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題名	國立政治大學英國語文學系博士班博士論文 "Hir`d or Coerc`d": The Creation of Narrative Historical Writing
作者	潘大為 Pendery, David
貢獻者	藍亭 Lane, Timothy 潘大為 Pendery, David
關鍵詞	歷史歷史知覺史學家歷史小說家歷史編纂學歷史真相美學敘事知覺道德概念 History historical consciousness historians historical novelists historiography historical truth aesthetics narrative consciousness morality ethics
日期	2009
上傳時間	9-Dec-2010 12:07:36 (UTC+8)
摘要	本論文將檢視非虛構歷史記錄（史料）與虛構歷史書寫（歷史小說），全方位分析歷史意識與書寫間的關係。在考察大量非虛構歷史記錄與虛構歷史文本間的關聯與從屬性後，試圖梳理出隱晦於兩者間之互動聯繫。上述聯繫奠基於認識論、認知學、美學、語言學與本體論，而這些特性皆將於論文中詳細分析論述。在深入介紹三位重要的歷史／文學理論家—詹明信、保羅‧呂格爾以及海登‧ 懷特—並且比較其作品之異同後，本人將於第二章提出本論文的主要發現之一，即作品中存在著本人稱為「美學倫理」的、一種不斷形塑的思維。本人認為，美學倫理是一種強大且具約束力的複合物，它連結並影響著非虛構與虛構歷史的書寫，而書寫則涵納了道德／倫理與美學特性之實踐。美學倫理乃是動態、高度審慎的領域，其中包含個人與群體的歷史經驗，並且盤根錯節於深層美學與意識的大架構之下。在此經驗中，歷史首先實際發生，接著由歷史學家載入史料，其後由歷史小說家書寫成為故事。在此部份，我將於論文中引述一些重要的分析家，其中最具影響力者要算是約翰‧杜威以及丹尼爾‧維克伯格，他們的「感知歷史」理論將會是重要論述因子之一。在本文理論中另一重要元素乃是人類意識敘事基礎對於虛構與非虛構歷史敘事的理解與組織模式。而這將再次點明實際的意識經驗（歷史）是如何先發生，之後由歷史學家書寫（意識）歷史，接著再由小說家撰寫故事。第三章根據上述論證，透過敘述意識概念的細節回顧，以及意識如何建構歷史敘述之脈絡，進一步闡述理論。本研究較為獨特之處，在於對主體性、客體性與相互主體性之間，整合運作聯繫性之分析。第四章將詳細剖析各種特定的美學因子，以及這些因子在理論架構中，歷史意識兼敘述之「發展中網絡」裡所扮演的角色。此分析之重要元素乃是本人對於生活與文學中表達模式之檢視，在過去此類概念並未被充分陳述。第五章包含真實與歷史書寫之分析。根據本人研究，仍有許多關於歷史敘述中真相之觀察與「建構」方面的細節，過去尚未有較完備之研究。透過比較異同，並整合當代多位優秀分析家與理論家之理論，本人將描繪出關於歷史真相之完整且獨特的理論。此外，本章亦將概略提出一個與論文其他分析搭配，且獨立建構的真相理論。在結論部分，將針對上述眾多概念，提出其整體重要性之論述，以及這些概念對於人類歷史意識與書寫之衝擊。關鍵字：歷史、歷史意識、歷史學家、歷史小說家、史料、歷史小說化、史實、美學、敘述意識、道德、倫理 This paper is an expansive analysis of historical consciousness and writing, examining the principle genres of non-fiction history (historiography) and fictionalized history (historical novels). The analysis examines a host of relevancies and affiliations that cross among fictional and non-fictional historical writing, and seeks to highlight underlying vincula linking these two narrative forms. These linkages stem from epistemological, cognitive, aesthetic, experiential, linguistic and ontological qualities, all which will be examined and related in detail. The work begins with a thorough preamble that compares, contrasts and critiques the works of three major historical/literary theorists—Fredric Jameson, Paul Ricoeur and Hayden White—and applies their theory to my own ideas, I introduce my main theses and themes, to be examined throughout the study. A principal finding of this study in Chapter Two is the existence of a conditioning conception I call the “aesthetics ethic.” The aesthetics ethic is I posit a strong, binding amalgamation that links and influences these two genres, comprised of transacting moral/ethical and aesthetic features. The aesthetic ethic is a dynamic, densely deliberative field comprising individual and community historical experience, embedded within profoundly aesthetic and conscious contexts, in which history is first lived, and historical writing by historians and historical novelists is then composed. I refer to a number of important analysts in this section of the work, perhaps most importantly John Dewey and Daniel Wickberg, whose theory of “histories of sensibilities” is an important factor. An additional important element of my theory is that the narrative basis of human consciousness maps onto historical narratives, fictional and non-fictional. This again refers to how conscious lived experience (history) is first lived, and then (conscious) historical writing by historians and novelists is then composed. I follow this examination, in Chapter Three, with a detailed review of conceptions of narrative consciousness, and how this consciousness maps onto historical narrative, proper. A unique element of this study is my analysis of a given combinatory transaction linking subjectivity, objectivity and intersubjectivity. Chapter Four is a lengthy analysis of specific aesthetic factors, and their roles in a “burgeoning matrix” of historical consciousness-cum-narrative within my overall theory. An important component of this analysis is my examination of modality in life and letters, and important conception that has not been adequately addressed in the past. Chapter Five includes an analysis of truth in historical writing—and we find that there are intricate details about the apprehension and “construction” of truth in historical narrative that have not been adequately described before. I delineate, compare, contrast and combine ideas from several premier analysts and theorists in this area, reaching what I hope is a coherent and unique theory of historical truth. In this chapter, additionally, I provide a small sketch of an independently created theory of truth that is in accord with the rest of the analysis. The work concludes with final summaries and thoughts about the overall importance of narrative historical writing, and their impact on human historical consciousness and writing.
