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題名 重返倫敦下層:尼爾‧蓋曼《無有鄉》中的空間與主體
Return to London Below: Space and Subjectivity in Neil Gaiman`s Neverehere
作者 林世傑
Lin, Shih-jie
貢獻者 陳音頤
Chen, Ying-I
林世傑
Lin, Shih-jie
關鍵詞 城市空間
漫遊者
詭異
逃逸線
Cityspace
flâneur
uncanny
line of flight
日期 2008
上傳時間 8-Dec-2010 01:49:34 (UTC+8)
摘要 《無有鄉》(Neverwhere, 1997)原為BBC迷你影集,後經由作者尼爾‧蓋曼(Neil Gaiman)改寫成小說,書中主角理查‧馬修(Richard Mayhew)因拯救朵兒(Door)而被迫開始探索他前所未知、無從想像的倫敦空間,也就是倫敦下層(London Below)。此倫敦空間充滿暴力混亂,顛覆理查對原有倫敦的想像,也將他帶離熟悉的畛域,雖然倫敦下層的事物希奇古怪,卻又詭異的與倫敦上層互相指涉,也使理查此旅行充滿詭異怪誕(uncanny)。此論文意旨爬梳倫敦城市空間的複寫性和其造成的詭異、探討理查馬修漫遊者(flâneur)形象以及理查結尾做出的看似自由卻又充滿侷限逃逸線(line of flight)。
In Neil Gaiman’s first novel Neverwhere, adapted from the original namesake BBC television serial, the protagonist Richard Mayhew is a forced traveler, exploring the territory of imaginary London Below, in which Richard fails to grasp the sense. The “London Below,” the buried and repressed past by the “London Above,” is full of chaos, violence. Observing the invisible cities of the multiple other which used to escape his unitary way of seeing, Richard’s vision of the familiar/homely city gets blurred, defiant. However, events in London Below always disturb but at the same time uncannily refer to those of the London Above, which makes his journey in London Below an uncanny one. This thesis is going to discuss palimpsestic London space and the role of Richard Mayhew as flâneur and Richard’s final decision as a line of flight.
參考文獻 Allen, Bruce. “The Dreaming of Neil Gaiman.” Contemporary Literary Criticism 195 (2004): 226-33.
Barker, Chris. Cultural Studies: Theory and Practice. London: SAGE, 2003.
Benjamin, Walter. Charles Baudelaire: a Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1969.
Black, Joel. “(De)feats of Detection: The Spurious Key Text from Poe to Eco.” Detecting Texts: the Metaphysical Detective Story from Poe to Postmodernism. Ed. Patricia Merivale and Susan Elizabeth Sweeney. Philadelphia: U of Pennsylvania P, 1999. 75-98.
Bogue, Ronald. Deleuze on Literature. New York: Routledge, 2003.
Brahen, Marilyn Mattie. “The Thin Line Between.” The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville, MD: Wildside, 2007. 140-48.
Brand, Dana. “From the Flâneur to the Detective: Interpreting the City of Poe.” Popular Fiction: Technology, Ideology, Production, Reading. Ed. Tony Bennett. London: Routledge, 1990. 220-37.
Certeau, Michel de. "Walking in the City." The Practice of Everyday Life. Trans. Steven Rendall. Los Angeles: U of California P, 1984. 91-110.
Certeau, Michel de, and Luce Giard. "Ghosts in the City." The Practice of Everyday Life Volume Two: Living and Cooking. Ed. Luce Giard. Trans. Timothy J. Tomasik. Minneapolis: U of Minnesota P, 1998.133-43.
Chambers, Iain. Popular Culture: The Metropolitan Experience. London: Routledge, 1986.
Chen, Eva Yin-I. “Stalking the East End: Iain Sinclair’s White Chappell, Scarlet Tracings and Lights Out for the Territory.” Humanitas Taiwanica 64 (May 2006): 225-53.
Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge: Harvard UP, 1997.
