dc.contributor.advisor | 李有成<br>陳音頤 | zh_TW |
dc.contributor.author (Authors) | 王瀚陞 | zh_TW |
dc.contributor.author (Authors) | Wang, Han Sheng | en_US |
dc.creator (作者) | 王瀚陞 | zh_TW |
dc.creator (作者) | Wang, Han Sheng | en_US |
dc.date (日期) | 2008 | en_US |
dc.date.accessioned | 19-Sep-2009 13:02:37 (UTC+8) | - |
dc.date.available | 19-Sep-2009 13:02:37 (UTC+8) | - |
dc.date.issued (上傳時間) | 19-Sep-2009 13:02:37 (UTC+8) | - |
dc.identifier (Other Identifiers) | G0925515011 | en_US |
dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/37285 | - |
dc.description (描述) | 博士 | zh_TW |
dc.description (描述) | 國立政治大學 | zh_TW |
dc.description (描述) | 英國語文學研究所 | zh_TW |
dc.description (描述) | 92551501 | zh_TW |
dc.description (描述) | 97 | zh_TW |
dc.description.abstract (摘要) | 本篇論文主要探討1880至1930年代英國女性作家所再現的性別化空間。女性逐漸在十九世紀末倫敦的公共空間嶄露頭角,扮演各種不同的重要角色,舉凡上班族、消費者、俱樂部會員、電影迷、行善者及觀光客等都是當時女性公共形象的最佳例證。然而這些跨越公/私領域界限的女性漫遊者迄今都未獲得學界足夠的重視。女性漫遊者在世紀末文學研究中長期遭受忽視主要肇因於早期學者對於十九世紀男主外、女主內的公/私領域劃分大致認同,未能加以批判。透過檢視艾蜜‧列薇 (Amy Levy)、桃樂斯‧理察森 (Dorothy Richardson) 以及維吉尼亞‧吳爾夫 (Virginia Woolf) 等三位女作家的跨文類書寫,本篇論文指出世紀末的中產階級女性已逐漸掙脫傳統私領域以及家庭意識形態的束縛,開始在城市空間行走與觀看。在十九世紀末許多新興的大城市例如倫敦,如此的女性公共行走則又更加顯著並且和日益蓬勃發展的商品文化、大眾消費/享樂以及公共空間皆有極密切的關聯。流動 (mobility) 與觀察 (spectatorship) 因此成為中產階級女性在城市空間行走與觀看時的重要經驗,前者來自於女性在日益開放的公共領域遂行的空間探索,後者則是來自女性觀察者對於城市景觀例如商品展示、來往的人潮以及繁忙的街景所做的視覺凝視。經由書寫世紀末的女性城市漫遊,上述三位女作家明確地指出這些表面看似被動的中產階級女性其實早已跨越傳統空間限制,不斷挪用與創造新的城市公共空間。 | zh_TW |
dc.description.abstract (摘要) | This study has examined the numerous roles played by women entering the public spaces of London in the half century from the 1880s to the 1930s as workers, shoppers, diners, clubbers, cinema-goers, philanthropists, and tourists, a wide spectrum of active female social actors that until recently have not attracted enough attention from scholars of late-Victorian and Edwardian literature. The neglect of these newly pubic women in the fin de siècle period, who are distinct from their home-bound Victorian predecessors, is largely ascribed to an uncritical acceptance of or surrender to the long-held, dominant assumption of separate spheres in the nineteenth century. Through examining the writings of Amy Levy, Dorothy Richardson, and Virginia Woolf, who portray the multifarious pictures of women rambling the streets of modern London, this study has demonstrated that female public visibility and mobility have at least since the fin de siècle period been commonly practiced by a conglomerate of middle-class women. Mobility and spectatorship are thus two significant tropes applicable to women’s spatial and visual explorations of the fin de siècle city, the former underscoring their meandering footsteps threading through the increasingly egalitarian public space while the latter their roving eyes casting glances at those enticing urban spectacles which are already a phantasmagoria of commodity display, jostling crowd, and bustling streetscapes. Through writing about fin de siècle female streetwalking, the three women writers have demonstrated that those seemingly passive women of the middle-class may indeed be capable, through their public presence and their incessant footsteps, of pushing at the established boundaries. | en_US |
dc.description.tableofcontents | Dedication Page iiiAcknowledgements ivChinese Abstract viEnglish Abstract viiIntroduction 1Chapter One: Amy Levy`s Romance of a Shop and London Poetry 27Chapter Two: Dorothy Richardson’s Pilgrimage and Film Criticism 65Chapter Three: Virginia Woolf’s The Years and London Essays 134Conclusion 164Works Cited 173 | zh_TW |
