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題名 The Broken Swan: The Projection of the Fantastic in the Fairy Tale of Angela Carter`s The Magic Toyshop
破碎的天鵝：論奇幻之投射在安潔拉•卡特《魔幻玩具舖》童話故事中
作者 陳薇真
Chen, Wei-Chen
貢獻者 陳音頤
Chen,Yin-I
陳薇真
Chen, Wei-Chen
關鍵詞 安潔拉•卡特
《魔幻玩具舖》
奇幻
童話故事
伊底帕斯情節期
父權
詭異
Angela Carter
The Magic Toyshop
Fantastic
Fairy Tale
The oedipal stage
Patriarchy
The uncanny
日期 2004
上傳時間 17-Sep-2009 16:20:41 (UTC+8)
摘要 當代童話故事《魔幻玩具舖》再現個體於成長過程中父權與社會機制所壓抑與消音，尤其強調於成長過程中的伊底帕斯情節期。當代童話作者呈現幻滅與殘缺的社會寫實，以提供讀者真實世界的不全以及社會的異化，藉此使讀者不安；透過詭異(the uncanny)的閱讀經驗，讀者認知於自己潛意識中的壓抑，以及社會機制的缺陷。在童話的結構中最重要的為奇幻之要素，奇幻重視顯露社會中的異化與顛覆理性的成規，其建築在現實即為取得讀者之信任，然而推展至非真的境地以混淆讀者對於現實的概念；透過傾覆讀者的認知，奇幻創造出在現實規則中的間隙(breach)以及破壞權威的法則；奇幻以及童話故事的努力皆於尋求到一個更美好的家庭遠景。
第一章介紹童話的文類架構以及與奇幻的緊密關聯。第二章著重於童話理論以及其架構呈現的欲望與空缺(lack)，讀者因認知到自我的伊底帕斯經驗與社會的異化而感到不安；奇幻要素則質問社會規則以及傾覆讀者對於社會秩序的概念。第三章為《魔幻玩具舖》的童話理論分析，以詭異的效果干擾讀者。第四章表明奇幻在《魔幻玩具舖》中的顛覆力量，模糊真與非真的界線以及在社會法規中創造出間隙開啟了被壓抑與壓迫發聲的可能性。最後一章以童話與奇幻要素顛覆父權社會機制作為總結。
The modern fairy tale, The Magic Toyshop, copes with the issue of what is repressed and muffled under the social and patriarchal restraints through the growing process of a person, especially the oedipal stage. The modern fairy tale writer presents a disillusioned picture of reality, so as to provide the reader with the real conditions of deficiency and alienation in society and unsettle the reader. Through the reading process of the uncanny, the reader recognizes what has been repressed in his unconsciousness, and thus realizes the imperfectness of the society. In the structure of the fairy tale, the most important element is the fantastic which endeavors to reveal the reality of alienation and to subvert the rules of rationality. The fantastic is built on the real in order to gain the belief of the reader; however, it then develops to the realm of the unreal in order to blur the boundary between the real and the unreal. By upsetting the reader’s conception, the fantastic creates a breach in everyday reality and undermines authoritarian rules. The ultimate efforts of the fairy tale and the fantastic are made for the quest for a real homecoming.
The first chapter introduces the genre of the fairy tale and its high relevance to the fantastic. The second chapter focuses on the theory of the fairy tale and its significance in revealing what is underneath the structure, desire and lack. The reader is unsettled by recognizing his / her own oedipal experience and the alienated reality. The element of the fantastic questions the everyday rules of the social order and disturbs the reader’s perception. The third chapter is the textual analysis of the fairy tale structure and its uncanny effect on the reader as reflected in Carter’s The Magic Toyshop. The fourth chapter is the analysis of the subversive function of the fantastic in Carter’s novel. The boundary-blurring and breach-making process opens a possibility for what is repressed and oppressed. The final chapter concludes that the fairy tale and the element of the fantastic subvert the authoritative society of patriarchy.
參考文獻 Alexander, Flora. “Prisons, Traps and Escape Routes: Feminist
Critiques of Romance.” Fatal Attractions: Re-scripting
Romance in Contemporary Literature and Film. Ed. Lynne
Pearce and Gina Wisker. London: Pluto P, 1998. 69-83.
Armitt, Lucie. Contemporary Women’s Fiction and the Fantastic.
London: Macmillan, 2000.
---. Theorising the Fantastic. London: Arnold, 1996.
Bakhtin, Mikhail. Rabelais and His World. Trans. Helene
Iswolsky. Bloomington: Indiana UP, 1984.
---. Problems of Dostoevsky’s Poetics. Ed. and trans. Caryl
Emerson. Theory and History of Literature 8. London: U of
Minnesota P, 1984.
Blake, William. Songs of Innocence and of Experience.
Princeton: Princeton UP, 1991.
Carter, Angela. Nights at the Circus. New York: Viking, 1984.
---. “Notes from the Front Line.” On Gender and Writing. Ed.
Michelene Wandor. London: Pandora P, 1983. 69-77.
---. The Magic Toyshop. London: Virago P, 1967.