Colebrook, Claire. Gilles Deleuze. London: Routledge, 2002.
D’Elia, Jenifer. “Sometimes There Is Nothing You Can Do: A Critical Summary of Neil Gaiman’s Neverwhere.” Studies in Fantasy Literature: A Scholarly Journal for the Study of the Fantasy Genre 1 (2004): 29-37.
Deleuze, Gilles, and Claire Parnet. Dialogues II. Trans. Hugh Tomlinson, and Barbara Habberjam. London: Continuum, 2002.
---. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi.
Minneapolis: U of Minnesota P, 1987.
Dickens, Charles. Bleak House. New York: Bantam, 1980.
Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. London and New York: Routledge, 1996.
Feldstein, Richard. “The Phallic Gaze of Wonderland.” Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis. Ed. Richard Feldstein, Bruce Fink and Maire Jaanus. Albany: State University of New York, 1995. 149-174.
Freud, Sigmund. “The Dream and the Primal Scene.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 17. Ed. James Strachey. London: The Hogarth Press and the Institute of Psycho-analysis, 1981. 29-47.
---. “The ‘Uncanny’.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 17. Ed. James Strachey. London: The Hogarth Press and the Institute of Psycho-analysis, 1981. 219-56.
Gaiman, Neil. Neverwhere. New York: HarperTorch, 1997.
Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity, 1996.
---. “‘The Return of the Flâneur:’ The Afterlife of an Allegory.” New Formations 38 (1999): 101-09.
---. Walter Benjamin: Critical Constellations. Cambridge: Polity, 2002.
Hartung, Heike. “Walking and Writing the City: Visions of London in the Works of Peter Ackroyd and Iain Sinclair.” London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg, Ger.: C. Winter, 2002. 141-63.
Jackson, Rosemary. Fantasy: The Literature of Subversion. London and New York: Routledge, 1988.
Islam, Syed Manzurul. The Ethics of Travel: from Marco Polo to Kafka. Manchester: Manchester UP, 1996.
Lacan, Jacques. Écrits: A Selection. Trans. Alan Sheridan. New York: W. W. Norton & Company, Inc., 1977.
---. The Four Fundamental Concepts of Psycho-Analysis. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: W. W. Norton & Company, Inc., 1978.
Lefebvre, Henri. The Production of Space. Trans. Donald Nicholson-Smith. Oxford: Blackwell, 1991.
Lugones, María. “Playfulness, ‘World’-Travelling, and Loving Perception.” Making Face, Making Soul: Creative and Critical Perspectives by Feminists of Color. Ed. Gloria Anzaldúa. San Francisco: Aunt Lute, 1990. 390-402.
Luckhurst, Roger. “The Contemporary London Gothic and the Limits of the ‘Spectral Turn.’” Textual Practice 16.3 (Winter 2002): 527-46.
Neil Gaiman: Awards and Honors. 16 Apr. 2007. <http://www.neilgaiman.com/about/awardsandhonors/>.
Neil Gaiman: Biography. 16 Apr. 2007. <http://www.neilgaiman.com/about/biography/>.
Olson, Ray. “The Booklist Interview: Neil Gaiman.” Booklist 98.22 (Aug. 2002): 1949.
Pile, Steve. The Body and the City: Psychoanalysis, Space and Subjectivity. London: Routledge, 1996.
Raban, Jonathan. Soft City. London: Harvill, 1974.
Shires, Linda M. “Fantasy, Nonsense, Parody, and the Status of the Real: The Example of Carroll.” Victorian Poetry 26.3 (1988): 267-283
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. Fwd. Robert Scholes. New York: Cornell University Press, 1975.
Wolfreys, Julian. Writing London: Materiality, Memory, Spectrality. Vol. 2. Basingstoke: Palgrave Macmillan, 2004.
---. Writing London: The Trace of the Urban Text from Blake to Dickens. Basingstoke: Palgrave Macmillan, 1998.
