ommundsen, Wenche. Metafictions? Reflexivity in Contemporary Texts. Melbourne UP, 1993.
Osborne, Charles. The Life and Crimes of Agatha Christie: An Biographical Companion to the Works of Agatha Christie. New York: St. Martin Press, 2001.
Priestman, Martin. The Cambridge Companion to Crime Fiction. Cambridge UP, 2003.
Porter, Dennis. “Backward Construction and the Art of Suspense.” Eds. Glenn W. Most and William W. Stowe, The Poetics of Murder. San Diego: Harcourt, 1983. 327-40.
Pyrhönen, Heta. Mayhem and Murder: Narrative and Moral Problems in the Detective Story. U of Toronto P, 1999.
Rowland, Susan. From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction. Chippenham, Wiltshire: Palgrave Publisher, 2001.
Savage, Michael. Urban Sociology, Capitalism and Modernity. New York: Continuum, 1993.
Seed, David. “Spy Fiction.” Ed. Martin Priestman. The Cambridge Companion to Crime Fiction. Cambridge UP, 2003. 115-134.
Sinfield, Alan. Literature, Politics, and Culture in Postwar Britain. Berkeley: U of California P, 1989.
Söderlind, Jerker. “Culture and Sustainability.” Ed. L. Nyström and C. Fudge. City and Culure: Cultural Processes and Urban Sustainability. Stockholm: The Swedish Urban Environmental Council, 1999. 257-280.
Tani, Stefani. The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction. South Illinois UP, 1984.
Thomas, Ronald R. Detective Fiction and the Rise of Forensic Science. Cambridge UP, 1999.
Thompson, Paul. The Edwardians: The Remaking of British Society. London: Routledge, 1992.
Thorns, David C. The Transformation of Cities: Urban Theory and Urban Life. New York: Palgrave Macmillan, 2002.
Twyning, John. London Dispossessed: Literature and Social Space in the Early Modern City. New York: St. Martin`s Press, 1998.
Vagstad, Kristi. “Yankees on the Orient Express.” Armchair Detective 28.1 (1995): 276-283.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984.
Williams, Raymond. “Long Revolution.” Reading Popular Narrative: A Source Book. Ed. Bob Ashley. London: Leicester UP, 1989.
--- . New Historicism and Cultural Materialism: A Reader. Ed. Kiernan Ryan. London: Cambridge UP, 1996.
--- . The Country and the City. New York: Oxford UP, 1973.
York, R. A. Agatha Christie: Power and Illusion. Houndmills, England: Palgrave MacMillan P, 2007.
描述 博士
國立政治大學
英國語文學研究所
90551502
96
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0905515021
資料類型 thesis
dc.contributor.advisor 陳超明zh_TW
dc.contributor.advisor Chen,Chao Mingen_US
dc.contributor.author (Authors) 王銘鋒zh_TW
dc.contributor.author (Authors) Wang,Ming Fongen_US
dc.creator (作者) 王銘鋒zh_TW
dc.creator (作者) Wang,Ming Fongen_US
dc.date (日期) 2007en_US
dc.date.accessioned 17-Sep-2009 16:19:59 (UTC+8)-
dc.date.available 17-Sep-2009 16:19:59 (UTC+8)-