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Lieutenant-General Confederate Army. From Manassas to Appomattox: Memoirs of the Civil War in America. Illustrated with plates, maps, portraits, and engravings specially prepared for this work. Philadelphia: J. B. Lippincott Company, 1896, copyright, 1895. Located on the WWW at <http://www.archive.org/stream/frommanassastoap00longuoft/frommanassastoap00longuoft_djvu.txt> Lowenthal, David. The Past is a Foreign Country. Cambridge: Cambridge UP, 1985. Lukács, György. The Historical Novel. Translated by Hannah and Stanley Mitchell, introduction by Fredric Jameson. Lincoln and London: U of Nebraska P, 1983. © Merlin Press Limited, 1962. Located on the WWW at <http://books.google.com/books?id=nuGqXYzBj_wC&printsec=frontcover#v=onepage&q=&f=false> Maier, Charles S. “Consigning the Twentieth Century to History: Alternative Narratives for the Modern Era.” The American Historical Review 105.3 (2000): 47 pars. 19 May 2008. 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New York, Oxford: Oxford UP, 1988. Miller, Perry. The New England Mind: The Seventeenth Century. Cambridge, Mass., London: Harvard UP. Copyright 1939 by Perry Miller, copyright 1954 by the president and fellows of Harvard College, copyright 1982 by Elizabeth W. Miller. Mink, Louis O. “Narrative Form as a Cognitive Instrument.” In The Writing of History: Literary Form and Historical Understanding, Robert H. Canary and Henry Kozicki, eds. Madison, Wisconsin: The U of Wisconsin P, 1978. Munz, Peter. The Shapes of Time: A New Look at the Philosophy of History. Middletown, Conn.: Wesleyan UP, 1977. Nagel, Thomas Nagel. “What is it like to be a bat?” The Philosophical Review, LXXXIII, 4 (October 1974), 435-50. Accessed on the WWW at <http://organizations.utep.edu/Portals/1475/nagel_bat.pdf> Nelsen, Hart M., Raytha L. Yokley and Anne K. Nelsen, The Black Church in America. New York: Basic Books, 1971. Nietzsche, Friedrich. The Use and Abuse of History. 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描述	博士國立政治大學英國語文學研究所 93551502 98
資料來源	http://thesis.lib.nccu.edu.tw/record/#G0935515021
資料類型	thesis

dc.contributor.advisor	藍亭	zh_TW
dc.contributor.advisor	Lane, Timothy	en_US
dc.contributor.author (Authors)	潘大為	zh_TW
dc.contributor.author (Authors)	Pendery, David	en_US
dc.creator (作者)	潘大為	zh_TW
dc.creator (作者)	Pendery, David	en_US
dc.date (日期)	2009	en_US
dc.date.accessioned	9-Dec-2010 12:07:36 (UTC+8)	-
dc.date.available	9-Dec-2010 12:07:36 (UTC+8)	-
dc.date.issued (上傳時間)	9-Dec-2010 12:07:36 (UTC+8)	-
dc.identifier (Other Identifiers)	G0935515021	en_US
dc.identifier.uri (URI)	http://nccur.lib.nccu.edu.tw/handle/140.119/49888	-
dc.description (描述)	博士	zh_TW
dc.description (描述)	國立政治大學	zh_TW
dc.description (描述)	英國語文學研究所	zh_TW
dc.description (描述)	93551502	zh_TW
dc.description (描述)	98	zh_TW
dc.description.abstract (摘要)	本論文將檢視非虛構歷史記錄（史料）與虛構歷史書寫（歷史小說），全方位分析歷史意識與書寫間的關係。在考察大量非虛構歷史記錄與虛構歷史文本間的關聯與從屬性後，試圖梳理出隱晦於兩者間之互動聯繫。上述聯繫奠基於認識論、認知學、美學、語言學與本體論，而這些特性皆將於論文中詳細分析論述。在深入介紹三位重要的歷史／文學理論家—詹明信、保羅‧呂格爾以及海登‧ 懷特—並且比較其作品之異同後，本人將於第二章提出本論文的主要發現之一，即作品中存在著本人稱為「美學倫理」的、一種不斷形塑的思維。本人認為，美學倫理是一種強大且具約束力的複合物，它連結並影響著非虛構與虛構歷史的書寫，而書寫則涵納了道德／倫理與美學特性之實踐。美學倫理乃是動態、高度審慎的領域，其中包含個人與群體的歷史經驗，並且盤根錯節於深層美學與意識的大架構之下。在此經驗中，歷史首先實際發生，接著由歷史學家載入史料，其後由歷史小說家書寫成為故事。在此部份，我將於論文中引述一些重要的分析家，其中最具影響力者要算是約翰‧杜威以及丹尼爾‧維克伯格，他們的「感知歷史」理論將會是重要論述因子之一。在本文理論中另一重要元素乃是人類意識敘事基礎對於虛構與非虛構歷史敘事的理解與組織模式。而這將再次點明實際的意識經驗（歷史）是如何先發生，之後由歷史學家書寫（意識）歷史，接著再由小說家撰寫故事。第三章根據上述論證，透過敘述意識概念的細節回顧，以及意識如何建構歷史敘述之脈絡，進一步闡述理論。本研究較為獨特之處，在於對主體性、客體性與相互主體性之間，整合運作聯繫性之分析。第四章將詳細剖析各種特定的美學因子，以及這些因子在理論架構中，歷史意識兼敘述之「發展中網絡」裡所扮演的角色。此分析之重要元素乃是本人對於生活與文學中表達模式之檢視，在過去此類概念並未被充分陳述。第五章包含真實與歷史書寫之分析。根據本人研究，仍有許多關於歷史敘述中真相之觀察與「建構」方面的細節，過去尚未有較完備之研究。透過比較異同，並整合當代多位優秀分析家與理論家之理論，本人將描繪出關於歷史真相之完整且獨特的理論。此外，本章亦將概略提出一個與論文其他分析搭配，且獨立建構的真相理論。在結論部分，將針對上述眾多概念，提出其整體重要性之論述，以及這些概念對於人類歷史意識與書寫之衝擊。關鍵字：歷史、歷史意識、歷史學家、歷史小說家、史料、歷史小說化、史實、美學、敘述意識、道德、倫理	zh_TW