Žižek, Slavoj. The Plague of Fantasies. London and New York: Verso, 1997.
描述 碩士
國立政治大學
英國語文學研究所
92551008
97
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0925510082
資料類型 thesis
dc.contributor.advisor 陳音頤zh_TW
dc.contributor.advisor Chen, Ying-Ien_US
dc.contributor.author (Authors) 林世傑zh_TW
dc.contributor.author (Authors) Lin, Shih-jieen_US
dc.creator (作者) 林世傑zh_TW
dc.creator (作者) Lin, Shih-jieen_US
dc.date (日期) 2008en_US
dc.date.accessioned 8-Dec-2010 01:49:34 (UTC+8)-
dc.date.available 8-Dec-2010 01:49:34 (UTC+8)-
dc.date.issued (上傳時間) 8-Dec-2010 01:49:34 (UTC+8)-
dc.identifier (Other Identifiers) G0925510082en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/48830-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 92551008zh_TW
dc.description (描述) 97zh_TW
dc.description.abstract (摘要) 《無有鄉》(Neverwhere, 1997)原為BBC迷你影集,後經由作者尼爾‧蓋曼(Neil Gaiman)改寫成小說,書中主角理查‧馬修(Richard Mayhew)因拯救朵兒(Door)而被迫開始探索他前所未知、無從想像的倫敦空間,也就是倫敦下層(London Below)。此倫敦空間充滿暴力混亂,顛覆理查對原有倫敦的想像,也將他帶離熟悉的畛域,雖然倫敦下層的事物希奇古怪,卻又詭異的與倫敦上層互相指涉,也使理查此旅行充滿詭異怪誕(uncanny)。此論文意旨爬梳倫敦城市空間的複寫性和其造成的詭異、探討理查馬修漫遊者(flâneur)形象以及理查結尾做出的看似自由卻又充滿侷限逃逸線(line of flight)。zh_TW
dc.description.abstract (摘要) In Neil Gaiman’s first novel Neverwhere, adapted from the original namesake BBC television serial, the protagonist Richard Mayhew is a forced traveler, exploring the territory of imaginary London Below, in which Richard fails to grasp the sense. The “London Below,” the buried and repressed past by the “London Above,” is full of chaos, violence. Observing the invisible cities of the multiple other which used to escape his unitary way of seeing, Richard’s vision of the familiar/homely city gets blurred, defiant. However, events in London Below always disturb but at the same time uncannily refer to those of the London Above, which makes his journey in London Below an uncanny one. This thesis is going to discuss palimpsestic London space and the role of Richard Mayhew as flâneur and Richard’s final decision as a line of flight.en_US
dc.description.tableofcontents Acknowledgements……………………………………………………iii
     Chinese Abstract...................................vi
     English Abstract...................................vii
     Chapter One: Introduction..........................1
     Chapter Two: Palimpsestic London and Its Uncanny....13
     Chapter Three: Walking the City.....................37
     Chapter Four: Nomadic Richard and the Impasse.......55
     Chapter Five: Conclusion............................71
     Works Cited.........................................75
zh_TW
dc.language.iso en_US-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0925510082en_US
dc.subject (關鍵詞) 城市空間zh_TW
dc.subject (關鍵詞) 漫遊者zh_TW
dc.subject (關鍵詞) 詭異zh_TW
dc.subject (關鍵詞) 逃逸線zh_TW
dc.subject (關鍵詞) Cityspaceen_US
dc.subject (關鍵詞) flâneuren_US
dc.subject (關鍵詞) uncannyen_US
dc.subject (關鍵詞) line of flighten_US
dc.title (題名) 重返倫敦下層:尼爾‧蓋曼《無有鄉》中的空間與主體zh_TW
dc.title (題名) Return to London Below: Space and Subjectivity in Neil Gaiman`s Neverehereen_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Allen, Bruce. “The Dreaming of Neil Gaiman.” Contemporary Literary Criticism 195 (2004): 226-33.zh_TW
dc.relation.reference (參考文獻) Barker, Chris. Cultural Studies: Theory and Practice. London: SAGE, 2003.zh_TW