dc.date.issued (上傳時間) 17-Sep-2009 16:19:59 (UTC+8)-
dc.identifier (Other Identifiers) G0905515021en_US
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/33345-
dc.description (描述) 博士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 90551502zh_TW
dc.description (描述) 96zh_TW
dc.description.abstract (摘要) 阿嘉莎•克莉絲蒂一般被視為是一位傳統及經典的偵探小說作家。此類小說家通常會在小說裡強調「最後的真相」以及一個穩定社會秩序的回歸。然而，在此論文中，我將試著去證明克莉絲蒂的作品其實已超越了傳統偵探小說家的境界。由於她另類地在小說裡鋪陳「不確定真相」並且展現了一個介於工業社會以及後工業「風險社會」現代化變遷過程中的不穩定社會秩序，她甚至可以說是一位「反身性」的現代主義作家(“reflexive” modernist)呈現「高度現代性」(high modernity)的社會寫實。
本論文共分為六個章節；主要探討了克莉絲蒂對英國工業社會的「現代化進程」(modernizing process)的反身性及批判性的思維。在她的小說裡，所呈現的所謂「現代化進程」，包含了對理性真理的建構、規律化的時間及空間實踐以及國家之各法制機關的運作。在克莉絲蒂的小說裡，此過程與深受資本主義所影響下的工業化以及都市化的英國社會的關係是密不可分的。
因此，貝克(Ulrich Beck)對「風險社會」(risk society)以及「反身性現代化」(reflexive modernization)的見解，被用來廣泛地討論克莉絲蒂的作品。此外，其他談論「現代性」的幾位學者，例如哈維(David Harvey)、列菲弗爾(Henri Lefebvre)、瑟鐸(Michel de Certeau)以及班雅明(Walter Benjamin)的理論也被運用來解析她的文本。之所以涉及到這幾位學者的學說的原因，主要是他們都對工業社會下的理性化及紀律化的日常生活提出他們的質疑，也對現代科技及都市生活影響下的全新空間/時間的感知，發表了他們的見解。這些都有助於以文化研究的方法來暸解克莉絲蒂在其小說裡所呈現的社會情景。
總之，本論文的主要目標是要探討克莉絲蒂的小說文本與小說的社會背景兩者的關係。以「高度現代性」的理論架構，而非以傳統結構主義以及文類研究的方式，來審視她的小說。藉此，我期盼克莉絲蒂的小說能在英美現代文學作品的研究裡，能夠被重視並且能有重新的評價。		zh_TW
dc.description.abstract (摘要) Agatha Christie is often regarded as a traditional and classic detective writer who accentuates an ultimate truth and promotes the restoration of a stable social order in her novels. Yet, my study attempts to evidence that, with her writings transcending the limits of traditional detective fiction, she acted as a “reflexive” modernist by alternatively dealing with an uncertainty truth and demonstrating a shaky social order in a transitive changing reality from an industrial society to a post-industrial risk society.
My dissertation is divided into six chapters, which focus on examining her reflexive and critical consciousness of a modernizing process, including the construction and deconstruction of a rational truth, disciplinary spatiotemporal practices, and legal institutions in her contemporary society of industrialization and urbanization under the impact of capitalism.
The study of Christie’s works will be based on Ulrich Beck’s notions of ‘risk society” and “reflexive modernization.” The theories of other modernist scholars, including those of David Harvey, Henri Lefebvre, Michel de Certeau, and Walter Benjamin, are also applied to witness Christie’s transformation from a conventional detective writer to a modernist one. These four theorists interrogate the rational and disciplinary control of everyday life in an industrial society and deal with brand new spatio-temporal perceptions rising from the development of advanced technologies and modern city life. Their theoretical perspectives are helpful to analyze Christie’s texts.