---. The Sadeian Woman and the Ideology of Pornography. New
York : Harper Colophon Books, 1980.
Dundes, Alan. Introduction. Morphology of the Folktale. By
Vladimir Propp. Ed. Louis A. Wagner. Indiana University
Research Center in Anthropology, Folklore, and
Linguistics. 10. Rev. ed. Austin: U of Texas P, 1968. xi-
xvii.
Eaglestone, Robert. “The Fiction of Angela Carter.”
Contemporary British Fiction. Ed. Richard Lane, Rod
Mengham and Philip Tew. Cambridge: Polity P, 2003. 195-209.
Foucault, Michel. “A Preface to Transgression.” Language,
Counter-Memory, Practice: Selected Essays and Interviews.
Trans. Donald F. Bouchard and Sherry Simon. Ed. Donald F.
Bouchard. New York: Cornell UP, 1977. 29-52.
Freud, Sigmund. “The Uncanny.” An Infantile Neurosis and
Other Works. Ed. and trans. James Starchey. The Standard
Edition of the Complete Psychological Works of Sigmund
Freud. Vol. XVII. London: Hogarth P, 1955. 219-56.
Gamble, Sarah. Angela Carter: Writing from the Front Line.
Edinburgh: Edinburgh UP, 1997.
Gasiorek, Andrzej. Post-War British Fiction: Realism and After.
London: Edward Arnold, 1995.
Graves, Robert. The Greek Myth. New York: GeorgeBraziller,
Inc., 1957.
Grosz, Elizabeth. Jacques Lacan: A Feminist Introduction.
London: Routledge, 1990.
Haffenden, John. Novelists in Interview. New York: Methuen,
1985.
Hawthorn, Jeremy. A Concise Glossary of Contemporary Literary
Theory. London: Arnold, 1998.
Jackson, Rosemary. Fantasy: The Literature of Subversion.
London: Methuen, 1981.
Jordan, Elaine. “The Dangers of Angela Carter.” New Feminist
Discourses: Critical Essays on Theories and Texts. Ed.
Isobel Armstrong. London: Routledge, 1992. 119-131.
Jouve, Nicole Ward. Female Genesis: Creativity, Self and
Gender. Oxford: Polity P, 1998.
Kortenaar, Neil Ten. “Salman Rushdie`s Magic Realism and the
Return of Inescapable Romance.” University of Toronto
Quarterly 71.3 (2002): 765-85.
Lacan, Jacques. Écrits: A Selection. Trans. Alan Sheridan.
London: Tavistock, 1977.
Lane, Richard J. and Philip Tew. Introduction. Contemporary
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Makinen, Merja. Feminist Popular Fiction. London: Palgrave,
2001.
Mathews, Richard. Fantasy: The Liberation of Imagination. New
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Mengham, Rod. “General Introduction: Contemporary British
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Peach, Linden. Angela Carter. London: Macmillan, 1998.
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Punter, David. “Essential Imaginings: The Novels of Angela
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描述 碩士
國立政治大學
英國語文學研究所
91551013
93
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0915510131
資料類型 thesis
dc.contributor.advisor 陳音頤zh_TW
dc.contributor.advisor Chen,Yin-Ien_US
dc.contributor.author (Authors) 陳薇真zh_TW
dc.contributor.author (Authors) Chen, Wei-Chenen_US
dc.creator (作者) 陳薇真zh_TW
dc.creator (作者) Chen, Wei-Chenen_US
dc.date (日期) 2004en_US
dc.date.accessioned 17-Sep-2009 16:20:41 (UTC+8)-
dc.date.available 17-Sep-2009 16:20:41 (UTC+8)-
dc.date.issued (上傳時間) 17-Sep-2009 16:20:41 (UTC+8)-
dc.identifier (Other Identifiers) G0915510131en_US
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/33350-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 91551013zh_TW
dc.description (描述) 93zh_TW
dc.description.abstract (摘要) 當代童話故事《魔幻玩具舖》再現個體於成長過程中父權與社會機制所壓抑與消音，尤其強調於成長過程中的伊底帕斯情節期。當代童話作者呈現幻滅與殘缺的社會寫實，以提供讀者真實世界的不全以及社會的異化，藉此使讀者不安；透過詭異(the uncanny)的閱讀經驗，讀者認知於自己潛意識中的壓抑，以及社會機制的缺陷。在童話的結構中最重要的為奇幻之要素，奇幻重視顯露社會中的異化與顛覆理性的成規，其建築在現實即為取得讀者之信任，然而推展至非真的境地以混淆讀者對於現實的概念；透過傾覆讀者的認知，奇幻創造出在現實規則中的間隙(breach)以及破壞權威的法則；奇幻以及童話故事的努力皆於尋求到一個更美好的家庭遠景。
第一章介紹童話的文類架構以及與奇幻的緊密關聯。第二章著重於童話理論以及其架構呈現的欲望與空缺(lack)，讀者因認知到自我的伊底帕斯經驗與社會的異化而感到不安；奇幻要素則質問社會規則以及傾覆讀者對於社會秩序的概念。第三章為《魔幻玩具舖》的童話理論分析，以詭異的效果干擾讀者。第四章表明奇幻在《魔幻玩具舖》中的顛覆力量，模糊真與非真的界線以及在社會法規中創造出間隙開啟了被壓抑與壓迫發聲的可能性。最後一章以童話與奇幻要素顛覆父權社會機制作為總結。		zh_TW
dc.description.abstract (摘要) The modern fairy tale, The Magic Toyshop, copes with the issue of what is repressed and muffled under the social and patriarchal restraints through the growing process of a person, especially the oedipal stage. The modern fairy tale writer presents a disillusioned picture of reality, so as to provide the reader with the real conditions of deficiency and alienation in society and unsettle the reader. Through the reading process of the uncanny, the reader recognizes what has been repressed in his unconsciousness, and thus realizes the imperfectness of the society. In the structure of the fairy tale, the most important element is the fantastic which endeavors to reveal the reality of alienation and to subvert the rules of rationality. The fantastic is built on the real in order to gain the belief of the reader; however, it then develops to the realm of the unreal in order to blur the boundary between the real and the unreal. By upsetting the reader’s conception, the fantastic creates a breach in everyday reality and undermines authoritarian rules. The ultimate efforts of the fairy tale and the fantastic are made for the quest for a real homecoming.