dc.description.abstract (摘要)	This paper is an expansive analysis of historical consciousness and writing, examining the principle genres of non-fiction history (historiography) and fictionalized history (historical novels). The analysis examines a host of relevancies and affiliations that cross among fictional and non-fictional historical writing, and seeks to highlight underlying vincula linking these two narrative forms. These linkages stem from epistemological, cognitive, aesthetic, experiential, linguistic and ontological qualities, all which will be examined and related in detail. The work begins with a thorough preamble that compares, contrasts and critiques the works of three major historical/literary theorists—Fredric Jameson, Paul Ricoeur and Hayden White—and applies their theory to my own ideas, I introduce my main theses and themes, to be examined throughout the study. A principal finding of this study in Chapter Two is the existence of a conditioning conception I call the “aesthetics ethic.” The aesthetics ethic is I posit a strong, binding amalgamation that links and influences these two genres, comprised of transacting moral/ethical and aesthetic features. The aesthetic ethic is a dynamic, densely deliberative field comprising individual and community historical experience, embedded within profoundly aesthetic and conscious contexts, in which history is first lived, and historical writing by historians and historical novelists is then composed. I refer to a number of important analysts in this section of the work, perhaps most importantly John Dewey and Daniel Wickberg, whose theory of “histories of sensibilities” is an important factor. An additional important element of my theory is that the narrative basis of human consciousness maps onto historical narratives, fictional and non-fictional. This again refers to how conscious lived experience (history) is first lived, and then (conscious) historical writing by historians and novelists is then composed. I follow this examination, in Chapter Three, with a detailed review of conceptions of narrative consciousness, and how this consciousness maps onto historical narrative, proper. A unique element of this study is my analysis of a given combinatory transaction linking subjectivity, objectivity and intersubjectivity. Chapter Four is a lengthy analysis of specific aesthetic factors, and their roles in a “burgeoning matrix” of historical consciousness-cum-narrative within my overall theory. An important component of this analysis is my examination of modality in life and letters, and important conception that has not been adequately addressed in the past. Chapter Five includes an analysis of truth in historical writing—and we find that there are intricate details about the apprehension and “construction” of truth in historical narrative that have not been adequately described before. I delineate, compare, contrast and combine ideas from several premier analysts and theorists in this area, reaching what I hope is a coherent and unique theory of historical truth. In this chapter, additionally, I provide a small sketch of an independently created theory of truth that is in accord with the rest of the analysis. The work concludes with final summaries and thoughts about the overall importance of narrative historical writing, and their impact on human historical consciousness and writing.	en_US
