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題名 納博可夫《羅麗泰》中的不確定性美學
The Aesthetics of Undecidability in Nabokov`s Lolita
作者 吳易芹
Wu, Yi Qin
貢獻者 何艾克
Heroux, Erick
吳易芹
Wu, Yi Qin
關鍵詞 不確定性
納博可夫
羅麗泰
後設小說
undecidability
Nabokov
Lolita
metafiction
日期 2009
上傳時間 8-Dec-2010 01:49:31 (UTC+8)
摘要 納博可夫的《羅麗泰》游走於各文類之間，看似相反的詮釋卻得以並存，進而營造出一種不確定性美學。本論文旨在探討納博可夫的書寫策略以及文本中的各種不確定性。
     
      第一章為概論，援引德希達的理論說明「不確定性」。第二章簡介後設小說的歷史與定義，檢視文本中後設與寫實元素的並存，並藉羅蘭巴特的理論說明可寫性的文本。此外，也以文中例證分析寫實元素以及《羅麗泰》既是童話故事也是諧擬童話故事。第三章進一步說明小說中種種二元對立並存的現象：道德性/不道德性；精神分析式閱讀/嘲諷精神分析；以及故事起源的不確定性。文中的反身性，作者現身以及雙重性俱使道德與不道德間的分野更模糊難辨。羅蘭巴特的文本歡愉恰與納博可夫視藝術為美學至喜的觀點吻合，而《羅麗泰》小說中的美學至喜也形成一種超越世俗定義的超道德。第四章分析《羅麗泰》跨越不同文類的特殊風格，而瀰漫書中的「不確定性美學」使其同時是(一)懺悔錄/諧擬懺悔錄；(二)偵探小說/諧擬偵探小說；(三)喜劇/悲劇；(四)羅曼史/諧擬羅曼史。第五章則是結論：《羅麗泰》小說中的不確定性美學開啟了嶄新的閱讀體驗，讀者得以游走於不同詮釋間，並在閱讀中創造文本的意義。
Nabokov`s Lolita is a text that oscillates around the border between genres. In a close reading of Lolita, readers frequently find a condition of undecidability. This thesis investigates Nabokov’s textual strategy of playing in the boundaries between many genres, and by extension between a series of binary oppositions; and also how the narrative style repeatedly produces moments where the reader could decide to interpret either one way or another way, leading readers continually into a kind of either/or, both/and, neither/nor interpretive dilemma—what I will call an aesthetics of undecidability.
      Chapter One is an overall introduction to the study, and I refer to Jacques Derrida’s idea of undecidability. In Chapter Two, I explore the binary opposition between metafiction/straightforward storytelling in Lolita. In addition to the history and naming of metafiction, I also analyze Catherine Belsey’s interrogative text and Roland Barthes’ readable (lisible)/writable (scriptible) text. As for the realistic elements of the novel, I dissect textual evidence in Lolita and the undecidability between fairy tale/parody of fairy tale. The coexistence of metafictional and realistic elements is also a part of the undecidability in the text. Chapter Three is about three distinct yet interrelated textual aspects of undecidability: morality versus immorality in Lolita, the undecidability between psychoanalytic reading versus parody of psychoanalysis, and the undecidability of the text’s originality versus its borrowing from a previous short story titled “Lolita” by Heinz von Lichberg. These three critical issues are further complicated by the reflexivity, authorial presence, and the doubleness in Lolita that make it even more difficult to see the text simply as moral or immoral. Taken together, the resulting complexity and sophistication of the aesthetic style enables an active reading experience or what Barthes’ called the “text of bliss”—which coincidently corresponds to Nabokov’s definition of true art as “aesthetic bliss,” and the bliss in Lolita makes it a text that contains a kind of morality. Chapter Four examines additional cases of undecidability between confession/parody of confession, detective story/parody of detective story, comic elements/tragic elements, and romance/parody of romance. Again these are distinct yet interrelated issues of ambiguity, but my purpose is to show that a style of undecidability pervades the novel in many ways. And Chapter Five is the conclusion of this thesis: the aesthetics of undecidability makes Lolita a text that resists a one-sided reading. I hope that my thesis might explain why different readers of Lolita have opposite readings.