Christie’s writings exhibit a changing social reality, a change from an early modernity to a later development of high modernity. Other than applying traditional approaches like structuralism and genre study, I employ a high-modernist perspective to discuss the interactions between Christie’s literary texts and their social background. My study is expected to relocate Christie as an experimental writer in the literary history of detective fiction.		en_US
dc.description.tableofcontents Dedication....................................................................................iii
Acknowledgments........................................................................iv
Table of Contents.........................................................................v
Chinese Abstract..........................................................................vi
English Abstract..........................................................................viii
Chapter
1. Introduction........................................................................1
2. An Age of Reflexive Modernity: Official Truth/Justice
vs. Personal Truth/Justice.................................................28
3. Degenerating Control of Rational Modernity: Alternative
Spatio-Temporal Practices in a Disciplinary Society...…50
4. A New Setting of Detective Novels: Industrialization,
Urbanization, and Capitalism .......................................... 87
5. Self-Reflexive Meta-Narratives.......................................121
6. Conclusion.......................................................................154
Works Cited.........................................................................175		zh_TW
dc.format.extent 43360 bytes-
dc.format.extent 37188 bytes-
dc.format.extent 75110 bytes-
dc.format.extent 12636 bytes-
dc.format.extent 116224 bytes-
dc.format.extent 96023 bytes-
dc.format.extent 117801 bytes-
dc.format.extent 114348 bytes-
dc.format.extent 117739 bytes-
dc.format.extent 79032 bytes-
dc.format.extent 49069 bytes-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.format.mimetype application/pdf-
dc.language.iso en_US-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0905515021en_US
dc.subject (關鍵詞) 阿嘉莎克莉絲蒂zh_TW
dc.subject (關鍵詞) 偵探故事zh_TW
dc.subject (關鍵詞) 現代性zh_TW
dc.subject (關鍵詞) 偵探zh_TW
dc.subject (關鍵詞) 風險社會zh_TW
dc.subject (關鍵詞) 時間與空間zh_TW
dc.subject (關鍵詞) Agatha Christieen_US
dc.subject (關鍵詞) detective storyen_US
dc.subject (關鍵詞) modernityen_US
dc.subject (關鍵詞) detectiveen_US
dc.subject (關鍵詞) risk societyen_US
dc.subject (關鍵詞) space and timeen_US
dc.title (題名) 阿嘉莎克莉絲蒂:偵探故事與現代性zh_TW
dc.title (題名) Agatha Christie: Detective Stories and Modernityen_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Works Citedzh_TW
dc.relation.reference (參考文獻) Adam, Barbara and Joost van Loon. “Introduction: Repositioning Risk; the Challenge for Social Theory.” Ed. Ulrich Beck et al. The Risk Society and Beyond: Critical Issues for Social Theory. London: Sage Publications, 2000.zh_TW
dc.relation.reference (參考文獻) Adornov, Theodor W. “Cultural Industry Reconsidered” in Reading Popular Narrative: A Source Book. Ed. Bob Ashley. London: Leicester UP, 1989.zh_TW
dc.relation.reference (參考文獻) Bargainnier, Earl F. The Gentle Art of Murder: The Detective Fiction of Agatha Christie. Bowling Green, Ohio, Bowing Green State University Popular Press, 1980.zh_TW
dc.relation.reference (參考文獻) Barth, John. “The Literature of Exhaustion.” Ed. Mark Currie. Metafiction. London: Longman, 1995.zh_TW
dc.relation.reference (參考文獻) Barnard, Robert. A Talent to Deceive: An Appreciation of Agatha Christie. New York: Dodd, Mead and Company, 1980.zh_TW
dc.relation.reference (參考文獻) Bayard, Pierre. Who Killed Roger Ackroyd? The Mystery Behind the Agatha Christie Mystery. New York: The New Press, 2000.zh_TW