The first chapter introduces the genre of the fairy tale and its high relevance to the fantastic. The second chapter focuses on the theory of the fairy tale and its significance in revealing what is underneath the structure, desire and lack. The reader is unsettled by recognizing his / her own oedipal experience and the alienated reality. The element of the fantastic questions the everyday rules of the social order and disturbs the reader’s perception. The third chapter is the textual analysis of the fairy tale structure and its uncanny effect on the reader as reflected in Carter’s The Magic Toyshop. The fourth chapter is the analysis of the subversive function of the fantastic in Carter’s novel. The boundary-blurring and breach-making process opens a possibility for what is repressed and oppressed. The final chapter concludes that the fairy tale and the element of the fantastic subvert the authoritative society of patriarchy.		en_US
dc.description.tableofcontents Chinese Abstract.............................................vii
English Abstract............................................viii
Chapter
One. Introduction........................................... 1
Two. The Fairy Tale and the Fantastic.......................13
I. The Fairy Tale and the Fantastic....................13
II. The Fantastic as a Mode............................19
Three. The Horror, the Horror: The Unsettling Effect of the
Fairy Tale...........................................31
I. The Magic Toyshop as Fairy Tale.....................32
II. Psychoanalytical Analysis of Melanie’s Subjectivity
within the Social System of the Patriarchal
Domination.........................................39
A. The House of Dolls: Flattened by the Pressure of
Patriarchal Dominance...........................44
B. Leda and Swan...................................47
Four. Dissolving the Boundary: The Subversive Function of the
Fantastic.............................................53
I. The Hesitation of the Real and the Unreal..........53
II. Love and Carnival: Destroying the Symbol of
Patriarchal Violence..............................55
III. Rewriting and Retelling: The Strategy of Parody..65
Five. Conclusion.............................................69
Works Cited...................................................73		zh_TW
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dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0915510131en_US
dc.subject (關鍵詞) 安潔拉•卡特zh_TW
dc.subject (關鍵詞) 《魔幻玩具舖》zh_TW
dc.subject (關鍵詞) 奇幻zh_TW
dc.subject (關鍵詞) 童話故事zh_TW
dc.subject (關鍵詞) 伊底帕斯情節期zh_TW
dc.subject (關鍵詞) 父權zh_TW
dc.subject (關鍵詞) 詭異zh_TW
dc.subject (關鍵詞) Angela Carteren_US
dc.subject (關鍵詞) The Magic Toyshopen_US
dc.subject (關鍵詞) Fantasticen_US
dc.subject (關鍵詞) Fairy Taleen_US
dc.subject (關鍵詞) The oedipal stageen_US
dc.subject (關鍵詞) Patriarchyen_US
dc.subject (關鍵詞) The uncannyen_US
dc.title (題名) The Broken Swan: The Projection of the Fantastic in the Fairy Tale of Angela Carter`s The Magic Toyshopzh_TW
dc.title (題名) 破碎的天鵝：論奇幻之投射在安潔拉•卡特《魔幻玩具舖》童話故事中zh_TW
dc.type (資料類型) thesisen
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dc.relation.reference (參考文獻) Critiques of Romance.” Fatal Attractions: Re-scriptingzh_TW
dc.relation.reference (參考文獻) Romance in Contemporary Literature and Film. Ed. Lynnezh_TW
dc.relation.reference (參考文獻) Pearce and Gina Wisker. London: Pluto P, 1998. 69-83.zh_TW
dc.relation.reference (參考文獻) Armitt, Lucie. Contemporary Women’s Fiction and the Fantastic.zh_TW
dc.relation.reference (參考文獻) London: Macmillan, 2000.zh_TW
dc.relation.reference (參考文獻) ---. Theorising the Fantastic. London: Arnold, 1996.zh_TW
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