| dc.contributor.advisor | 蕭宇超 | zh_TW |
| dc.contributor.advisor | Hsiao,Yuchau, E. | en_US |
| dc.contributor.author (Authors) | 宋凱琳 | zh_TW |
| dc.contributor.author (Authors) | Sung,Kai lin | en_US |
| dc.creator (作者) | 宋凱琳 | zh_TW |
| dc.creator (作者) | Sung,Kai lin | en_US |
| dc.date (日期) | 2007 | en_US |
| dc.date.accessioned | 17-Sep-2009 16:25:59 (UTC+8) | - |
| dc.date.available | 17-Sep-2009 16:25:59 (UTC+8) | - |
| dc.date.issued (上傳時間) | 17-Sep-2009 16:25:59 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0094555008 | en_US |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/33380 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 語言學研究所 | zh_TW |
| dc.description (描述) | 94555008 | zh_TW |
| dc.description (描述) | 96 | zh_TW |
| dc.description.abstract (摘要) | 宋詞研究學者提出許多詞律上的規定與特色，然而有關宋詞詞調之間的互動研究仍相當缺乏，因此本研究旨在探討北宋詞人姜夔的十七首自度曲當中語言形式的規定與音樂的關係。本篇研究包含語料庫與理論分析，其中語料庫分析針對結構、節奏與聲調歸納出姜夔十七首詞當中的傾向，並佐以數據分析。理論分析根據優選理論的框架說明姜夔作品中的語言形式如何選擇，並證實所有輸出值皆可用階級式制約來決定。本篇研究希望能解釋宋詞中語言與音樂的關係並為詞牌規定提出不同觀點。 | zh_TW |
| dc.description.abstract (摘要) | Researchers of Song verses have often proposed the rules to describe the poetic composition, but few have focused on the interactions between verse language and music. Therefore, the aim of the study attempts to explore how music and the linguistic requirements are related in Jiang Kuei’s seventeen verses. This research involves a corpus-based and a theoretical analyses. The corpus-based analysis focuses on structure, rhythm and tone to generalize the patterns of Jiang’s verses on a statistic basis. Under the framework of Optimality Theory, the theoretical analysis explains Jiang’s linguistic and musical arrangements in verses and confirms that the output forms are determined by a hierarchy of constraints. To conclude, this study sheds new light on the relationship between music and language and provides a fresh perspective on the Song verse formats. | en_US |
| dc.description.tableofcontents | Table of Contents PageAcknowledgements ivChinese Abstract ixEnglish Abstract xChapter 1. Introduction 1 1.1 Introduction 1 1.2 Song Verses 3 1.2.1 Tune Patterns 3 1.2.2 Ancient Music Notations 5 2. Literature Review 7 2.1 Similarities of Language and Music 7 2.1.1 Cognitive processing 7 2.1.2 Language and Musical Structures 9 2.1.3 Language and Musical Beats 13 2.1.4 Language and Musical Tones 18 2.2 Interactions of Language and Music 20 2.2.1 Optimality Theory 21 2.2.2 Correspondence Theory 22 2.2.3 Generalized Alignment 24 2.2.4 OT in Language-Music Interface Studies 25 2.3 Metrical Phonology 28 3. Corpus-based Analysis on Jiang’s Seventeen Verses 37 3.1 Introduction 37 3.2 Music and Language Structures 39 3.2.1 Verse Form 39 3.2.2 Song Form 41 3.2.3 Structural Mapping of Language and Music 43 3.3 Rhythmic Mapping of Language and Music 47 3.3.1 Pauses in Verses 47 3.3.2 Rest Marks in Music 50 3.3.2.1 Rest Marks and Their Distribution 50 3.3.2.2.Rhythmic Patterns 60 3.3.3 Prosodic and Musical Mapping in Rhythm 61 3.4 Tonal Harmony in Language and Music 69 3.4.1 Tonal Patterns 69 3.4.2 Melodic Types 72 3.4.3 Tonal Patterns and Melodic Types 75 3.5 Summary 79 4. An OT Analysis on the Language-music Interactions in Jiang’s Verses 81 4.1 Introduction 81 4.2 Structural Mapping in Language and Music 82 4.3 Correspondence between Syllables and Notations 85 4.4 Prosodic and Music Mapping in Rhythm 88 4.4.1 Disyllabic Rhythmic Patterns 89 4.4.2 Trisyllabic Rhythmic Patterns 97 4.4.3 Quadrasyllabic Rhythmic Patterns 102 4.4.4 Melodic on Tonal Shapes 109 4.5 Summary 131 5. Conclusion 133 5.1 Conclusion 133 5.2 Further Issues 135Appendix 138Bibliography 203 | zh_TW |
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| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0094555008 | en_US |
| dc.subject (關鍵詞) | 優選理論 | zh_TW |
| dc.subject (關鍵詞) | 姜夔 | zh_TW |
| dc.subject (關鍵詞) | 詩詞入樂 | zh_TW |
| dc.subject (關鍵詞) | 語料庫 | zh_TW |
| dc.subject (關鍵詞) | Optimality Theory | en_US |
| dc.subject (關鍵詞) | Jiang Kuei | en_US |
| dc.subject (關鍵詞) | Verses in music | en_US |
| dc.subject (關鍵詞) | corpus | en_US |
| dc.title (題名) | 以優選理論看姜夔入樂詩詞 | zh_TW |
| dc.title (題名) | An Optimality Theory Approach to Jiang Kuei`s Verses in Music | en_US |
| dc.type (資料類型) | thesis | en |
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