dc.relation.reference (參考文獻) Beck, Ulrich. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order, Stanford, Calif.: Stanford University Press, 1994.zh_TW
dc.relation.reference (參考文獻) --- . “Risk Society Revisited: Theory, Politics and Research Programmes.” The Risk Society and Beyond: Critical Issues for Social Theory. London: Sage Publications, 2000.zh_TW
dc.relation.reference (參考文獻) Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans by Harry Zohn. London: Verso, 1992.zh_TW
dc.relation.reference (參考文獻) --- . “Theses on the Philosophy of History.” Illuminations. Trans by Hannha Arendt. New York: Schocken Books, 1986.zh_TW
dc.relation.reference (參考文獻) --- . Walter Benjamin: Selected Writings Volume I 1913-1926. Ed. Marcus Bullock and Michael W. Jenning. Harvard UP, 1996.zh_TW
dc.relation.reference (參考文獻) Best, Steven and Douglas Kellner. “Foucault and the Critique of Modernity.” Postmodern Theory: Critical Interrogations. Guilford Press: New York. 1991.zh_TW
dc.relation.reference (參考文獻) Burkitt, Ian.” The Time and Space of Everyday Life.” Cultural Studies. 18.2/3, 2004. 211-227.zh_TW
dc.relation.reference (參考文獻) Cawelti, John G. “Artisitc Failure and Successes: Christie and Sayers.” Adventure, Mystery, and Romance. Chicago: U of Chicago P, 1976.zh_TW
dc.relation.reference (參考文獻) Christie, Agatha. 4:50 from Paddington. 1957. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . A Murder Is Announced. 1950. New York: St. Martin Press, 2000.zh_TW
dc.relation.reference (參考文獻) --- . And Then There Were None. 1939, New York: St. Martin P, 2001.zh_TW
dc.relation.reference (參考文獻) --- . A Pocket Full of Rye. 1953. New York: Berkley Bookszh_TW
dc.relation.reference (參考文獻) --- . Cards on the Table. 1936. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Cat Among the Pigeons. 1959, New York: Berkley Book, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Curtain: Poirot’s Last Case. 1976, New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Dead Man’s Folly.1956. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Destination Unknown. 1955. New York: St. Martin’s Press, 2002.zh_TW
dc.relation.reference (參考文獻) --- . Elephant Can Remember. 1972. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Endless Night. 1967, New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Five Little Pigs. 1942, New York: Berkley Books, 1984.zh_TW
dc.relation.reference (參考文獻) --- . Hallowe’en Party. 1969. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Hercules Poirot’s Christmas. 1938. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Mrs. McGinty’s Death. 1952. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Murder on the Oriental Express. 1934, New York: Berkley Books, 2004.zh_TW
dc.relation.reference (參考文獻) --- . One, Two, Buckle My Shoe. 1940. New York: Berkley Books, 1984.zh_TW
dc.relation.reference (參考文獻) --- . Ordeal by Innocence. 1958, New York: St. Martin’s Press, 2002.zh_TW
dc.relation.reference (參考文獻) --- . Pale Horse. 1961. New York: St. Martin Press, 2002.zh_TW
dc.relation.reference (參考文獻) --- . Passenger to Frankfort. 1970. New York: St. Martin’s Press, 2002.zh_TW
dc.relation.reference (參考文獻) --- . Sleeping Murder. 1976, New York: Signet, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Sparkling Cyanide. 1945, New York: St. Martin’s Press, 2001.zh_TW
dc.relation.reference (參考文獻) --- . The A.B.C. Murders. 1936, New York: Berkley Book, 1991.zh_TW
dc.relation.reference (參考文獻) --- . The Body in the Library. 1942. New York: Berkley Books, 2000.zh_TW
dc.relation.reference (參考文獻) --- . The Clocks. 1963, New York: Berkley Book, 2000.zh_TW
dc.relation.reference (參考文獻) --- . The Mirror Crack’d. 1962. New York: Signet Book, 2000.zh_TW