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Ed. Harold Bloom. New York: Chelsea, 1987. 5-14.
Appel, Alfred, Jr.. Introduction. The Annotated Lolita. By Vladimir Nabokov. New
York: Vintage, 1991. xvii-lxxv.
---. Preface. The Annotated Lolita. By Vladimir Nabokov. New York: Vintage, 1991.
ix-xiii.
Baym, Nina. Novels, Readers, and Reviewers: Responses to Fiction in Antebellum
America. Ithaca: Cornell University Press, 1984.
Belsey, Catherine. Critical Practice. 2nd ed. New York: Routledge, 2002.
Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and
Wang,1975.
Royale, Nicholas. Jacques Derrida. London: Routledge, 2003.
Shapiro, Gavriel. “Setting His Myriad Faces in His Text: Nabokov’s Authorial
Presence Revisited.” Nabokov and His Fiction: New Perspectives. Ed. Julian W.
Connolly. New York: Cambridge University Press, 1999. 15-35.
Sova, Dawn B.. Banned Books: Literature Suppressed on Sexual Grounds. Revised
edition. New York: Facts on File, 2006.
Stam, Robert. Reflexivity in Film and Literature: from Don Quixote to Jean-Luc
Godard. New York: Columbia University Press, 1992.
Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. Lincoln:
University of Nebraska Press, 1990.
Bell, Michael. “Lolita and Pure Art.” Modern Critical Interpretations: Vladimir
Stockton, Sharon. The Economics of Fantasy: Rape in Twentieth-Century Literature.
Columbus: Ohio State University Press, 2006.
Tamir-Ghez, Nomi. “The Art of Persuasion in Nabokov’s Lolita.” Vladimir Nabokov’s
Lolita: A Casebook. Ed. Ellen Pifer. Oxford: Oxford University Press, 2003.
17-38.
Toker, Leona. Nabokov: The Mystery of Literary Structures. Ithaca: Cornell
University Press, 1989.
---. “‘The Dead are Good Mixers’: Nabokov’s Versions of Individualism.” Nabokov
and His Fiction: New Perspectives. Ed. Julian W. Connolly. New York:
Cambridge University Press, 1999. 92-108.
Nabokov’s Lolita. Ed. Harold Bloom. New York: Chelsea, 1987. 69-82.
Vries, Gerard de, Johnson, D. Barton, and Ashenden, Liana. Nabokov and the Art of
Painting. Amsterdam: Amsterdam University Press, 2006.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-conscious Fiction. New
York: Methuen, 1984.
Weaver, William, “Calvino: An Interview and Its Story.” Calvino Revisited. Ed.
Franco Ricci. Toronto: University of Toronto Italian Studies: 2, Dovehouse Editions, 17-31.
Wood, Michael. The Magician’s Doubts: Nabokov and the Risks of Fiction. London:
Chatto & Windus, 1994.
Zimmer, Dieter E.. “A Geographical Scrutiny of Vladimir Nabokov’s Novel Lolita.”
(2007). 25 May 2010 <http://www.dezimmer.net/LolitaUSA/LoUSpre.htm >.
Bloom, Harold, ed. Modern Critical Interpretations: Vladimir Nabokov’s Lolita. New
York: Chelsea, 1987.
---. ed. Modern Critical Views: Vladimir Nabokov. New York: Chelsea, 1987.
Bordo, Susan. “The Moral Content of Nabokov’s Lolita.” Aesthetic Subjects. Ed.
Matthews, Pamela R. and David McWhirter. Minneapolis: University of Minnesota Press, 2003. 125-52.
Boyd, Brian. “‘Even Homais Nods’: Nabokov’s Fallibility; or, How to Revise Lolita.”
Vladimir Nabokov’s Lolita: A Casebook. Ed. Ellen Pifer. Oxford: Oxford
University Press, 2003. 57-82.