dc.format.extent | 96605 bytes | - |
dc.format.extent | 91134 bytes | - |
dc.format.extent | 128941 bytes | - |
dc.format.extent | 64094 bytes | - |
dc.format.extent | 182421 bytes | - |
dc.format.extent | 199862 bytes | - |
dc.format.extent | 355885 bytes | - |
dc.format.extent | 176589 bytes | - |
dc.format.extent | 112442 bytes | - |
dc.format.extent | 182184 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en_US | - |
dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0925515011 | en_US |
dc.subject (關鍵詞) | 女性漫遊者 | zh_TW |
dc.subject (關鍵詞) | 城市空間 | zh_TW |
dc.subject (關鍵詞) | 艾蜜‧列薇 | zh_TW |
dc.subject (關鍵詞) | 桃樂斯‧理察森 | zh_TW |
dc.subject (關鍵詞) | 維吉尼亞‧吳爾夫 | zh_TW |
dc.subject (關鍵詞) | female ramblers | en_US |
dc.subject (關鍵詞) | the city | en_US |
dc.subject (關鍵詞) | Amy Levy | en_US |
dc.subject (關鍵詞) | Dorothy Richardson | en_US |
dc.subject (關鍵詞) | Virginia Woolf | en_US |
dc.title (題名) | 敘述流動:三位英國女作家筆下的漫遊者與城市 | zh_TW |
dc.title (題名) | Narrating the mobile: The writings of Amy Levy, Dorothy Richardson, and Virginia Woolf | en_US |
dc.type (資料類型) | thesis | en |
dc.relation.reference (參考文獻) | Works Cited | zh_TW |
dc.relation.reference (參考文獻) | Adorno, Theodor. The Culture Industry: Selected Essays on Mass Culture. Ed. J. M. Berstein. London: Routledge, 1991. | zh_TW |
dc.relation.reference (參考文獻) | Armstrong, Isobel, and Virginia Blain, eds. Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre. New York: St. Martin`s, 1999. | zh_TW |
dc.relation.reference (參考文獻) | ---, and Joseph Bristow, eds. Nineteenth-Century Women Poets: An Oxford Anthology. New York: Oxford UP, 1996. | zh_TW |
dc.relation.reference (參考文獻) | Barrows, Susanna. Distorting Mirrors: Visions of the Crowd in Late Nineteenth-Century France. New Haven: Yale UP, 1981. | zh_TW |
dc.relation.reference (參考文獻) | Baudelaire, Charles. The Painter of Modern Life and Other Essays. 1863. Trans. and Ed. Jonathan Mayne. London: Oxford UP, 1964. | zh_TW |
dc.relation.reference (參考文獻) | Beckman, Linda Hunt. “Amy Levy and the ‘Jewish Novel’: Representing Jewish Life in the Victorian Period.” Studies in the Novel 26.3 (1994): 235-53. | zh_TW |
dc.relation.reference (參考文獻) | ---. Amy Levy: Her Life and Letters. Athens, OH: Ohio UP, 2000. | zh_TW |
dc.relation.reference (參考文獻) | ---. “Amy Levy: Urban Poetry, Poetic Innovation, and the Fin-de-Siècle Woman Poet.” The Fin-de-Siècle Poem: English Literary Culture and the 1890s. Athens, OH: Ohio UP, 2005. 207-30. | zh_TW |
dc.relation.reference (參考文獻) | Beetham, Margaret. A Magazine of Her Own? Domesticity and Desire in the Woman’s Magazine, 1800-1914. London: Routledge, 1996. | zh_TW |
dc.relation.reference (參考文獻) | Benjamin, Walter. “The Work of Art in the Age of Mechanic Reproduction.” Illuminations. Trans. Harry Zohn. New York: Schocken, 1969. 217-52. | zh_TW |
dc.relation.reference (參考文獻) | ---. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1973. | zh_TW |
dc.relation.reference (參考文獻) | ---. The Arcades Project. Trans. Howard Eiland. Cambridge: Belknap, 1999. | zh_TW |
dc.relation.reference (參考文獻) | Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Simon and Schuster, 1982. | zh_TW |
dc.relation.reference (參考文獻) | Bernstein, Susan David. Introduction. The Romance of a Shop. Amy Levy. London: Broadview, 2006. 11-41. | zh_TW |
dc.relation.reference (參考文獻) | Blain, Virginia. Victorian Women Poets: A New Annotated Anthology. New York: Longman, 2001. | zh_TW |