dc.relation.reference (參考文獻) --- . The Murder of Roger Ackroyd. 1926, New York: Berkley Books, 1984.zh_TW
dc.relation.reference (參考文獻) --- . They Came to Baghdad. 1951. New York: St. Martin’s Press, 2002.zh_TW
dc.relation.reference (參考文獻) --- . They Do It with Mirror. 1952, New York: Signet, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Third Girl. 1966, New York: Berkley Book, 2000.zh_TW
dc.relation.reference (參考文獻) --- . Toward Zero. 1944, New York: St. Martin’s Press, 2001.zh_TW
dc.relation.reference (參考文獻) Clark, Gordon. and Michael Dear. “The State in Capitalism and the Capitalist State” Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York. 1981. 45-61.zh_TW
dc.relation.reference (參考文獻) De Certeau, Michele. Heterologies: Discourse on the Other, Minneapolis: University of Minnesota Press, 1986.zh_TW
dc.relation.reference (參考文獻) --- . The Practice of Everyday Life. Tran. Steven Rendall. Berkeley: U of California P, 1984.zh_TW
dc.relation.reference (參考文獻) --- . The Practic eof Everyday Life. Vol. 2. Tran. Timothy S. Tomasik. Minneaoplolis: U of Minnesota P, 1998.zh_TW
dc.relation.reference (參考文獻) Edel, Matthew. “Capitalism, Accumulation and the Explanation of Urban Phenomena” in Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York, 1981.zh_TW
dc.relation.reference (參考文獻) Fitzgibbon, Russell H. The Agatha Christie Companion. Bowling Green, Ohio, Bowing Green State University Popular Press, 1980.zh_TW
dc.relation.reference (參考文獻) Foucault, Michele. Discipline and Punish: The Birth of the Prison. New York: Vintage Books, 1979.zh_TW
dc.relation.reference (參考文獻) --- . Language, Counter Memory, and Practice: Selected Essays and Interviews. Ithaca, N.Y.: Cornell University Press, 1977.zh_TW
dc.relation.reference (參考文獻) ---. Power/Knowledge: Selected Interviews and Other Writings 1972-1977. Tran. Colin Gordon et al. New York: Pantheon Books, 1980.zh_TW
dc.relation.reference (參考文獻) Frank, Joseph. The Widening Gyre: Crisis and Mastery in Modern Literature. New Brunswick: Rutgers UP, 1963.zh_TW
dc.relation.reference (參考文獻) Giddens, Anthony. “Anthony Giddens and Will Hutton in Conversation.” Ed. Will Hutton and Anthony Giddens. Global Capitalism. New York: The New Press, 2000. 1-51.zh_TW
dc.relation.reference (參考文獻) --- . “Living in a Post-Traditional Society.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in Modern Social Order. Standford, CA: Standford UP, 1994. 57-107.zh_TW
dc.relation.reference (參考文獻) --- . Modernity and Self-Identity: Self and Society in the Late Modern Age,zh_TW
dc.relation.reference (參考文獻) Cambridge, UK: Polity Press, 1991.zh_TW
dc.relation.reference (參考文獻) Gilligan, George. Crime, Truth and Justice: Official Inquiry, Discourse, Knowledge. Ed. George Gilligan and John Pratt. Cullompton, UK: Willan Publishing, 2004.zh_TW
dc.relation.reference (參考文獻) Habermas, Jürgen. “Modernity—An Incomplete Project.” Ed. Hal Foster. The Anti-Aesthetic: Essay on Postmodern Culture. Bay Press, 1983.zh_TW
dc.relation.reference (參考文獻) Hamilton, Peter. Espionage, Terrorism and Subversion: An Examination and A Philosophy of Defence for Management. Surrey, England: Peter A. Heims Ltd., 1979.zh_TW
dc.relation.reference (參考文獻) Harvey, David. “Time-Space Compression and the Rise of Modernism as a Cultural Force.” The Condition of Postmodernity: An Inquiry into the Origins of Cultural Changes. Cambridge, MA: Blackwell, 1990.zh_TW
dc.relation.reference (參考文獻) --- . Space of Capitalism: Towards a Critical Geography, New York: Routledge, 2001.zh_TW
dc.relation.reference (參考文獻) --- . The Urban Experience, Oxford: Basil Blackwell Press, 1989.zh_TW
dc.relation.reference (參考文獻) Heise, Thomas. “Going Blood-Simple Like the Narratives: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s Red Harvest.” Modern Fiction Studies 49.4 (2003): 485-511.zh_TW