dc.relation.reference (參考文獻) Benjamin, Walter. Charles Baudelaire: a Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1969.zh_TW
dc.relation.reference (參考文獻) Black, Joel. “(De)feats of Detection: The Spurious Key Text from Poe to Eco.” Detecting Texts: the Metaphysical Detective Story from Poe to Postmodernism. Ed. Patricia Merivale and Susan Elizabeth Sweeney. Philadelphia: U of Pennsylvania P, 1999. 75-98.zh_TW
dc.relation.reference (參考文獻) Bogue, Ronald. Deleuze on Literature. New York: Routledge, 2003.zh_TW
dc.relation.reference (參考文獻) Brahen, Marilyn Mattie. “The Thin Line Between.” The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville, MD: Wildside, 2007. 140-48.zh_TW
dc.relation.reference (參考文獻) Brand, Dana. “From the Flâneur to the Detective: Interpreting the City of Poe.” Popular Fiction: Technology, Ideology, Production, Reading. Ed. Tony Bennett. London: Routledge, 1990. 220-37.zh_TW
dc.relation.reference (參考文獻) Certeau, Michel de. "Walking in the City." The Practice of Everyday Life. Trans. Steven Rendall. Los Angeles: U of California P, 1984. 91-110.zh_TW
dc.relation.reference (參考文獻) Certeau, Michel de, and Luce Giard. "Ghosts in the City." The Practice of Everyday Life Volume Two: Living and Cooking. Ed. Luce Giard. Trans. Timothy J. Tomasik. Minneapolis: U of Minnesota P, 1998.133-43.zh_TW
dc.relation.reference (參考文獻) Chambers, Iain. Popular Culture: The Metropolitan Experience. London: Routledge, 1986.zh_TW
dc.relation.reference (參考文獻) Chen, Eva Yin-I. “Stalking the East End: Iain Sinclair’s White Chappell, Scarlet Tracings and Lights Out for the Territory.” Humanitas Taiwanica 64 (May 2006): 225-53.zh_TW
dc.relation.reference (參考文獻) Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge: Harvard UP, 1997.zh_TW
dc.relation.reference (參考文獻) Colebrook, Claire. Gilles Deleuze. London: Routledge, 2002.zh_TW
dc.relation.reference (參考文獻) D’Elia, Jenifer. “Sometimes There Is Nothing You Can Do: A Critical Summary of Neil Gaiman’s Neverwhere.” Studies in Fantasy Literature: A Scholarly Journal for the Study of the Fantasy Genre 1 (2004): 29-37.zh_TW
dc.relation.reference (參考文獻) Deleuze, Gilles, and Claire Parnet. Dialogues II. Trans. Hugh Tomlinson, and Barbara Habberjam. London: Continuum, 2002.zh_TW
dc.relation.reference (參考文獻) ---. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi.zh_TW
dc.relation.reference (參考文獻) Minneapolis: U of Minnesota P, 1987.zh_TW
dc.relation.reference (參考文獻) Dickens, Charles. Bleak House. New York: Bantam, 1980.zh_TW
dc.relation.reference (參考文獻) Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. London and New York: Routledge, 1996.zh_TW
dc.relation.reference (參考文獻) Feldstein, Richard. “The Phallic Gaze of Wonderland.” Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis. Ed. Richard Feldstein, Bruce Fink and Maire Jaanus. Albany: State University of New York, 1995. 149-174.zh_TW
dc.relation.reference (參考文獻) Freud, Sigmund. “The Dream and the Primal Scene.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 17. Ed. James Strachey. London: The Hogarth Press and the Institute of Psycho-analysis, 1981. 29-47.zh_TW