---. Vladimir Nabokov: The American Years. Princeton: Princeton University Press,
1991.
Bruss, Elizabeth W. “Vladimir Nabokov: Illusions of Reality and the Reality of
Illusions.” Modern Critical Views: Vladimir Nabokov. Ed. Harold Bloom. New York: Chelsea, 1987. 27-64.
Calvino, Italo. If on a Winter’s Night a Traveler. Trans. William Weaver. New York:
Everyman, 1993.
Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film.
Ithaca: Cornell University Press, 1978.
Connolly, Julian W, ed. Nabokov and His Fiction: New Perspectives. New York:
Cambridge University Press, 1999.
---. “‘Nature’s Reality’ or Humbert’s ‘Fancy’? Scenes of Reunion and Murder in
Lolita.” Nabokov Studies 2 (1995): 41-61.
Currie, Mark. Introduction. Metafiction. Ed. Mark Currie. New York: Longman,
1995. 1-18.
Dembo L. S. ed. Nabokov: The Man and His Work. Madison: University of
Wisconsin Press, 1967.
Derrida, Jacques. “The Exorbitant. Question of Method” Of Grammatology. Trans.
Gayatri Chakravorty Spivak. Baltimore: John Hopkins University Press, 1976.
157-164.
---. “Mallarme.” Acts of Literature. Ed. Derek Attridge. New York: Routledge, 1992.
110-27.
---. Points: Interviews, 1974-1994. Ed. Elizabeth Weber. Trans. Peggy Kamuf, et al.
Stanford: Stanford University Press, 1995.
Diment, Galya. “Vladimir Nabokov and the Art of Autobiography.” Nabokov and His
Fiction: New Perspectives. Ed. Julian W. Connolly. New York: Cambridge
University Press, 1999. 36-53.
Dolinin, Alexander. “What Happened to Sally Horner?: A Real-Life Source of
Nabokov’s Lolita.” 30 May 2010 <http://www.libraries.psu.edu/nabokov/dolilol.htm >.
Eagleton, Terry. “Brecht and Rhetoric.” New Literary History, Vol. 16, No. 3, On
Writing Histories of Literature (Spring, 1985): 633-38.
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1984.
Foster, John Burt, Jr. Nabokov’s Art of Memory and European Modernism. Princeton:
Princeton University Press, 1993.
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My brother . . . A Case of Parricide in the 19th Century. Trans. Frank Jellinek. London: Random House, 1975.
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the Complete Psychological Works of Sigmund Freud XIV. Trans. James Strachey. London: Vintage, 2001. 237-58.
Frosch, Thomas R. “Parody and Authenticity in Lolita.” Vladimir Nabokov’s Lolita: A
Casebook. Ed. Ellen Pifer. Oxford: Oxford University Press, 2003. 39-56.
Gardner, John. On Moral Fiction. New York: Basic Books, 1978.
Green, Jennifer Elizabeth. “Aesthetic Excuses and Moral Crimes: The Convergence
of Morality and Aesthetics in Nabokov’s Lolita.” Diss. Georgia State University, 2006. 9 May 2010 <http://etd.gsu.edu/theses/>.
Green, Martin. “Tolstoy and Nabokov: The Morality of Lolita.” Modern Critical
Interpretations: Vladimir Nabokov’s Lolita. Ed. Harold Bloom. New York:
Chelsea, 1987. 13-34.
Jacobs, Karen. “Postscript: From ‘Our Glass Lake’ to ‘Hourglass Lake’:
Photo/graphic Memory in Nabokov’s Lolita.” The Eye’s Mind: Literary
Modernism and Visual Culture. Ithaca and London: Cornell University Press, 2001. 264-280.
Johnson, Barbara. “Melville’s Fist: The Execution of Billy Budd.” The Critical
Difference: Essays in the Contemporary Rhetoric of Reading. Baltimore and
London: Johns Hopkins University Press, 1980. 79-109.
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Routledge, 1992.
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2006.