dc.relation.reference (參考文獻) | Boumelha, Penny. “The Woman of Genius and the Woman of Grub Street: Figures of the Female Writer in British Fin de Siècle Fiction.” English Literature in Transition 40.3 (1997): 164-80. | zh_TW |
dc.relation.reference (參考文獻) | Bowlby, Rachel. Just Looking: Consumer Culture in Dreiser, Gissing, and Zola. New York: Methuen, 1985. | zh_TW |
dc.relation.reference (參考文獻) | Brand, Dana. The Spectator and the City in Nineteenth-Century American Literature. New York: Cambridge UP, 1991. | zh_TW |
dc.relation.reference (參考文獻) | Bristow, Joseph. “‘All Out of Tune in this World’s Instrument’: The ‘Minor’ Poetry of Amy Levy.” Journal of Victorian Culture 4.1 (1999): 76-103. | zh_TW |
dc.relation.reference (參考文獻) | Brosnan, Leila. Reading Virginia Woolf’s Essays and Journalism: Breaking the Surface of Silence. Edinburgh: Edinburgh UP, 1997. | zh_TW |
dc.relation.reference (參考文獻) | Bryher, Winifred. The Heart of Artemis: A Writer’s Memoirs. New York: Harcourt, 1962. | zh_TW |
dc.relation.reference (參考文獻) | Buck-Morss, Susan. “The Flâneur, the Sandwichman, and the Whore.” New German Critique 39 (1986): 99-140. | zh_TW |
dc.relation.reference (參考文獻) | ---. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT, 1991. | zh_TW |
dc.relation.reference (參考文獻) | Chen, Eva Yin-I. “New Woman Fiction and Fin de Siècle Urban Commodity Culture." Sun Yat-sen Journal of Humanities 25 (2007): 41-68. | zh_TW |
dc.relation.reference (參考文獻) | Conor, Liz. The Spectacular Modern Women: Feminine Visibility in the 1920s. Bloomington: Indian UP, 2004. | zh_TW |
dc.relation.reference (參考文獻) | Copjec, Joan. “The Orthopsychic Subject: Film Theory and the Reception of Lacan.” October 49 (1989): 53-72. | zh_TW |
dc.relation.reference (參考文獻) | Cowie, Elizabeth. “Fantasia.” The Woman in Question: M/F. Eds. Parveen Adams and Elizabeth Cowie. London: Verso, 1990. 149-96. | zh_TW |
dc.relation.reference (參考文獻) | Cowman, Krista, and Louise A. Jackson, eds. Women and Work Culture: Britain 1850-1950. Aldershot: Ashgate, 2005. | zh_TW |
dc.relation.reference (參考文獻) | Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT, 1990. | zh_TW |
dc.relation.reference (參考文獻) | Davidoff, Leonore, and Catherine Hall. Family Fortune: Men and Women of the English Middle Class 1780-1850. Chicago: Chicago UP, 1987. | zh_TW |
dc.relation.reference (參考文獻) | De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkley: California UP, 1984. | zh_TW |
dc.relation.reference (參考文獻) | Doane, Mary Ann. “Masquerade Reconsidered: Further Thoughts on the Female Spectator.” Discourse: Journal for Theoretical Studies in Media and Culture 11.1 (1988): 42-54. | zh_TW |
dc.relation.reference (參考文獻) | Donald, James. Imagining the Modern City. London: Athlone, 1999. | zh_TW |
dc.relation.reference (參考文獻) | ---, Anne Friedberg, and Laura Marcus, eds. Close-Up 1927-1933: Cinema and Modernism. New Jersey: Princeton UP, 1998. | zh_TW |
dc.relation.reference (參考文獻) | ---, and Stephanie Hemelryk. “The Publicness of Cinema.” Reinventing Film Studies. Ed. Christine Gledhill and Linda Williams. London: Arnold, 2000. 114-29. | zh_TW |
dc.relation.reference (參考文獻) | Egger, Rebecca Mary. “Reading by Half-light: Cinematic Spectatorship in Modernist Women’s Writing.” Diss. Cornell U, 1995. | zh_TW |
dc.relation.reference (參考文獻) | Eisenstein, Sergei. Film Form: Essays in Film Theory. Trans. Jay Leyda. New York: Harcourt, 1949. | zh_TW |