dc.relation.reference (參考文獻) ---. “The ‘Uncanny’.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 17. Ed. James Strachey. London: The Hogarth Press and the Institute of Psycho-analysis, 1981. 219-56.zh_TW
dc.relation.reference (參考文獻) Gaiman, Neil. Neverwhere. New York: HarperTorch, 1997.zh_TW
dc.relation.reference (參考文獻) Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity, 1996.zh_TW
dc.relation.reference (參考文獻) ---. “‘The Return of the Flâneur:’ The Afterlife of an Allegory.” New Formations 38 (1999): 101-09.zh_TW
dc.relation.reference (參考文獻) ---. Walter Benjamin: Critical Constellations. Cambridge: Polity, 2002.zh_TW
dc.relation.reference (參考文獻) Hartung, Heike. “Walking and Writing the City: Visions of London in the Works of Peter Ackroyd and Iain Sinclair.” London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg, Ger.: C. Winter, 2002. 141-63.zh_TW
dc.relation.reference (參考文獻) Jackson, Rosemary. Fantasy: The Literature of Subversion. London and New York: Routledge, 1988.zh_TW
dc.relation.reference (參考文獻) Islam, Syed Manzurul. The Ethics of Travel: from Marco Polo to Kafka. Manchester: Manchester UP, 1996.zh_TW
dc.relation.reference (參考文獻) Lacan, Jacques. Écrits: A Selection. Trans. Alan Sheridan. New York: W. W. Norton & Company, Inc., 1977.zh_TW
dc.relation.reference (參考文獻) ---. The Four Fundamental Concepts of Psycho-Analysis. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: W. W. Norton & Company, Inc., 1978.zh_TW
dc.relation.reference (參考文獻) Lefebvre, Henri. The Production of Space. Trans. Donald Nicholson-Smith. Oxford: Blackwell, 1991.zh_TW
dc.relation.reference (參考文獻) Lugones, María. “Playfulness, ‘World’-Travelling, and Loving Perception.” Making Face, Making Soul: Creative and Critical Perspectives by Feminists of Color. Ed. Gloria Anzaldúa. San Francisco: Aunt Lute, 1990. 390-402.zh_TW
dc.relation.reference (參考文獻) Luckhurst, Roger. “The Contemporary London Gothic and the Limits of the ‘Spectral Turn.’” Textual Practice 16.3 (Winter 2002): 527-46.zh_TW
dc.relation.reference (參考文獻) Neil Gaiman: Awards and Honors. 16 Apr. 2007. <http://www.neilgaiman.com/about/awardsandhonors/>.zh_TW
dc.relation.reference (參考文獻) Neil Gaiman: Biography. 16 Apr. 2007. <http://www.neilgaiman.com/about/biography/>.zh_TW
dc.relation.reference (參考文獻) Olson, Ray. “The Booklist Interview: Neil Gaiman.” Booklist 98.22 (Aug. 2002): 1949.zh_TW
dc.relation.reference (參考文獻) Pile, Steve. The Body and the City: Psychoanalysis, Space and Subjectivity. London: Routledge, 1996.zh_TW
dc.relation.reference (參考文獻) Raban, Jonathan. Soft City. London: Harvill, 1974.zh_TW
dc.relation.reference (參考文獻) Shires, Linda M. “Fantasy, Nonsense, Parody, and the Status of the Real: The Example of Carroll.” Victorian Poetry 26.3 (1988): 267-283zh_TW
dc.relation.reference (參考文獻) Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. Fwd. Robert Scholes. New York: Cornell University Press, 1975.zh_TW
dc.relation.reference (參考文獻) Wolfreys, Julian. Writing London: Materiality, Memory, Spectrality. Vol. 2. Basingstoke: Palgrave Macmillan, 2004.zh_TW
dc.relation.reference (參考文獻) ---. Writing London: The Trace of the Urban Text from Blake to Dickens. Basingstoke: Palgrave Macmillan, 1998.zh_TW
dc.relation.reference (參考文獻) Žižek, Slavoj. The Plague of Fantasies. London and New York: Verso, 1997.zh_TW