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and the Contexts of Response. Baltimore: Johns Hopkins University Press. 1993.
Maar, Michael. “Curse of the First Lolita.” The Times Literary Supplement, no. 5270,
2 April 2004, 13-15.
---. The Two Lolitas. Trans. Perry Anderson. New York: Verso, 2005.
Nabokov, Vladimir. “Lolita: A Screenplay.” Vladimir Nabokov: Novels 1955-1962.
New York: The Library of America, 1996. 669-833.
---. Speak, Memory: An Autobiography Revisited. New York: Vintage, 1989.
---. Strong Opinions. New York: McGraw-Hill Book Company, 1973.
---. The Annotated Lolita. Ed. Alfred Appel, Jr. New York: Vintage, 1991.
---. Vladimir Nabokov: Novels and Memoirs 1941-1951. New York: The Library of
America, 1996.
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<http://www.lanceolsen.com/artasdeception.html>.
Parker, Stephen Jan. Understanding Nabokov. Columbia: University of South
Carolina Press, 1987.
Pifer, Ellen. “Her Monster, His Nymphet: Nabokov and Mary Shelley.” Nabokov and
His Fiction: New Perspectives. Ed. Julian W. Connolly. New York: Cambridge
University Press, 1999. 158-76.
---. Nabokov and the Novel. Cambridge, Massachusetts: Harvard University Press,
1980.
---. Vladimir Nabokov’s Lolita: A Casebook. Oxford: Oxford University Press, 2003.
描述 碩士
國立政治大學
英國語文學研究所
95551014
98
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0095551014
資料類型 thesis
dc.contributor.advisor 何艾克zh_TW
dc.contributor.advisor Heroux, Ericken_US
dc.contributor.author (Authors) 吳易芹zh_TW
dc.contributor.author (Authors) Wu, Yi Qinen_US
dc.creator (作者) 吳易芹zh_TW
dc.creator (作者) Wu, Yi Qinen_US
dc.date (日期) 2009en_US
dc.date.accessioned 8-Dec-2010 01:49:31 (UTC+8)-
dc.date.available 8-Dec-2010 01:49:31 (UTC+8)-
dc.date.issued (上傳時間) 8-Dec-2010 01:49:31 (UTC+8)-
dc.identifier (Other Identifiers) G0095551014en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/48827-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 95551014zh_TW
dc.description (描述) 98zh_TW
dc.description.abstract (摘要) 納博可夫的《羅麗泰》游走於各文類之間，看似相反的詮釋卻得以並存，進而營造出一種不確定性美學。本論文旨在探討納博可夫的書寫策略以及文本中的各種不確定性。
     
      第一章為概論，援引德希達的理論說明「不確定性」。第二章簡介後設小說的歷史與定義，檢視文本中後設與寫實元素的並存，並藉羅蘭巴特的理論說明可寫性的文本。此外，也以文中例證分析寫實元素以及《羅麗泰》既是童話故事也是諧擬童話故事。第三章進一步說明小說中種種二元對立並存的現象：道德性/不道德性；精神分析式閱讀/嘲諷精神分析；以及故事起源的不確定性。文中的反身性，作者現身以及雙重性俱使道德與不道德間的分野更模糊難辨。羅蘭巴特的文本歡愉恰與納博可夫視藝術為美學至喜的觀點吻合，而《羅麗泰》小說中的美學至喜也形成一種超越世俗定義的超道德。第四章分析《羅麗泰》跨越不同文類的特殊風格，而瀰漫書中的「不確定性美學」使其同時是(一)懺悔錄/諧擬懺悔錄；(二)偵探小說/諧擬偵探小說；(三)喜劇/悲劇；(四)羅曼史/諧擬羅曼史。第五章則是結論：《羅麗泰》小說中的不確定性美學開啟了嶄新的閱讀體驗，讀者得以游走於不同詮釋間，並在閱讀中創造文本的意義。		zh_TW
dc.description.abstract (摘要) Nabokov`s Lolita is a text that oscillates around the border between genres. In a close reading of Lolita, readers frequently find a condition of undecidability. This thesis investigates Nabokov’s textual strategy of playing in the boundaries between many genres, and by extension between a series of binary oppositions; and also how the narrative style repeatedly produces moments where the reader could decide to interpret either one way or another way, leading readers continually into a kind of either/or, both/and, neither/nor interpretive dilemma—what I will call an aesthetics of undecidability.