dc.relation.reference (參考文獻) | Ewan, Elizabeth. Immigrant Women in the land of Dollars: Life and Culture in the Lower Easter Side, 1890-1925. New York: Monthly Review, 1985. | zh_TW |
dc.relation.reference (參考文獻) | Felski, Rita. The Gender of Modernity. Cambridge, MA: Harvard UP, 1995. | zh_TW |
dc.relation.reference (參考文獻) | Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley: California UP, 1993. | zh_TW |
dc.relation.reference (參考文獻) | Frisby, David. Sociological Impressionism: A Reassessment of Georg Simmel’s Social Theory. London: Heinemann, 1981. | zh_TW |
dc.relation.reference (參考文獻) | ---. Fragments of Modernity: Theories of Modernity in the Work of Simmel, Kracauer, and Benjamin. Cambridge: MIT, 1986. | zh_TW |
dc.relation.reference (參考文獻) | Gardner, Vivien. Introduction. The New Woman and Her Sister: Feminism and Theater 1850-1914. Eds. Vivien Gardner and Susan Rutherford. Harvester Wheatsheaf, 1992. 4-6. | zh_TW |
dc.relation.reference (參考文獻) | Gerard, Jessica. “Lady Bountiful: Women of the Landed Class and Rural Philanthropy.” Victorian Studies 30 (1987) 183-211. | zh_TW |
dc.relation.reference (參考文獻) | Gevirtz, Susan. Narrative’s Journey: The Fiction and Film Writing of Dorothy Richardson. New York: Peter Lang, 1996. | zh_TW |
dc.relation.reference (參考文獻) | Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity, 1996. | zh_TW |
dc.relation.reference (參考文獻) | ---. Walter Benjamin: Critical Constellations. Cambridge: Polity, 2002. | zh_TW |
dc.relation.reference (參考文獻) | Gleber, Anke. “Women on the Screens and Streets of Modernity: In Search of the Female Flâneur.” The Image in Dispute: Art and Cinema on the Age of Photography. Ed. Dudley Andrew. Austin: Texas UP, 1997. 55-85. | zh_TW |
dc.relation.reference (參考文獻) | ---. The Art of Taking a Walk: Flanerie, Literature, and Film in Weimar Culture. Princeton: Princeton UP, 1999. | zh_TW |
dc.relation.reference (參考文獻) | Goody, Alex. “Murder in Mile End: Amy Levy, Jewishness, and the City.” Victorian Literature and Culture 34 (2006): 461–79. | zh_TW |
dc.relation.reference (參考文獻) | Habermas, Jűrgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger. Cambridge: Polity, 1989. | zh_TW |
dc.relation.reference (參考文獻) | Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass.: Harvard UP, 1991. | zh_TW |
dc.relation.reference (參考文獻) | ---. “America, Paris, the Alps: Kracauer (and Benjamin) on Cinema and Modernity.” Cinema and the Invention of Modern Life. Ed. Leo Charney and Vaneessa R. Schwartz. Berkeley: California UP, 1995. 374-84. | zh_TW |
dc.relation.reference (參考文獻) | Heilmann, Ann. New Woman Fiction: Women Writing First-Wave Feminism. London: Macmillan, 2000. | zh_TW |
dc.relation.reference (參考文獻) | Hiley, Nicolas. “The British Cinema Auditorium.” Film and the First World War. Ed. Karel Dibbets and Bert Hogenkamp. Amsterdam: Amsterdam UP, 1994. 160-70. | zh_TW |
dc.relation.reference (參考文獻) | Holcombe, Lee. Victorian Ladies at Work: Middle-Class Working Women in England and Wales 1850-1914. Hamden: Archon, 1973. | zh_TW |
dc.relation.reference (參考文獻) | Horkheimer, Max, and Theodor Adorno. “The Culture Industry: Enlightenment as Mass Deception.” Dialectic of Enlightenment. Trans. John Cumming. New York: Continuum, 1994. 120-67. | zh_TW |
dc.relation.reference (參考文獻) | Humm, Maggie. Modernist Women and Visual Cultures. New Brunswick: Rutgers UP, 2003. | zh_TW |