dc.description.tableofcontents	“Hir’d or Coerc’d”: The Creation of Narrative Historical Writing • Introduction 13 • Fredric Jameson 38 • Paul Ricoeur 47 • Hayden White 55 • Conclusion 72 Lived Experience, Historical Consciousness and Narrative: A Combinatory Aesthetics Ethic • Introduction 81 • The Aesthetics Ethic: Aesthetic Contours in Lived Experience 86 • The Aesthetics Ethic: A Social Ethic 92 • The Aesthetics Ethic and Histories of Sensibilities 115 • The Aesthetics Ethic: A Narrative Ethic 121 • Conclusion 138 Narrative Consciousness and Historical Experience: Living Links • Introduction 142 • Historical Theory and Narrative Consciousness 145 • Literary Analysis and Narrative Consciousness 149 • Narrative Consciousness 156 • Subjectivity and Objectivity: Theories of Coherence 172 • The Importance of Thought, Redux 185 • Conclusion 187 Fictionalized History, Historicized Fiction: Two Peas in a Pod • Introduction 192 • Crossing Boundaries 195 • Burgeoning Matrices of Fictionalized History 200 • What is History? 205 • Historical Writing, Aesthetic Contours: Imagination 210 • History and Myth 213 • Historical Writing, Aesthetic Contours: Point of View 226 • Historical Writing, Aesthetic Contours: Fictionalization 240 • Historical Writing, Aesthetic Contours: Becoming 267 • Historical Writing, Aesthetic Contours: Heteroglossia, Intertextuality 273 • Historical Writing, Aesthetic Contours: Contingency, Metaphor, Modality, Chaos 278 • Historical Writing, Aesthetic Contours: Temporality 303 • Historical Writing, Aesthetic Contours: Rhetoric 310 Temples, Towers, Shifting Sands: Truth in Historical Writing • Introduction 338 • Greater Truths 349 • Into the Fray: Parameters of Truth in Historical Writing 362 1. John Dewey, Richard Rorty, Jürgen Habermas 364 2. Niall Ferguson 371 3. Marie-Laure Ryan 373 4. Nelson Goodman 387 • Past into Present 391 • Fictional Truth and Belief: A Personal View 398 • Fictional Belief 402 • Fictional Truth 406 1. Actual Truth 410 2. Possible Truth 411 3. Assumed Truth 413 • Procedures Obtaining Truth in Fiction 418 The Creation of Narrative Historical Writing: Concluding Thoughts and Summaries • Concluding Thoughts 424 • Concluding Summaries 437 • End notes 452 • Bibliography 499 • Author CV 522	zh_TW
dc.format.extent	5617254 bytes	-
dc.format.mimetype	application/pdf	-
dc.language.iso	en_US	-
dc.source.uri (資料來源)	http://thesis.lib.nccu.edu.tw/record/#G0935515021	en_US
dc.subject (關鍵詞)	歷史	zh_TW
dc.subject (關鍵詞)	歷史知覺	zh_TW
dc.subject (關鍵詞)	史學家	zh_TW
dc.subject (關鍵詞)	歷史小說家	zh_TW
dc.subject (關鍵詞)	歷史編纂學	zh_TW
dc.subject (關鍵詞)	歷史真相	zh_TW
dc.subject (關鍵詞)	美學	zh_TW
dc.subject (關鍵詞)	敘事知覺	zh_TW
dc.subject (關鍵詞)	道德	zh_TW
dc.subject (關鍵詞)	概念	zh_TW
dc.subject (關鍵詞)	History	en_US
dc.subject (關鍵詞)	historical consciousness	en_US
dc.subject (關鍵詞)	historians	en_US
dc.subject (關鍵詞)	historical novelists	en_US
dc.subject (關鍵詞)	historiography	en_US
dc.subject (關鍵詞)	historical truth	en_US
dc.subject (關鍵詞)	aesthetics	en_US
dc.subject (關鍵詞)	narrative consciousness	en_US
dc.subject (關鍵詞)	morality	en_US
dc.subject (關鍵詞)	ethics	en_US
dc.title (題名)	國立政治大學英國語文學系博士班博士論文	zh_TW
dc.title (題名)	"Hir`d or Coerc`d": The Creation of Narrative Historical Writing	zh_TW
dc.type (資料類型)	thesis	en
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