      Chapter One is an overall introduction to the study, and I refer to Jacques Derrida’s idea of undecidability. In Chapter Two, I explore the binary opposition between metafiction/straightforward storytelling in Lolita. In addition to the history and naming of metafiction, I also analyze Catherine Belsey’s interrogative text and Roland Barthes’ readable (lisible)/writable (scriptible) text. As for the realistic elements of the novel, I dissect textual evidence in Lolita and the undecidability between fairy tale/parody of fairy tale. The coexistence of metafictional and realistic elements is also a part of the undecidability in the text. Chapter Three is about three distinct yet interrelated textual aspects of undecidability: morality versus immorality in Lolita, the undecidability between psychoanalytic reading versus parody of psychoanalysis, and the undecidability of the text’s originality versus its borrowing from a previous short story titled “Lolita” by Heinz von Lichberg. These three critical issues are further complicated by the reflexivity, authorial presence, and the doubleness in Lolita that make it even more difficult to see the text simply as moral or immoral. Taken together, the resulting complexity and sophistication of the aesthetic style enables an active reading experience or what Barthes’ called the “text of bliss”—which coincidently corresponds to Nabokov’s definition of true art as “aesthetic bliss,” and the bliss in Lolita makes it a text that contains a kind of morality. Chapter Four examines additional cases of undecidability between confession/parody of confession, detective story/parody of detective story, comic elements/tragic elements, and romance/parody of romance. Again these are distinct yet interrelated issues of ambiguity, but my purpose is to show that a style of undecidability pervades the novel in many ways. And Chapter Five is the conclusion of this thesis: the aesthetics of undecidability makes Lolita a text that resists a one-sided reading. I hope that my thesis might explain why different readers of Lolita have opposite readings.		en_US
dc.description.tableofcontents Acknowledgement iv
     Chinese Abstract vi
     English Abstract vii
     Chapter One: Introduction 1
     Chapter Two: Metafiction/Straightforward Storytelling 12
     Chapter Three: From Morality to Bliss via a Trail of Undecidability 38
     Chapter Four: Four Genre Questions and One Author’s Intentionality 66
     Chapter Five: Conclusion 105
     Appendix: Humbert and Lolita’s Road Trip Map 108
     Bibliography 110		zh_TW
dc.language.iso en_US-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0095551014en_US
dc.subject (關鍵詞) 不確定性zh_TW
dc.subject (關鍵詞) 納博可夫zh_TW
dc.subject (關鍵詞) 羅麗泰zh_TW
dc.subject (關鍵詞) 後設小說zh_TW
dc.subject (關鍵詞) undecidabilityen_US
dc.subject (關鍵詞) Nabokoven_US
dc.subject (關鍵詞) Lolitaen_US
dc.subject (關鍵詞) metafictionen_US
dc.title (題名) 納博可夫《羅麗泰》中的不確定性美學zh_TW
dc.title (題名) The Aesthetics of Undecidability in Nabokov`s Lolitaen_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Anderson, Quentin. “Nabokov in Time.” Modern Critical Views: Vladimir Nabokov.zh_TW
dc.relation.reference (參考文獻) Ed. Harold Bloom. New York: Chelsea, 1987. 5-14.zh_TW
dc.relation.reference (參考文獻) Appel, Alfred, Jr.. Introduction. The Annotated Lolita. By Vladimir Nabokov. Newzh_TW