dc.relation.reference (參考文獻) | Huyssen, Andreas. “Mass Culture as Woman: Modernism’s Other.” After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 44-64. | zh_TW |
dc.relation.reference (參考文獻) | Koven, Seth. Slumming: Sexual and Social Politics in Victorian London. Princeton: Princeton UP, 2004. | zh_TW |
dc.relation.reference (參考文獻) | Kracauer, Siegfried. The Mass Ornament: Weimar Essays. Trans. and Ed. Thomas Levin. Cambridge, MA: Harvard UP, 1995. | zh_TW |
dc.relation.reference (參考文獻) | Lant, Antonia, and Ingrid Periz, eds. Red Velvet Seat: Women’s Writing on the First Fifty Years of Cinema. London: Verso, 2006. | zh_TW |
dc.relation.reference (參考文獻) | Ledger, Sally. “Gissing, the Shopgirl, and the New Woman.” Women: A Cultural Review 6.3 (1995): 263-74. | zh_TW |
dc.relation.reference (參考文獻) | ---. The New Woman: Fiction and Feminism at the Fin de Siècle. Manchester: Manchester UP, 1997. | zh_TW |
dc.relation.reference (參考文獻) | ---, and Roger Luckhurst, eds. The Fin de Siècle: A Reader in Cultural History 1880-1900. New York: Oxford UP, 2000. | zh_TW |
dc.relation.reference (參考文獻) | Lefebvre, Henri. The Production of Space. Trans. Donald Nicholson-Smith. Cambridge, MA: Blackwell, 1991. | zh_TW |
dc.relation.reference (參考文獻) | Leighton, Angela. Victorian Women Poets: Writing Against the Heart. Charlottesville: Virginia UP, 1992. | zh_TW |
dc.relation.reference (參考文獻) | ---. ed. Victorian Women Poets: A Critical Reader. Oxford: Blackwell, 1996. | zh_TW |
dc.relation.reference (參考文獻) | Levy, Amy. The Complete Novels and Selected Writings of Amy Levy 1861-1889. Ed. Melvyn New. Gainesville: Florida UP, 1993. | zh_TW |
dc.relation.reference (參考文獻) | ---. The Romance of a Shop. 1888. Ed. Susan David Bernstein. Ontario: Broadview, 2006. | zh_TW |
dc.relation.reference (參考文獻) | ---. “Women and Club Life.” The Romance of a Shop. Ed. Susan David Bernstein. Ontario: Broadview, 2006. 213-19. | zh_TW |
dc.relation.reference (參考文獻) | ---. “Readers at the British Museum.” The Romance of a Shop. Ed. Susan David Bernstein. Ontario: Broadview, 2006. 220-26. | zh_TW |
dc.relation.reference (參考文獻) | Liggins, Emma. George Gissing, the Working Woman, and Urban Culture. Aldershot: Ashgate, 2006. | zh_TW |
dc.relation.reference (參考文獻) | Low, Rachael. History of British Film. Vol. 3. London: Routledge, 1997. | zh_TW |
dc.relation.reference (參考文獻) | MacCabe, Colin. “Defining Popular Culture.” High Theory/Low Culture: Analyzing Popular Television and Film. Manchester: Manchester UP, 1986. 1-10. | zh_TW |
dc.relation.reference (參考文獻) | Marks, Patricia. Bicycles, Bangs, and Bloomers: The New Woman in the Popular Press. | zh_TW |
dc.relation.reference (參考文獻) | Marriot, John. “Sensation of the Abyss: The Urban Poor and Modernity.” Modern Times: Reflections on a Century of English Modernity. Eds. Mica Nava and Alan O’Shea. London: Routledge, 1996. 77-93. | zh_TW |
dc.relation.reference (參考文獻) | McCracken, Scott. “Embodying the New Woman: Dorothy Richardson, Work, and the London Café.” Body Matters: Feminism, Texuality, Corporeality. Eds. Avril Homer and Angela Keane. Manchester: Manchester UP, 2000. 58-71. | zh_TW |
dc.relation.reference (參考文獻) | ---. “From Performance to Public Sphere: The Production of Modernist Masculinities.” Textual Practice 15.1 (2001): 47-65. | zh_TW |
dc.relation.reference (參考文獻) | McDowell, Linda. Gender, Identity and Place: Understanding Feminist Geography. Cambridge: Polity, 1999. | zh_TW |
