| dc.contributor.advisor | 阮若缺 | zh_TW |
| dc.contributor.advisor | Juan, Rachel | en_US |
| dc.contributor.author (Authors) | 李雅琪 | zh_TW |
| dc.contributor.author (Authors) | Lee, Ya-Chi | en_US |
| dc.creator (作者) | 李雅琪 | zh_TW |
| dc.creator (作者) | Lee, Ya-Chi | en_US |
| dc.date (日期) | 2009 | en_US |
| dc.date.accessioned | 9-Dec-2010 12:30:14 (UTC+8) | - |
| dc.date.available | 9-Dec-2010 12:30:14 (UTC+8) | - |
| dc.date.issued (上傳時間) | 9-Dec-2010 12:30:14 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0096952020 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/49895 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 歐洲語文學程碩士在職專班(MPES) | zh_TW |
| dc.description (描述) | 96952020 | zh_TW |
| dc.description (描述) | 98 | zh_TW |
| dc.description.abstract (摘要) | 此篇論文研究以恥感情緒作為創作手法的七位重要畫家庫爾培、馬內、克林姆、羅特列克、畢卡索、馬格利特、以及培根，分析此一時期現象之因，其發展形式為何，探討恥感圖像的延續脈絡與終極目標，以及對繪畫藝術史進程有何獨特意義。對照特定創作圖像的恥感意識之源，與畫家人格與作品之社會回饋，了解畫家所開創之藝術性影響。筆者以分析理論基礎、視覺與美學理論、畫家專述三大部份的文獻資料，探索畫家重大生命事件與社會氛圍，以研究西洋近現代繪畫史中獨特的發展時期，發現恥感圖像，為畫家逃避現實的另類語法，恥感情緒於畫面的舒展，深深地影響了西方近現代繪畫，並成為當代廣為接受的形式。此外，恥感圖像的意義遠遠超越現今世人的理解，它構成一種藝術家用以昇華羞恥、執筆表達複雜人生的特殊圖型語言。然而恥感圖像所顯現之恥感，並非真實之恥感，一如圖像並非即為真實，而是現實的再次呈現，以至於重複的再現。恥感圖像或非純然為描繪淫穢下流的現實存有，而是體現了諸如想像、壓抑、慾望、與顛倒夢想的奇異幻境與情色妄念。然而，足以確信的是：任何一種源自於恥感情緒的圖像，所見皆為人類意識所創生，並以獨立渠徑，或其它相互關聯的方式，在獨特的繪畫美學中顯現其存在，成為文化與藝術史中砂磧涓滴的一部分。 | zh_TW |
| dc.description.abstract (摘要) | This thesis studies the shame emotions as an important creative technique used by seven famous artists: Gustave Courbet, Édouard Manet, Gustav Klimt, Henri Raymond de Toulouse-Lautrec, Pablo Picasso, René François Ghislain Magritte, and Francis Bacon. The researcher aims to analyze the origin of this phenomenon in this period and the form of development of the shame images. The researcher also discusses the extensile sequence and ultimate goal of the shame images, and the special meanings to the process of the history of painting. By comparing the sources of the shame feelings of the specific creative images, realizing the social feedback of painters’ personalities and their works, the researcher tries to understand artistic effects created by the artists. Moreover, the researcher explores the artists’ important life events and the social atmosphere as the theoretical basis to learn the visual and aesthetic theories, painters’ documents, and this unique period of history of western modern art. And find that the shame image is the alternative linguist for artists to escape. Using the shame emotions to compose the picture had been influencing the western modern painting deeply, and becomes a popular art form contemporary. Furthermore, inner part of the shame images had deeper and more fascinating meanings and associations than we now realize. They made up a language of pattern used by artists to convey ideas about complex human life by the path of the sublimation of ashamed. The shame images show us the shame not the shame itself. Images are not the things shown but are representation thereof: re-representation. What shame images represent may otherwise not exist in the indecent reality and may instead be confined to the realm of imagination, depress, desire, dream, or sexual fantasy. And yet, of course, any image from the shame emotion exists as an object within the aesthetic of painting that it in one way or another engage, what we see is the product of human consciousness, itself part and parcel of culture and history of art. | en_US |
| dc.description.tableofcontents | 第一章 緒論 1第一節 研究動機 1第二節 研究方法及架構 5第三節 文獻探討 9第二章 世紀末的原慾啟蒙 12第一節 恥感繾捲的甦醒－ 庫爾培 12第二節 連接原始與現代的標的物 16第三節 十九世紀的私密場景－馬內 17第四節 羞辱的注視 23第三章 世紀初的華麗褻瀆與畸形肉身 27第一節 華麗的世紀初歡場祭典－克林姆 27第二節 肉身嘲諷－羅特列克 32第三節 迷宮與妖怪－畢卡索 39第四章 潛意識時代的自我遺棄者 49第一節 野獸與雌牛－馬格利特 49第二節 恥感幽靈的血腥祭典－培根 59第三節 威權與道德的排泄者 63第五章 結論-繪畫的恥感與美學 68參考書目 73附圖 79 | zh_TW |
| dc.format.extent | 11872749 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0096952020 | en_US |
| dc.subject (關鍵詞) | 恥感 | zh_TW |
| dc.subject (關鍵詞) | 恥感情緒 | zh_TW |
| dc.subject (關鍵詞) | 恥感圖像 | zh_TW |
| dc.subject (關鍵詞) | Shame | en_US |
| dc.subject (關鍵詞) | Shame Emotion | en_US |
| dc.subject (關鍵詞) | Shame Image | en_US |
| dc.title (題名) | 背德的聖像---論恥感情緒對西方近現代繪畫美學之影響 | zh_TW |
| dc.title (題名) | Immoral Icons:A Study of the Influence of Shame Emotion on the Aesthetics of Western Modern Painting | en_US |
| dc.type (資料類型) | thesis | en |
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