dc.relation.reference (參考文獻) York: Vintage, 1991. xvii-lxxv.zh_TW
dc.relation.reference (參考文獻) ---. Preface. The Annotated Lolita. By Vladimir Nabokov. New York: Vintage, 1991.zh_TW
dc.relation.reference (參考文獻) ix-xiii.zh_TW
dc.relation.reference (參考文獻) Baym, Nina. Novels, Readers, and Reviewers: Responses to Fiction in Antebellumzh_TW
dc.relation.reference (參考文獻) America. Ithaca: Cornell University Press, 1984.zh_TW
dc.relation.reference (參考文獻) Belsey, Catherine. Critical Practice. 2nd ed. New York: Routledge, 2002.zh_TW
dc.relation.reference (參考文獻) Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York: Hill andzh_TW
dc.relation.reference (參考文獻) Wang,1975.zh_TW
dc.relation.reference (參考文獻) Royale, Nicholas. Jacques Derrida. London: Routledge, 2003.zh_TW
dc.relation.reference (參考文獻) Shapiro, Gavriel. “Setting His Myriad Faces in His Text: Nabokov’s Authorialzh_TW
dc.relation.reference (參考文獻) Presence Revisited.” Nabokov and His Fiction: New Perspectives. Ed. Julian W.zh_TW
dc.relation.reference (參考文獻) Connolly. New York: Cambridge University Press, 1999. 15-35.zh_TW
dc.relation.reference (參考文獻) Sova, Dawn B.. Banned Books: Literature Suppressed on Sexual Grounds. Revisedzh_TW
dc.relation.reference (參考文獻) edition. New York: Facts on File, 2006.zh_TW
dc.relation.reference (參考文獻) Stam, Robert. Reflexivity in Film and Literature: from Don Quixote to Jean-Luczh_TW
dc.relation.reference (參考文獻) Godard. New York: Columbia University Press, 1992.zh_TW
dc.relation.reference (參考文獻) Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. Lincoln:zh_TW
dc.relation.reference (參考文獻) University of Nebraska Press, 1990.zh_TW
dc.relation.reference (參考文獻) Bell, Michael. “Lolita and Pure Art.” Modern Critical Interpretations: Vladimirzh_TW
dc.relation.reference (參考文獻) Stockton, Sharon. The Economics of Fantasy: Rape in Twentieth-Century Literature.zh_TW
dc.relation.reference (參考文獻) Columbus: Ohio State University Press, 2006.zh_TW
dc.relation.reference (參考文獻) Tamir-Ghez, Nomi. “The Art of Persuasion in Nabokov’s Lolita.” Vladimir Nabokov’szh_TW
dc.relation.reference (參考文獻) Lolita: A Casebook. Ed. Ellen Pifer. Oxford: Oxford University Press, 2003.zh_TW
dc.relation.reference (參考文獻) 17-38.zh_TW
dc.relation.reference (參考文獻) Toker, Leona. Nabokov: The Mystery of Literary Structures. Ithaca: Cornellzh_TW
dc.relation.reference (參考文獻) University Press, 1989.zh_TW
dc.relation.reference (參考文獻) ---. “‘The Dead are Good Mixers’: Nabokov’s Versions of Individualism.” Nabokovzh_TW
dc.relation.reference (參考文獻) and His Fiction: New Perspectives. Ed. Julian W. Connolly. New York:zh_TW
dc.relation.reference (參考文獻) Cambridge University Press, 1999. 92-108.zh_TW
dc.relation.reference (參考文獻) Nabokov’s Lolita. Ed. Harold Bloom. New York: Chelsea, 1987. 69-82.zh_TW
dc.relation.reference (參考文獻) Vries, Gerard de, Johnson, D. Barton, and Ashenden, Liana. Nabokov and the Art ofzh_TW
dc.relation.reference (參考文獻) Painting. Amsterdam: Amsterdam University Press, 2006.zh_TW
dc.relation.reference (參考文獻) Waugh, Patricia. Metafiction: The Theory and Practice of Self-conscious Fiction. Newzh_TW
dc.relation.reference (參考文獻) York: Methuen, 1984.zh_TW
dc.relation.reference (參考文獻) Weaver, William, “Calvino: An Interview and Its Story.” Calvino Revisited. Ed.zh_TW
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