dc.relation.reference (參考文獻) | Miles, Peter, and Malcolm Smith. Cinema, Literature, and Society: Elite and Mass Culture in Interwar Britain. London: Croom Helm, 1987. | zh_TW |
dc.relation.reference (參考文獻) | Mitchell, Sally. The New Girl: Girls’ Culture in England 1880-1915. New York: Columbia UP, 1995. | zh_TW |
dc.relation.reference (參考文獻) | Modleski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist Theory. London: Methuen, 1988. | zh_TW |
dc.relation.reference (參考文獻) | Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16.3 (1975): 6-18. | zh_TW |
dc.relation.reference (參考文獻) | ---. “Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ Inspired by King Vidor’s Duel in the Sun (1946).” Framework 15-17 (1981): 12-15. | zh_TW |
dc.relation.reference (參考文獻) | Naremore, James, and Patrick Brantlinger. “Six Artistic Cultures.” Modernity and Mass Culture. Bloomington: Indian UP, 1991. 1-23. | zh_TW |
dc.relation.reference (參考文獻) | Nava, Mica. “Modernity’s Disavowal: Women, the City, and the Department Store.” The Shopping Experience. Eds. Pasi Falk and Colin Campbell. London: Sage, 1997. 56-91. | zh_TW |
dc.relation.reference (參考文獻) | Nead, Lynda. Victorian Babylon: People, Streets and Images in Nineteenth-Century London. New Haven: Yale UP, 2000. | zh_TW |
dc.relation.reference (參考文獻) | Negt, Oskar, and Alexander Kluge. Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere. Trans. Peter Labanyi, Jamie Daniel, and Assenka Oksiloff. Minneapolis: Minnesota UP, 1993. | zh_TW |
dc.relation.reference (參考文獻) | Nord, Deborah Epstein. Walking the Victorian Streets: Women, Representation, and the City. Ithaca: Cornell UP, 1995. | zh_TW |
dc.relation.reference (參考文獻) | O’Shea, Alan. “English Subjects of Modernity.” Modern Times: Reflections on a Century of English Modernity. Eds. Mica Nava and Alan O’Shea. London: Routledge, 1996. 7-21. | zh_TW |
dc.relation.reference (參考文獻) | Parsons, Deborah L. Streetwalking the Metropolis: Women, the City, and Modernity. Oxford: Oxford UP, 2000. | zh_TW |
dc.relation.reference (參考文獻) | Peiss, Kathy. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York. Philadelphia: Temple UP, 1986. | zh_TW |
dc.relation.reference (參考文獻) | Petro, Patrice. Joyless Streets: Women and Melodramatic Representation in Weimar Germany. Princeton: Princeton UP, 1989. | zh_TW |
dc.relation.reference (參考文獻) | Pollock, Griselda. “Modernity and the Spaces of Femininity.” Vision and Difference: Femininity, Feminism, and Histories of Art. London: Routledge, 2003. 70-127. | zh_TW |
dc.relation.reference (參考文獻) | Powys, John Cowper. Dorothy M. Richardson. London: Joiner and Steel, 1931. | zh_TW |
dc.relation.reference (參考文獻) | Prochaska, F. K. Women and Philanthropy in Nineteenth-Century England. Oxford: Oxford UP, 1980. | zh_TW |
dc.relation.reference (參考文獻) | Pykett, Lyn. “Portraits of the Artist as a Young Woman.” Victorian Women Writers and the Woman Question. Cambridge: Cambridge UP, 1999. 135-50. | zh_TW |
dc.relation.reference (參考文獻) | Rabinovitz, Lauren. For the Love of Pleasure: Women, Movies, and Culture in Turn-of-the-Century Chicago. New Brunswick, NJ: Rutgers UP, 1998. | zh_TW |
dc.relation.reference (參考文獻) | Rappaport, Erika Diane. Shopping for Pleasure: Women in the Making of London’s West End. Princeton: Princeton UP, 2000. | zh_TW |
dc.relation.reference (參考文獻) | Rendell, Jane. “Displaying Sexuality: Gendered Identity and the Early Nineteenth-Century Street.” Images of the Street: Planning, Identity, and Control in Public Space. London: Routledge, 1998. 75-91. | zh_TW |