dc.relation.reference (參考文獻) Heynen, Hilde. Architecture and Modernity: A Critic. MIT P, 1999.zh_TW
dc.relation.reference (參考文獻) Horsley, Lee. “Classical Detection in the Inter-War Years.” Twentieth-Century Crime Fiction. Oxford UP, 2005.zh_TW
dc.relation.reference (參考文獻) Hudson, Barbara. Justice in the Risk Society: Challenging and Re-Affirming Justice in Late Modernity. London: Sage Publications, 2003.zh_TW
dc.relation.reference (參考文獻) Hühn, Peter. “The Detective as Reader: Narrativity and Reading Concept in Detective Fiction.” Modern Fiction Studies: 33.3, 1987. 451-466.zh_TW
dc.relation.reference (參考文獻) Hutcheon, Linda. A Poetic of Postmodern: History, Theory, Fiction. New York: Routledge, 1988.zh_TW
dc.relation.reference (參考文獻) --- . Narcissistic Narrative: The Metafictional Paradox. New York: Methuen, 1984.zh_TW
dc.relation.reference (參考文獻) --- . “The Politics of Postmodernism: Parody and History.” Cultural Critique 5 (Winter), 1986-7. 179-207.zh_TW
dc.relation.reference (參考文獻) Innes, Martin. Investigating Murder: Detective Work and the Police Response to Criminal Homicide. Oxford UP, 2003.zh_TW
dc.relation.reference (參考文獻) Jackson, Christine A. Myth and Ritual in Women’s Detective Fiction. Jefferson, North Carolina: McFarland & Company P, 2002.zh_TW
dc.relation.reference (參考文獻) Jameson, F. R. “On Raymond Chandler” Eds. Glenn W. Most and William W. Stowe. The Poetics of Murder: Detective Fiction and Literary Theory. San Diego: Hardcourt Brace Jovanovich P, 1983.zh_TW
dc.relation.reference (參考文獻) Knepper, Marty S. “The Curtain Falls: Agatha Christie`s Last Novels.” Clues: A Journal of Detection 23.4 (Summer), 2005. 69-84.zh_TW
dc.relation.reference (參考文獻) Knight, Stephen Thomas. Crime Fiction, 1800-2000: Detection, Death, Diversity. New York: Palgrave MacMillan, 2004.zh_TW
dc.relation.reference (參考文獻) Lash, Scott. “Reflexivity and Its Doubles: Structures, Aesthetics, Community.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Stanford, CA: Stanford UP, 1994.zh_TW
dc.relation.reference (參考文獻) Lefebvre, Henri. Everyday Life in the Modern World. Tran. Sacha Rabinovitch. London: The Athlone Press, 2000.zh_TW
dc.relation.reference (參考文獻) --- . The Production of Space, Oxford, UK: Blackwell, 1991.zh_TW
dc.relation.reference (參考文獻) --- . Writings on Cities. Tran. and Ed. Eleonore Kofman and Elizabeth Lebas. Oxford: Blackwell P, 1996.zh_TW
dc.relation.reference (參考文獻) Light, Alison. “Agatha Christie and Consevative Modernity.” Forever England: Femininity, Literature, and Conservatism between the Wars. London: Routledge, 1991.zh_TW
dc.relation.reference (參考文獻) Lyotard, Jean-François. The Postmodern Condition. Minneapolis: U of Minneapolis P, 1984.zh_TW
dc.relation.reference (參考文獻) Maida, Patricia D. and Nicholas B. Spornick. Murder She Wrote: A Study of Agatha Christie’s Detective Fiction. Bowling Green, Ohio, Bowing Green State University Popular Press, 1982.zh_TW
dc.relation.reference (參考文獻) Mandel, Earnest. Delightful Murder: A Social History of the Crime Story. U of Minnesota P, 1984.zh_TW
dc.relation.reference (參考文獻) Marx, Karl. Capital: Volume 1: A Critique of Political Economy. London: Penguin Books. 1990.zh_TW
dc.relation.reference (參考文獻) McCracken, Scott. Pulp: Reading Popular Fiction. Manchester UP, 1998.zh_TW
dc.relation.reference (參考文獻) McHale, Brian. Postmodernist Fiction. New York: Methuen, 1987.zh_TW
dc.relation.reference (參考文獻) Merivale, Partricia and Susan Elizabeth Sweeney. Detecting Texts: The Metaphysical Story from Poe to Postmodernism. U of Pennsylvania P, 1999.zh_TW
dc.relation.reference (參考文獻) Miller, Kristine A. “Case Closed: Scapegoating in British Women’s Wartime Detective Fiction.” The Devil Himself: Villainy in Detective Fiction and Film. Eds. Stacy Gillis and Philippa Gate. Greenwod P, 2002.zh_TW