dc.relation.reference (參考文獻) | Richards, Jeffrey. The Age of the Dream Palace: Cinema and Society in Britain 1930-1939. London: Routledge, 1989. | zh_TW |
dc.relation.reference (參考文獻) | Richardson, Angelique, and Chris Willis, eds. The New Woman in Fiction and in Fact: Fin-de-Siècle Feminisms. New York: Palgrave, 2002. | zh_TW |
dc.relation.reference (參考文獻) | Richardson, Dorothy. Pilgrimage. 4 vols. New York: Alfred A. Knopft, 1967. | zh_TW |
dc.relation.reference (參考文獻) | ---. Windows on Modernism: Selected Letters of Dorothy Richardson. Ed. Gloria G. Fromm. Athens: Georgia UP, 1995. | zh_TW |
dc.relation.reference (參考文獻) | ---. “Continuous Performance: Dorothy Richardson.” Close-Up 1927-1933: Cinema and Modernism. Eds. James Donald, Anne Friedberg, and Laura Marcus. New Jersey: Princeton UP, 1998. 150-211. | zh_TW |
dc.relation.reference (參考文獻) | Rochelson, Meri-Jane. “Jews, Gender, and Genre in Late-Victorian England: Amy Levy’s Reuben Sachs.” Women’s Studies 25.4 (1996): 311-28. | zh_TW |
dc.relation.reference (參考文獻) | Rose, Gillian. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage, 2001. | zh_TW |
dc.relation.reference (參考文獻) | ---. Feminism and Geography: The Limits of Geographical Knowledge. Cambridge: Polity, 1993. | zh_TW |
dc.relation.reference (參考文獻) | Rosenberg Beth Carole, and Jeanne Dubino, eds. Virginia Woolf and the Essay. New York: St. Martin’s, 1997. | zh_TW |
dc.relation.reference (參考文獻) | Rosenzweig, Roy. Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1920. Cambridge: Cambridge UP, 1983. | zh_TW |
dc.relation.reference (參考文獻) | Ross, Ellen. Slum Travelers: Ladies and London Poverty 1860-1920. Berkeley: California UP, 2007. | zh_TW |
dc.relation.reference (參考文獻) | Ryan, Jenny. “Women, Modernity, and the City.” Theory, Culture & Society 11.4 (1994): 35-63. | zh_TW |
dc.relation.reference (參考文獻) | Sanders, Lise Shapiro. Consuming Fantasies: Labor, Leisure, and the London Shopgirl 1880-1920. Columbus: Ohio State UP, 2006. | zh_TW |
dc.relation.reference (參考文獻) | Scheinberg, Cynthia. “Canonizing the Jew: Amy Levy’s Challenge to Victorian Poetic Identity.” Victorian Studies 39.2 (1996): 173-200. | zh_TW |
dc.relation.reference (參考文獻) | Sennett, Richard. Flesh and Stone: The Body and the City in Western Civilization. New York: W.W. Norton, 1994. | zh_TW |
dc.relation.reference (參考文獻) | Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Siècle. New York: Viking, 1990. | zh_TW |
dc.relation.reference (參考文獻) | Silverman, Kaja. Male Subjectivity at the Margins. London: Routledge, 1992. | zh_TW |
dc.relation.reference (參考文獻) | Simmel, Georg. “The Metropolis and Mental Life.” On Individuality and Social Forms: Selected Writings. Ed. Donald N. Levine. Chicago: Chicago UP, 1971. 324-39. | zh_TW |
dc.relation.reference (參考文獻) | Stacey, Jackie. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge, 1994. | zh_TW |
dc.relation.reference (參考文獻) | Staiger, Janet. Bad Women: Regulating Sexuality in Early American Cinema. Minneapolis: Minnesota UP, 1995. | zh_TW |
dc.relation.reference (參考文獻) | Stallybrass, Peter, and Allon White. “The Sewer, the Gaze, and the Contaminating Touch.” The Politics of Transgression. London: Methuen, 1986. 125-48. | zh_TW |
dc.relation.reference (參考文獻) | Stamp, Shelley. Movie-struck Girls: Women and Motion Picture Culture after the Nickelodeon. Princeton, N.J.: Princeton UP, 2000. | zh_TW |