dc.relation.reference (參考文獻) Moran, Joe. “Benjamin and Boredom.” Critical Quarterly. 45.1-2, 2003. 168-181.zh_TW
dc.relation.reference (參考文獻) --- . “Housing, Memory and Everyday Life in Contemporary Britain.” Cultural Studies. 18.4, 2004. pp. 607-627.zh_TW
dc.relation.reference (參考文獻) Murray, Chris. “Rethinking Neighbourhoods: From Urban Villages to Cultural Hubs.” Ed. David Bell & Mark Jayne. City of Quarters: Urban Villages in the Contemporary City. Aldershot, England: Ashgate P, 2004.zh_TW
dc.relation.reference (參考文獻) Mythen, Gabe. Ulrich Beck: A Critical Introduction to the Risk Society. London: Pluto Press, 2004.zh_TW
dc.relation.reference (參考文獻) Norton, Philip. Law and Order and British Politics. Brookfield, VT. USA: Gower, 1984.zh_TW
dc.relation.reference (參考文獻) Ommundsen, Wenche. Metafictions? Reflexivity in Contemporary Texts. Melbourne UP, 1993.zh_TW
dc.relation.reference (參考文獻) Osborne, Charles. The Life and Crimes of Agatha Christie: An Biographical Companion to the Works of Agatha Christie. New York: St. Martin Press, 2001.zh_TW
dc.relation.reference (參考文獻) Priestman, Martin. The Cambridge Companion to Crime Fiction. Cambridge UP, 2003.zh_TW
dc.relation.reference (參考文獻) Porter, Dennis. “Backward Construction and the Art of Suspense.” Eds. Glenn W. Most and William W. Stowe, The Poetics of Murder. San Diego: Harcourt, 1983. 327-40.zh_TW
dc.relation.reference (參考文獻) Pyrhönen, Heta. Mayhem and Murder: Narrative and Moral Problems in the Detective Story. U of Toronto P, 1999.zh_TW
dc.relation.reference (參考文獻) Rowland, Susan. From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction. Chippenham, Wiltshire: Palgrave Publisher, 2001.zh_TW
dc.relation.reference (參考文獻) Savage, Michael. Urban Sociology, Capitalism and Modernity. New York: Continuum, 1993.zh_TW
dc.relation.reference (參考文獻) Seed, David. “Spy Fiction.” Ed. Martin Priestman. The Cambridge Companion to Crime Fiction. Cambridge UP, 2003. 115-134.zh_TW
dc.relation.reference (參考文獻) Sinfield, Alan. Literature, Politics, and Culture in Postwar Britain. Berkeley: U of California P, 1989.zh_TW
dc.relation.reference (參考文獻) Söderlind, Jerker. “Culture and Sustainability.” Ed. L. Nyström and C. Fudge. City and Culure: Cultural Processes and Urban Sustainability. Stockholm: The Swedish Urban Environmental Council, 1999. 257-280.zh_TW
dc.relation.reference (參考文獻) Tani, Stefani. The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction. South Illinois UP, 1984.zh_TW
dc.relation.reference (參考文獻) Thomas, Ronald R. Detective Fiction and the Rise of Forensic Science. Cambridge UP, 1999.zh_TW
dc.relation.reference (參考文獻) Thompson, Paul. The Edwardians: The Remaking of British Society. London: Routledge, 1992.zh_TW
dc.relation.reference (參考文獻) Thorns, David C. The Transformation of Cities: Urban Theory and Urban Life. New York: Palgrave Macmillan, 2002.zh_TW
dc.relation.reference (參考文獻) Twyning, John. London Dispossessed: Literature and Social Space in the Early Modern City. New York: St. Martin`s Press, 1998.zh_TW
dc.relation.reference (參考文獻) Vagstad, Kristi. “Yankees on the Orient Express.” Armchair Detective 28.1 (1995): 276-283.zh_TW
dc.relation.reference (參考文獻) Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984.zh_TW
dc.relation.reference (參考文獻) Williams, Raymond. “Long Revolution.” Reading Popular Narrative: A Source Book. Ed. Bob Ashley. London: Leicester UP, 1989.zh_TW
dc.relation.reference (參考文獻) --- . New Historicism and Cultural Materialism: A Reader. Ed. Kiernan Ryan. London: Cambridge UP, 1996.zh_TW
dc.relation.reference (參考文獻) --- . The Country and the City. New York: Oxford UP, 1973.zh_TW
dc.relation.reference (參考文獻) York, R. A. Agatha Christie: Power and Illusion. Houndmills, England: Palgrave MacMillan P, 2007.zh_TW