dc.relation.reference (參考文獻) | Stetz, Margaret Diane. “New Grub Street and the Woman Writer of the 1890s.” Transforming Genres: New Approaches to British Fiction of the 1890s. Basingstoke: Macmillan, 1994. 21-45. | zh_TW |
dc.relation.reference (參考文獻) | Studlar, Gaylyn. “The Perils of Pleasure? Fan Magazine Discourse as Women`s Commodified Culture in the 1920s.” Silent Film. Ed. Richard Abel. London: Athlone, 1996. 263-98. | zh_TW |
dc.relation.reference (參考文獻) | Summers, Anne. “A Home from Home—Women’s Philanthropic Work in the Nineteenth Century.” Fit Work for Women. New York: St. Martin’s, 1979. 33-63. | zh_TW |
dc.relation.reference (參考文獻) | Tarde, Gabriel. On Communication and Social Influence. Ed. Terry Clark. Chicago: Chicago UP, 1969. | zh_TW |
dc.relation.reference (參考文獻) | Theweleit, Klaus. Male Fantasies 1: Women, Floods, Bodies, History. Minneapolis: Minnesota UP, 1987. | zh_TW |
dc.relation.reference (參考文獻) | Tiessen, Paul. “A Comparative Approach to the Form ad Function of Novel and Film: Dorothy Richardson’s Theory of Art.” Literature/Film Quarterly 3.1 (1975): 83- 90. | zh_TW |
dc.relation.reference (參考文獻) | Vadillo, Ana Parejo. Women Poets and Urban Aestheticism: Passengers of Modernity. Basingstoke: Palgrave, 2005. | zh_TW |
dc.relation.reference (參考文獻) | Vicinus, Martha. Independent Women: Work and Community for Single Women 1850-1920. Chicago: Chicago UP, 1985. | zh_TW |
dc.relation.reference (參考文獻) | Walker, Lynne. “Home and Away: The Feminist Remapping of Public and Private Space in Victorian London.” The Unknown City: Contesting Architecture and Social Space. Cambridge: MIT, 2001. 296-311. | zh_TW |
dc.relation.reference (參考文獻) | Walkowitz, Judith R. City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London. Chicago: Chicago UP, 1992. | zh_TW |
dc.relation.reference (參考文獻) | ---. “Going Public: Shopping, Street Harassment, and Streetwalking in Late-Victorian London.” Representations 62 (1998) 1-30. | zh_TW |
dc.relation.reference (參考文獻) | Ward, Ken. Mass Communication and the Modern World. London: Macmillan, 1991. | zh_TW |
dc.relation.reference (參考文獻) | Watts, Carol. Dorothy Richardson. Plymouth: Northcote House, 1995. | zh_TW |
dc.relation.reference (參考文獻) | Williams, Raymond. The Country and the City. New York: Oxford UP, 1973. | zh_TW |
dc.relation.reference (參考文獻) | Wilson, Elizabeth. The Sphinx in the City: Urban life, the Control of Disorder and Women. Los Angeles: California UP, 1991. | zh_TW |
dc.relation.reference (參考文獻) | ---. “The Invisible Flâneur.” New Left Review 191 (1992): 90-110. | zh_TW |
dc.relation.reference (參考文獻) | Wolff, Janet. “The Invisible Flâneuse: Women and the Literature of Modernity.” Theory, Culture, and Society 2.3 (1985): 37-46. | zh_TW |
dc.relation.reference (參考文獻) | Woolf, Virginia. The Years. 1937. Oxford: Oxford UP, 1992. | zh_TW |
dc.relation.reference (參考文獻) | ---. The Pargiters: The Novel-Essay Portion of The Years. Ed. Mitchell A. Leaska. London: Harvest, 1977. | zh_TW |
dc.relation.reference (參考文獻) | ---. The Essays of Virginia Woolf. 4 Vols. Ed. Andrew McNeillie. London: Hogarth, 1986-94. | zh_TW |
dc.relation.reference (參考文獻) | ---. The London Scene: Six Essays on London Life. New York: Ecco, 2006. | zh_TW |
dc.relation.reference (參考文獻) | Young, Arlene. Introduction. The Odd Women. George Gissing. Ontario: Broadview, 1998. 9-21. | zh_TW |
dc.relation.reference (參考文獻) | ---. Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women. New York: St. Martin’s, 1999. | zh_TW |